One Punch Man Emperor Engine

I think I have pretty good resistance to drugs even though I have severe obsessive-compulsive disorder. I insist on reading every novel without skipping a beat. But I really couldn't stand it after 60% of it. With dozens of chapters of the original plot, I could only fast-forward through it. Writing in the middle and late stages was completely mindless. The protagonist's system would sometimes have problems, and then there would be problems. I have never seen any author dare to write the protagonist's system to malfunction inexplicably. It was so poisonous that my mentality exploded. You said that if you are fighting, you should write about fighting, if you are pretending, you should write about pretending, and in daily life, you should write about daily life. It is a mess and there is no sense of substitution between the three. I have no idea what you are writing. As I read it, I was thinking about a few questions, who am I? Where am I? Who is he? Who is he? How did it die? How did it die? Please clarify, since your protagonist is king, from the beginning to the end, I just want to watch king use the system to show off and become stronger, and then defeat the opponent, and then the supporting role will blow off. Rather than follow the original work and write about the small characters in a lot of lengthy pages, I already know the plot even if I don't want to watch it. I really can't stand the plot of Shui Yuan's novel with dozens of chapters. The author troubled himself to figure out who was the protagonist. He didn't have the ability to control the supporting characters of the original work, so he just kept the protagonist throughout the whole story. At least I knew what I was looking at. I feel sorry for the 40rmb I paid for the entire reservation and the 2 days I wasted.

The author writes about the daily relationship between King and Tatsumaki. It would be a bit boring to fight all day long_(:з∠)_ "Actually, I just want to see it (ಡωಡ)"

Why should we misunderstand that KING is the strongest? There is no need to misunderstand it at all! It is the strongest in itself! Lucky ability Max! Even if Saitama wants to kill him, the hair tonic will suddenly take effect, causing his hair to grow like that of an ordinary person 😃😃

Can you tell us about the emotional subplot? . . . .

In the end, Saitama finally became the No. 1 Super S-class hero, but lost his goal because of it. On the eve of the investiture ceremony, Saitama left without saying goodbye, giving up the honor and applause he had dreamed of pursuing for many years. Before he left, he left a letter to Genos, telling him not to worry about him, but to regroup and find his true opponent. Traveling aimlessly, Saitama has always found nothing. By chance, he came to Konoha Village. In the bustling market, he met Naruto holding Hinata on his arm and holding a child. Naruto smiled warmly and happily, which made Saitama very envious. Saitama had heard that Naruto was very strong, so he told Naruto that he hoped to have a showdown. Naruto rejected Saitama's request, glanced tenderly at Hinata beside him, and told Saitama with a smile that the reason why he worked hard to become stronger was to protect the people he loved. Now that everything is complete, he only hopes to be by his wife's side and be a good husband and father. Saitama respected Naruto's decision, but still refused to give up and asked Naruto if he had any other strong opponents. Naruto thought for a while and said that he knew a powerful hero named Son Goku, but he had been living on Kaioh, so he didn't know if Saitama could find it. However, I suggested that Saitama find a kid named Nobita. I heard that he has a blue robot cat that has the ability to go anywhere. Although Saitama is very strong, he is a fool in life. He knew that he could not find Nobita on his own, so he came to Rice Flower Market according to the introduction in the newspaper, found the Maori Detective Agency, and wanted to entrust Maori Kogoro to help him find the child Nobita. Saitama didn't bring any money before leaving, so he was rejected by the money-grubbing Mouri Kogoro and could only leave in disgrace. But before he could get far, his cloak was pulled by a little boy. The little boy told Saitama that his name was Edogawa Conan and he was a detective. He could help Saitama find Nobita. Saitama was doubtful, but now he had no other choice but to believe in this inconspicuous elementary school student. Following Conan all the way, he was gradually impressed by Conan's temperament, and in the end Conan did not disappoint him and took him to the door of Nobita's house. Saitama is not sociable and hopes Conan can accompany him into the house. Conan shook his head and said that this family was very happy and he did not want to implicate them. So a person left silently. The afterglow of the setting sun stretched Conan's figure very long, and Saitama thought to himself that this child must be a charming and handsome boy when he grows up. Taking a deep breath, Saitama finally found the courage to knock on the door. The door slowly opened, and a robot doll with yellow skin and red ears appeared in front of Saitama. Saitama was surprised, but explained his purpose. Red Ear tells Saitama that her name is Dorami and she is the sister of Doraemon, the robot cat. Now Nobita and Doraemon have gone to summer camp, so they cannot come back for the time being, but she can also help Saitama. Saitama learned the lesson from Mouri Kogoro, and touched his bald head in embarrassment, saying that he had no money of his own as payment. Dorami shook her head and said that the reason why she and her brother came back to the present from the future was to bring happiness to people besides helping Nobita who failed to live up to expectations. So can

