Dragon Ball: the Rise of Kakusenryu

Let me give you a suggestion. The Dragon Ball Z universe is the main universe, and the Super Universe has become two parallel universes. To be honest, the Goku of the Z universe is already very mature, has a strong sense of responsibility, and has greater expectations and a nurturing mentality for the younger generations. Whether it is Cell or Majin Puu, he actually has a plan in his heart. He estimates that the power of Gohan and Gotenks can defeat them, so he trusts it to them. His understanding of power will not go to extremes like Super Universe Goku, and he will not have such a strong competition to win. The best way to avoid collapse is to become a parallel universe, and the way to become a Super Saiyan God. As a time traveler, you must know that it is completely possible to turn Goku and Vegeta from the Z universe into Super Saiyan Gods. The God of Man, Wukong in Z, has always had the best understanding of power at full power. He has perfect control over his own energy, and has a deeper understanding of realms. He doesn't need anyone to point out like Wukong in Super, and he doesn't have the weakness of being too relaxed.

[Experience of fan fiction, enter with caution] I think the highest level of fan fiction is to make the audience mistakenly think that this is the original work, and even make the real original author recognize the fan fiction, and even want to use some settings from this fan fiction in the sequel to the original work, because these settings have already been deeply rooted in people's hearts. From the perspective of writing methods, I think there are only two writing methods for fan fiction, either the "kingly writing method" or the "magic writing method". The success of fan fiction depends half on the choice of writing method and the other half on the author's writing skills. However, just the choice of the royal way or the magic reform, there is no distinction between high and low, only difficulty; as for what really determines the distinction, it is the author's writing power in this writing method. By the way, writing power is different from literary talent. The power of writing can help in times of need, but literary talent can only be the icing on the cake. For example, the various settings of an article are not good, but using strong writing power may be able to turn the tide, but using gorgeous literary talent will only lead to criticism of being flashy. Back to the topic: "Magic Rewriting Method" Magic revision is divided into mild and severe. Mild revision refers to small modifications to the original work, striving to quickly gain recognition from fans of the original work; severe revision refers to substantial modifications to the original work, giving the work a strong impact. If these two magic modifications are well written, they can indeed soar to the sky, but they require extremely high writing power and creativity. Because the price of both kinds of magic modification is to destroy the original work to some extent, and it destroys not only the plot, but also the feelings. Therefore, if the magic reform is to be successful, it must be able to write extremely attractive content that can replace or even surpass the role of emotions. Otherwise, throwing away emotions out of thin air is really not worth the gain. It's like those who actively change jobs have generally found a new company that is more suitable for them or a more meaningful new choice in advance. If you change jobs without any preparation in advance, you will have a high risk of losing everything. Are feelings really so important? The answer is yes. Because feelings are the sense of identity (or even fascination) shared by fan readers. Once readers lose this sense of fan fiction, they will most likely read the original text instead of the fan fiction. Therefore, it can be said that feelings are one of the biggest signs of fan fiction. In this regard, although fan fiction does need to write new content rather than sticking to the original work, I suggest that you try not to use magic adaptation to achieve it. This is not to completely deny magic reform, but to say that it is too risky and not universal. Many people will write it badly, especially new authors, who are generally more suitable for kingly writing. Since there are too many types of magic rewriting methods, it is difficult to list them all, so here I will only elaborate on a mild magic rewriting method that is more effective, called "pit-seeking innovation". As for the heavy magic rewriting method, it is wild and unconventional and does not follow routines. However, since they all sacrificed their feelings greatly, and experienced such big gains and big losses, individual subjective judgments are no longer enough to predict their success or failure. It can only be tested by the market to see whether it is popular with the public. Therefore, it may mislead others, so I won't introduce it further. After that, I will make a detailed definition of the royal way of writing, so that all other writing methods that do not belong to the royal way can be automatically classified into the magic writing method. There may be errors or omissions, book friends are welcome to correct or add. Then, let's talk about the light magic rewriting method of "pit-seeking innovation", which is specifically: "Looking for unfilled pits in the original work, and extending and developing innovations based on the settings of the original work." The biggest advantage of this method is that it can quickly gain recognition from fans of the original work, and perhaps preserve the feelings of the original work. And if the innovation is extremely consistent with the original work, it may even reach the supreme state of "being mistakenly thought by readers that this setting is from the original work." Even if it cannot achieve the highest level, readers' recognition of this kind of innovation will generally be higher than that of innovation out of thin air. Because readers will think that the innovations carried out in the unfilled pit are all reasonably developed or appropriately inferred based on the various settings of the original work, rather than fabricated out of thin air by the fan author. And if a fan fills in the holes in the original work, it can be said that it is one of the true responsibilities of the fan. After all, not filling in the holes in the original work is a small breach of responsibility in itself. Of course, well-intentioned blank spaces are not included in this list. There is a classic example. In the early days of Naruto, many old readers who loved watching Naruto fan fiction may have mistakenly thought it was the setting of the original work when they first saw the term "Eight Colors of Konoha". It was not until a certain moment later that they discovered that it actually came from the fan fiction. But the readers themselves highly recognize this setting because it is indeed incomparable with the original work. In essence, it is actually an innovation developed from a small hole in the original work. The original Konoha does have a variety of nicknames about colors that have appeared: golden flash, white teeth, blue beast, and red sunset. However, the original author did not mention any connection between these nicknames. So some fan authors added several more color nicknames: Night Dancer, Orange Water, Green Seedling, and Purple Night, which finally formed the Eight Colors of Konoha. The effect unexpectedly reached the highest level, that is, it successfully made the audience mistakenly believe that this was a setting from the original work. Careful analysis shows that "newly created characters" itself is nothing. The key is that the fan author found the hidden pitfall of "many nicknames in the original Konoha are of various colors". Creating new characters under this premise is an important secret to its success. Similar to the Eight Colors of Konoha, Minazuki Haku's last name is "Mizuki", which is actually from the same person. Of course, there are many types of pit-seeking innovations, and some are even just speculations, such as guessing that "the author of Nine Yang Magic is Doujiu monk Xu Zhu", "sweeping monk is Murong Bo's father", etc. As long as this statement is difficult to prove (of course, it is best to be logically consistent), then this kind of innovation will be recognized by a considerable number of readers, and the description that follows is completely a stage for fans. It is especially important to note that after choosing a certain writing method in the early stage, do not suddenly change to another writing method in the middle stage, otherwise there will be a huge risk of losing fans. Because there is a high probability that both Wang Dao and Mo Gai will not be loved by readers. In other words, the number of readers who love both should be far less than the number of readers who love only one. Readers who like the devil's writing method will find the king's way of writing boring and cliched, while readers who like the king's way of writing will find the magic's writing method flashy. Therefore, if you really want to write about magic reform, you should write it as magic reform from the beginning, and even indicate in the introduction of the novel that this book is magic reform. If the magic modification is not announced in advance, most of the readers attracted by the fan novel in the early stage will have feelings for the original work. They will feel comfortable reading the royal writing in the early stage. However, when they see the magic modification in the middle, they will suddenly lose their feelings. Most of the original readers will think that the author has failed. As for readers who really love magic reform, most of them will read novels that specify the need for magic reform from the beginning, and few of them can understand such novels that require magic reform in the middle. King Way Writing My current definition of King Way writing is this (book friends are welcome to correct or add): recognize what cannot be changed and what must be changed. As long as you do these two aspects well, half of the success is achieved, and the remaining half depends on the author's writing power. I think "not changing" in fan fiction refers to not changing the setting, characters and writing style to reflect the original feeling. Settings refer to the basic information settings remaining after excluding the plot. Once this is changed, it will challenge readers' perception, and will either be classified as a magic modification, or even be considered disrespectful of the original work. For example, some fans disparage the magical powers assigned to the protagonist by the original work in order to exaggerate the magical abilities assigned to the protagonist by the fan author