Far East Royal Court

As a financial practitioner who has been engaged in investment banking for many years, I personally feel that the current financial system and financial tools, the country's fiscal and taxation policies, etc. In the article are somewhat out of touch with the set productivity level. From my personal understanding, agriculture in the Far East is still at the level of the Middle Ages. The industrial field has improved due to the so-called magic machinery, but it should still be at the level of the early Industrial Revolution. At this level of productivity, I personally feel that it is difficult to support an overly complex tax system, because the cost of information collection, inspection, and verification is too high (this is based on the literacy rate ratio in the article that clearly exceeds the actual historical level), and the corresponding tax revenue generated by taxpayers is far from covering the relevant costs. The reason why the head tax or land tax in the previous feudal society was collected in this way was to compromise with the corresponding level of productivity. Of course, if you say that I use the "real field" to stay at the tax bureau, and then everyone files taxes, whoever lies will go to jail directly, I have nothing to say... But this deviates from the author's original setting, doesn't it? The setting of D&D itself ensures that magic can only be the preserve of a few people and cannot be expanded without limit. I think this problem also exists in the issuance and underwriting of bonds, including the settings of the central bank. Although the Bank of England and the British national debt existed during the time of William I, the so-called national debt at that time was actually completely different from the national debt today. However, it is difficult to truly establish a central bank system under the premise that coinage is still the main means of circulation and the national currency issuance is severely limited. If you have any personal opinions, the author is welcome to communicate.

At first I thought it was upgrading + farming, but later it became an adventure upgrade. It's not that you can't read it, but people who read it like it's just like playing house are full of question marks. A warrior MT? ! After beating a boss with extremely thick blood, he only got one final blow. I can't understand it at all. The advantages are 55 and the disadvantages are 55. The fight is back and forth. How to fight the battle depends entirely on the needs of the plot. Ignore the comparison of combat power. I just fight everyone at 55. Kill instantly when the inspiration appears. If you think the plot needs it, arrange it slowly. At the beginning, I still thought that the potential points of a big bug could be completely arbitrary. The plot requires the protagonist to upgrade, and the potential points can be accumulated. If it is not needed, there will be no potential points at all. According to the source explained by the author, there are obviously a lot of potential points that can be obtained, and no one is competing with the protagonist. I thought there was some reason, but after reading a few more chapters, I found that it was simply because the author liked "plot needs". Whether it was potential points or combat descriptions, they all liked to write however they wanted. Logic? Reasonable? No need! As long as the plot requires it, you can be fooled by the weaklings, and you can boss the boss in seconds. Anyway, the plot requires it, right?

First of all, what is the Far East? ——In reality, starting from the 16th and 17th centuries, European powers began to march towards the East. Based on the geographical knowledge they mastered at that time, they called different regions in the East the "Near East", "Middle East" and "Far East" according to their distance from them. This concept actually means that the European powers use themselves as the center to name other regions. They also included China in the "Far East" scope, but the Chinese would never name themselves the "Far East Republic" when they founded the country. Our geographical naming and cognition will also be based on our own location. For example, we have called ourselves "China" since ancient times, and the region we live in is often called "Shenzhou". The same is true in the book. You should never call the protagonist a "remote country" or "a rural empire" just because he came from a remote place or established a country in a remote place.

The Austrian coins set in the book are actually the embodiment of the spell slots stored in the Arcane Bank. A level 1 spell is equal to 1 Austrian coin, a level 2 spell is equal to 3 Austrian coins... And so on, the spell slot of level N is equal to (2N-1) Austrian coins. But the problem is that ordinary mages do not have the ability to store and summon spell slots. Even if they get Austrian coins, they cannot convert them into spell slots. In fact, this kind of Austrian coins can only be circulated among mages within the bank organization and cannot be spread further. What use does Roland have to get so many Austrian coins as a loan? Where could he find so many lighthouse wizards to use arcane coins? In fact, I think that even if the Arcane Bank is willing to promote this kind of storage and summoning spell slots to all mages, I am afraid it will be difficult to do so. Banks on the earth handle deposits and withdrawals in the form of branches for customers who come to their doorsteps, which requires a lot of operating costs. How much will it cost to allow a mage to have the ability to remotely access spell slots? In addition, there are natural flaws in the conversion method between Austrian coins and spell slots. The level of a spell cannot simply be expressed by the number of Austrian coins. For example, a 1-level spell is equal to 1 Austrian coin, and a 3-level spell is equal to 5 Austrian coins. So, can the destructive power produced by five 1-level magic missiles be compared with a 3-level spell fireball? A 9th-level spell only costs 17 Austrian coins. Can the little devil summoned by 17 1st-level alien creature summoning spells be able to compete with the Barlow Balrog summoned by the 9th-level spell Gate to Another World? Not to mention 17 little devils, even if there are dozens or hundreds of them, they will all be killed by one Balor Fire Demon! So, there is obviously something wrong with this conversion method.