Forced to be funny, Saitama-sensei is always criticized, and the writing style is also disappointing

I think this book is quite good, a collection of novels and fan fiction that is at the top of its game. Why do so many people say it is poisonous?

You see Piccolo raised by the protagonist almost killing a little girl, and you are so embarrassed. He throws a weirdo you raised into a densely populated area and ran away. If Clickboy hadn't arrived in time, the little girl would have been beaten to death. You also said that you don't need the association's consent. Are you so shameless? Do others deserve to be killed by the monster you raised? In those two chapters, it was said that it was fair for Saitama to get the credit for killing monsters. I don't know where he got the credit. He relied on others to kill monsters, and he even dragged him to it.

Go ahead, it's really disgusting! The male protagonist couldn't control his pet, and almost killed a little girl. Then a hero came out to save the girl, and then fought with the male protagonist's pet. After the male protagonist came out, he actually said that hero. I was also drunk. If it weren't for that hero, the girl would have died. I thought that hero was a bad guy without any distinction. There was an even more disgusting Saitama walking around in the back, and then he was suddenly attacked by the male protagonist's pet. Saitama killed the male protagonist's pet. Later, the male protagonist actually asked Saitama why he killed his pet. I was really convinced. . . Obviously the male protagonist couldn't control the pet and attacked Saitama first, and then insulted Saitama. If I were Saitama, I would kill this idiot. . . It would be great if the starting point could be rated like a tomato. Then I went to watch the finale, and some people actually said it was well written. Damn it, what do those people think about it? ! ! There's obviously something wrong with the male protagonist's outlook on life. He can see the finale, and he says it looks good. Who are these people?

I really can't hold it back and want to write a long review. Although it has been so long and the author will most likely not be able to read it, they are all what I want to say sincerely. (Contains a lot of spoilers. If there are any new readers, it is recommended not to read my review.) First of all, if it is a perfect score out of 10, I would like to give this book a 7-point rating. But mainly due to the early score, until the beginning of the Hungry Wolf chapter, the quality of the book dropped to an incredible level, or in other words, the quality of the book as a fan was extremely poor. First of all, the author is really talented at writing funny stories. In the early stage, the protagonist King was really weak, but he always used a kind of nonsensical luck to defeat many enemies. Like the soda monsters and assassins who coincidentally attacked each other and eliminated each other, the stupid dinosaurs and the dinosaurs with heart disease, and the robots that malfunctioned but were misunderstood to be killed by the protagonist, they were all funny and promoted the plot. This system is also very clever. It not only makes the protagonist not a completely ordinary human being like in the original work, but can really act like a hero when encountering danger, it also retains some "weak time without cards" or "weak time due to system failure", so that after the protagonist becomes stronger, he can continue to use luck to solve problems in a funny way. The author's original characters include a martial arts idiot who learned Tai Chi in just a few words, a stubborn captain who wants to pursue the end of the sea, and a family of dinosaurs with their own personalities. In comparison, these characters don't actually take up too many chapters, but their characterization is very interesting. Wu Chi also used a very clever reason to send the protagonist into a martial arts competition, instead of just being a tool in a single chapter. The captain originally had no reason to fight the protagonist, but in the dinosaurs, the author laid a foreshadowing that a certain dinosaur had not been solved. Using this foreshadowing, the captain had a reason to fight the protagonist. The girl in Huang Yi didn't know who she was when she first appeared, but she had just expressed her respect for Fubuki, and then she appeared in the train extra chapter. Readers immediately realized that she was the hero who appeared in half an episode in the original extra chapter, respected Fubuki and did not appear in the name. At this time, the author has the ability to control the characters' personalities, connect them with the original work, and write funny plots at the same time. The chapter about pet Piccolo is the first toxic point in my opinion. As a very famous hero, his family attacked the people, but did not do anything to deal with it. Instead, he turned around and threatened the people together. This is a very poisonous behavior. And starting from the Hungry Wolf chapter, the description of the plot becomes very sloppy. Take Snotlout for example. When he first appeared, he was imprisoned in a monster base. The Wolf had no communication with him before. He stood in front of the hero and said, "Don't kill the Wolf, the Wolf saved me twice." This will make readers feel very confused, because if you haven't read the comics, you don't know what the intersection is between the Wolf and Snotlout. This part of the plot is only in the comics, but not in the book written by you, the author. And all the battles in the Hungry Wolf chapter are exactly the same as in the original comic. Every monster the hero encounters, helps his teammates, and defeats them in the same way as in the original work. Famous scenes such as one person shocking four dragons and the black spirit pulling the hair of the Atomic Samurai are just replicas. So why do readers need to read your book? Originally, the protagonist used Boros's card. I thought that the hungry wolf could be solved by the protagonist, which was different from the original work. However, as a result, the protagonist's energy expired, and it was still up to Saitama to solve the hungry wolf. I feel that every reader can feel the sense of disconnection in the middle of this book, from the original characters + original plot + funny plot in the early stage, to the complete reproduction of the original plot + the protagonist in the later stage. It seems that although efforts have been made, the ending is the same as the original work. I feel like it's a book that makes you become a god in the early stage and pulls your hips in the later stage.

