The Magic Academy of the Movie World

Seeing how lively the comment area was, I read Chapter 2 and searched on Baidu. The situation is as follows: Anyone who is fully responsible for a traffic accident that causes the death of one person is suspected of traffic accidents. From a legal perspective, traffic accidents are not allowed to be private. If the perpetrator compensates the victim's family, his penalty can be reduced. However, in reality, many traffic accidents resulting in death are ignored because the perpetrators are compensated before the public security organs intervene. If the public security organs have intervened, the court will consider mitigating the penalty as appropriate. From the article, it can be seen that the other party was fully responsible for the death of two people, but the protagonist had no relatives and lacked ability (young age). Therefore, the two parties kept private and did not file a case. They did not hold the other party criminally responsible for the crime of traffic accident. They were forgiven and the other party paid sufficient compensation (as mentioned in the article, the protagonist has no right to choose under objective conditions, which is the best solution for both parties). From a consequential perspective, the protagonist receives compensation, but his growth in a parentless environment is unsound. Although he is rational enough, it is understandable to be extreme on the premise of gaining strength. The formal means (revenge) are also in the eye of the beholder. Ps: The author should want to create an accidental tragic product in normal society. Such people are more persistent in the desire for power and more unscrupulous than otakus and college students. They fit the template of non-high-IQ protagonists, so don't criticize the author. The typical protagonist's views do not represent the author's views, just like someone playing with a little butter does not mean that they disrespect women (funny).

After reading the second chapter, I think that if you want to write about revenge, it is best to write about the other party in a bad way, whether it is arrogant attitude, drunk driving, intentional, not wanting to pay compensation, etc. It turns out that the enemy only caused the car accident due to negligence, and he paid full compensation, and it is impossible to be sentenced to a few years in prison. The protagonist gets superpowers and kills such a person more than ten years later, which makes people feel no sense of revenge at all. The protagonist himself says he doesn't, and neither do most readers. Why bother causing controversy? I don't see the need to write this plot.

After reading the first few chapters, I persuaded you to quit, and you have reconciled. You can hold grudges against others, and others did not mean it, and even paid for it. If you persist in holding grudges, don't use the perpetrator's money. Accept the perpetrator's money with peace of mind, while thinking about how to kill him. You have no ability, and you have to harm other people's wives and daughters. This kind of character is disgusting, a villain who bullies the weak and fears the strong.

In essence, all creation-level gods are gods and demons born in the void. It can also be regarded as a child of the void or chaos. Chaos is infinite and has no concept of time and space. It is the origin and end of all things! And the gods and demons bred from it are so powerful that they are beyond conception. He who gazes into the void is also gazed into the void. There is no such thing as order or chaos, everyone just acts according to their own will! Those who tend to act instinctively are called chaos, and those who tend to be more rational are called order. When the weak stare at them, they will naturally be involuntarily affected by their will.

Let me complain, the protagonist just came back from time travel and rescued a woman, who was still on the secret front, but he actually directly introduced himself, his real name and abilities! 😱

It feels like... This is a self-interested novel. The protagonist is most likely a true reflection of the author himself. That is, if the author gains power, his behavior should be inferred based on this book.

In fact, I have always been a little confused about the scope of the protagonist's abilities, or I can't understand some of the basic settings of this book. I was wondering, what exactly are the so-called derivative worlds of the real world that the protagonist travels through? Is that just movies, or are novels, comics, etc. Covered? Or better than that, there are some of them that are not expressed in words and are imagined by human beings. Also, I would like to make some suggestions. Because the protagonist has been fighting against divine creatures from the beginning, I think it is best to have a friendly divine creature in the next world to give the author some help or pave the way. The last thing I want to express is that when I saw the protagonist building a portable dark door, I didn't know why, but I suddenly thought of Doraemon's Any Door. 😂

Damn, the real world is so poisonous, but I still can't escape the clichés of online novels. I thought it was because there was no female lead, but in the end I still recommended a female lead, hahaha.

Why is there always some bullshit in the reality of every infinite novel? There was nothing before, and then all kinds of monsters and monsters appeared, and there was a revival of spiritual energy, and the great changes of the times, couldn't they bring the soul to a pure land? The world of so many urban TV dramas is not the ordinary world where people can live well. Can't you just learn from others?

It's so scary. It turns out that there are so many depressed and perverted people in society who think that one life can be exchanged for another regardless of the reason. Have you forgotten all the modern legal concepts taught in school...