Take the Yangbo Chamber of Commerce for example. Obviously they are not as optimistic about the future income of short-term bonds as the protagonist is. Otherwise, why would they only buy 1 million short-term bonds? If you say you have no money, how will you get subsequent loans and insurance? If they really don't worry about risks, wouldn't they just buy bonds directly? As for trusting the guarantees of other financial institutions, the problem is that the protagonist only received 500,000 yuan in insurance, but asked for a 1 million yuan loan. Isn't there another 500,000 yuan without any guarantee? Didn't they consider the risk of losing 500,000 yuan?

I am afraid that it is not just a simple financial institution, but also the most powerful violent group. You must know that a level 5 mage can use the third level flying and fireball skills to bomb ground targets at an altitude of more than 200 meters. It is only because the low-level mage has too few spell slots and the cost of making magic items is too high (it requires the consumption of experience points, in other words, it will cause a regression in strength), so it will not have a negative impact on other professions. It poses too much of a threat. Now that the Mage Association, composed of mages, has a spell pool that can store and retrieve spells at will over a large area, it is equivalent to having a high-altitude bombing force that can bomb ground troops and buildings at will. It can also use level 5 teleportation to avoid strong attacks and weak ones. No force composed of other professions can resist it. I feel that this is incompatible with the status of mages in the book.

What I envy the protagonist the most is his harem skills😡

I want to know 26 points of strength and 27 points of strength. You tell me they are similar. Are you kidding me?

It's a good setting to use the high damage of the riding charge skill to make up for the Paladin's shortcomings of relying on charm and stingy investment in damage caused by strength. This setting is very good.

Over a hundred chapters, there is no growth except for strength. The protagonist is unqualified as a leader, and the supporting characters are also unqualified as teammates. The saddest thing is that they actually flirted during the battle? There was no reflection afterwards, and it even gave me the feeling that the protagonist and his teammates felt that their actions were correct. The team of the protagonist should be used as a benchmark for negative teaching materials in the world. Making all the mistakes you can and repeating them is also a kind of talent. In addition to being lucky, you must also be arrogant and stupid enough! With this quality, someone actually has the nerve to recommend this book elsewhere?

The protagonist is a super stallion. Although he says he is not used to it, but when a girl acts like a spoiled child, she abandons all principles. For example, the female magician calculated that the team was almost wiped out, and because of greed and selfishness, it triggered a crisis that could destroy the world. In the end, she actually managed to get the male protagonist's forgiveness by acting coquettishly and even joined the team! It grosses me out! And love comes for no reason, so forget it Qingmei. The ninja and the female magician fell in love with the male protagonist as soon as they saw him? It's simply outrageous. The only dnd setting worth looking at is also very problematic. Since the male protagonist can definitely pass the exemption, he will definitely pay 20, please don't dnd...

The first adventure takes up almost a third of the book, which is too long. The second part is about farming, which makes people feel top-heavy. After starting to farm, some of the adventure copies are very far-fetched. The setting is very good in all aspects. Properly controlling the length and proportion of farming, emotional lines, and adventures in this book can make this book even better.

In addition, Roland has already killed several legendary figures, so he should be well-prepared for legendary methods. I don't understand why he continues to be tricked into the maze by the legendary devil, and even arranges for Nikita to be soul-bound. This kind of situation where the protagonist gradually improves in strength but is repeatedly restrained against the enemy has happened more than once. Really weird and awkward.

Damn, this plot is so twisting and turning, is it going to be a drama of father and son killing each other, and revolutionary comrades fighting each other? 😐Then the imperial army takes the opportunity to attack, besieged internally and externally, suffer internal and external troubles, the Far East is destroyed, the pig's feet tragically die in battle, or they may flee to the end of the world! At the end of the book and the play, we take advantage of the opportunity to play tricks again! Then he was raped by an angry book friend and knocked down on the road with a brick! 😁

The story is okay, but people are so stupid. Before fighting the boss, I left 42 degrees of potential unused. The aura of the pure protagonist did not destroy the group. After the fight, I used 40 degrees to upgrade.

I didn't expect to miss such a masterpiece (of course for me)

Chapter 545 Why do we need to forcibly suppress wisdom? If you bring a child from a kindergarten, you can tell that he is being controlled, right? It's like someone has cast a mental spell on you. Overall, it's okay, but the author always wants to show off idioms, which seems a bit uncomfortable, and the author always writes the protagonist to be fake smart (what he does looks smart and useful, but in essence, it's just that the protagonist will succeed as soon as he shows up, and there will be problems if the protagonist doesn't show up). You don't need to underestimate the world's heroes. As far as the Yang Bo family is concerned, this is not a crisis at all, but an opportunity (with both fists and power), which happens to have stolen all the weak elements' homes. Why use such soft means as cutting off the water supply? In essence, it is still a petty bourgeois compromise.