Those who survived Chapter 49 are all heroes. I couldn't survive it anymore, so I ran away first as a courtesy.

Mr. Beibi, can you explain it? The skill copy card in Chapter 146 --- copied the skill positioning and tracking. After nearly 200 chapters, no more "skill copy cards" were obtained. Why did this already used "skill copy card" appear again in chapters 343-344 to copy Wu Chi's Tai Chi skills? 😰

Excellent shellfish, do you want this golden skin, this silver skin, or this ladies' clothing boss' skin?

The early stage was actually pretty good, but he suddenly got a Super Saiyan pet, and then he walked the dog without a leash and got into a conflict with civilians, and then thoughtlessly took the side of the pet and trolled civilians who thought he was handsome. It was simply a defeated character.

They say it's a short one that makes a tall one. I took it. It was too poisonous. I couldn't stand it after reading twenty chapters. I hope the brothers who follow me can hold on. The first is the protagonist's ridiculous comedy skills (I didn't expect that some people praised him in the comments) The second is the inexplicable weird pet ✗? Father ✓ The third protagonist is an S-class hero who knows the entire plot and knows that King relies on luck to survive. Under such circumstances, the protagonist crazyly reveals that I did not kill these weirdos, and I have no strength at all. So there are still people saying that this is consistent with King's original character design? King is timid, but King never messes around.

Is the author really not writing anymore? You are really good at writing Saitama fan novels 🤓 You can't even read other stinky books.

To be honest, it is quite novel to introduce King as the protagonist. The use of golden fingers is also suitable for the growth of abilities and is not trivial. The plot in the first few chapters is good. Although it is a time travel, the protagonist is still like King in the original work, incapable, afraid, and sometimes very brave. But it didn't take long for a problem to arise. The protagonist adopted a weirdo but failed to take care of it and attacked passers-by. In the end, the protagonist left with a stern look on his face without even apologising. Do you really think that as a hero, you don't have to take responsibility? And the image at that time was completely different from the previous character who actively donated money because of his ability to destroy the streets. The protagonist's personality changes in one chapter. Don't tell me anything about the glass-hearted Virgin Bitch. If the president bites a pedestrian while walking his dog without a leash, does he not have to apologize? Or even left without saying a word? And some people compare this incident to the bald man who was raped by a passerby before. The bald man finally said that famous saying because he was led by the rhythm master. But I can't think of a situation where a group of normal people are really in danger, and they can laugh and forgive him after being almost killed by the enemy of mankind. In short, I read this work with too much brain. Maybe I am a person who pays special attention to details. Finally, if you pursue details and like to think deeply about the plot, this book may not be suitable for you.

The strongest fan with one punch! ! ! To be honest, this is the only one among the Yi Punch fanfics that I could read without getting tired of it. This is the sixth time I have read it.

It all depends on the system, and it has no effect at all. . . In fact, the system for a dog is the same. . .

