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Compared with ancient times, the histories of China and Korea have overlapped more closely in modern times. From politics, economy to culture, South Korea's modernization experience has a lot to learn from China. The book ""Underclass Literature" in China and South Korea" written by Dr. Yuan Yingyi explores China's "underclass literature" and South Korea's "popular literature" from the perspective of comparative literature, and presents the common and different experiences, reactions and mental processes of China and South Korea's modernization.

While telling fascinating stories one after another, Pu Songling uses the protagonist's special life to tell readers how people survive in a turbulent society. How do people develop under difficult circumstances? How to face adversity in life and survive after death? How to maximize your potential in life? How to become a successful person? How to get rich? How to deal with the three eternal life problems of "love", "wealth" and "status"? The life experiences, joys and sorrows, joys and sorrows of the characters in Liaozhai can still inspire and draw lessons from modern people.

This book systematically introduces the development of Thailand's modern literature, modern literature and contemporary literature, as well as its main writers and important works. It enriches the accumulation of information in the field of foreign literature and is of considerable reference value for understanding the development of Thai literature. It also describes the status of Thai Chinese literature, new poetry and domestic literary research. I believe that interested readers can comprehensively understand the modern literary trajectory of Thailand, a close neighbor with a long history with China, through this book. Another distinctive feature of this book is the detailed and detailed introduction and analysis of important modern Thai writers and representative works, so it can also be used as a teaching material for related majors.

This book considers the overall achievements of Manchu novel creation in connection with the changes in national culture in Manchu history, and explores it in connection with the fact that the Manchus once generally accepted the Han culture in the Central Plains while paying attention to maintaining their own aesthetic characteristics. It is the first time in academic history to completely sort out the overall achievements of Manchu novels. This book aims to show the "similarities" and "differences" between Manchu novels and Han novels; it not only identifies the important influence of Han culture on Manchu novel creation, but also clearly sees the aesthetic differences between Manchu novel creation and Han culture in the Central Plains, thereby explaining the multiple values ​​that Manchu novel creation gives back to Chinese culture.

"Anti-Japanese War Literature and Frontal Battlefield", based on consulting a large number of first-hand literature and conducting a large number of field investigations, demonstrates the objectivity, richness and importance of frontal battlefield literature from both macro and micro aspects. The book's perspective is unique, its topic selection is novel, and it cites materials that have hardly been covered in previous modern literary studies.

This book is a treatise on Internet literature from the perspective of intertextuality. The topics of the book have a clear sense of cutting-edge, and the research methods have a conscious sense of innovation. It is a truth-seeking and pragmatic work worthy of attention.

This book collects important research papers published by Mr. Deng Shaoji over the past decades, mainly including research and review articles on ancient Chinese literature. Some of these articles, such as "Some Issues Concerning the Inheritance of Literary Heritage since the Founding of the People's Republic of China", "The May Fourth Literary Revolution and Literary Tradition" and "Adhere to the Principles of Marxism-Leninism and Mao Zedong Thought, Improve the Research Level of Ancient Literature", etc., Have had great influence in different periods and in different aspects. There are also some articles that put forward unique insights in the study of literary history or in the review and revision of writers' works. They are the results of the author's years of painstaking research, and are valued by the academic community, which is extremely precious.

This book studies Mo Yan's novels from seven aspects: the world of Mo Yan's novels, Mo Yan's literary concepts, the narrative perspective of Mo Yan's novels, the body writing in Mo Yan's novels, Mo Yan's novels and literary modernity, the comparative study of Mo Yan's novels, and the literary history evaluation of Mo Yan's novels, and puts forward his own insights and opinions.

This book mainly uses literary ethics criticism as a research method, combined with the historical, political and social background of the British Victorian period, and based on a close reading of the text, systematically discusses the formation and development process of Wilde's ethical thoughts in his artistic practice, reveals the ethical connotation and internal correlation in Wilde's artistic practice, and focuses on the specific characteristics of conflict and integration between art and ethics.

