A Different Japanese Warring States Period

I'm really drunk. Ever since I started Kanto Strategy, it's been obvious to the naked eye that the author has no intention of writing. He didn't do a good job in the Warring States Period, and he didn't take a good harem in the harem. He tied himself up and let the readers suffer together. After seeing more than 500 people, he still looked like he was dead. The writing of the Warring States Period was sparse, a twenty People in the first century forced their intelligence to adapt to Japan's Warring States Period. I won't comment on whether the textual research is correct or not, but it is really more difficult to retain the Uesugi family than to have 200,000 koku with empty gloves. It is impossible for the Uesugi family to rise. If I have no intention of writing, I will just say it, don't be such a reader.

After discovering this book some time ago, I am still a few chapters away from reading all the chapters to keep up with the progress. I have checked the points more or less, and invested more than 100 yuan. Thinking about the author's dilemma and my own reading experience, combined with more than ten years of online novel experience, I still want to say something. Let's talk about the reading experience first. Although I read the entire book without leaving a chapter, the reading experience and reading situation of different parts are still different. In a word, I read all the chapters about the protagonist without any hesitation. I basically read the chapters about the protagonist's retainers. As for other characters, I basically turned the pages through quantum reading. My favorite part is the part where the protagonist establishes his family business at the beginning, followed by the part where the protagonist and Ashikaga Yoshiaki are entangled, and finally the Kanto part. The reason is very simple. I want to read the story of the protagonist. The author's writing style is good, the characters generally behave logically, the refreshing points are appropriate, the angles are clear, and the values ​​​​are positive (the main points are not lost), these are the reasons why I like the protagonist's story. As for the protagonist's retainers, their characters and plots have revolved around the protagonist from the beginning, and it is also interesting to read their parts. But for other characters, I have no emotional basis, no excitement, no greatness, many of them are just dirty plots, and not reading more than a dozen chapters may not have any impact on the subsequent reading experience, so I don't like reading it. First of all, it must be my own problem to be too lazy to watch this kind of plot that promotes the development of the story. I'm so used to online novels that I don't have the time to understand the real character lines and explore the motivations of each character. This may be my personal reading problem, but if I think about it carefully, if I don't start from my own reading experience, from a relatively objective point of view, is the author's writing method good? Any novel is a combination of the author's personal writing ideas and the reader's reading experience. The two are in opposition and unified. Articles that only consider the reader's enjoyment are commercialized white articles, and articles that only consider the author's own pleasure are either self-interested or in the genre of history books. From another perspective, this is the relationship between the content and form of writing novels. Good content is the background, and good form is the consciousness and ability of the author. Is the content of this novel good? Good! This is the reason why I spent more than a hundred yuan to read it now. Those are the same advantages: the characters act logically, the angles are clear, and the values ​​are correct. But is the form good? In my opinion, the front and rear parts are good, but the Kanto part is bad. Let me mention here that I have no problem with the so-called "depressing plots", and I even like these parts, because it is precisely these parts that reflect the character's arc and growth, and are the parts that promote changes in the rhythm of the novel. So I still like the part where the protagonist is entangled with Ashikaga Yoshiaki, but the reason why I don't like the Kanto part is not because the protagonist is restrained and depressed, but because it's boring. The protagonist does not appear for several chapters or even more than ten chapters, and the rest, no matter whether they are big or small people, are just hanging around. And even if you don't read these parts, in the end it is enough to roughly know the attitudes of several Kanto families and some important figures. Then why do I dare to say that the Guandong part, that is, the author's group portrait creation is relatively failed or even boring? Because whether it is real history or fictional history in novels, if it is fully restored, it must have an extremely huge content, all kinds of intrigues, love between children, and interpretation angles, because our actual daily life is extremely trivial and detailed, and when this perspective is extended to the historical dimension, the content is immeasurable. What the author has to do is not to record everything, but to figure out whether to grasp the big and let go of the small or to catch the small and magnify. For example, what is the difference between the TV series of the New Three Kingdoms and the Old Three Kingdoms? Putting aside everything else, just talking about the shaping angle? The real Three Kingdoms must have both heroic hymns and conspiracies, but what about from the perspective of literary and artistic creation? The old Three Kingdoms grasped the big ones and let go the small ones, highlighting the sense of epicness and heroism; the new Three Kingdoms grasped the small ones and enlarged them, specializing in showing darkness and power. This is the most essential difference between the two. For example, George Martin, who wrote Ice and Fire, couldn't do it when faced with such a huge plot of the world in the book, so the method he adopted was to use a few main tasks as the core and outline other events. Let's talk about the author's book. The following is my family's words and personal preferences. If you are lucky enough to see the author, you can use it as a reference. What's the great thing about this book? In a situation where the protagonist is disguised as a woman who is superior to men (actually it is a story about a gender-changed heroine), how can she stick to her principles and open up a harem step by step and become a member of the world at the same time? Under this theme, the protagonist's growth, the stories of the people around him, and the protagonist's battles (on and off the battlefield) are the main content. What about the little things? It's the supporting characters' and other people's specific language, motivations, etc. There are two problems with this. First, the small details are omitted rather than omitted. Second, the author's writing method is very successful for important supporting characters such as Ashikaga Yoshiteru. In fact, writing history books is similar. The history books handed down are not exhaustive. On the contrary, they are extremely simple, but they really focus on the big and let go of the small. Many events are just a few words, but after in-depth study and connection, you will find that they are earth-shaking. In fact, this is my general opinion. To sum up, it is nothing more than focusing on the big and letting go of the small. It can be seen that the author's writing skills are gradually improving. Although I feel it is lacking, from an overall level, I like this novel very much. Otherwise, it would be impossible to write a long review of more than 2,000 words (laughs). Finally, let me talk about a point that I like very much. Not to mention the sexual transformation into a harem, the author himself knows how to like this stuff. What I really like is the protagonist's moral attitude. I also know that many friends think this is a bit toxic. But if you ask yourself, it's really fun to read short stories on the Internet. In the early years, we often saw the kind of villain protagonists. Watching the plot of betraying and killing people at the slightest disagreement is indeed pleasurable for those of us who have grown up in a civilized society. But if we take a long-term view, aren't the stories and legends of heroes more meaningful stories? Reading the Three Kingdoms, Boss Cao can conquer the world, but aren't Emperor Zhaolie and Marquis Wu more admired by people? This is why I say this book has three correct views. There are many novels about the Warring States Period in Japan. If they are just about the struggle for power, they are just well-written historical stories. But for me, heroic stories are more attractive and can better reflect the glory of humanity. Under this, the hero will encounter difficulties and suffer setbacks, but he will be unyielding, persevere, grow, and finally succeed, even if it is a compromised success, this is the greater pleasure for me. The above is almost my attitude. I still like the same sentence. I like this book very much and support the author. I know that the author may have a difficult time now. I don't think this book has no shortcomings. On the contrary, the shortcomings are prominent, but overall it is very wonderful. I hope the author can persevere, come on!

