The Modern Age of Mysteries

I really like the author's writing style and narrative style. The pictures are so strong that I can imagine some of them even if I close my eyes. There are also emotional aspects, especially the family lines that moved me very much. It's so comfortable to read! Every time the plot brings me new surprises, even with so many setbacks, I personally feel that it is still an interesting experience, which is a rare feeling! I hope the author doesn't care about those people's comments. I feel that you are a polite and gentle person. It's good to write according to your own ideas!

，， However, the description of the era background is seriously torn from front to back. According to the author, it is the world view of the "BioShock" series, but what is described above is a world after the second industrial revolution, mixed with fantasy content such as mystery, while the "BioShock" series is a steampunk world, which directly leads to the tearing of the background. But the Ocean City chapter is an above-average short story if taken alone. Regarding the description of the main plot and branch plots, the end of the main plot is too abrupt. There is no foreshadowing about the second personality, and there is no description of the cloning technology. Just when it is time to end this chapter, suddenly saying "Ah, we just need the second personality to extract the second personality." It is too outrageous. Naoki Kuya and Babar would not do this. And regarding the content of the branch plots, every time the protagonist completes the final battle through the deus ex machina, it really makes people feel that the early battle of wits is not necessary, resulting in every branch plot having an anticlimactic feeling. I think the highlight of the Ocean City chapter is that every character who appears has his or her own role, which is something that many novels are difficult to achieve. Generally speaking, the whole book can still be read, but because of the existence of these flaws, it will be difficult to become famous with this book.

Alas, I read this book. It was good. Just like some comments said, although there are many female characters, the appearances are reasonable and not licking, so they are all good. Well, in chapter 348, Catherine, who is equivalent to leading the protagonist, suddenly had a drunken kiss. Then in chapter 361, Olivia and Olivia explained why they had another kiss and were seen by their sister because of synaesthesia, so it felt like another harem stallion novel. In fact, I was just a little speechless when I saw this, but it wasn't to the point of being poisonous. But I'm afraid that there will be more emotional poison later. When the time comes, I'll spend money to buy it. Because there is also a married Daisy who seems to be interested in the protagonist, so there are already three. It's only more than 300 chapters. What if there are other female characters later and the protagonist will also happen to me? So I'm confused.

This is definitely the most thoughtful author I have ever seen... I could write a long book review after reading other books, complaining about various problems in the book. This is the first time I have met an author who clearly analyzes the problems without me complaining about them.

Why don't you write about time travellers, otherwise you won't have a sense of immersion? The Lord of Mysteries is all about time travelers as protagonists, but now you are not a time traveler, so you won't have a sense of immersion. Look at those great books, there are many books where time travelers are not the protagonists.

I will be very happy when someone writes a good review; when someone writes a negative review, I will also read it and seriously consider whether to adopt it. For the sake of fairness, I will not delete any "negative reviews" in the book review section unless they are malicious attacks on me, the book, or the characters. However, for all the passing book friends who read negative reviews, I would like to say that this book was written seriously by me and has been loved by some people, so it is by no means as bad as some reviews say. Some book friends have a "formulated" requirement for stories. Once the story or characters do not follow the preset pattern in their minds, they lose patience and write negative reviews to vent, blocking future potential readers. The content of negative reviews is nothing more than: the protagonist is not a time traveler, there are too many female characters, the protagonist's level-up challenge is unreasonable, the protagonist's early stage is not enough to defy the sky... Etc. Putting aside whether their judgment is reasonable (which is often open to discussion), this behavior is very similar to the defenders of the "eight-part essay" who use their words and deeds to "rigidize" the possibility of novels. However, I won't talk too much about right and wrong here. What I want to say is that there will not be anything in this world that will satisfy everyone. Books have their own style, some people like them and some don't, it's that simple. Therefore, when book friends see negative reviews, it's not that this book has too many negative reviews, but that I just won't delete it. So please don't blindly believe in good or bad reviews and judge based on your preconceptions. If you like this kind of subject matter, you can try reading it. If you don't like it and the instructions don't suit your taste, we have no luck for the time being, and we hope you can find a book you like. If you like it, you can have a good and exciting experience, right? However, I have to reiterate in the end that any negative reviews that maliciously attack the book, the characters, and myself will be deleted. Happy reading!

