The Superstar Producer

I've always wanted to say this, and it's also very strange—why wasn't the partner who ran away sued? A studio should share all external debts and disputes. Even if the male protagonist repaid them himself, the necessary lawsuits and filings still need to be done, and the studio's contracts all need to be redone—these are the most basic, important, and mandatory procedures.

Another one. While tidying my bookshelf today, I discovered I've let so many books die of neglect. 😰

What's so enjoyable about this book? It's just a monotonous account of events, and it kept making me sleepy. Is the author just not suited to writing this kind of entertaining fiction?

If I write about Sha Qiang, it'll be unreadable, it'll be so embarrassing!

Sending songs as gifts is so awkward, can't you at least send some classic ones?

I've been reading Bug 2 for years, and it always seems to have poor early-game resources, excessive mid-game content, and a disastrous late-game. I hope this one will be more about playing cautiously and developing your character without being reckless.

Even with these illogical points and the repeated underestimation of the supporting characters' intelligence and emotional intelligence, it was still very unpleasant to read. Leaving aside the writing style, the story itself was unengaging, like a monotonous, rambling account.

Why does the protagonist have to repay the money Wei Shucheng did? Is there a legal loophole that can be exploited? Could someone please explain the intricacies of this situation?

The scene of sending songs everywhere was quite awkward to watch.

There are no unspoken rules in writing about entertainment, so what are you writing? You're just being a hypocrite.