himself, but this approach will most likely annoy fans of the original work. In fact, the author originally intended to write innovation, which is good, but the method can be improved. For example, I recommend using the sentence "The protagonist has martial arts that suits his personality and body" or "The protagonist has martial arts that he likes" to make it look more natural. A typical example is the supporting character Du Bishu in "Zhu Xian". He likes to gamble, so the fairy weapon was made to look like three dice. This caused a lot of jokes, but he still insisted on what he loved and decided not to switch to the fairy sword. This arrangement is very personal, impressive to readers, and seems very natural. Maybe some readers really don't like the martial arts chosen by the fan author for the protagonist, but that's not something the author can forcefully change by saying, "The martial arts chosen by the protagonist is stronger than the magical martial arts in the original work." For the characters, apart from the protagonist, try not to add too many new characters. Instead, you can use original characters, otherwise it will be easy to write a magical adaptation. After all, if several newly created characters can be described deeply in people's hearts, the roles of the original characters will be greatly reduced; and if they cannot be described deeply in people's hearts, it will be suspicious of hydrology, so it can be said that both are bad. So if we just use the original characters, will we not be able to create new ideas? No, because the protagonist will bring about changes, and the roles of the original characters will definitely be very different from the original work. Another trick is that since most of the popular characters in the original work have been thoroughly explored by many other fan fiction, we can focus on exploring the inconspicuous and marginal characters in the original work and try to flesh them out. Generally speaking, works that can be used to write fanfics have a sufficient number of characters, so it is impossible to find them. But be careful not to portray marginalized characters throughout the story, otherwise it will make readers lose their patience. After all, readers' emotions are mostly concentrated on the plot of the original protagonist and important supporting characters. As for the writing style, this can be explained by giving an example. You can imagine that if you use Gu Long's minimalist writing style to write Jin Yong's fan fiction, it will definitely make readers feel very weird, and it will lose the original flavor. Therefore, the writing style should be as consistent as possible with the original work. Unless the new opening method is really attractive, it is worth taking the risk of magically changing the writing style. For example, there is a video on Station B called "The most saucy commentator in history: Using CCTV5 to open Tian Long Ba Bu". Judging from its playback volume and three consecutive data, it is indeed a successful magical reform. Quite a few fans have managed not to change but failed to "must change". There was even a saying that "the protagonist of the fanfic is the nanny of the protagonist of the original work". In serious cases, it made readers feel that this fanfic only has one more character than the original work, and the other characters are almost unchanged. This is quite bad, because the more similar the fanfic is to the original work, the more readers will compare the fanfic with the original work, and then find that the fanfic is far inferior to the original work, which inevitably leads to negative comments. It can be explained more clearly with an analogy. Beef and potatoes will not be compared, but beef and chicken will. Because beef and potatoes are not substitute goods, they are even complementary (beef with potatoes), while beef and chicken are substitutes for each other. Therefore, it is best for fans to form a "complementary relationship" with the original work, rather than to form a competitive "substitutive relationship" with it. If the writing is too similar to the original work, it will form a competitive relationship with the original work. However, the original work that can be written as a fan must be a classic, and fan fiction can hardly replace the original work in the hearts of readers. That's why Wang Dao's writing style needs to be "revised" so that the fans can complement the original work. Specifically, I think the "must change" in fan fiction refers to the must change plot. Especially the big plot must be changed! Most of the readers who read fan fiction come with the mentality of making up for regrets, and many regrets are often left behind by the big plot. Therefore, if the fan author does not change the big plot, the readers will definitely be unhappy. For example, a time-traveler "operates as fiercely as a tiger, and is stuck in the same place when he looks at it." If he can't change the big plot after jumping around like this for a long time, and can only change some inconspicuous small plots, then it is a big poison! So not only the small plot needs to be changed, but the big plot also needs to be changed. But there is a problem here, that is, the big plot should not be directly forced to change, otherwise it will appear stiff and abrupt, or it will become a magical change. In this regard, my recommended approach is to change the small plot first. When the changes in many small plots are superimposed, the big plot can be changed naturally, which will appear much smoother. It should be noted that changes do not necessarily have to be consistent with reality, but they must be logically consistent. I have read more than a hundred fanfics, and my biggest feeling is that well-written fanfics strive to change the "big plot" of the original work. The kind of fan fiction that claims that "the trend is irreversible" almost always fails because readers will think that the protagonist of the fan fiction is incompetent. In addition, changes can also be placed on the dark lines of the original work instead of the bright lines. This method is called "main change of dark lines", specifically: "The dark lines of the original work are mainly the main ones, and the bright lines are interspersed as supplements. The dark lines bring changes, and the bright lines follow. "The advantages are: -1- Fans of the original work are most familiar with the bright lines, so if a fan makes changes in the bright lines, the author's intention will be easily guessed by readers, and the work will be similar to other fans. It is different when making changes in the hidden line. The hidden line refers to the content that is vaguely mentioned in the original work but not expanded on. It is hidden enough. Many readers may not have such a detailed understanding of the original work, so it is difficult for readers to detect the changes in the undercurrent in advance, and it is even more difficult for them to guess the author's intentions. It can be said that the hidden line is the stage where fan authors can really show their talents. -2- However, the process cannot always be in the dark line, but should also be interspersed with the bright line at the right time or even from time to time. After all, the bright line is where most of the readers' feelings lie. And with the accumulated changes in the hidden line, when it comes to the bright line, a wave of explosive changes can be written. At this time, readers will suddenly understand the author's efforts in the hidden line, and the refreshing feeling of suddenly understanding it is an excellent fan experience. Another advantage of this is that even if multiple fan authors unearth the same hidden thread, the changes and development of the hidden thread will most likely be different, and then the changes in the bright thread will also be different. It is neither the same as the original work nor the same as other fans. Everyone is happy. Besides, original works that can be written as fan fiction generally have a lot of hidden lines, which is enough for a large number of fan authors to dig out. Therefore, changing the hidden lines is always less likely to cause a crash than directly changing the bright lines. -3- Since the hidden line is developed through the bright line, there is a lot of bright line evidence for reference, so connecting these evidences in series is always much easier than innovating the plot out of thin air. And as long as this kind of series is reasonable, even if it is not outstanding, it may be praised. In comparison, it is much more difficult to get praise for innovation out of thin air. So dark lines are not only easier to write, but also easier to get favorable reviews. After all, it is difficult for most fan authors to write new plots that are as exciting as the original works, otherwise there will be drama. This does not mean that the level of authors of fan fiction must be lower than that of authors of original works, but that the original works that can be chosen to be written as fan fiction must be the best of the original works that have been tested by the market. It would be unfair to compare a random fanfic with such a high-quality original work. In fact, there are definitely some fanfics that can surpass the original works, but those can only be achieved by high-quality fanfics that have been tested by the market. Not every fanfic can do it. Therefore, in order to create a shortcut for most fans to get praise more easily, I personally think that the dark line main character is a good choice. While keeping the original setting, original characters, and original writing style unchanged, we strive to make changes to the plot, starting with small plot changes and slowly advancing to changes to the big plot. In addition, the original work mainly uses dark lines, supplemented by interspersed light lines. The dark lines bring changes, and the light lines change accordingly. In addition, marginalized characters in the original work can be fleshed out, and even efforts can be made to connect their plots with the original work in many ways. This series of practices not only ensures respect for the original work, making it feel authentic when reading; it also writes content that is not included in the original work, which is equivalent to taking the readers to interpret and experience the original work from another perspective. It is like a "work that continues spiritual feelings" and can make many fans of the original work feel like a spring breeze and extremely comfortable. Erect this lighthouse and wish to illuminate the surroundings for fellow travelers. I know there are many newcomers to the community, and I hope your creative hearts can be warmed by the lighthouse. Finally, thank you book friends for your patience in reading this far! 🌹🙏

