Conjurer

It's pretty good, but the cat's character makes me uncomfortable.

Try starting from chapter 342

The writing is very good, I hope I can keep writing. 5 Monthly passes are given to you

After reading the chapter on world view, I just wanted to say how miserable the author was by the bully 233

It's really a pity to see that this book has such poor results. I can't help but want to say a few words, hoping that the author can read it. After reading dozens of chapters, my evaluation is: this book is not very good. I was about to give up, but I felt that this book was actually quite attractive, and I was a little reluctant to part with it. I read the spoilers and pondered what the author wrote in the reviews. My impression was very different, and I added a new evaluation: The author is very high-level, but the first few dozen chapters of the book are quite bad. Let me talk about my views as an ordinary reader from the above two stages. When I first read it, I thought this book was quite interesting. The author has a certain understanding and own opinions about medieval aristocrats and DND. The plot is coherent and readable, and the narration has a sense of pictures. It is quite good, but later it became more and more uncomfortable to be poisoned. Is it because of the "abuse of the owner" that many people are talking about? I thought about it, Yu Wangwen, this book is not as cruel as Yanyu Jiangnan, Yu Zhaiquan, the number of blades the author received will not exceed Lao Xu, Jiangnan, Yu Shakespeare's tragedies, the protagonist is at least still alive. This should not dissuade me. After thinking about it again, I felt that the problem lies in the source of the protagonist's misfortune. Does the protagonist's family value fighting spirit rather than magic? Bad luck. The protagonist's friend is spotted by an evil wizard? Bad luck.          ？ Bad luck. The village you teleported to was attacked? Bad luck. Is travel involved in a conspiracy? Bad luck. The tragedy that happens to the protagonist, who is separated from his lover because of his family background, and who dies for love, will make readers sigh; and if the protagonist is killed by a meteorite when he goes out, readers will only scold the eunuch. The problem is not that the protagonist is abused, the problem is that the protagonist is always abused because of "unlucky", which lacks the inevitability of tragedy. But why would a good author make such a stupid mistake? I was a little reluctant to give up the book, so I read the reviews (spoilers) and realized that the author probably arranged it this way on purpose, and I finally understood the reason. This is not a low-level mistake that lacks logic, but an "advanced mistake" that talented and capable writers often make - immersing themselves in writing, or in other words, enjoying themselves. For the author and the omniscient and almighty God, this is a great story, but for readers who can only read chapter by chapter, the plot arrangement is very poor. In my opinion, the author should not be affected by the subjective emotions of the readers when creating, and should not change the plot according to the readers' likes and dislikes, otherwise the work will lose its soul; but the author should also take care of the readers' objective knowledge level and reading ability, otherwise the work will become disgusting. As far as this book is concerned, the author understands the structure and context of the entire story, so in the author's opinion, many unreasonable places are foreshadowing, or even deliberate destiny manipulation to pave the way for God's unfolding; but for readers like me who are not good enough, these places are illogical "poisonous points". The author is filled with anticipation every time he writes a foreshadowing, and every time a reader reads a poisonous point, they abandon the book further. I hope that when writing, the author can examine it as a reader who does not know the subsequent plot and does not have a deep understanding of dnd. What kind of picture is shown to the reader, so that the reader can understand what the author wants to show and have a normal reading experience. Although the above are criticisms, I really feel that the author's talent is enough to become a god, so he wrote so many things. I hope it can be of some help. This is my first time writing a comment on Qidian. My level is not good enough. I hope you can bear with me.

Dream turns into boring job

Is there anyone new coming in? Just leave your footprints when you come.

So... Where is the scene where the evil god is attacking people?