This book is a special work focusing on reviews and research on writers in Liaoning area. This book is different from general works review collections and general literary theory monographs. It is a monograph that elevates criticism to the level of aesthetic research and provides theoretical evaluation and promotion of creation. This book scans the current creative situation of Liaoning literary circles in recent years from multiple perspectives and in all fields. It involves more than 30 writers, mainly Wang Chonglu, Wang Xiangfeng, Jurchen and others. It is a rare reference book for readers and commentators who study Liaoning writers.

The construction of literary theory is an urgent issue with great practical significance for the current Chinese literary and art circles. This book combines the two knowledge forms, the literary subjectivity theory proposed by Liu Zaifu in the mid-1980s and the intersubjective literary theory proposed by Yang Chunshi in recent years, into the same subject area as the research object, thereby intervening in the thinking of the construction of contemporary literature and art, and launching a direct discussion of the related basic literary theoretical issues arising therefrom. The author believes that neither the theory of subjectivity nor the theory of intersubjectivity is sufficient to answer all the questions in literary theory, nor can it provide a complete explanation of the nature of literature. The historical construction of human subjectivity should follow and conform to the highest goal of human freedom and comprehensive development; only from this teleological perspective can the construction of fluid, diverse and contemporary subjectivity be carried out more rationally.

Divided rhyme is the poetry creation method most commonly used by ancient Chinese literati during their gatherings, and their works are divided rhyme poems. Although developed from the "Fu De Poetry" before the Tang Dynasty, the rhymed poetry of the Tang Dynasty not only formed its own characteristics in subject matter, artistic form and rhyme word selection, but also showed obvious traces of development in different historical stages. The division of rhyme promoted the progress of Tang poetry, promoted the formation of Tang poetry school, and laid a solid foundation for the prosperity of division of rhyme poetry after the Song Dynasty. Since the last century, the creation of divided-rhyme poetry has been in decline, but as long as we actively cultivate talents from now on and continuously expand the space for divided-rhyme creation, divided-rhyme poetry will surely play a positive role in the construction of socialist culture.

This book is the first academic monograph in Chinese academic circles to use the theory of "intertextuality" to study Tao's poetry. The core of this theory is that any literary text is not self-sufficient, but is produced on the basis of absorbing literary texts created by predecessors and contemporaries. Therefore, any text implies other texts. This book deeply analyzes the text generation mechanism of this group of poems in both vertical and horizontal directions, and completely dispels the fog that has shrouded this group of poems throughout the ages. The elucidation of the poem "Zhijiu" in this book also reveals the artistic origin and far-reaching influence of the poem "Zhijiu" in the artistic form, and shows the relationship between the "Zhijiu" style and the "Zhijiu complex" of ancient Chinese literati. Through in-depth research on these classic Tao poems, this book makes up for the shortcomings of Western "intertextuality" theory that emphasizes content over form, and shows the importance of "intertextuality" in artistic forms for literary construction. The three appendices at the back of the book are by-products of the author's study of the "intertextuality" of Tao's poems, providing richer literary text evidence for the theoretical interpretation of the book.

In the field of Chinese women's literary criticism, Western feminist theory has always had discourse hegemony. "Luxury from the West" and "Construction from the West" are the critical paradigms and paths chosen by most scholars. Western feminist theory is constructed based on Western gender political oppression and literary practice as a critical reference, and its applicability in China deserves analysis. Breaking out of the Western discourse barriers and constructing the theory of national subjectivity has become an important topic for the continued development of Chinese women's literary criticism. To this end, this book proposes the concept of the theoretical construction of national subjectivity in Chinese women's literary criticism based on studying traditional Chinese gender theory and observing the practice of Chinese feminist literary criticism.