There is a reason for lv2. After reading chapter 150, I really can't hold on anymore. The writing is good, but the character logic and plot rhythm are too uncomfortable. The character motivations are horribly rigid. In fact, it is not necessary to have a strong motive to drive the plot, but the author used an old-fashioned strong motive to forcefully push the plot for 150 chapters. Along with the bugs in the character's logic, there is no such thing as a museum manager for ordinary people doing such a cruel job as burning their retinas. I lost my patience with this book. The ability setting and level setting are very good, which is what attracted me to continue reading 150 chapters. However, the plot rhythm and character logic problems have reached the point where it affects reading. I thought the author had improved after the beginning, but it turns out that it is a periodic seizure, which can poison you from time to time. I hope the author's next book will be better.

The world setting is very interesting. In the parallel world of New York, the United States during the Second Industrial Revolution, an indigenous demon hunter looking for his sister embarks on an adventure, which is very similar to the city of Tingen at the beginning of Lord of Mysteries. The first recommendation vote in my life is given to the author, come on.

The writing and character creation of this book are very good. The only problem lies in the author's main line setting or plot. I have seen many people complaining that this book does not have a time traveler protagonist, but that is not the problem. I think the core problem is that this book lacks a sense of empathy. The author clearly tells her at the beginning that this book is about looking for her sister, and then uses this as a clue to advance the plot. Writing like this can be said to have discouraged many readers, and I couldn't hold on anymore after the public chapter. First of all, in reality many people do not have brothers or sisters, so it is difficult to generate empathy and attract readers to pursue books. Secondly, unless there is a certain chapter of foreshadowing, I think it is very poisonous to use family affection as a plot driver in online articles. Because the readers don't even understand the protagonist, the protagonist will get into a lot of shit because the readers don't recognize family affection, and will be forced to do this and that, giving readers a purely negative reading experience. In contrast, the author can refer to how the best friends slowly shape family friendship in the beginning and use this to advance the plot. Although this is a slow start, this is not a cool article for you to write. Based on personal opinions, I propose two better ways to optimize the plot: 1. Use the sister as an introduction to the extraordinary world, rescue her within 30 chapters, and then struggle in the extraordinary world. 2. In the beginning, I was given amnesia by a cult because I was looking for my sister, and then I slowly learned my identity and purpose. This is much more immersive than the pale main story of looking for my sister.

It's right that this novel is not popular. After all, the writing is good, but the plot is too cliche. Why don't you just save a sister? I wrote more than two hundred chapters but couldn't save it. Do you want to write it to the finale? It feels a bit like the plot of Dou Po, but your writing is not as good as others, otherwise you wouldn't be so miserable.

Authors don't need to listen to their nonsense, stick to yourself. Anyway, I feel that your writing is very good, but my Huabei has expired, so I can only order a little bit, but you must persevere, it is really good, whether it is the plot, dialogue or setting, come on 😊!

In fact, it would be better to make it a time travel at the beginning. Finding the sister is the obsession of the original owner, so it will be more immersive.

Looking at it so far, first-rate writing, second-rate creativity, and third-rate plot. Originally I gave up on the part where I was caught by Rabbi Lins, and I had no idea why such a plot was included. However, after picking it up a few days later and seeing the labyrinth island, mud, and star map, it still attracted me and looked forward to the next story. Of course, I hope the author will work hard, not be confused by the comments, and stick to his own outline, so that the story will be complete.

In fact, I didn't want to write it at first, because I felt that I "understand everything". However, some people have repeatedly mentioned this as an argument, so I will refute it. There were also comments that echoed what others said, so they were deleted directly. First of all, from the setting point of view, I think that the Jack class cannot touch the Ace class, which is just my imagination. There is no gap between the "Qi Refining Stage" and the "Nascent Soul Stage" at all. I didn't write it that way at all. From the beginning, my setting, whether it is J or A, is in the "human realm", and A has not entered the "god realm". It is more like a "military rank" that reflects personal strength, rather than a "cultivation stage." In addition, what was the process of "taking advantage of the weak" and "defeating the strong with the weak" for the first time? (Spoiler warning below) Sean used his strategy to force the other team to fight with four King-level Aces and one "preparatory Joker" Ace. It took a lot of effort. In addition, his team had four strong Jacks, so he managed to fight without anyone taking advantage... You told me that this is called "the protagonist has an average IQ"? Is this called "unreasonable cross-level three challenge"? I have to work hard and don't have time to argue; but when I see some messages, I can't ignore them. So I will write my reply here, and any related posts will be deleted directly. Friends, really, I feel that every word I write in this reply is a waste of time, as if I am explaining why the sky is blue and the grass is green... I try to speak as little as possible, because it is useless to speak too much, because everyone who understands understands.