After reading fifty chapters, it's normal for me to get no results. First of all, the biggest and most fatal flaw is that although the protagonist is a doctor who would rather give up the legendary bloodline and choose magic (truth), the protagonist has never shown such persistence. At least in the first fifty chapters, the plot is driven by external factors. The protagonist never strives for anything or prepares anything. This is seriously inconsistent with the character. The second is the author's lack of expressiveness. For example, when he was captured by an ogre tribe and met a druid, although it was written that he shared knowledge to save his life, the author never thought of fleshing out this reason. The details were missing and it felt too casual. This also overlaps with the third point The three protagonists are too weak in character. They were born into a warrior family, but they never fought for anything. The only struggle was to run away when their blood was stripped away. This was an opportunity for the supporting characters. Have absolutely no idea what I'm going to do. To put it bluntly, the main character is the worst portrayed in the entire book, and the supporting characters are all more fleshed out than the main character. That's it. In fact, I really like this kind of subject matter, but it's a pity that the protagonist's character and the driving factors of the plot are too failed. I hope the author will pay attention to it in the future, and I wish the author will get better.

After reading the Golden Three Chapters, you can see that the protagonist (the author) is a strong-minded person. The protagonist's family is a warrior family and has the blood of warriors. The protagonist does not have the talent of a mage, nor does his family support him. He has no teacher to teach him, and he does not have the knowledge of a mage. Tou Tie wants to take the path of a mage. Isn't this the path of Tie Tou Wa? That is, the protagonist can succeed only when he has an aura. A supporting role may lead to a lifetime of mediocrity. He gave up his family inheritance rights in order to learn to be a mage. He failed to succeed in becoming a mage. The warrior bloodline gave up and did not learn, and ended up in poverty. Nothing

There is something wrong with the protagonist's character. Looking at the setting, it is clear that he is a person with clear ideal pursuits. Even willing to give up his legendary bloodline. But why do I feel like he didn't do anything when I looked at him? I feel like a confused little fish swimming around and not knowing what to do, all relying on external factors.

I saw Chapter 69, in a place where survival is not guaranteed. The protagonist doesn't want the power of a legend destined to pursue magic, and then says that the protagonist just wants to learn magic because he was a scientist in his previous life. Isn't it okay for you, a legend, to learn the knowledge of magic? In fact, you still want the power of magic. Many people can't stand it because it's too conflicting. As a scientist or an ordinary person, isn't it to save your life to be the first in another world? You must first ensure that you are alive before you can think about the next thing. You, a first-level magician, think about what the gods are thinking. A Tianhu's beginning was written by the author as an ordinary person's survival in another world?

The protagonist is not like the protagonist, and his IQ is not that of a time traveler. The protagonist is stupid and most people don't like to watch it.

When I read Chapter 75, I really couldn't stand it anymore. I felt it was too toxic and the plot was too confusing. I only read Chapter 75. The plot jumped around like crazy and there was no obvious main line. It abused the main character and didn't level up.

It's a pretty good story, but the reader experience is extremely poor. A protagonist who has been manipulated all his life, and a bunch of behind-the-scenes masterminds A weak protagonist, an eleventh-level mage, with many tricks, strong learning ability, and a lot of knowledge, what's the use of it? Kill indiscriminately below the sanctuary. If you encounter a strong one, you can only rely on the aura of the protagonist to impress others. If you provoke the big shaman, you will be easily crushed to death. You will always be passive, surrounded by the conspiracy and calculations of a bunch of big guys. In the end, you will not even be a legend. For the sake of dignity, you will transform into a self-destructing truck and become the God of Destruction. What dignity does a weak chicken have? It will be boring to finish the game.

Don't think that only good stories that have a smooth journey can be called "protagonist halo" You die wherever you go, and you are tortured wherever you go. This is also the protagonist's halo. This book's protagonist's halo is too obvious. For such a small character, his shit will happen wherever he goes.

The first few dozen pictures are nice, but Li Qing suddenly appears in the back, which is a bit surprising and I can't bear to interrupt my reading rhythm.