After roughly looking at the catalog, I found that there is not much interspersed between the theatrical version and the earth's technology tree and biological tree. These are the training methods, training equipment, and the basis for optimizing the genes of earthlings to catch up with aliens. The martial arts secrets and martial arts notes left by Wu Taidou, the move cheats and expansions of the turtle sen style and the crane sen style are all worth writing about. There are the basics of earthly martial arts and various uses of qi. It should not be difficult to transplant the moves in the game and movie into Dragon Ball Transformation in my impression. The attributes of qi are transformed. Remember, the Shocking Palm of All Nations turns qi into thunder and lightning attributes, the Sun Fist converts light scattering, and the Evil Dragon in GT uses various attributes such as fire, ice, poison, electricity, wind, etc. Now I am writing about Dragon Ball and I will definitely do it in the future. I am also a Dragon Ball video uploader, so I need inspiration from reading novels for plot ideas. The first part of Dragon Ball dominates the earth, integrates all schools and establishes the world's best martial arts academy to spread martial arts and re-carries the earth's martial arts. Integrate the Red Ribbon Army and establish the Shenlong Company to subdue the artificial humans Dr. Koro, the theatrical version of Dr. Willow, and the universal capsule Dr. Bliss. They clone various creatures and release them to other planets in the solar system, allowing the Namekians who have passed the test to spread and manage life. . . Dragon Ball actually has a lot to explore and write about. . .