This book is really well written and quite reasonable. It gives me the feeling that if there really is such a person as the protagonist, it is indeed possible to develop like this, and it can be justified. Although I saw it during a limited-time exemption, I actually finished reading it in one sitting before the limited-time exemption. I think the political descriptions are more reasonable than those in Kang Luoli's Beidou, and are quite exciting.

Happy New Year! This is a divine book. Research is the muscles and bones, and fun is the soul. The characters are fun to play, and there is no reason why they are not popular. Write something true and use it as a reflection after reading it. The previous chapters of "Guandong Strategy" presented an exquisite two-line narrative structure. The comedy elements of "Green Tea Sculpture" were organically integrated with the main historical narrative, forming a unique narrative tension, and frequently received hundreds of likes. However, when the plot of the Hokuriku Road trade route unfolds, geographical research and the complexity of power begin to challenge the efficiency of the narrative. The main plot is lengthy, the comedy elements are broken, and the two major strengths in the narrative system have become two major weaknesses.

I have ordered more than two hundred chapters so far, and I can't stand it anymore. The author's writing is too detailed. It's really too detailed. Couldn't it be one year later, two months later, or something like that?

Good luck to the author. There are really few books that make me look forward to updates so much. I usually read books that have been completed, but when I read this book, I felt like I couldn't stop or put it down. I have also read a lot of books about Japan's Warring States Period, online articles and classics, and I have also dabbled in many books about heroines. So this book started dancing on my G-spot. I remember I started following this book when the author started writing more than seventy chapters, and I hope the author will keep updating it. The only thing I am worried about but look forward to is the later treatment of this book. Although I think it is unrealistic to not kill people, I still hope that the author can kill fewer people through his own plot arrangements. Finally, Mitsuhide's portrayal of the sinister woman is really great. Many characters like Mitsuhide the most.