There is nothing wrong with the writing, but the plot is old-fashioned and has many logical loopholes. At least one of the two problems should be solved For example, if the male protagonist traveled across the ocean to find his sister, shouldn't the embassy be the first place he should seek help? If he was convinced that the driver had set him up, he would not have sought help from the locals immediately. Daisy himself had no conflict of interest with him for the time being, but the local gangsters did. By telling Daisy about this, the protagonist was causing trouble for her, and was too unkind to others. And back to the protagonist, he doesn't trust the Commandment Institute very much. Regarding the comparison of corpses in the later stage, including the appearance of another person suspected of being his sister, he did not intend to go through the formal channels and entrust Daisy instead. However, his attitude toward Daisy when she was related to the underground gang was on the cold side. It is too unreasonable to squeeze half of the body in the ivory tower when the time is right to escape. It is true that he cannot see through the author's thoughts. This is the same as Writing about a person who is both beautiful and ugly The plot is old-fashioned. This depends on experience. I have seen a lot of this kind of main plot of saving family members and then getting lucky all the way, but it does not mean that he is not good. If a person has never read the novel, Douluo Dalu and other novels are also very good for him, but for me, this is a bit too old-school. Of course, you can also say that he is more kingly, but I think he can still make some innovations

In the second chapter, the protagonist is persuaded to quit. The protagonist is told by his senior not to look back in the fantasy world, but the protagonist commits suicide and turns around to cause trouble for himself and then uses the cheat exemption. It is really unacceptable 🙏

1. The story background of this book is relatively unique among the Cthulhu online novels. I personally like this world view very much, but I feel that the tone of the world after Ocean City is a bit more realistic, losing the rich and colorful feeling of coexistence of absurdity and glitz [except for the theater chapter]. It may be that the author needs a different tone to unfold the story, and the description of the world background will be slightly fragmented. 2. The author's writing skills are very strong, and the things he describes have a strong sense of reality, but unfortunately the character creation is not very good. First of all, the male protagonist, the image he created is not outstanding, not unrealistic but a bit ordinary, a neutral and lawful smart man. Other than that, I can't see anything personalized in his character, maybe It's because I only read it once and it was relatively shallow, or the author simply wanted to create a male protagonist with an ordinary personality. The role of the younger sister didn't look like a younger sister at the beginning. Believe me, a real younger sister won't blush because of trivial things... It got a lot better later on. I really feel that the other female characters don't matter. It's really strange that a biological sister would blush and be shy in front of her brother. [I don't quite understand the author's obsession with the description of women blushing. Almost all women without partners who have scenes with the male protagonist have blushed, even the queen. 3. The channels for improving power in the power system and even the division of abilities are relatively vague. I think compared to J-level and A-level, soul concentration may be the basic indicator for judging strength? As for functions, mysterious things, divine powers and feathers, etc., I can summarize them carefully when I have time. The online texts of the genre have a certain reading threshold. Such mixed writing makes it a bit more difficult to read, and it is not easy for readers to judge the strength level of the people in the book. It is a bit like the author has the final say on whether he is strong or not. 4. Finally, I want to be Miss Olivia Wind Chimes🐶! ! ! !

After reading it, I think it's okay overall, but to be honest, I think the writing of this setting is really not very good: The relationship between authority, mask and ability is very confusing 1. For example, the protagonist has a golden finger, and his ability comes from the golden finger, so where do the skills of other explorers without golden fingers come from? 2. Regarding the relationship between masks and abilities, if masks have nothing to do with abilities, then why does the protagonist prefer to get the mask of the scribe before he gets the mask, but he is not an apprentice? If masks are related to skills, then what are the skills of the protagonist Unknown Sea? 3. What is authority? Where does the so-called journalistic authority of the protagonist come from? Is this authority strengthened through role-playing or does it remain unchanged or something like that? If acting can enhance, how can someone like the so-called degenerate act? To be honest, I really don't understand these three points. Don't come up to curse others. Let's discuss it peacefully. If you argue, you are right.

It's very interesting. I don't understand why it's only LV2. Maybe changing the protagonist to a time traveler would give readers a better sense of involvement? Natives from other worlds have no sense of empathy

I have read a few chapters and I feel pretty good. I can only say that the book is good. The reviews are really rubbish. There are too many disgusting things.