Let's discuss the advantages and disadvantages of multiplayer time travel: I can't talk about the advantages, because I really don't like to read multi-person time travel stories, so I'll leave the advantages to the book friends. I'll just talk about the disadvantages alone. -1- The time-travelers tearing each other apart will greatly change the plot of the original work, but most of it will appear very rigid and can easily become a magical modification. Especially when the fight gets serious, the plot of the original work will almost be wiped out. In fact, changing the plot is originally necessary for fan fiction, otherwise time travel will be meaningless, and it is better to read the original work. But the problem is that this kind of change must be a reasonable and gradual change. Typically, it starts with changing the small plot first, and is temporarily unable to make changes to the big plot. But when the changes in many small plots are superimposed, it will be possible to make changes to the big plot. This change in the big plot will be a climax unique to the fanfic, and the changes in the previous small plots will also be small climaxes one after another. But magic modification is completely different. Unless it is a magic modification that specializes in sand sculpture and happy style from the beginning, or a magic modification with unlimited flow of multiple people, these two are relatively easy to succeed. I have never seen other magic modification styles succeed. The main reason is that most magic modifications will change the plot of the original work at an unreasonable pace, which can easily destroy the feelings of the original work. At this time, the original feelings must be replaced by another exciting point, such as the sand sculpture joyful style mentioned above. Otherwise, if the original feelings are lost, the biggest support of fan fiction will be lost. -2- Definitely not suitable for changing to a multi-person time travel midway! If you want to write a story about multiple costumes, you should either specify in the introduction that the book is about multiple costumes, or just write the multi-crossover plot in the first three chapters. Only in this way can we attract readers who "like to read and wear more" from the beginning. Otherwise, if you suddenly switch to multi-wear in the middle, you will definitely lose a lot of readers! Because among the readers who came to read this single-story novel at the beginning, there were not many readers who loved multi-story novels. After all, most of the readers who liked multi-story novels went to read the dedicated multi-story novels. More readers only like to wear it alone and hate wearing it multiple times. Regarding this point, the trick can be seen from the number of types of popular novels nowadays. Time travel is too common. Most of the major categories such as fantasy, fantasy, martial arts, urban, etc. Are time travel novels, and almost all of them are single time traveling novels. Only a certain number of multi-travel novels are listed in the specialized infinite stream small category list, so the general conclusion is that the current multi-travel novels are still niche novels.

