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This book is Freud's classic work on psychohistory about Leonardo da Vinci's childhood memories. It analyzes the psychological subconscious state presented in some of Leonardo's paintings. This was his only large-scale foray into the field of biography. The themes he studies range from Leonardo's emotional life from his early years, the conflict between his artistic and scientific impulses, the trajectory of his psychosexual history, to equally important sub-themes: the psychological nature of the creative artist, the origins of a special type of homosexuality, the concept of narcissism, which is of particular importance for the study of the history of psychoanalytic theory. These are all presented to the reader completely without exception.

This book presents the author's understanding of Lu Xun from his boyhood to his sixties, and also reflects the cognitive context of Lu Xun and its social and cultural background in China for half a century. Lu Xun's works once gave the author warm comfort and great inspiration, and the author can still draw spiritual and artistic sources from them. The author strives to avoid the routine of starting from concepts, and carefully reads Lu Xun's works in the context of the intersection of Chinese social culture and foreign influences and in Lu Xun's own context, revealing his complex connotations and unique artistic personality.

This book takes the human relationship novels of the late Ming Dynasty as the research object, takes the existence of individual life as the logical starting point, and shows the inward exploration process of life through the evolution of "emotion", from the awakening of "lust" to the proliferation of "desire" and then to the return of "reason". The investigation of late Ming culture from the perspective of life existence shows the process of opposition and integration between Confucian orthodox ideology and secular popular culture. In a series of contradictions between reason and desire, sensibility and rationality, nature and sociality, how individual life can achieve coordination between the two, that is, a unity of aesthetics and ethics, is not only a historical issue, but also an important task in constructing a new ideology and value system in contemporary society.

Yuanjia literature was the beginning of literature in the Southern Dynasties, and it was also the first stage in which medieval literature got rid of the influence of Xuanyan style of writing. It was called "a turning point in the fortune of poetry". During this period, many famous and influential writers emerged, and all types of literature achieved certain achievements. This book makes a comprehensive and in-depth study of Yuanjia literature, including the relationship between the rise of Confucianism and literary changes, the influence of Yuanjia literary thought on literary development, the evolution of Yuanjia poetry, the institutional characteristics of "Yuanjia style", the status of Yuanjia prose in the development of medieval prose, the relationship between Yuanjia literature and Yongming literature, etc., And points out its position in the history of Chinese literature.

Narrative gaps refer to the phenomenon that certain meanings in narrative works are not conveyed or are not clearly conveyed in the text. It is a very common and important narrative communication phenomenon. Omissions in novels make the meaning of the text "hidden and more obvious"; silence in dramas makes the audience feel greater shock; empty shots in movies make the audience linger for a long time... So far, no one has conducted in-depth research on this from the perspective of narratology. This book attempts to conduct a comprehensive and systematic study on the four aspects of the cause, expression, filling and value of narrative gaps from the perspective of broad narratology, using theoretical interpretation and text analysis.

This book is based on the existing literary and historical materials of the Cao and Wei dynasties in the late Han Dynasty. It corroborates and supplements the literary and historical materials of the "three ancestors of Wei" (Taizu Cao Cao, Shizu Cao Pi, and Liezu Cao Rui), and strives to restore the literary research that is closest to historical reality. This book attaches great importance to the mutual support of literature and history, and is good at in-depth analysis of materials. For example, it compares the relationship between San Cao and the Jian'an scholars, the relationship between Cao Pi and Cao Zhi, and their literary merits. It also has many original ideas in summarizing and refining the literary trends of various periods.

"Literary Review" is a large-scale national academic journal of literary research and theoretical criticism sponsored by the Institute of Literature of the Chinese Academy of Social Sciences. Its main content is research and review articles on literary theory, the works of important writers in Chinese and foreign literary history, literary history issues, and literary creation and theory during the Chinese socialist period. This book summarizes the general catalog index and editorial postscript of the publications since the 60th anniversary of the founding of "Literary Review". The book is divided into two parts. The first part is the table of contents for the 60th anniversary of "Literary Review"; the second part is a summary of the postscripts of the past 60 years.

"Literary Review" is a large-scale national academic journal of literary research and theoretical criticism sponsored by the Institute of Literature of the Chinese Academy of Social Sciences. Its main content is research and review articles on literary theory, the works of important writers in Chinese and foreign literary history, literary history issues, and literary creation and theory during the Chinese socialist period. This book contains commemorative articles by dozens of scholars, covering the editors and editorial boards of Literary Review as well as author groups from the field of literary research across the country. These warm memories truly record the publication's sixty-year golden years and development process.

"Research on the Book of Kings" is a National Social Science Research Fund project from 2005 to 2008. "Kings" is an Iranian (Persian) epic and a masterpiece of world literature.