Grave Sweeping, what a pity book. The setting and writing are very good, I don't know why I became a eunuch.

Regarding some of my thoughts on the card games from Chapters 85 to 91 and my discussions with my book friends, I don't know if they are rational or not. Anyway, no one will read so many words, it's just my own catharsis. The timing of the last round that killed Petrich was unreasonable! About the card game, it can be divided into several parts. One is before losing the heart, Henry enters and exits the game, and is caught peeking at the moonlight. The writing is full of ups and downs and advances layer by layer. It is very exciting. It vividly depicts Henry's greed and gambling, Moonlight's agility and bravery, Jock's forbearance and cunning, and the growth of the protagonist. The author couldn't have done better. The game after resurrection is also well written. At this time, the protagonist's poker skills have greatly improved. Jock cannot judge whether the protagonist has stolen the chicken through observation. He is even shaken by the protagonist recalling a scene from his own life. At this time, the protagonist called out his real name and tried to provoke him, so he impulsively followed the bet. The writing is also very reasonable. Secondly, about the growth of the protagonist. By learning from Henry and even Jock, the protagonist grows rapidly in the gambling game. The author clearly writes it out. It can even be considered that the protagonist has superhuman learning ability and can quickly learn and master a skill. Especially because the protagonist only has ten chips left to mortgage his heart, and he can only be cautious when facing the opponent's three hundred chips. The pressure is unimaginable: as long as he loses one round, he may be doomed, but winning one round is harmless. In this situation, the protagonist "played every game to the extreme", "constantly digested what he learned from the peak gambling game just now", "continuously improved his card skills in a short period of time", and once won thirty chips. It can be said that the protagonist's psychological quality and card skills are both in perfect condition at this time. Its rapid growth can be described as abnormal. In this part, the author only has necessary dialogue descriptions and almost no psychological descriptions. It is more about describing the game process in outline, or observing it from Jock's perspective. However, it retains the tension of the battle as authentically as possible. At the same time, it is not difficult to restore the protagonist's psychological activities-dancing on the wire. The author's penmanship is evident. As for strategy, everyone probably knows that because of the blind betting rules, the side with more chips in the Texas game has a huge advantage. When the gap reaches a certain level, the party with more chips can even choose to brainlessly squeeze the opponent ALL IN before the flop to eat into the blind bet (Jock's "using his chip advantage to constantly pressure Sean to take risks" is probably the method he used). In Texas Hold'em, the party with fewer chips has almost no chance of winning, because it is difficult to build a large pot that can be harvested by oneself: the pot will not increase if you keep looking at the cards, and you may eventually be forced to go bankrupt by the rising blinds; if you raise a reasonable amount, the opponent may not follow, but you can win the next round but not many chips; if you raise an unreasonable amount, it is good to bluff the opponent, but the risk is too high and the reward is not proportional. Once the opponent is caught stealing the chicken, the whole army will be wiped out. So if the protagonist wants to win, he must first have a chip advantage. There are two ways to do this: either keep playing reasonable cards and slowly accumulate chips (difficult to defeat monsters and level up); or buy chips to become the party with the chip advantage (recharge to become stronger). After the chips are evenly matched or have an advantage, it is the most exciting psychological game and the most test of card skills. Finding a suitable round (in the original text, a flush encounters an enemy card) to determine the outcome. The protagonist's card skills were very poor at the beginning and he did not occupy a dominant position. After Henry's failure and Moonlight's discovery, the protagonist mortgaged his heart and began to try to play steadily, but before or at this time, the protagonist should have realized that it is difficult to win against Jock with a conservative approach, so For Jock, he is "simply a perfect poker player" and "has a sharp eye when seeing through the opponent's bluff". He can always achieve "when he loses, he loses the least; when he wins, he wins the most", and even "when he gets the enemy's card, he can stop the loss at the most reasonable time." Therefore, the only chance of winning against Jock is to interfere with the opponent's judgment and induce the opponent to bet all the chips in a round where one's opponent has the upper hand. This requires two or three necessary conditions: First, you have more chips than Jock; Second, make Jock lose his mind at the critical moment; Third, the enemy card appears and you have the advantage. The protagonist happens to have both of the first two. First, the protagonist's soul with "divine roots" must be very valuable if mortgaged. The protagonist has considered this and is highly confident. Therefore, when the soul is actually mortgaged and exchanged for 999 chips, others are surprised, but the protagonist laughs at himself and doubts that 999 is the upper limit of the ritual and not the value of his own soul. The second is that