I have written hundreds of words. I am not criticizing, but I just hope that I can provide some help to the author. I won't talk about the plot. The author has his own ideas and there is no need to influence them. I only want to make some comments, that is, the author writes things in too detail. There are many unnecessary characters or scenes. In fact, you only need to mention them when they are used. But the author just "because here" A time and space happened, so I'd better write it out." I know this is a reasonable deduction, but reasonable deduction does not mean that everything must be written. After all, you are writing a novel, not a history book. History books have their own focus. In novels, all your plots should be the main line, human beings. For those who serve things, you need to prioritize them. For many plots that are of little use, just abbreviate them or mention them in one stroke. You can even combine people with similar functions to better serve the plot. Anyway, there are not many sophisticated people who read this book. At most, you can just indicate it There is a saying I I forget which writer said it, saying that if the sword hanging on the wall is not used in the next three chapters, unless it is part of a clever plot you will conceive in the future, there is no need to write it out This is my family opinion. It would be best if it can be helpful to the author.

The more I read the novel, the more amazing it becomes. To be honest, I don't like to use my brain when reading online articles. Internet articles are originally illusory pastimes outside of reality. They are people's helpless solution to reality. It's just fun. You don't have to think too much. I have read a lot of online articles, from ancient times such as "I am the Archmage", "The Magic Apprentice" and "Blasphemy". Starting from the early articles, it later moved on to popular IPs such as "The Romance of Dragon and Snake", "Devil's Law" and "Tomb of the Gods", and then to "Douluo Dalu" and "Mortal Cultivation of Immortality". To be honest, no matter how embarrassing and poisonous these works are now when I look back on them, they were all heroes of the time in the online literary environment at that time, and they all told the wonderful points of the story. ——The following contains spoilers, please read with caution—— I personally think this novel is a traditional web novel before the Kanto chapter. It has a world of female queens, a charming protagonist, various celebrity sex changes, and a title system. In terms of setting, it is very playable, the pace is brisk, and various exciting points emerge in endlessly, even if the background is the Japanese War. A niche subject like China, relying on the world of sex change and a large number of female lickers, can also occupy a place in the fantasy or fictional history genre. From now on, as long as the protagonist is written step by step and relies on invincibility to dominate the world and end the troubled times, various female characters are jealous, and there are some side effects, you can guarantee a qualified online novel with several million words. Until the arrival of the Kanto chapter, the rhythm of the novel suddenly changed, and the invincibility gradually faded away. The protagonist gradually transformed from a reckless man who just did it (in various senses) to a political figure, an outstanding politician who understands who I am and what I want to do, unites real friends, and attacks real enemies. The protagonist is roughly characterized. He should be of the feudal (Wujia) class. This is the reason why some book friends in the comment area cannot accept it. Everyone is accustomed to seeing protagonists like Oda Nobunaga in this book, who completely overthrow the old system, sweep the old forces into the garbage dump, murder the lives of those in power, and engage in self-centeredness and military dictatorship. Therefore, some book friends will evaluate the protagonist as a holy mother bitch. After returning from the Kanto chapter, the protagonist has become more mature and has a deeper understanding of improving the samurai system. The improvement of family business and reputation not only gives the protagonist a real basic base, but also allows the protagonist to more perfectly integrate into the samurai system. Through business profits, righteousness and "love mole", the protagonist will unite the conservative samurai families in the world under the banner of the elder Genji. The collision between tradition and innovation is about to begin. I personally think it is quite exciting. It is the kind of narrative that seems chaotic at first glance but is coherent and logical upon closer inspection. Unfortunately, the author likes to see the big picture from the small, and the narrative rhythm is a bit protracted. Moreover, the style before and after the Kanto chapter is quite different. The change of the protagonist is slightly abrupt, and there is a slight sense of fragmentation. But overall, the flaws are not concealed. It is a good book that makes people willing to use their brains. I look forward to the follow-up stories.

