From the Start, I Became the Black Cutter

The most fearful thing about writing novels is self-pleasure, touching the author himself and disgusting the readers.

The transmogrified weapon has a cooldown, right? Then cool it down slowly. I will come back to you after ten or twenty years.

There is no problem with self-pleasure, but the author's approach is too depressing. When others say something about you, you can argue with them or ignore them. Isn't it just for your own happiness or money to write a novel? (People must be self-aware) If you write well, will so many people dislike you? Think about it. The subject matter is a good one, but if you do things without thinking, you really can't save it. A good hand of cards is played badly.

The description is too procrastinating. Half of the text consists of inner activities plus self-exclamation. There is very little real information, and skipping the page will not have much impact. The supporting dialogue is too long, even if it is used to arrange the subsequent plot or to set off the protagonist to show off, it is too long, and the desire to watch is reduced by more than half. As for ability shortcomings, it is best to state them at the beginning, otherwise it will lead to a psychological gap. For example, in the first few chapters, there is no prompt about abilities and cooling time in the front, but a cooling time setting is suddenly added in the back. The difference between before and after is too big, which is poisonous. The protagonist's reaction in some situations is too exaggerated, giving some readers a very embarrassing feeling. The author had better pay attention to it. As the protagonist, don't yell and yell at every turn. It is better to be more steady. This is not a novel with a large proportion of bullshit, and even in sandbag novels, such situations rarely occur. Some characters are given too many adjectives, which gives a deliberate feeling. Generally, two or three adjectives are enough to describe the image of a character, but sometimes the author can write a long paragraph just for the image. The protagonist should not show too much care for some female characters with whom he has no deep or even no relationship. This will only make readers feel that the protagonist cannot move forward when he meets a woman and is hopeless. Emotions such as anger and fear are best not to appear in the protagonists of cool novels. Readers only want to be happy. Plots such as incompetent rage or anger after being plotted by the enemy will only make people feel suffocated. Not everyone has the patience to read the rest. In most cases, when they see the unsatisfactory plot, they will just delete the book and leave. To sum up, the theme of this book is creative, but the plot and the author's writing style are not polished. There are not many points of dissuasion in the early stage, but they are not much less. There are not many poisonous points, but they still exist. The most obvious ones are the sudden cooling time in the early stage and the large amount of water in the text. (Although the author may feel that his writing is not watery and thinks that all the descriptions he writes are necessary, in fact, this is water, and water is scary. There are too many "necessary" descriptions)

Qidian's books are getting worse and worse. I really want to go back to the period from 2012 to 2017, when the heroes were competing for hegemony, and see what they are writing now.

The author's writing is OK, but the setting is not. ​​​​ ​​The protagonist should be set to be indestructible. An indestructible broken sword is the most attractive.                                                                       The protagonist can be smashed in the next chapter, because he really can't do anything. If others can't defend something like an artifact, it will be destroyed and destroyed. When the illusion cools down, the holder can no longer defend it, and the protagonist will be gone. And the focus is not on him, but on the supporting characters who hold him, and what will happen after these supporting characters get the protagonist. Only an indestructible and powerful artifact will cause everyone to fight for it, instead of a hammer that can smash it after the cooldown of the transmogrification ends. Do you think that a powerful artifact is now a broken sword? What happened to him? Why no one knows? Why did an artifact become like this? Who has he fought with? Has anything been forgotten in history? It's already so strong now that it's damaged, how strong will it be after it's repaired? Then the holder will help the protagonist gain blood in order to repair it. Isn't this the plot coming?         ，，

Write more about the male protagonist's perspective, don't hit here and there with a hammer, what's your word count? Before subscribing, at most the number of readers will decrease. After subscribing, it is guaranteed that most of the remaining readers will watch pirated copies or the author is a eunuch.

Why is it always so weird? He obviously relied on the system to become a black cutter. But before, he couldn't even think of looking at the system. He had to be melted soon before he even thought about the system. It's just baffling, where were you doing before? Incompetent and furious? Do you have to burn your butt before you think of running away?

The writing is okay and it looks quite natural.

This is a book that belongs to the author alone. We are not worthy of reading it. What our eyes still want, listen to me and don't read it. In Starting Point, whenever there is a book that turns into a weapon, the owner of the protagonist must be a woman. How disgusting. The author made me sick to my stomach. I don't deserve to read your book. Thank you. Goodbye. The writing style belongs to the third grade of junior high school. The compositions I wrote in high school were better than yours. Thank you.