This book is one of the works of the "Liaoning Academy of Social Sciences Scholar Library". It collects more than 30 papers published by Mr. Gao Xiang in many academic media since the new era. It is divided into four parts: Northeast Modern Literature Research, Literary Ecological Thought Research, Academic Communication Research, and Literature and Aesthetics Research. Mr. Gao Xiang is the scholar who has been studying Northeastern modern and contemporary literature for the longest time. He has spent a lot of time and energy in collecting and studying historical materials of Northeastern literature, and has achieved many research results. This book "Research on Northeastern Modern Literature" is a concrete manifestation of these achievements and is also the most distinctive feature of this collection. For example, he carefully analyzed New Youth (Shenyang), a publication from the Puppet Manchukuo period, and carefully analyzed the great contrast between its political subversion and the flattery of some literary works to the enemy and literature that followed the principles of realist creation. He revealed the bicultural choice under the political pressure of the Puppet Manchukuo State, and dug into typical cases to start thinking about important literary issues.

This article conducts a systematic theoretical discussion on the value system involved in contemporary literary criticism, including aesthetic values, social and historical values, human values, moral values, cultural values, etc., And analyzes it in connection with the practical issues of contemporary literary criticism, and then thinks about the value stance and reconstruction of value concepts in contemporary literary criticism. Combining academic thinking and discussion with realistic observation and analysis, it has a broad vision and is full of enlightenment.

The book "History of Postwar Japanese Literature" makes its own sorting out of Japanese literature in the past sixty years. It places literature in the social and historical background of different periods, discusses the development of different genres such as Japanese novels, poetry, and dramas, and explains and interprets for readers the writers and works of different genres such as the postwar school, the scoundrel school, the third group of newcomers, the modern school, the social school, and the introverted generation. The author adheres to the ideological and artistic standards of literary criticism with a high degree of historical materialism. The book has detailed data, abundant citations, fluent writing and unique opinions.

This book mainly discusses the literary writing of "folk belief" culture in the cultural transformation period such as the "May Fourth Movement", "before and after liberation" and the "New Era". It takes the "realistic and free folk culture" of "folk belief" that exists in relevant works or the "folk narrative under the real regime ideology" reflected in it as the background and foundation of the investigation. It is an essential part of the study of "folk cultural forms" in Chinese literature in the 20th century.

The late Qing Dynasty denounced the origin and prosperity of novels as the result of "specially adapting to the requirements of the times" and "adhering to the preferences of the people of the time". The novel of condemnation echoes the revolutionary and realist creative trends in the novel world, and provides a panoramic exposure and criticism of all aspects of late Qing society's politics, economy, culture, and society. It has historical value and ideological implications, provides information for people to understand the original appearance of late Qing society, and has become an important document in the history of modern thought; novel form The evolution of refined and popular literature has guided the further development of vernacular literature, and also triggered the transformation and development of novels. In the history of Chinese novels, it reflects the characteristics of the transition from ancient novels to modern novels; while condemnation novels have also made active and useful explorations in the marketization of literature, and have certain reference significance for the creation of current market-oriented novels. Not only that, condemnation novels in the late Qing Dynasty also have strong social value and cultural significance. They use the art of repetitive narrative to build a "mimetic environment" for media communication, which can produce aggregation effects, promote people's understanding of social reality, form social public opinion, and make public opinion waves continue to swirl and reverberate, prompting people to take action, and playing a certain role in social change and even revolution.

This collection of lectures contains some records of lectures given by classical literature experts from the Institute of Literature to leading comrades of the central government from 2007 to 2012. From the pre-Qin "Book of Songs" and "Chu Ci" to modern literature, the topics are very wide. This manuscript enables us to better understand the traditional value and contemporary significance of classical literature.

Through in-depth analysis and discussion of Pope's poetry, this book discovers and reveals the multi-layered connotations of the ethical thoughts in Pope's poetry and explores the tradition, historical origins and development trajectory of his thought formation. Mainly using literary ethics criticism methods, combined with psychoanalysis, social and historical criticism, feminist criticism and new criticism, etc., It analyzes Pope's early works "On Criticism", "The Rape of the Hair" and "The Forest of Windsor", and his later ethical poems "On Man" and "Ethical Theory" and the large-scale imitation heroic epic "Historical Records of Qun Yu" are carefully read to explain the ethical ideological system based on "harmony" and "nature", "rationality", "moderate" and "order" as the core concepts embodied in them as a whole. This book attempts to change the academic circles' neglect and omission of Pope as an important British poet to a certain extent, and to re-understand the ideological and artistic value of his poetry.