The narrative and research objects of this book are the overall context, main characteristics, and important writers and works of Jiaodong new poetry and prose since 1949. The first part is the study of contemporary Jiaodong new poetry. One of the clues is to explore the creative achievements and characteristics of Jiaodong new poetry in two historical periods from the 1950s to the 1970s and since the 1980s. It is mainly divided into political lyric poetry, local poetry, love poetry, landscape poetry and other types to be discussed one by one. The second clue is to conduct a separate discussion on the creations of important poets, focusing on the uniqueness of the poets. The second part is the study of contemporary Jiaodong prose. The overview part describes the basic context and main characteristics of the development of Jiaodong prose since 1949. Then, as the prose content is complex and not suitable for simple classification, two essayists with outstanding achievements and great influence in the historical period are selected for in-depth and specific analysis to present the overall situation of contemporary Jiaodong prose.

This book is divided into four parts: 1. From the general introduction to American literature to the analysis focusing on the characteristics of American literature in different periods of the 20th century, especially the contemporary rapid development of Ji Ge and women's literature; 2. Discussion of specific writers' works. For example, Mrs. Stowe, who was the first to be translated into Chinese, the reception of "Uncle Tom's Cabin" in China, the works of Hemingway and Faulkner, etc.; 3. Focus on the characteristics of American culture, such as why "Gone with the Wind" and "Madison's Bridge" (i. E. "Covered Bridge") are best-selling and the lawsuit surrounding "The Wind Has Gone", a parody of "Gone with the Wind", look at some cultural phenomena in American society from different aspects; 4. Focus on Canadian literature (both North American literature) and some specific writers and poets. This book not only provides a general introduction to American literature, but also focuses on the characteristics of American literature in different periods of the 20th century. It also provides in-depth analysis of specific writers and specific works, as well as an introduction to American society and culture. It is a reference book for understanding American literature and American culture. It is readable and useful for both general readers and English major students.

In the dissemination, acceptance and academic research of classic novels, "misreading" is a common phenomenon. "The Romance of the Three Kingdoms" is easily misunderstood, and there are unique reasons for it. It mainly involves three aspects: historical themes, uncertainty of text meaning, and particularly large social influence, which can be summarized as "history·text·society". This is also the main entry point for this book to explore the misreading phenomenon of "The Romance of the Three Kingdoms". The first chapter "History·Novel: "History contains the poetic heart" and "discourse system"" discusses several misreading phenomena caused by the entanglement of "history" and "novel"; the second chapter "Text·Society: 'Insight' and 'Invisibility' in the Theory of 'Pre-Modern'" analyzes the "pre-modern" issues of "The Romance of the Three Kingdoms"; the third chapter "Author·Text·Reader: Internal Reasons and Peripheral Factors of Misreading" focuses on the "understanding and sympathy" for the misreading phenomenon itself of "The Romance of the Three Kingdoms".

This book mainly studies contemporary literature, striving to return to the scene and highlight a sense of scene. There is both in-depth discussion of theory and close reading of texts. He has direct and quick responses to current hot literary phenomena and trends of thought, and expresses his own unique voice. He divided those well-known writers and works into two parts, did not pretend to be beautiful or concealed evil, dared to criticize and affirmed, and had a certain influence in the contemporary literary world. As the author's third book, this book shows the author's certain theoretical ability, especially his speech on current literature, which is quite skillful and has a distinctive critical spirit.

This book takes the novels involving urban-rural relations since the new era as the research object, traces back in time, and reviews the emergence and inheritance of urban-rural relations writing in literature; it divides types in space, and analyzes the complex discourse direction of current urban-rural relations through literary descriptions and cognitions of urban-rural situations of different social classes; it also analyzes the complex discourse direction of current urban-rural relations based on family origin and knowledge background. Taking the creation of writers as an example, we analyze the different value orientations of different types of intellectuals in urban and rural areas and their reasons; explore the entanglement and collision of two different lifestyles, value scales, and cultural concepts in urban and rural areas in literature under the context of globalization, as well as the gradual changes in the aesthetic expression of urban-rural relationship narratives, thereby completing a comprehensive and systematic arrangement and study of urban-rural relationship writing in the new era.

With a broad academic vision, this book provides a new perspective on "20th-century Chinese literature" from three levels: holism, writer theory, and work theory. In particular, the author conducts in-depth discussions and interpretations of the inherent laws, literary phenomena, and aesthetic characteristics of 20th-century Chinese literature from the perspective of modernity, reconstructing a new picture of 20th-century Chinese literature. This book pays attention to the combination of history and theory, and the combination of theory and text. In particular, the research on Wang Meng and Zhang Henshui is innovative and constitutes a highlight of the book.

The topic of the relationship between literature and art and politics vividly presents the transformation of Marxist literary and artistic thought in the process of sinicization and the multi-dimensional scene of alienation and convergence with the themes of the times, and deeply affects and regulates the creative practice and theoretical research of socialist literature and art. When interpreting the relationship between the two, domestic literary and artistic circles have made either-or conclusions. The reason, of course, has its profound social and historical background. However, today, when literary and artistic research has entered a more normal living environment and literary and artistic practice requires theory to answer the issues of the times, reflection on this theoretical proposition is still ignored, suspended, or even becomes a new academic forbidden area. This is actually closely related to our ignorance of political concepts and dualistic oppositional cognitive paradigms in our understanding of the relationship between literature and art and politics. Reflection and criticism on this phenomenon constitute the research background and structural content of this book.