Seeing the giantess cuddling in the arms of a pig's feet really made me crazy, did Yao Ming and Guo Xiaosi

1. Why did the vampire leave his sister to the care of the rookie protagonist? 2. Nero knew that one of his men was killed and someone was targeting him, why didn't he kill him in advance to avoid future trouble? 3. The rookies in the protagonist group know that they are much stronger, so what confidence do they have to fight for their lives? Do you know that you have the halo of the protagonist?

I read this book in 2016, when I was in sixth grade. It was quite novel to encounter this type of book. I didn't see many common logical flaws, but I stopped reading it after reading it. Maybe I felt that this book was not attractive to me at that time. At that time, the wonderful world of online literature was still a dimensionality-reducing blow to me. Going round and round, more than seven years have passed.

The style of this book is similar to Pillars of Eternity and The Kingmaker. It starts with adventure and then builds a country and farms.

It's a cannon again. It feels like I'll die without a cannon.

Does the author still write books? I recently finished playing Wrath of the Righteous and I am a little excited. When will there be a similar book with the protagonist Long Aotian Conferred God?

Forget it, the plot is stinky and long. The protagonist is like a boar, and the women are like in heat🐷. They fall in love with the male protagonist when they see them. There are a lot of female protagonists with messy plots. He also likes to add all kinds of messy little plots to the big plot, making the main plot of the whole plot unclear.

I have a few humble opinions. Please take a look at it when the author has time. 1. The levels of Roland and his friends rose a bit fast in the early stage. I don't know how the author will arrange it later. After all, the plot is a bit slow at 440,000 words. The level and power system are out of control in the later stages of many novels and comics, and Wang Ting needs to avoid legends from being all over the place in the middle and later stages. It is recommended that the upgrade process be slower in the future. It is best to have a certain amount of insights and descriptions of breakthroughs during the upgrade process. It is recommended to have more campfire gatherings and rest after battles to share insights about oneself and the team, and also explain the next adventure. 2. Roland is not very coordinated with his friends, specifically the incompatibility between the time traveler and the natives. Roland has the Eye of Destiny and the "omniscient knowledge" that comes with time travel. The result is that Roland seems to be omniscient and omnipotent, putting out fires everywhere, while his friends are all stupid and cute. At present, it seems that the presence of dwarves in battle is low, except for occasionally teasing the dull boy; the current mage lady is more like the daughter of a noble family, not like a knowledgeable spell caster. It is recommended that you describe the growth of your friends later and write about each person's characteristics, flaws and highlights. For example, the dwarves are reckless but brave and not afraid of challenges. For example, the mage lady is like a greenhouse flower in the early stage. I will write about her reliability and wisdom later... 3. There are slightly more female companions. Such descriptions and characterizations are easily scattered, resulting in the female characters having blurred faces and only their names. This problem exists in many novels. So I hope the author can write about them well. Every leaf is different, and the characteristics and style of each woman can be written out. They don't have to be the protagonist's vassals. Even if the protagonist does not travel through time, they can also live their own wonderful lives. PS: The heroine of "Mage Story", who is half drow and half angel, was written very vividly in the early and middle stages. In the later stage, I don't know whether it was because she came out of the dark hell that she changed, or because there were more women, she lost her former charm. 4. I hope there is a character who is both good and evil, who can compete with Roland in a battle of wits (fall in love and kill each other), just like Inuyasha and Sesshomaru. 5. The author's description of the battle is a bit straightforward. I hope it can be vivid and full of suspense. To be vivid is to write the battle in a layered manner. The battle deployment does not have to be written at the beginning. It can be reflected in everyone's combat cooperation and use dynamic narratives instead of static arguments. The suspense is that everyone is in the game, and it feels like the fog of war cannot see the overall situation. The enemy and we should not overpower each other. If you are not careful, you will lose everything, and there are also desperate fights to turn the tables. For example, don't write about Roland's challenges and unknown adventures with complete certainty, as this will easily lose suspense. The above are some simple suggestions I would like to make. I hope this book will be more vivid and exciting, more bizarre, more fantasy, and more adventurous. Please forgive me if I am wrong.

Judging by the number of words, this book ends last. Alas, I will search again!

I read it for DND Western Fantasy, but except for the battles, the writing is the same as Western modern history. It is wrapped in the shell of DND, and it writes about the Western capitalist system society, which looks really awkward (it also writes a DND-style steampunk, I suggest you turn left and write steampunk directly); and the protagonist group is really fighting. There is no description of daily life between the two battle events, and the pace is too fast. The protagonist is either in crisis or on the way to deal with it.

Ah, why was it suddenly released again?

It has been added to the collection. It has great ideas and the author's writing is very good. This book title makes people want to click on it. I visited with my work "The Witcher Begins in America". Thank you!

Today I read through old books and read "Kaka". I followed up the great Momojiro and found out that I just happened to open a new book. I felt pretty good after reading the first chapter. I would like to say this. By the way, I want to watch the second part of "Kaka" and ask for a continuation plan!