Fellow Taoist, please stay and come over to build the building. A reward on the tenth floor, let the author comrades see our strength, Oli gives

😎😎Spo Yiyin

1. Nobunaga, Mitsuhide, Motonari and Yoshiki were riding in a balloon. The balloon leaked and could not lift the four people. It began to fall. It was extremely dangerous and someone had to sacrifice themselves to jump out. First Nobunaga shouted "For the sake of the world!", And then jumped out. The balloon fell temporarily, but after a while it leaked more air and fell again. Speed up, and one more person must jump out. So Yuan shouted: "For a million people!" And jumped out. After a while, he couldn't do it anymore, so Mitsuhide shouted: "For the Shiba Jiuben family!" With that, Yihui was thrown out. 2. Question: What is the difference between fairy tales and marrying Shiba? Answer: Fairy tales always begin with "A long time ago", and marrying into Sibo is "not far away, not far away" 3. Mitsuhide announced at the family meeting: "The opportunity to marry into Sibo has appeared on the horizon of Sibo!" Yukino didn't understand what the horizon meant. After thinking about it, I went home and asked my sister Haruno, and she replied, "It is a line that can be seen but can never be walked." 4. After the recent war, an old lady from Sakai Port saw a photo posted on the street and said that he looked like her nephew. Others scolded her: What nonsense, this is homosexuality. Old lady: What does he do? Answer: He drove away the Mihaoshi family The old lady asked eagerly: Can he drive away the Sibo family too? 5. What will happen if the crocodile eats Comrade Mitsuhide? It takes a year to digest the ink 6. There is a rule in hell. Anyone who kills someone in the world will be drowned in the blood of the victim. One day, God went to hell to inspect and found that Mitsuhide was only drowned up to his legs. God was surprised and asked, "Why?" "You have done so many bad things but you are not drowned?" Mitsuhide replied proudly, "I stand on the shoulders of the great Comrade Shiba Yiyin!" 7. Mitsuhide was walking down the street when a blind old man passed by with his dog and said hello to her, "Hello, Akechi-sama." Guangxiu was very surprised and asked, "You are blind, how can you recognize me?" The old man replied, "It's because my guide dog backed away when it saw you."

The characters are getting worse and worse. They are obviously following the path of the world to write a pleasant character, but they want to play politics and fight wits. However, the author obviously cannot grasp it and keeps writing some trivial things. After Chapter 1200, the protagonist goes from playing the world to planning to integrate into the Wu family society and then turns into a compassionate bitch. In fact, in reality, she is completely unflattering. If you want to write about politics, you can, but as for your political line and your political opinions, you have always spent 1,200 chapters with the image of an ordinary modern male with soft ears, soft heart, and lust, without seeing any progress, just like the Asasi male protagonist in a harem light novel who insists on entering Game of Thrones. As for the outline, I have been a little disgusted since Kanto. What is the objection? The most annoying thing about system writing is being forced to do things by the system. Maybe for the author, this is to push the outline from Kyoto to Kanto. By the way, it can also collect stamps from the popular Uesugi Takeda family in the Warring States Period. However, as a reader, my personal opinion is very poor. As for the current Oda Kamiro Line, in order to restore the original historical process, the protagonist can be said to have become wise all the way, which made me touch my toes. I sincerely recommend that the author be less ambitious. If you don't have the level of integration between sexual transformation and political wits, don't focus on both. Just focus on one point and finish the book. It will be considered a success.

After reading more than a thousand chapters and seeing Yukino running away, I was really confused. The protagonist was indecisive and soft-hearted, which made me faint. Several retainers under his command were more disorderly than the other, and none of them took the protagonist seriously. Then it doesn't matter if the protagonist just plays. Yangno made a mistake earlier, and then planned to threaten the lord. The protagonist handled it lightly and left important matters related to the future to her. Yang Nai has no repentance at all, and backhand supports Yukino in causing trouble. Seeing this, I really couldn't help it. I can only say that it's like a waterfall. The protagonist has always been flaunting himself as the Lord of Benevolence and Righteousness. I think the protagonist can conquer the world, not to mention the Tokugawa Shogunate, even the Western Jin Dynasty. The protagonist will be divided after his death.

You licked the Ming Dynasty too much, right? You also wrote that it is an honor to be a Ming Dynasty dog. What about the Qing Dynasty next?

The protagonist is lustful, has no brains, and can't bring himself to be ruthless. If such a person gets a cheat, he won't be able to accomplish much.

The author wanted to write a historical article, but the readers came to see the protagonist being raped.