It was okay in the front, but not when the pet came out in the back. The male protagonist took the side of his pet indiscriminately. I was also drunk. If it weren't for the heroic male protagonist, his pet killed a little girl! Moreover, the male protagonist's pet used a skill to hit Saitama and then Saitama killed it. The male protagonist actually blamed Saitama. I was also drunk and told Saitama, didn't I just hit you? As for killing it? I really admired the male protagonist. Saitama was killing weirdos well and was suddenly attacked by a weirdo. Wasn't killing him a legitimate defense? Moreover, weirdos and people are inherently hostile.

Want to experience the Imperial Engine? Just drink more than 25 cans of Red Bull in a row.

It's great, one of the ceilings among One Punch fandoms

After reading Chapter 14, I feel that the character of the protagonist is not very good, he is another Tang San, and the plot written two years ago is more toxic now. After all, I have read the original work, so don't go back in time and act like a silly Baitian, or a fool.

As a reader who has basically read all books, I can say that the topic selection and entry of this book are very good, and the beginning is attractive enough. However, there is a fatal problem that remains unresolved throughout the entire text. It is very likely that this is the reason why it ended up unfinished - that is, how to deal with the relationship between fans and the original work. Essentially speaking, the pleasure of reading fan works mainly comes from the adaptation of the original work. This kind of subject matter is inherently a product of cleverness. A lot of background introduction and character creation are completed by the original work. Fans only need to quote it and slightly modify it. But this convenience can also become a constraint. If the author relies too much on the original work, he will not dare to change the plot and will be constrained. Unfortunately, this is the case with this book. An obvious problem in the early stage is that the protagonist obviously wants to hug Saitama's thigh to save his life and gain experience, but he always makes up various reasons to force the two to separate. As a result, they still have to wait until the original encounter plot for the two to officially meet. After the protagonist gains power, he can already participate in many plots, but the author has been reluctant to let him really participate in it. He still lets him make up for his experience out of thin air. In order to prevent the protagonist from looking too cowardly and incompetent, temporary patches such as system failure and card expiration have to be applied. The same goes for the reverse. In the middle period, the protagonist has grown up and gained power comparable to that of a god. He can now truly be a hero on his own. However, in order to get back to the original plot, his power has to go offline every three days, and his already determined character has to revert back to his otaku period. It feels uncomfortable to read, and it's a bit like taking a cold bath as soon as you get excited. It's very awkward. The ambiguity with the Tatsumaki sisters could have been made boldly, but in the end it ended up being three days of fishing and two days of drying the net, one step forward and two steps back, and finally nothing happened, which is simply speechless. In the final analysis, the author has no outline for this book, so he relies on copying the original work and using some temporary ideas in the process. The only thing that needs to be considered in fan fiction is whether the adaptation is enjoyable enough. In this regard, it is better to learn from the routines of Xiaobai's novels. It is normal for a king to have many adventures, but as long as the character is likeable, the character is maintained, and a confidante is added, it is already very interesting. I hope the author can improve next time.

It was okay at first, but I was speechless after reading it. It is basically the same as the original work. It is really a no-brainer. The main plot has not changed at all. In order to develop the same as the original work, the protagonist cannot be upgraded, and points are not used. There are also various system bugs that eat pig's feet cards. The protagonist always collects a bunch of cards and does not upgrade, for fear of becoming stronger. Then others kept thinking that this is exactly the same as the original work. The problem is, isn't this just changing the perspective of One Punch Man? What's the difference between becoming stronger and not being stronger? When the protagonist is thirty, he actually has a lot of cards in his hand, including a lot of four stars. After using them, he should be able to reach forty. If he doesn't use it, it will be Saitama. I really just don't want to use my brain at all, Tu saves the trouble.

The best one-punch fanfic I have ever read (but I don't support the author on a certain point, please forgive me). The only drawback is that there are no emotional scenes.

I've finished reading it all, and this is the only One Punch fanfic I can read at the starting point. Can you recommend a few more books?

What the hell, I can't hold on anymore in Chapter 4. Can't I control a two-star card ability at all? Can crashing here and there cause disaster? What kind of mentally retarded plot can actually be watched with gusto by a bunch of people, yuck

I really like the character King, but there is no fanfic to read. This book is worth reading

I watched it in junior high school, and now I'm in college.