the name and story of Petrich mastered by the protagonist are likely to disrupt Jock's mind. Moreover, the protagonist's skills can simulate the work of organs (the protagonist has tried to replace the hand before), and the protagonist is confident that he can come back from the dead after losing his heart. The protagonist also firmly believes that this will destabilize the sinker on the opposite side (???). Article 3 If there is no suitable cheating method, the only option is to wait. In fact, there are not many card types suitable for the ultimate showdown. The winning cards are too small. Even if he loses his mind, Jock, as a perfect card player, will not bet all his wealth. I think so. The protagonist seems to think so too, so the author also thinks so. And as the ending of the climax, it is obviously not exciting enough. If the made card is too big, the protagonist will get a royal flush, and Jock will get a straight flush. The pattern of the community card will be too obvious, and it will be difficult for Jock to take the bait. I can think of a few card types that can be used. One is the straight flush used by the author to kill Jock's top flush, and the community card obviously does not come out of a full house and four of a kind. The second is Jock's hole card AX. The community card shows a pair of Aces and a pair of In comparison, the author's choice is more exciting and more practical, thumbs up. Because the probability of a flush is 23.53%, It is relatively easy to achieve, but the probability of a flush is only 3.03%, And the probability of a heads-up double is 0.14%. The probability of the protagonist getting a flush is too troublesome to calculate, but I believe it is at least an order of magnitude smaller, a few ten thousandths or less. Basically, if you get an A-high flush, a normal person would be hard-pressed to be scared off by the one in 10,000 chance, and they have to follow it to the end no matter what. Even Jock, a perfect poker player, is in a dilemma at this time. Because from the following description, we can roughly restore the card pattern: Jock himself got the A of Clubs, which can easily rule out the possibility of the protagonist having a royal match, and the community cards are not enough to support the full house and four of a kind (During the dialogue, Jock firmly believed that the protagonist got a flush, which shows that there is no pair in the community cards). The chance of having a stroke or a stroke is more than 9900 in 10,000. Isn't it worth taking a chance? But later, the intuition of a good poker player (or the momentum of the protagonist) made Jock feel something was wrong - he could no longer read the cards as before - "This poker player who grew up in the previous gambling game was like a god at the moment, without revealing any information" - this made the veteran player shaken and reminded him of his own death, so he retreated. So the protagonist put the last straw. He called out Jock's real name, said Daisy's name, told about his death, and used provocation. This made Petrich angry and gave up his ten thousandth struggle. The last game was well written and extremely exciting! Since I think the author's writing is so good, why am I still in a daze and arguing with my book friends? After being advised by several people in the chapter, why do you still think that there is something wrong with the author's arrangement? Note that this is arrangement, not writing. I think the pull on the crotch lies in two places. One is that the protagonist thinks that his resurrection from the dead can shake Petrich, and he regards this as an important part of his tactics. In fact, he did this and really broke Petrich's mentality. I really don't understand what a big deal it is to be resurrected after death in a mysterious world. Didn't Petrich himself die once as a sinker? Is it shocking that the protagonist exists in another form after death or has some magical item or ability that temporarily replaces the heart? You may be a little curious, but it won't make the well-informed Petrich "confused and shocked" or "ashen". I personally think that even the news that the protagonist's soul is worth 999 is more exciting, and it is reasonable to be shocked by this news. One 👻 was shocked by another person who died but didn't die... Just think that people in the world of the book have never seen Hollywood movies and don't know that the BOSS must be fought in at least two stages and are not used to it. Then how did the protagonist know that 👻 would be shocked? Is this common sense in another world? But this can be regarded as the author's world view setting. Although it is not delicious, it is acceptable. The point I want to talk about next is the point that makes me most uncomfortable, and it is also the point that everyone who tries to argue with me cannot get it - timing. As I said before, the final battle is actually very exciting, if it didn't happen in the first game after the protagonist came back from the dead. When the protagonist explained his strategy to Catherine afterwards, he said that he first deliberately lost his heart and then resurrected his opponent "when he was most excited, causing him to fall into chaos, causing his heart wall to shake and cracks to appear." The author summarized it through Catherine's words: "First lay the foreshadowing, and then focus on the same moment and play all the trump cards in the same round." Note that the protagonist said that he lost on purpose, which means that the protagonist felt that the time had come and it was time to use all his trump cards to complete the victory. But how did he foresee the type of cards in the next round and know that now is the best time to