The writing of the characters gets worse and worse, and all kinds of logic are emphasized all day long. In the end, it becomes self-inflicted and the logic collapses. The most common insight from reading history is that there are many illogical things in history. For example, the British spies recruited by Germany in World War II did not know English! If the author wants to write a book that is all about logic, it will be inconsistent with reality. Speaking of what is reasonable and reasonable, let's first make it reasonable and then make sense. People will first have emotional doubts and then have rational reflections. Also, if time travelers cannot change history, what kind of time travel novels should we read? Originally, this novel is a fiction, and you have arranged events from decades ago together to arrange the characters. In this case, how likely is it to develop according to the original history? That's unreasonable, right? !

The book is very good, and the author is talented. He thoroughly explains the complex interests and historical background of the Warring States Period. Every time the characters in it take a step, the author explains the stakes of this step. It allows me, who don't know anything about Japan's Warring States Period, to read it as a biography of a historical figure. It has gained a lot of knowledge. Yes, I came here for women's rights at first, but I am also a reader who likes history. So I jumped in and subscribed to it. I hope the author will update it soon. I have already read "History of Japan's Warring States". I always feel that it will take a long time before the book is written until Shiba Yiyin's harem is full. By the way, can the author write a volume for each major event? This way I can subscribe to the volume one by one, which will save me the discomfort of breaking the chapter. 😖 . . . . . To be honest, now that I have feelings for the protagonist, I really don't want this book to end 😁 The author should write more.

I feel like the protagonist has good cards but often fails in everything. If the protagonist is not so smooth, I can open it a little smaller and move up step by step. But now it seems that the protagonist has a lot of problems. He is invincible in the top families and has a charm that changes the sky. I have 5 million words. I don't know whether to say that the protagonist is useless or that there is a problem with the conception. There is also a problem with the rigor of whether he is happy or not...

The first time I saw this book, I came here for the gender-changing heroine (well, I won't pretend anymore, I am an LSP). Later, I found that it is more suitable to treat it as a historical hegemony text Compared with Xiao Rong, Jiao Jie, Yue Guan and other old historical masters The author is slightly weaker in writing and plot, but I feel that his knowledge reserve is no worse than that of a great master, or even better. This can be seen from the main characters in the first 600 chapters compiled by the author. The relationship between hundreds of people is clearly organized, which is definitely not something ordinary people can do. Compared with traditional historical texts, the biggest feature of this book is that it provides another route for writing historical texts. Looking at the works of great masters, it is inevitable to show off poetry, pretending to be elegant, and later competing for world hegemony also relies on climbing the technological tree. Develop productivity, and finally rely on technology that is hundreds of years ahead of the times to win. There are few things like this book where everyone is at the same level. In this way, fighting wars and making money can only rely on brains. In this case, many authors do not know how to write. (That is, the ancient masters such as the Drunkard Riding School and others have taken this path) I admire the author very much. I still hope that more people will see it and not bury a good work.

I feel really numb when I see why I keep emphasizing that it is an honor to be the leader of the Ming Dynasty. Is this a qualified ruler? It's really annoying to watch. You can find other reasons. You're going too far with your obscenity. . . . .

The author has a solid historical background, but as an online novel, there are too many characters and the plot is too spread out. Novels are the same as photography, less elements are more. When we look at the history of the Warring States Period, we basically focus on legendary figures such as the Daimyos with a Million Stones and Yukimura Sanada. I know the author wants to write clearly about domestic affairs, diplomacy and military affairs, but there are too many cats and dogs, resulting in too few important characters being portrayed, and even too few appearances of the protagonist. The author knows that no one will read it once the war enters, but this is not a problem of the war, but that more and more people leave the factory during the war, and they don't know who to look at. Just skip some characters and let the main characters like Uesugi Kenshin play their roles. The novel is not a film and television, and there are no pictures that can make people remember the characters at a glance. But the group portraits of buddies are not like this. A person's close social circle only has 8-10 people. Depending on the image of historical figures, he can also add historical celebrities. Now they have become a wet market, buddies.

Based on the protagonist's current performance, after Akechi Mitsuhide's plan to defy heaven is realized, no matter how high the force value is, he will end up with the blood of Tang Gaozu Li Yuan in the future. Anyway, as long as he is of Yoshigage blood, even if he kills Nobunaga, he can still have a way out, and there is no need to say more about the rest.