This book is guided by the literary method of historical aesthetics and draws on new methods of modern and contemporary foreign literature and art. It covers the objects and nature of literary history research, the methods of literary history research, the time dimension and periodization of literary history, the stylistic classification and evolution of literary history, the text and humanism of literary history, and the history of literature and its creative subjects. It conducts a relatively comprehensive and in-depth examination of many basic issues in literary history theory from multiple dimensions, including the overall mentality, literary history and literary dissemination, literary history and literary historical materials, and the form of literary historical works, and explores how literary historians use their own views on literature and literary history to construct a literary history full of vitality.

The book provides a comprehensive overview of the grand background of ancient and modern education, and stands at the forefront of education at home and abroad. It uses picturesque descriptions, penetrating thinking, and high-level analysis to carefully display and provide a profound insight into the magnificent operation of the new education for more than ten years. The broad historical picture effectively demonstrates the new education team that has emerged in China's education over the past 40 years of reform and opening up. It gives a historical qualitative and positioning to the new education experiment, and also provides a wide-angle and deep view of the true meaning of education.

The "Humanities Pingliang" series is a set of 5 books (tentatively titled "Pingliang Poems", "Kongtong Poems", "Pingliang Travels", "Pingliang Stories", "Pingliang Jinshi"). The editors' names are: Ru Jian, Li Shi'en, Wei Baishu, Li Yehui, etc. The first two volumes select various poems, lyrics, and verses written by poets from ancient times to the Republic of China on Kongtong Mountain and other places in Pingliang, with brief annotations. The third volume selects travel notes of Pingliang's scenic spots, local customs and customs written by authors from past dynasties. The fourth volume contains selected anecdotes. The fifth volume selects important local epigraphic inscriptions. This volume is the third one in the original plan, and is tentatively titled "The Traces of Longshang - Selected Travel Notes of Famous Pingliang Masters".

"The Romance of Ancient Wen Guan Zhi" is a wonderful "translation" of the twenty-four articles in "Gu Wen Guan Zhi" by Mr. Wang Dingjun, a famous contemporary Chinese literature master and prose master. Mr. Wang Dingjun, in his dual capacity as a writer and scholar, based on ancient Chinese literary theory and the "close reading method" of European and American New Criticism as a reference, conducted a wonderful "translation" of the works from point to line, from interpretation to restoration, from two dimensions to multi-dimensionality, from knowledge to creation, from works to life, from culture to philosophy, and from literature to religion. This opened up the spiritual world composed of words and elevated the acceptance of literature to the height of "parallel cultivation".

"Ye Shengtao Xia Zun talks about reading and writing (set of 5 volumes)" includes "Seventy-two Writing Lessons", "Good Reading and Seeking Deep Understanding: Ye Shengtao Talks about Reading", "Articles Falling on the Water: Ye Shengtao Talks about Writing", "Wenxin", and "Twenty-seven Literature Lessons for Youth", which integrates how to read and how to write. It is a book by Ye Shengtao and Xia Zun to guide young people on how to appreciate classic literature and how to write vivid articles.

As a university that has always been with the Anti-Japanese War, Southwest Associated University has created a miracle in the history of higher education in China and even the world under specific historical conditions. The unique campus literature of Lianda University is an indispensable and important part of the territory of modern Chinese literature. This article takes a historical and cultural look at the literary activities and literary creations of teachers and students at the United Nations to gain perspective on the relationship between university cultural form and literary development.

Since China entered the reform era, there have been two radical trends of thought. One is left-wing radicalism, which wants to return to the Mao Zedong era, and the other is right-wing radicalism, which advocates total Westernization and liberalism. Although they were gradually marginalized in China's social life ten years ago, they have become active in society again as the difficulties and contradictions that emerged in China's reform have become increasingly prominent. If further deepening of reforms cannot be carried out in a timely manner to resolve social conflicts, and instead we remain complacent, once the reform enters a locked state, conflicts will further intensify. If things go on like this, China may fall into serious crises and traps under the attack and impact of left and right radicalism-populism.