Ah, I saw this in Chapter 150 I have a few thoughts First of all, I think the author has done a great job in bringing out the kind and righteous side of the protagonist, which is very comforting. The content of the first hundred chapters, or the first volume, is the same as the title given by the author - Puppet. The protagonist is either being plotted or on the way to being plotted again. It feels like he has not yet recovered from his position as a researcher in his previous life. The author vividly embodies the blockade of knowledge in this period. The writing is depressing. According to the protagonist's background setting, it can be said that there is almost no hope for becoming a mage. The content of this part can be summarized as follows: how the protagonist survives in the cracks and finds the threshold to become a mage. The author portrays the protagonist as a kind-hearted person with a strong sense of justice, ideals and pursuits (it can be said that it is very rare now). But this makes the protagonist even more miserable. But in this book, the question in the previous chapters of the first volume is not whether the protagonist is miserable or not. But the author did not elaborate on the career system of this world, nor did he give the protagonist an accurate position. What exactly makes a magician, how to advance, how to divide the strength, whether to build your own model to play freely or rely on the magic network to fill spell slots. What level is level 12? What kind of nb is this big boss like? I think some books abuse the protagonist because you don't understand how far the protagonist has grown or what he can grow into. You said he has always wanted to become a mage. What is the threshold for a mage? What is blocking the protagonist? What goal does the protagonist want to achieve? He will become stronger and nb in the future. How strong and nb is he? I don't understand these things at all, I just know that the protagonist is being plotted against me all the time, by various bosses who are either strong or weak and you don't even know how strong or weak they are. The protagonist's path forward is confused, and you are also confused. This has nothing to do with whether the protagonist suffers setbacks, but the plot has no backbone at all. You can't give readers a clear path for the protagonist to grow in one hundred chapters. The reader is not the protagonist. The reader needs to have a God's perspective. He needs to know where the protagonist has reached; or, in other words, how far the protagonist has moved forward compared to the previous position. If the protagonist makes slow progress, that's called abuse of the protagonist. If the reader doesn't know how much the protagonist has progressed, that's called abuse of the reader. The protagonist can be confused, but the reader can't. After all, most people don't read novels to be abused. Watching the protagonist go through setbacks and grow is the most basic pursuit of readers. Instead of the protagonist being frustrated for a long time, readers feel that he is still spinning in circles, which means he is suffering. Torturing readers in this way will make people feel very immersed, but when writing online articles like this, you must be prepared to lose readers and be disappointed. After all, although the author's writing is very good (I insisted on reading the first volume, um, it's really delicious), it is not so good that everyone is willing to be abused and continue reading. However, the author still made some adjustments, like the protagonist's family and family, like a little raccoon. It wasn't until Li Qing's appearance that the protagonist truly changed, and Li Qing was the real golden finger of the protagonist. A part of the worldview has been unfolded, and the world is a sieve. It can be said that Li Qing is a very important supporting role. Although I think his appearance is very abrupt, the style of the whole book will be different after that, and it will become much more relaxed. The subsequent plot is more comfortable.

The more novels you read, the harder it becomes to continue reading them as you did at the beginning.

Maybe I was the first one to abandon the book because of the cat It's so indiscriminate that I can't understand it.

Is there anyone who wants to search for conjuration fans?

Someone said before that I was abusing the main character, and I tolerated the poor writing style. What does it mean that Li Qing suddenly comes? Is the author crazy because of the stimulation? Do you start to give up on yourself because of poor grades?

The feeling in this book is that it would be better to follow the story of fighting spirit. Awakening a legendary talent in a training camp and then writing about it would also be good. Maybe you can also add some special research on the power of fighting spirit. It's not that fighting spirit cannot be studied. As a kind of life energy coming from the human body, it has various characteristics. In the end, it must reach the same destination as magic. The inexplicable obsession with magic in the early stage is actually quite poisonous in my opinion. You have a better choice and a higher starting point, but you are willing to choose the unpopular one without giving any reason. This article does not portray the persistence of truth very well, which makes people feel like learning magic for the sake of plot advancement. Although the writing is good, it always makes people uncomfortable to read. The author's foreshadowing is insufficient and it is difficult to attract people.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​Such a protagonist is a real "person", not a so-called protagonist

A loser who has always been defeated finally wins by chance

The protagonist is a Madonna who likes to save people. If you like the Madonna protagonist, you can check it out.

I'm so speechless. I can't stand Chapter 8. Forget about cats being afraid of mice. A familiar has turned into an uncle. I can't stand it. Goodbye.

Magic has always been a symbol of knowledge and wisdom, but the author writes that it is covered in clouds and mountains.

A genius researcher travels through time and becomes a child. No matter how simple it is, it is still an adult soul! You can't really write the protagonist as a child of any age.

It's really hard to describe what I wrote, and it's a bit confusing.