Dragon Ball Super's Jiren was very good at the beginning, but he felt like he was weakened later on. I personally feel that it's not how good the Saiyans are, but Goku who constantly surpasses himself time and time again and achieves the glory of the Saiyans. The traditional Super Saiyan is still a single pass. If someone is so awesome, he will not be ruled by Freeza. And if the strength can be greatly improved after recovering from injury, then if there are so many Saiyans on the entire planet, wouldn't it be a breakthrough? Of course, I personally still have too many questions, so I won't explain them here. From the perspective of fantasy, I personally think that the entire Dragon Ball world can be divided into several systems. For example, the Saiyans follow the physical development routine. I think the protagonist can take the vitality path, which means to use Qi to exercise his body, bone marrow and muscles, and constantly sublimate himself from the inside out. PS: What a nonsense idea. The cosmic cultivation method of the Saints is integrating vitality, allowing one to continuously sublimate and reach the realm of God. PS: I really hope that the heroine is No. 18. If conditions permit, Bardos can also do it 😁

Come back to DC, the first one is still the best 😳

The previous Godfather book was really good. Very few people can write DC books. The key world view is too confusing 😆. My DC book has been following Dark Metal from Blackest Night to the present. I also read a few other extras in the middle, but I couldn't figure out the chronological order. I hope the author will publish another DC book. It doesn't need to be original as long as it can clarify the timeline. I think it is already very exciting.

