Lord of Soul-Stealing

A supposedly powerful and reputation-conscious family, like a bunch of bumpkins, openly plundered the orphans' inheritance using the most infamous methods. Their only method was to send a nobody to disturb the orphans' sleep. And that's not all; the inheritance of someone supposedly very wealthy was only enough for a single dormitory room at school.

What kind of writing is this? The pacing at the beginning was okay, the author could control it, and the reader could understand it; it had a beginning and an end. But later it became a complete mess, jumping from one thing to another. First, the insectoids came and fought the council, but after only a few chapters, less than six, the insectoids completely disappeared without a trace, leaving no…

I kept clicking on this novel, but the comments scared me away. After seeing the author's well-reasoned answer, I decided to try it myself. At first glance, it seems fine. Disturbing someone's sleep is a great method. You can't catch them and you can't report them.

If your book doesn't flop, I'll truly be disappointed in Qidian. It's ridiculous; so many settings contradict themselves, and the attempts to justify them only create more and more plot holes. Especially the characters—they feel like a bunch of kids playing house…

The story is supposed to be about Soul Reapers, but then it jumps into Spirit Masters, and then adds a dungeon-like instance. It's all just jumping around in bits and pieces. Did they even have an outline? The Soul Reaper concept seemed really interesting, but it got increasingly weak and boring later on.

The premise is good, but the plot is... Questionable. It's all about invading other worlds, but the Abyss and Hell have plenty of gods and deities, demigods roam freely, yet this guy gets decimated by a single evil god. So all those thousands of world invasions were for nothing? And the protagonist? Knowing Hell is dangerous, why not just give the key to his family?

If you don't understand, ask. The embodiment of disaster, the origin of darkness, and the guardian of humanity—are these three really appropriate to put together?

I suddenly remembered the emperor who could leap 10 meters in one step, and I was terrified.

Having read up to chapter 44... That Anna is really vicious, and the protagonist is actually treating her very well... Repaying evil with kindness, repaying evil with kindness...

The protagonist has become a plague god; it feels like everyone else has nothing better to do than cause trouble for him. It's as if the world revolves around him.