Tan Yunchang: For a relatively long time, starting from the reflection on the May Fourth Movement in the late 1980s, to now, the re-evaluation and re-understanding of Chinese traditional culture has become a major trend in academic and ideological circles. The most obvious one is Wang Yuanhua's transformation from New Enlightenment to New Chinese Studies. Very early on, probably in 1989, I saw that he published a long article called "Thoughts on the May Fourth Movement" in the magazine "Research on Literary Theory" edited by my teacher (Mr. Xu Zhongyu). It was about various thoughts caused by commemorating the 70th anniversary of the May Fourth Movement, and there were many reflections in it. On the one hand, he said that the May Fourth Movement was a new tradition. The May Fourth Movement was anti-traditional and was also the choice of our traditional culture. On the other hand, he believes that some specific practices during the May Fourth Movement, especially the radical attitude, are worthy of reflection.

Through face-to-face communication with the researched, the author of this book has extensively collected literature on Mr. Guo's translation activities and in-depth study of Mr. Guo's discussions on translation. From the perspective of cultural communication and Hehe Translation Theory, the author aims to make a comprehensive and systematic review and description of Mr. Guo's translation theory and practice, explore Mr. Guo's unique way of thinking, his divergent translation theory research and rich translation practice, and further understand and think about it. Translation theory, in order to reflect on traditional Chinese translation theory and Western translation theory, explore his thoughts on harmonious translation, and then explore the enlightening and guiding role of his translation thoughts and translation practice in my country's translation research, literary translation, and science fiction translation practice. This will promote the prosperity and development of translation theory and translation practice in Zhejiang Province and even my country, and provide some meaningful suggestions for building a Chinese translation theoretical system that is suitable for my country's national conditions and the characteristics of Chinese language and culture. This book can be read by translators, researchers of comparative literature and culture, and teachers and students of foreign languages ​​and Chinese studies in colleges and universities.

Native novels are an important part of modern and contemporary Chinese literature and one of the important themes of modern and contemporary Chinese novels. From the late 1970s to the early 1900s, Chinese society was in a period of difficult transformation from agricultural civilization to industrial civilization. The collision and exchange between rural and urban areas, and the transformation and integration of tradition and modernity provided endless resources for the creation of rural novels. This book takes rural novels from the late 1970s to the early 1900s as the research object, deeply explores the themes and ideas of rural novels in multiple contexts, shows the rural scene under the tide of modernization, the fate of migrant workers in the process of urbanization, female pursuits under the dual structure of urban and rural areas, the collision of human nature in social transformation and development, and cultural choices in the context of globalization. From a diachronic perspective, it reveals some continuations and new qualities of rural novels in the new era over the past thirty years.

"Research on Selected Tang Poems of the Tang Dynasty" explores the social dynamics and academic origins of the prosperity of poetry and anthology, and outlines the evolution of social thoughts during the Sui and Tang Dynasties using "Han calligraphy", "Anthology", Leishu, and imperial examinations as the starting points. On the basis of tracing the development process of "Han calligraphy", we explore the opportunities for the growth and prosperity of "Selected Works", examine the historical and geographical connections between "Selected Works" and the selected Tang poems of the Tang Dynasty, and determine the value and status of the selected Tang poems of the Tang Dynasty in the history of literature and criticism. Comprehensively explore the contemporary characteristics and critical value of Cui Rong's "Zhuying Collection", Yin Fan's "Danyang Collection", "Jingyang Tingxiu Collection", "Heyue Yingling Collection" and Yuan Jie's "Zhongji Collection", and advance the study of selected Tang poetry in depth on the basis of overall care and topic expansion.

This book tries to avoid single-idea research and uses literary research as the perspective. Go deep into the text and carefully explore the literary clues within the text from the aspects of structure, narrative, discussion, and document relationships. For example, in the structure of "Lu's Spring and Autumn", in addition to spring, summer, long autumn, collection and winter storage, the theme of the story is also an important consideration, and dialectical complementarity is often formed between and within chapters; when selecting stories, the length and scale are important criteria; "Lu's Spring and Autumn" generalizes concepts and is full of dialectics. All these can show its characteristics as a miscellaneous work. At the same time, the historical status of "Lu Shi Chun Qiu" in terms of structural art, stylistic development, and editorial science cannot be underestimated.

