From Shirobako to Director

Shirobako is really a good anime. I used to feel helpless that there was no Shirobako fanfic. Now that a novel has come out, I really hope you can follow it up. Because it is not on the shelves and has not been signed, I can't give you a monthly ticket. For the novels that I like, I will give you my daily recommendation votes. I hope the author can sign up and put it on the shelves as soon as possible!

If you want to see the main characters in the book and what animations they want to make, please leave a message below. I will observe and select the ones as appropriate. Needless to say those that are too old. Needless to say the long and well-known novels such as Naruto and One Piece. It is impossible to make animations because... It is too long!

The prototype of Shirobako's character is as follows: Kinoshita Seiichi (Fat Man Supervisor)~Prototype: Mizushima Seiji This brother is very fierce. He started doing photography. He did the photography of "Doraemon" and directed the 03 version of "Steel". Then it is said that this brother was very paranoid during the production, which can also be seen in the plot changes in the anime. Then the part where he collapsed was not in "Bounce Heaven", it was said to be in "Gundam 00". Many people have watched 00. I didn't check the specific part where it collapsed. Some people say that the prototype of the collapse of "Bounce Heaven" is "Mizushima", but this is the work of Tsutomu Mizushima and has nothing to do with Brother Seiji By the way, Shirobako is the work of Tsutomu Mizushima... Is this self-deprecation and self-prejudgment? 🤫 "Mad House" is Shirobako's subsequent work Masato Marukawa (President) ~ Prototype: Masao Marukawa, a partner of Madhouse (not the president), produced famous animations such as "Cardcaptor Sakura", "Sakura Wars", "Humanoid Computer Angel Heart", "My Wife is a High School Student", "****", etc. And it is said that this is the hometown of the founder of Bone Club. It seems that Mr. Masao is still a founding partner of Ghibli, which means he can survive in this industry. Kutaro Katsuragi (Investor) ~ Prototype: Todoroki Toyota, this brother is actually a producer. It was originally said that he worked as a producer at Bandai, and he should be a backstage boss in the Japanese industry Maitake Mushroom (screenwriter), Prototype: Nasu Mushroom? ? ? I feel this is a bit far-fetched. Do the Mushroom Brothers have such fans? Takanashi Taro (Miyamori's colleague, the yellow-haired man who gets into trouble), this person's prototype... Mizushima Tsutomu claims to be himself 🤫, but he is really not as handsome as Taro Others... You can just use Baidu, I I have always wanted to know who the prototype of Ogasawara Renko is. Does anyone know about it? Please let me know Lastly post a more realistic picture (All the above content comes from the Internet, so if it involves copyright and the like, the author will delete it 👍 )

I don't know if the author found that you gave a Chinese name in a fan novel that was very distracting and lacked a sense of empathy. If you wrote this name in the city, no one would object, but if you write a Chinese name with a Japanese background, what does it mean? It feels very weird, like you have to use chopsticks to eat Western food. I have read novels for many years, and many of them have Japanese backgrounds and Chinese names. However, their comment section (experienced readers always read the comment section first when reading novels to avoid being poisoned) only has between 30 and 70 comments. Many readers stop reading after a few chapters and end the book directly. I grew up watching anime and am a standard anime fan. I have also dedicated my life to the country for 5 years. Others may say that there are people with single surnames in Japan, but it seems to me that writing a Chinese name is very strange. It is really very strange.

After reading the first few chapters, I didn't want to continue. Let me give you some suggestions for the author's next writing: The sense of immersion is extremely poor and it's very confusing - whether it's interview admissions, name questions or Japanese etiquette questions, it's the same. Many comments have also pointed out this point - in fact, I think that since you want to write Japanese two-dimensional fan fiction, you should first understand it before writing - issues such as names can be understood after reading a few series, but the author still made many mistakes - to be more serious, I feel that you do not respect the two-dimensional dimension that I like, and just come here to create two-dimensional fan fiction casually. Of course, creating is not easy, so I won't blame it too much. I just hope that you can understand it before writing. There is also the issue of characters and the appearance of plug-ins. We can work more on this aspect. I can't make any suggestions here - just work hard? ps: I know many people will come to criticize me. Let's talk about it together and won't reply in the future ① Don't criticize me for the length of the level – I mainly read on QQ, and my book age is about eight years old ② Don't criticize me after The author expressed his hatred for me - I pointed to the chapters 1-3 and the beginning of 4 that I read earlier ③ Don't comment on it without saying that I haven't finished it - I only comment on the parts I have finished, I don't know if the latter part is good or bad I can't think of others at the moment, anyway, I'm just browsing - if you see a Shirobako fan, come over and take a look. How do you reply to me in the future? I will most likely not read it.

Some people suggest that authors should not create original works. That is a pitfall. Supervisor JK next door is an example. Most of them are original, so they copied Little Witch Academia, and then the updates failed. This is not to say that original works cannot be done, but if original works are not capable, it will be a thankless effort, and we readers will not have a sense of involvement.

One problem with Sino-Japanese co-productions is dubbing. Nowadays, the dubbing experience of domestic animations is very poor. This may be because they are from a new generation, and they either have no experience, or they are too overwhelmed. It would be best to find something like the Romance of the Three Kingdoms co-produced by China and Japan. Another reason may be that good domestic voice actors are dubbing movies and TV series. For example, the Mandarin versions of Hong Kong movies have a good sense of immersion. Most of the Chinese versions on Bilibili have no sense of immersion, which makes me feel like I am acting too hard and using too much force.

Wouldn't the author consider correcting the minor issues in the early stage? Many people have pointed it out in chapters and paragraphs. Those places affect the viewing experience, and it always feels like they are wearing away your patience for reading.

Let me post a post about painting. Is there anyone who likes the big names in the industry who want to be included in the book? For example, I personally like Makoto Shinfou Shinkai (both of them are supervisors). I like Nozomi Abe and Yutaka Honda for painting. Will we collaborate in the future? It's best to add the works they participated in. If you like it, you can post it and finish the discussion.

Come on (ง •̀_•́)ง