Conquering Heaven at the Dawn of an Era

Tragedy can make novels more in-depth. However, what you write, author, is an Internet article, an Internet article that travels through fictional history. It has nothing to do with depth. Internet articles make readers happy, but it has to be a tragedy that disgusts readers. Disgusting readers will only make your novel more and more niche. I believe this is what the author does not want to see, right? So please don't disappoint readers anymore? Let readers find enough fun points in your novels, such as a German orthopedics first (ಥ_ಥ)

The writing and plot of this book are both excellent, but from the moment Sophia is forced away, the protagonist is no longer a person, he is a slave of power and an ambition monster. The women the author describes are all very distinctive. Asselin (Zo Wei) in the last book is my favorite heroine over the years. However, the heroine of this book went from forcing Sophia away for power to arranging a marriage for her sister for power (I know this is a noble characteristic, but I came to see "Dawn"), and after the marriage, she collaborated with her sister to poison the husband who loved her deeply, which made me feel sick. When the brother and sister acted in collusion, the so-called heroic Ruo Sha in hunting clothes he described has become the excrement of power in my opinion, which is disgusting. As much as I loved Eragon and the free Asselin in the previous book, as well as the "Lenge Combray" who went through hardships to break the dark age, how much I hate and disgust the slave "Alexander" who is in power in this "dawn" era. I like Sophia very much in this book, but such an innocent and lovely gypsy girl still loves Alexander after breaking up with him and after Alexander became a slave to power. This makes me even more disgusted and disgusted by the protagonist brother and sister. Every time I see Alexander's disgusting desire for power, I think of Lenger dragging his sick body on the march. Lunge was not the Son of God, but he was still a man, a good man, Asselin's "little Rome." Especially during the days when Asselin and Lenger were captured, Asselin rejected the prince of Aleppo for freedom, and Ruosha, who poisoned her husband, looked even more ugly in comparison. She is not even as good as Isabella. I know Kingdom Rush is like that. But what I want to see is that you come to bring the light, not to change from a modern man to an "other" of medieval capitalism for the sake of power.

It's really infertile and laborious to comment, and I have to change my number. Now I want to ask whether excessively weakening France will make it a great HRE? A HRE who has no constraints and has irreconcilable conflicts with the protagonist on the two issues of inheriting Castile and Italy? Maybe Bohemia, Hungary and Wallachia standing together can do something, but compared to France, which can completely fight the Shinra for 300 rounds, and considering the Ottomans behind Southeast Europe, supporting Bohemia to destroy France is just taking off their pants and farting, and the effect is not necessarily good. I don't think annihilating the French army is optional. In addition, there is a problem that I have seen many times before, but my main account is not bound to my mobile phone and I cannot comment 😡 Now I will finish it all at once. Could the protagonist's claim of wanting Aragorn go through Juana instead of Rosa? Finally there is the issue of inheritance. In my opinion, the main line can inherit Spain plus Mauritania, the Lucretia line can inherit the Italian peninsula plus Africa, the Sophia line can continue to fight and become Byzantium, and Rome will become it. Then the protagonist takes Rosa to Persia, which was muddied by Ismaili, to rebuild Persia and revive Zoroastrianism. Our Alexander Empire is complete!

I really can't stand foreign time travel stories. The author is really conscientious and writes for fun. The topic is too niche and too few people read it.

Choosing the Renaissance was the biggest mistake. What era was Lenger in the previous movie? The Holy Land was lost and the Millennium Empire was about to be destroyed. Every time I think about this, I can't help but feel sorry for this empire. This is an era of disaster, but it is also an era longing for redemption. People are so eager for a savior, so they love Lenger so much and look forward to him defeating the enemy. But what exactly did Alexander do when he traveled across time? Develop business? Develop military. Come on, this is the dawn of Europe. It will happen sooner or later without the protagonist. If you let them enjoy this happiness in advance, you will also let them enjoy this misfortune in advance. To put it nicely, it means accelerating development; to put it badly, it means seeking personal gain. If Lenger established a human heaven, Alexander established only his personal kingdom. Alexander is no different from other starting protagonists, and there is nothing worth standing out about. When I looked at Lenger, it was a struggle between justice and evil. Although not many people advocate justice now, the values ​​we have received since childhood still make us biased towards the victory of justice. Even if Lenger did something unreasonable, we can forgive him. But Alexander was just a conspirator, a politician, and a man of power. Neither Alexander's victory nor Alexander VI's victory was worth the excitement. Since it is a struggle between conspirators, we hope to see a victory for a powerful conspirator. Therefore, the female pirate's infatuation with Lunge allows us to experience the beauty of love, while Sophia's infatuation will only feel silly and sweet and hinder us.

Writing about foreign countries is a niche, so I finally found another book

It's annoying enough to abuse the protagonist, but you're also abusing the heroine. It hasn't been put on the shelves yet, but the heroine has been lost three times. Isn't it completely disappointing? Literary youths should not always look to the Condor Heroes.

The Grand Duke is so pitiful..._(:з∠)_

I just read In Rome, and I know why this book got such a bad score. . As an author, you have to let the heroine take the blame? ? Have to arrange all kinds of inexplicable troubles? Nothing goes smoothly? Think about it for yourself, is this reasonable? This is no longer something that a literary youth can describe, absolutely

I want to know how Odoni died in the end in Chapter 42 of Volume 2? That bastard kissed Ruo Sha (σ;*Д*)σ and was sentenced to death!