What is real reading? Is blindly reading one book after another really better than not reading at all? In the high-speed information age, more and more people have lost the original meaning and authentic happiness of reading. In this book, linguistics master Shihiko Sotoyama does not teach you how to quickly extract information from books, but asks you to calm down and rethink the direction and meaning of reading. Toyama Shihiko believes that reading should be divided into two types, one is α-type reading that reads known information, and the other is β-type reading that reads unknown information. He pointed out that although most people prefer relaxed and enjoyable α-type reading, challenging β-type reading is the best way for people to open their brains and gain new knowledge. After reading this book, you will find that the forgotten traditional reading methods such as "phonic reading", "primary reading" and "classical reading" are exactly the golden keys to help you open the door to beta-type reading.

This is a unique guide to novel writing techniques, compiled from a series of "Novel Class" lectures given by Japanese mystery novelist Osawa Zaimasa. This lecture is aimed at twelve young writers selected from Japan, in the form of a "private school held by a master", aiming to teach the authors their creative experience and writing insights in their more than thirty years of writing career. This book condenses a year-long lecture into ten writing courses and four topic reviews. Osawa Zaichang uses vivid cases and humorous and sharp comments to comprehensively break down specific issues such as story structure, character creation, beginning and end layout, text description, dialogue skills, and narrative style in novel creation. In the book, the author candidly shares the living habits, creative mood and survival methods of professional writers - hoping that after reading this book, every reader who aspires to become a writer will be able to find the writing field in which he is good at, know how to better hone his writing skills, and truly become more and more sophisticated.

Novel writing is a lonely long journey of thought. Travelers who do not write an outline will easily lose their way. Writing an outline can help you start and finish your novel in a better and more productive way. This book dispels your possible misunderstandings about outlines and points out the fun, benefits and techniques of writing outlines point by point, so that the framework, level and rhythm of your novel can be directional. The author teaches the layout and techniques of novel outline writing step by step, from characters, background, structure, conflict to theme. Each chapter starts with a specific topic, establishing a clear method description and task objectives, and is supplemented by a large number of creative cases. Each chapter ends with an exclusive interview with a writer, sharing their exclusive secrets for creating novel outlines. In addition, the author also introduces tools such as efficient writing software, connect the dots to create a picture, and the Enneagram personality type. Every suggestion is highly operational and can stand the test of creative practice.

Ambrose Bierce, the eccentric American literary figure, uses the form of a dictionary to rectify and define everything in the world, subverting the fundamental attitude you and I have towards everything. It presents a thought channel that is always beyond the readers' expectations, and provides infinitely interesting and free innovative thinking on human nature, life, society, philosophy and other issues. The amount of information is huge, igniting the vitality and freedom of mechanical and mediocre daily life. With sharp words, he accurately pierces the weaknesses and shadows in human nature that are shy to be exposed and difficult to face; with the posture of a devil, he declares war on the mechanical simplicity of popular culture and consumerism, and constantly innovates and creates; with spicy thinking, he opens up the intellectual space of words, dissolves meaning, and embraces infinite fun. A dictionary of all things that subverts all inherent concepts, a masterpiece of wisdom that refuses to be profound but is always profound.

Poems can be exciting, can be watched, can be grouped, can be complained; when the ambition is overflowing, speaking can become a poem; speaking alone is not enough, you have to sigh, sing, and even raise your hands to dance and high-five without knowing it. In a boring, exhausting and lonely life, only poetry can provide gentle sustenance. From the sincerity and sincerity of Han Yuefu, the simplicity and simplicity of the nineteen ancient poems, to the lingering, open-minded and happy Tang poems, and the rich intellectual interest and strong moral integrity of Song poems, this book contains thirty-two representative poems of the times. Read thirty-two good poems, master the methods of appreciation, keep them in mind, engrave them in your heart, and read and sing them at all times, which can eliminate the blockage in your chest, increase your open-mindedness and brightness, and make your life more comfortable.