The author of The Godfather of Gotham... I'm still waiting for that book to include Catwoman and Poison Ivy😅😅

After seeing so many people posting, I also posted. The author remembers to give me more details. The world view of Dragon Ball is very simple. That is, combat power is king. It's just that we make it complicated. According to the plot of the entire comic series I have read. (I am talking about the period from when Goku came out to Buu) The basic combat value of every boss that appears is stronger than Goku. In the end, these bosses were all killed by higher combat values. Starting with Raditz, Raditz's base combat value is three times that of Goku. While Raditz was unable to exert his full combat value, Wukong and the others were able to exert a combat power that surpassed their own based on their own combat value, but they still could not come back. In the end, it was Gohan's fatal blow that seriously injured Raditz. Even a seriously injured Raditz is stronger than Goku who has exhausted all his energy. But Wukong was still able to capture him. This turned the battle over. The power of martial arts has been emphasized here. When fighting the Vegetable Man, the Vegetable Man's base combat value seems to be 1200. It's similar to Yamu Tea. But he was beaten violently by Yamcha. If it weren't for the unexpected, Vegetable Man would explode. The vegetable man can't even make a comeback. Later, Klin became angry and became 7. Also killed three vegetable men. If Naha hadn't dodged the Ki Circle Slash, he would have overturned. Later, Goku appeared and killed Naha instantly, leaving him crippled. Then use Kaio-ken to increase the power by three times (Kai-o-ken is a secret method to increase the basic combat value). Hit Vegeta while holding him down. Vegeta became angry and attacked the core of the earth to destroy it. He was pushed back by Goku's 4x Kaio Fist. But the increase was too big and Wukong couldn't control it. Just push Vegeta away, not kill him. The story behind Namek is the same. If Wukong hadn't transformed. Basically, it's dead. The android Cell at the back seems to have learned the martial arts techniques of a martial artist. In fact, I just learned a little bit. Otherwise, why would Wukong have been entangled with him for so long. Just relying on his strong foundation to bully children. In fact, in the Cyborg chapter, the most awesome person is Gohan. Having said so much, I just said a little. Dragon Ball is all about fighting power. Each of the martial arts masters on Earth have gone their own way. It's just that the foundation is different, resulting in differences in combat effectiveness. Dragon Ball also has a special feature, if it has no body. No matter how strong you were in life, your soul state is very fragile. So I have been emphasizing that the author should strengthen the protagonist's body. It is best to advance the three elements of essence, energy and spirit simultaneously. In order to reasonably improve the protagonist's strength. That's why I suggested it to the author. Arrange the history of the earth. The world background of Assassin 567 (the background, not the plot) can be perfectly embedded in the history of Dragon Ball Earth so that the author can reasonably improve the protagonist's strength. Still a reasonable water figure. So much water, I just want to give the author some reference opinions. If you think I'm stupid, please ignore me. Finally, I support the author no matter how he writes. Maybe it's a bit off-putting, but please forgive me. One last lick to the author. I wish the author Junwen good luck ps: The combat value I am talking about refers to the combat index that overflows under normal conditions (no hiding, no fighting. Blessings with secret methods or transformations are considered normal). Combat power refers to the attack power during combat.

Please take a look

Godfather of Gotham is so good, but it's a pity that I saw the author promoting his book on the homeless before, saying that he was a fat guy. . .

What is the meaning of the protagonist's existence? I heard that the latest one is going back in time to work under Frieza, but is it still trying to make up for the flaws in the original work? Is the protagonist just a tool to fill in the unreasonable details of the original work? ? ?

​​Leave aside the writing style. Nowadays, many fans have problems, that is, they cannot follow the original plot, such as Naruto, One Piece, Marvel, etc. Some people think that since "I" have traveled through time, "I" can be considered to be the biggest variable to a certain extent, which has interfered with the trajectory of the original world, so there is no need to follow the plot all the time. The author can expand the plot according to his own skills. "I" is the protagonist, and there is no need to lick the original protagonist. This is one of the reasons why many disgusting fans insist on licking this and that. For example, nine out of ten Marvel fans lick Iron Man every day, a bunch of Hokage is so involved with Naruto, and nine out of ten One Piece licks the Empress. From the beginning to the end, it is not much different from the comics/movies. So what is the difference whether there is "I" in this? There are also some people who are original fans (literal meaning, not derogatory). They think that good fan fiction is based on the original works. For example, if Naruto does not have Naruto and Sasuke, and One Piece does not have Straw Hat, then it is still Naruto, and One Piece? The goals of books are different, and the audiences are also different. Of course, it is not impossible to satisfy most people, but it is difficult. This requires certain writing and mental strength of the author. In my opinion, Dragon Ball's combat power has collapsed since Frieza came out. I once thought it should be renamed: Pecs. Look at the chest muscles, whoever transforms and has the biggest chest muscles will win. I have basically never seen Dragon Ball fans, but I have seen a lot of other anime on the rankings, which can to a certain extent reflect that Dragon Ball is not easy to write, or that it is not popular. The above are all personal opinions, please don't comment if you don't like them.