activate? Simply "God favors those who seek mysteries"? Or does the protagonist have the ability to influence the game? In terms of rationality and the protagonist's subjective initiative, I prefer the latter. Careful people should have discovered that this card game is similar to the Chunin Examination in "Naruto", so don't cheat clumsily. The moonlight peek was cheating, and Jock's countermeasure was also cheating. He replaced the ace of clubs with a seven of clubs. This is not something that can be done with a toothpick. It is probably a matter of ability or superb tricks. But the author did not explain it after taking it. The author also did not explain whether the last card appeared naturally or abnormally (power or God's mercy). Like a bone stuck in the throat. It was just a random card game, it happened naturally without anyone intervening. This is the most unacceptable result. As mentioned before, the entire gambling game progresses to climax layer by layer. By the time the protagonist is resurrected from the dead, and then the trend of mortgaging the soul is already unreachable. I don't know if the author is a fan of Western classical drama. The climax is arranged very compactly, and all the contradictions are concentrated at one point. The final battle directly follows the mortgaging of the soul, creating a climax on top of the climax. It is certainly enjoyable to read all the way through, but what about the rationality? Do you no longer care for the sake of pleasure? I calculated in the previous article that the probability of a double flush match is one in a thousand, and I also speculated that the probability of a straight flush killing a flush is one in ten thousand. It can be roughly understood that under natural circumstances, such a scene will only occur once in 10,000 games, that is, the probability of natural occurrence is very low, especially if it occurs at the most exciting time, the probability must be several orders of magnitude smaller. It is very unnatural for such a card type to appear at the moment when it is needed most. Since it is unnatural, it does not appear naturally. "God favors the explorers"? It is also an explanation, but it makes the whole gambling chapter feel like it starts before it ends, and avoids the important and takes the easy way out. Some book friends said that I didn't understand and reversed the cause and effect. I really hope so. I am the one who most hopes that the protagonist is not the one who got lucky and won. It is best if the protagonist has been planning and achieved the final battle through operations, brains and strength, because this is the most reasonable and powerful ending. But where? I thought I had read the book carefully enough, but I really didn't understand how the card pattern in the last round appeared so coincidentally at this time. Who can explain to me why it's such a coincidence? How the hell is it such a coincidence? Why is it so fucking clever? In short, I think it would be very reasonable if the protagonist or the protagonist's side created this situation through some means. If it hadn't appeared at this critical point, the two people were full of gunpowder, and such a scene suddenly appeared, where a battle would determine life and death. It would be extremely reasonable. Only because the foreplay is so sufficient, there happens to be a situation that is just right for a fight to the death: Ha, I just recharged the money, and here comes a card that can knock you over! Not only was it unreasonable, but it also made me flip back and forth several times to see if the protagonist secretly set up the game at some point. How could he get a flush? What if this card waits until the protagonist and Jock are fighting for three or five games before appearing again? How about writing this final battle after highlighting the protagonist's growing poker skills, advantage of having more chips, and aggressive momentum through a few details of discarding and raising? The number of words doesn't need to be too many. Two to three hundred to three to five hundred words can almost explain it clearly. In addition, I would boldly guess that the protagonist's trump card is one of the 7 of clubs, 9, 10, and J, because Moonlight suffered the loss of the 7 of clubs, which is more dramatic.

Another exciting and good story, support!

Come on! I think the writing is very logical and interesting! I've given you the monthly pass, don't stop updating it.

What a surprise to see the Easter egg of Pianist on the Sea! ! ! ! ! ! When I saw the scene where he died together with his ship, I was very sad. But when I saw the ending changed by the author, I was very happy!

I think what the author wrote is great! ! ! A 15-year veteran of online novels. Great!

Oh my god... I read it when I was in high school... Two years ago... I was in high school and I was in so much pain that I wanted to run away. When I saw it, it seemed to be the scene where Sean overcame his fear of the sky. I was suddenly shocked. I felt that it was not that painful anymore, but I didn't have time to read the book and forgot the name. Now that I am a sophomore, I suddenly remembered and came to the starting point to support it... It didn't update..., Oh, I wish I were rich... Male coagulation is very serious, but this book does not have it at all. All the female characters are flesh-and-blood. It is very comfortable to read. It is a book that I like very much It is not water-filled. The reading rhythm is very comfortable and will not make people want to read through it quickly. Alas, I am about to cry... I wish the author a happy life.

Is there a group👏👏

I thought it was updated, but it turned out not to be the case. It's hard to believe.