"The Academic Process of Foreign Literary Research" is the third volume of the 12 volumes of "The Academic Process of Chinese Foreign Literature Research". The book is divided into five chapters, of which the study of literary theory before liberation is one chapter and the study of literary theory after liberation is divided into four chapters. According to the overall planning of the series of books, this volume adheres to the overall requirements of the series, pays attention to the original ecology, and strives to enter the history of the introduction and research of foreign literary theory. It takes European and American literary theory, Japanese literary theory, Marxist literary theory, and Russian and Soviet literary theory as the longitude, and uses scholars, doctrines, and journals as the latitude. During the review, this book reflects on the practical problems in the introduction path and acceptance pattern of foreign literary theory in contemporary China, explores the strategic plan for the introduction of foreign literary theory in my country in the future, and studies the practice of contemporary Chinese literary theory.

"The Academic Process of Indian Literature Research" is the 10th volume out of the total 12 volumes of "The Academic Process of Chinese Foreign Literature Research". This book examines and analyzes the study of Indian literature in China, and provides a clear review of the history of the subject. An in-depth review of the study of Chinese and Indian literature from the perspective of synchronicity and diachrony. It not only displays the overall appearance, but also analyzes literary history and textual research, and examines the research on the works of important and representative writers. In the context of research history, a detailed evaluation of representative figures and representative works of the subject such as Ji Xianlin, Xu Fancheng, Jin Kemu, Liu Anwu, Huang Baosheng, etc. Is conducted. Through review, this paper summarizes the achievements and shortcomings of Chinese and Indian literary research, deeply analyzes the characteristics of Chinese and Indian literary research, and puts forward its own ideas for the future development of Chinese and Indian literary research.

"The Academic Process of British Literature Research" is the fifth volume out of the total 12 volumes of "The Academic Process of Chinese Foreign Literature Research". Based on a comprehensive review of English literature research literature, this book systematically displays the context and main features of English literature research in China, specifically interprets China's representative writings on British poetry, novels, essays, dramas, etc. At various stages in time, and points out the academic value and innovation of these results. On the basis of summarizing the experience of studying English literature, this volume makes a forward-looking summary of the topics that need to be explored in this field.

"The Academic Process of Japanese Literature Research" is the ninth volume of the 12 volumes of "The Academic Process of Chinese Foreign Literature Research", and is a national research volume of Japanese literature. The whole book conducts an in-depth examination of the situation of literary research in Japan. This book has unique thoughts on the development history of Japanese literature research in China and academic successes and failures, important literary phenomena and research status of representative writers, important research results and other related issues. While fully demonstrating the achievements of Japanese literature research in China, it also points out existing problems in the research from a methodological perspective, and provides a preview of Japanese literature research from an academic perspective.

"The Academic Process of French Literature Research" is the sixth volume out of the total 12 volumes of "The Academic Process of Chinese Foreign Literature Research". Combining specific French works and French writers, this volume examines in stages the path that French literature has taken in China starting more than a century ago, and examines the interpretation and research of French writers and works by the research theme of French literature in China. The manuscript has a clear context and rich materials, which will help promote the study of French literature in China.

"The Plum in the Golden Lotus" has become the most controversial classical novel since its publication. Mr. Liang Yusheng, a generation of "martial arts master", turned to commenting on "The Plum in the Golden Vase" with a column that lasted for more than 500 days after he "finished writing" the novel. His historical knowledge, knowledge, literary outlook and aesthetic consciousness were inadvertently revealed in these words. For example, Mr. Liang carefully analyzed Wu Song's abnormal psychology and behavior of killing people, and believed that Wu Song was still a "hero" with a "dark side" that had never been seen before. Although the final poem of "The Plum in the Golden Vase" said, "Lou (Meng Yulou) Yue (Wu Yueniang) is kind and has a long life," but Mr. Liang analyzed that Wu Song is not a positive character and can see through the author's irony. Following Lu Xun and Mao Zedong, Liang Yusheng has made many interpretations of "The Plum in the Golden Ping" on the minds of Taoists in the world. His comments are well-founded and analyzed step by step, and sometimes he has surprising insights.