Will Lan Qi be divided into two and marry the protagonist and Tianjin fan? You don't need a heroine, but it's too disgusting for a woman to be divided into two and marry different people. I'll see this first and ask if this is the routine, otherwise it will disgust me to death.

I have always felt that Bulma likes Goku, but one is innocent and the other doesn't think much about it. Bulma showed this feeling on Namek, but she was proud and did not bother to go to Goku who had a child with Chi-Chi. Later, with Vegeta, it is not ruled out that he is also a Saiyan.

I think the author is still suitable for writing DC or American comics.

Can't you wish to get Saiyan blood?

After reading Chapter 81, I really couldn't stand it anymore and ran away. It doesn't matter if the previous steps don't change, even when Akilobey goes to eat fairy beans. When I came to Yamucha, I did it for his own good, and this kind of thing is not human. After being convinced, I finally became more awesome and wanted to be the savior. Bye bye, some people should like it.

In fact, I think many people have a misunderstanding, that is, the comparison between Earth and Saiyans. Many people have always said that Saiyans are very good, but if you count them carefully, you will find that there are only a few who are good. And except for a few people related to Sun Wukong and the traditional Super Saiyans, you will find how high the fighting power of the original Saiyans can be? They are still on a planet with ten times the gravity. Will they find the benefits of not having gravity? Don't be kidding. And he went to fight everywhere. Which one is not seriously injured when going to war, and which one is not cured after being seriously injured, and how much does the combat effectiveness double? As a result, the combat effectiveness is not as high as that of Klin Tianjin Fan in the later period. The combat effectiveness of Klin and Tianjin Fan in the later period should be around hundreds or tens of millions. PS: It turns out that Monkey and the others are so awesome because Akira Toriyama has been cheating on them. The charm of Dragon Ball is not only the supporting characters, but also Monkey. This kind of plot of killing monsters and upgrading is very enjoyable to watch, so it is very controversial. PS: Many people may be dissatisfied with what I said. You can tell me, apart from Goku and the Saiyans and traditional Super Saiyans who are related to him, can you tell me who else is awesome?

Doesn't the author let the protagonist seize the time to practice? If nothing else goes wrong, after the Great Demon King Piccolo is eliminated, he will be able to face Frieza in about eight or nine years. If you don't cheat and practice, you won't be able to defeat him at all. If the author didn't think about what to do for the protagonist. Let me make a small comment to the author. Like a super seminary. Develop the divine body. Or like a puppet show. Practice success. It is best for the three elements of spirit, energy and spirit to go hand in hand. And if the protagonist wants to live well on earth. It would be best to use the Dragon Balls to resolve the issue of the androids. There is no reason for him to grow up with unnecessary enemies. Furthermore, if possible, focus on the description of martial arts. Because the warriors of Dragon Ball rely on martial arts to deal with powerful bosses. That's all I can think of right now, I hope the author can see it.

I found that many people are posting this. I wonder if the author has been deceived? I think the easiest thing for you to do is to refer to what Chu Xuan said about the technique in Infinite Horror. What he said is very simple. Ultimately, the battle is about who can exert more power in an instant. For example, you only have a thousand points of power, but you can only hit 20 points at a time. Reply to five points at a time. So what the protagonist needs most is just simple. Able to defeat 1000 of his own power with one blow. And the method that can reply in the shortest time.

The author, I thought of a routine. We can dig deeper into the plot of Earth. Like Earth, there are scientists, martial artists, and animal people. People with special abilities. Does it look like the world background of Assassin 567? We can think about it, it was the world background of Assassin 567 300 years ago. Later, the birth of the Great Demon King Piccolo led to the destruction of all countries. It is also impossible that only Wu Taidou can use Qi on earth. Because the gods before Piccolo were also some advanced figures. They also use chi. We can dig deeper into their background and their techniques for using qi. And their ideas and thoughts. Then the most important thing is to develop the physique and even out the physique gap with the people in the universe. Create your own upgrade path. You can use some martial arts style moves (wuxia can also be divided into low martial arts and high martial arts). Or a fantasy style trick. Mythological style. Sci-fi style. Two-dimensional style.