Lee's family the day before yesterday

The current line of struggle for hegemony in the book is really too weak. The top level wants to maintain rule, but it also needs to carry out reforms. Maintaining the system is for better rule, not for self-restraint. The actual Warring States Period in Japan was very similar to that of the Sui and Tang Dynasties, similar to the embryonic military aristocrats of wealthy families. There has been a solution in history, and it can be used after modification: The protagonist can actually establish a civil service system in the name of imitating the ministers. Here, there are already signs of accompanying the crowd. Civil officials are selected through examinations to select children from poor families with arithmetic and cultural abilities (in fact, poor families in the Han and Tang Dynasties basically had no grass. Gen, they are all nobles from declining aristocratic families, which is roughly the same as the situation in Warring States Japan) Civil officials are not involved in the war, so they will not be given fiefdom or only a symbolic ten acres of land, but will be given a salary equivalent to the fiefdom (loyalty funds should actually be used here, and can be given for more than ten years after death to maintain family income). Cultivation of a small number of civil servants to check and balance the family (actually less than one third of the civil servants in the imperial examination in the Tang Dynasty). To cultivate military teams in the name of handymen, there will be no military training at the beginning, only construction and organizational obedience, increased nutrition (in the name of kindness, the workers will have full stomachs), and strengthen the body. In actual preparation for professional recruitment, only money is given, but since there is no military training, no samurai will feel threatened if they do not go to the battlefield. Then Oda Nobunaga will naturally propose military reforms, judging the ones with the greatest opposition, and use fighting to consume die-hard conservatives. At about the end of the war, everyone is on the head, and people's brains are about to be beaten into dog brains. On the pretext that they do not want the samurai family to bleed too much, they let the recruits prepared in advance take on marginal military affairs, hollow out the holes little by little, and take over the war. As long as they can have the most basic combat power, traditional samurai will naturally be consumed most by the method of "bad money chasing good money". In this way, the exchange and division of military and political affairs will be gradually completed. After that, the civil servant class on the stage will naturally start their specialty, political fighting. As long as the civil servants gain a firm foothold after unification, then political struggle can just balance the new princes who are proud of their achievements. Following the Tang Dynasty's assassination history, it will be possible for the inspectors to gradually complete the transformation of the feudal system of feudalism into the county system. This step was only completed from the Han Dynasty to the Tang Dynasty. It would be a good start if the protagonist was alive, and it could also be regarded as laying the foundation for the succession of rule for the subsequent family. Isn't this just combining the progress of historical trends with the future of one's own rule? Of course the actual operation will be difficult, but isn't this the kind of twists and turns the novel needs? It looks much better than the frustration I feel now. And isn't this what Akechi Mitsuhide and other reformist advisers hope and are good at? Let him suffer. Describing the protagonist can get rid of these, and only briefly describe Akechi Mitsuhide accomplished these. You can focus on the war and the emotional drama of the protagonist, interspersed with some life and interesting things about Japan during the Warring States Period. Wouldn't that look good? This is the life of the protagonist at the beginning. Isn't the plot at the beginning of the book beautifully written and attractive? Wouldn't you like, author, to go back to the most attractive part of your writing?

Is the author planning to divide the Shiba family into 9 points in the future and then the 9 kings will unite with the shogunate?

I thought of a funny point. Even in such a warring states harem story, Imagawa Yoshimoto is still a pure stepping stone supporting role. It makes me laugh to death. He is a tragic character in another sense. Hahahahahahaha

It should be the end of the 1560s now. It was 1568 when the United Provinces began to exist as an independent country and became hostile to Spain. Considering the delay in information, the time will only go further back; on Nobunaga's side, the capture of Mino and the occupation of the entire Noobi Plain was in 1567, and the recent development was in 1568. Takeda attacked Suruga in 1568. Only Uesugi was still in the early 1560s, and Miyoshi, Hosokawa and the Shogunate were in the mid-1560s.

I feel that the maternal lineage in the author's book is the correct human history. Today's history has been interfered by external forces. Humanity was originally a matrilineal society but suddenly jumped to a patriarchal society. In nature, because motherhood needs to give birth to offspring, genes are generally selected to make mothers stronger than men. Humans are just the opposite. Maybe human genes have been interfered by external forces, and then led to the current historical development.

I'm super, is it actually over? When I watched it before, I had a feeling that it would be more than 10 million