A book that pays tribute to classic literature and classic writers, including 17 world-class literary masters and intellectuals, 26 Nobel Prize winners in literature, and 35 true, clean, and touching stories of writers. The world we live in is far from the world we imagined, but the literary country constructed with language is the spiritual homeland that is always open to mankind.

Culture has a close and important connection with the CPPCC. The CPPCC gathers representatives from the literary and artistic circles, which is an advantage of the CPPCC newspaper. Since its inception, the CPPCC Newspaper has maintained close contact with people from the literary and artistic circles of the CPPCC and the entire academic and cultural circles, making a large number of well-known scholars and cultural figures who have been influential in Chinese society become regular readers of the newspaper over the past 30 years. In the CPPCC newspaper, they draw lessons from the past and discuss the present, express their temperament, or formulate opinions, adding an elegant and timeless style to the newspaper.

Cross-cultural research is like a theoretical journey between different cultures. Among them, there are differences and conflicts, but also integration and understanding. You can encounter unfamiliar scenery and rediscover yourself. The author of this book, Zhou Xian, is a professor at the Graduate School of Arts of Nanjing University, dean of the Institute for Advanced Studies in Humanities and Social Sciences, and a Yangtze River Scholar Distinguished Professor of the Ministry of Education. The articles included in this book are a collection of his research results over the years: from the theories, concepts and methods of cross-cultural research to issues of globalization and locality, including how to use Chinese wisdom to solve some theoretical problems, the original anxiety faced by domestic humanities disciplines, etc.; From the introduction and evolution of the theories of contemporary French thinkers such as Foucault and Barthes, to the "Chinese mirror" of Western artists such as Brecht and Ibsen. This book not only expresses the author's personal experience of a long theoretical journey between cultures, but also presents the evolution of theories and concepts in recent comparative literature and cross-cultural studies.

Mao Zedong said that revolution relies on the barrel of a gun and a pen to seize power. He himself has never held a gun, but he has always kept the pen in his hands. Mao Wen is unprecedented. There was nothing before him, and there will never be anything after him. The era in which Mao's article was written has passed, and the tasks it guided at that time have long been completed. But why do people still read and use it? Do you think of it whenever something happens? This is the meaning of classics. It has long lost its physical shell and risen to the height of reason, becoming a star that will always hang in the sky and enlighten us all the time. The famous writer Liang Heng devoted himself to the study of Mao Zedong's writing style. He analyzed the uniqueness of Mao Zedong's writings from the aspects of article form, writing method and rhetorical techniques. He pioneered the study of Mao Zedong's writing methods and attracted widespread attention and great repercussions in the country. This book collects his research results and adds the author's articles about Mao Zedong and the author's articles on writing research.

In narrative, the speaker first needs to be spoken before he can speak. It can only appear mainly when the subject's consciousness turns back to itself. "When the Speaker is Said (Introduction to Comparative Narratology)" is written by Zhao Yiheng. This book introduces narrative behavior, narrative subject, narrative level, narrative time, narrative direction, language behavior in narrative, plot, and the meaning of narrative form. It is simple and easy to understand, and can be read and studied by readers.

Collection of lectures, in the autumn of 1967, Borges was invited to give the Norton Lectures at Harvard University and delivered six lectures on the status of poetry, metaphorical patterns, novels and poetry, phonology and translation. After more than thirty years in the library, the audio tapes of the lectures were compiled and published by Treasurer Kelin-Ander Mihaile, who was then an associate professor in the Department of Modern Languages ​​and Literatures at the University of Western Ontario. The complete collection is widely cited and covers many literary phenomena from ancient times to the present. It also has the informal sense of colloquial text, and it is narrated with ease. "The Art of Poetry is a book that introduces literature, taste, and Borges himself... Borges started a dialogue with writers and texts of all ages, and these themes always seem to be interesting even if they are quoted and discussed again and again."