King of the Wild Mages

From the perspective of an old bookworm with normal outlook on life, this book is already very good. The cheating is reasonable, the plot is relatively compact, the story is interesting and interesting, the author is very good at writing and can handle it well. It can be regarded as a good book in the current environment where bad books are plagued by endless pretentiousness.

The posts on the wedge have already been complained very well, and the loser has nothing to say.

It involves several points that are personally unacceptable, and they are not necessarily poisonous: 1. Mixing of multiple systems. The chapters I see now include DND, Warcraft, and Harry Potter. Although I know that this author likes Warcraft very much, and I also like it very much, but this kind of mixing of multiple systems must be coordinated well. I think the author's level is still a little bit behind. 2. Magically change settings. Most dnd novels will select a background of dnd and then modify it, but due to the first problem, the modification of this book is very confusing. It's hard to tell which system it is from or the author's original setting, and it's also hard to understand any conflicts with the original setting. 3. Too many other system settings are used. I don't understand why Azshara has to appear. Well, Azshara is a background character, so why does Vashj have to appear? Later, when learning spells, I have to imitate Kaizi. 4. Mandatory road planning. This is a question that many authors have. In this book, the protagonist chooses the Titan spell system without even reading 17 (seemingly) systems. There is no proper explanation of how to deal with the shortcomings of the Titan spell system, or why this system must be chosen. Later, the protagonist is inexplicably asked to make a necromantic Horcrux. I know there is some foreshadowing, but it is always the author's decision as to what system of treasures to arrange. The Titan spell system is an elemental spell system. Although the necromancy system is not completely irrelevant, it is a bit big. You said that it is okay to go to the shadow system or the dark system. The necromancy system is a bit far away. I am a person who pays more attention to setting, because writing can be improved through practice, but it is difficult to improve quickly if the setting is new, wonderful or thorough. Either the setting is completely independent, or the setting is directly from the original version, or the setting is very strict and well adapted. I originally liked The Mystery of the Squid, but after reading it I realized that it was a half-finished book, and I found in an earlier book a setting that had both "acting" and tarot cards. I didn't think it was awesome because it was no longer unique.

Look, I still don't understand why she is so obsessed with revenge, damn it. As an adult, I can't imagine that I could develop such deep feelings in just a few years after traveling through time and being a baby. This is simply far-fetched. I really don't dare to think about it.

There are too many flashbacks, one or two may not matter, but every few chapters you "talk about that day" are so addictive that you can't stand it.

The truth of the world, this is the story of the Xiling God System

The dialogue between the characters in Sam's Fall made me sick. The dialogues and actions arranged by the author make me feel that both the pig's feet and the supporting actors are insane. Can the dialogue be more normal? Sometimes when people are familiar with each other, they don't necessarily need to communicate in the author's way, right?

A waste stream that lasts longer than 5 chapters feels boring.

Let's wait for fattening up🌹

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