Jiao Lao's Portable Workbench

Personally, I think this type of novel mainly depends on the author's imagination. If the imagination is big enough, the protagonist can make something that everyone is interested in, even if the writing and plot are not good, people will still read it. If the imagination is not good enough, it will not be good in all aspects.

For me, I'm not considered a good glue guy if I haven't played Gundam, painted Warhammer chess pieces, played Sic's Kamen Rider, etc. (I've played all of the above)

The previous writing is really good and the creativity is great. But it makes people unhappy later, so I will write down the reasons why I feel unhappy. 1. The appearance of the teacher caused the person to lose control because of the person introduced by the protagonist. The reader watches the machinations take place and is unable to change them, which is frustrating. Either don't write it, just write about the teacher being hit by something and losing control, which is better than writing about the enemy realizing his conspiracy through the protagonist. 2. Zao's death was too simple. He was not killed by the protagonist. This should actually be a bit more satisfying, but he died in the hands of the enemy, and there was no place to vent his emotions. 3. In so many wars written by the author, the role of the protagonist is too small. The author could actually deal with it and put the protagonist in a leading position in a small-scale war and play an important role, which would be much better. 4. The protagonist killed enemies, rescued people, and reported news in the war. In the end, not only did he gain nothing, but he was wanted. It really felt aggrieved. Moreover, the protagonist has no one to fight back against. After all, it is his teacher's responsibility, and the teacher's loss of control is because of the people introduced through him. There is also a teacher who rebelled, so why don't we just put the students on wanted list? Why don't we investigate this? 5. There is less writing about the protagonist's superpowers, and more can be written about how the protagonist develops his superpowers. What looks good in the front is the development of superpowers. If I don't write about the later part, the author's creative advantage will be reduced.

The creativity is really great, but after I read more than 140 chapters, it didn't work. The glue-making content didn't appear in dozens of chapters. Then the people in the teacher's sect were so disgusting. The guy named Wang, the protagonist spent money to buy water, then he was blind when he came up. After drinking a little, he threw it away. Why do you only want the best? You have money? Bought it yourself? I don't have the money to say nm only wants the best, ugh, her parents were so right to abandon her, but it's a pity that they didn't starve her to death And that senior sister Leng, who is not familiar at all, relies on her own strength to force the protagonist to spend money, directly checks all the protagonist's family background without permission, and then forces the protagonist to treat you. What do rich people owe you? You deserve to be orphaned. This is the most prosperous place. It's so prosperous that people can check your family background at will. Those two Japanese template people are so damn right. I vomited on those two women too. Slavishness is really engraved in the DNA. If you don't dare to resist, you still act as the embodiment of nm. Being the embodiment is already the first step in resistance. Will you still be afraid after taking the first step?

Not to brag, but the ideas in this book are actually quite interesting, and I was attracted to it because of this. But since I'm writing about Jiao Lao, I personally think that more skills on the workbench should be described, using technology to make the combat effectiveness stronger. There's really no point in drawing a lottery every time. The other thing is that since I started to go to college, I don't really want to watch it, because there is no one likable character. There is just a whole bunch of people in this school, and no one is likable! It's even annoying. I don't know why the author created these characters. Maybe it's to make the teacher special and personalized, but it doesn't mean it's meant to be annoying. I read the discussion, and there are many people who feel the same as me, that they don't like these characters. In addition, the protagonist does not give readers a pleasant experience at all when facing the masters. He either gets beaten or gives in. This is also the reason why I gave up the book.

The creativity is very novel and the writing is okay. The biggest problem is that the plot is old-fashioned and brainless, and there are no attractive characters in the appearance. Now I see that there is no normal person in the selection of mentors, but the characters are all unlikable. When we first met, I asked my junior to treat me, and I also lied to others and used seduces 🙂 which is too poisonous.

The author has definitely run away. The role of the little protagonist is unlimited, and my protagonist has no effect at all. There is no golden finger or human being. It feels like a transparent person.

One of the bright spots of this book is that the creativity is not bad, but the more I read, the more IQ is lost. I have a powerful golden finger, but I just play it out of character. If any great master borrows this idea from you, it will definitely become a hit! It's a pity that such a creative idea is probably used as a wedding dress for others.

It was good in the early stage, but started to fall apart in the mid-term. It was originally a battle between humans and monsters, but later it basically turned into a fight between dens... Cowhide.

Let's put it this way, the first 130 or so pictures were pretty good, but after I went to Pinghai University, I started to fall apart, especially those senior students who almost made me vomit.

Give a reward of 1,000 to support the author and give him a boost.

It was okay in the beginning, but it changed in the end. From chapter 100 onwards, it was all about human infighting. There is no battle between humans and monsters. The rest are all battles with fusions, which are all crazy. Kill one, then two, three, nothing new.

The biggest problem with this novel is that the text is not on topic. The protagonist can be described as a puppet master, but not a puppeteer. I think Jiao Lao is a craft enthusiast who connects the second dimension and reality, and the protagonist takes a pragmatic route, which leaves no room for imagination in the novel. In the novel, there are too few workbenches and too many draws. (Only if you are a real Miss Guo, I would like to call you the most slutty) The routines in the book are a bit simple, so I think the evaluation is average.

With high expectations, waiting for a duel in the face, a battleground, PlayerUnknown's Battlegrounds, the studio's imagination was wide open, but there was nothing, only endless chatter, making people confused about what it was about. Generally speaking, the more you read, the less interesting it becomes, and it becomes annoying. I hope the author will work hard for the next book.

Give up, give up, I feel broken since Leng Yihuan appeared. I have no idea the purpose of this character's appearance. Not only is the character unlikable, it has no use for the plot and will only make people feel frustrated.

I suggest that the author change the title of the book. This title is too niche. If I hadn't been handicapped... Ah, I came in out of curiosity and still couldn't find this good book. Ask the author, when can we see the union of the six gods? I want to see the fit one push up! ! !

Does the protagonist's name Muou (puppet) imply something? Marionette?

Another world fantasy version of the newly broken Build Fighters