Malaysian Chinese literature in Taiwan began with the education of overseas Chinese students in Taiwan in the late 1950s and has a history of more than 50 years. This book grasps the two major characteristics of departure and cross-border, and goes deep into the historical, cultural and literary context of the emergence of Chinese literature in Taiwan. Through the analysis of its literary creation and discussion, it clarifies the historical trajectory of the formation and evolution of the Chinese literary tradition and its genealogy in Taiwan, and elaborates on Taiwan as a country in Taiwan. The influence of the attachment field and intermediary of Taiwanese Chinese literature on Malaysian Chinese literature (in Taiwan) is explored. The alternative aesthetic style of Taiwanese Malay Chinese literature that combines the Nanyang context and Taiwanese color is explored, as well as the profound impact of the discussion of Malay Chinese literature in the Taiwanese field on contemporary Malay Chinese literature.

Edmond de Goncourt (1822-1896) and Jules de Goncourt (1830-1870) were a pair of brother writers who wrote together and were active in the French literary world in the mid-to-late 19th century. This book is based on the French Second Empire (1851-1870), and combines the historical context to analyze the Goncourt brothers' "pure analysis" poetic concept, the novel's "documentation" tendency and their unique aesthetic expression of "artist's brushwork". At the same time, combined with the Goncourt brothers' understanding of modernity and modern society, the symbiotic relationship between them being alienated and dependent on the times is explored, as well as the innovations and breakthroughs they made for the modernization of French novels.

As an important literary phenomenon at the turn of the 1980s and 1990s, "new realistic novels" have long been understood as a collection of works by writers with similar essential characteristics. This research perspective and method has narrowed the understanding of this literary phenomenon: on the one hand, it ignores the role of editors, literary magazines, literary institutions, readers and other subjects in the occurrence of this phenomenon, and cannot explain the complexity and contradiction among the above subjects. On the other hand, it will inevitably lead to blindness to the political, economic, cultural and other social and historical factors in the occurrence of this phenomenon. This affects the historical depth of understanding this phenomenon and the determination of its historical coordinates.

"2015 Quotations" is New Weekly's 10-year classic brand. To comprehensively sort out 2015, the inventory expert "New Weekly" and the intellectuals jointly compiled and selected. Condensing an annual era scene into an oral history composed of 1,000 quotations. We walked through 2015 together and witnessed it together. So far, the new weekly "Quotations" has been on the book lists of major cities for many years, becoming the most lively, personalized and interesting "Chinese dessert". It is sold out immediately when it goes on sale at the end of each year, becoming a must-have on the desks of all kinds of people and an annual collection. There must be words missing from "Quotations", which come from your preference; but there must also be sounds that come out of "Quotations" and directly enter your heart. This is a time that we all live in, experience and witness together. This is also the world we collectively remember, perceive and listen to. Restore 2015 and translate "Quotations".

The history of Chinese modernist drama in the 20th century is based on the broad concept of "modernism", a "modernist spirit" based on specific social and cultural changes. It is divided into three stages to sort out and grasp the Chinese modernist drama in the 20th century. It focuses on the interaction between the background of the times and the trend of drama, and strives to outline the systematic connection of points, lines and surfaces composed of the works of playwrights, groups of playwrights, and literary and artistic trends of the times. The overall context and development characteristics of modernist drama in China in the 20th century are revealed, and the internal development mechanism and external motivation of modern and contemporary Chinese literature and drama are explored. The deep relationship between the historical operating mechanism and the development of literary drama in a specific historical stage is discovered. Under the background of human existence and the perspective of globalization, and in the interactive relationship between history and reality, the unique growth path of Chinese modernist drama and its special historical destiny are sorted out.

The history of Chinese literature is permeated with the ambition and beliefs of Chinese literati. "A Brief History of Chinese Literature" is based on the broad perspective of world literature, accurately grasps the evolution and context of Chinese literary history, and provides concise and profound analysis of important writers and important works. It is full of insights, allowing readers to appreciate the beauty of literature and understand the spirit behind history and humanity. "A Brief History of Chinese Literature" is a college textbook for exploring and researching the history of Chinese literature published by Mr. Li Changzhi in the 1950s and best-selling. It is based on a broad world literature perspective and avoids the shortcomings of some literary history books that "only know Chinese literature but not world literature." It highlights the context and clues of literary evolution, and weighs details and weight according to this standard. It is a literary history classic with distinctive academic character and high academic value.

This book provides a multi-dimensional perspective on literature from different times and spaces, a systematic perspective on the nature of literature, a new discussion on the creation and characteristics of literary beauty, a concept of literary creation thinking, a novel discussion on the historical development laws of literature, a theory of literary ecology, and a unique discussion on the internal and external ecology of literature.

"Identity Writing in Alien Time and Space-A Study of Hong Kong Women's Novels" defines the concept of Hong Kong women's novels, sorts out relevant research results, and analyzes the discourse space and spiritual resources generated by Hong Kong women's novels. This paper conducts multiple investigations and analyzes on the identity writing of Hong Kong women's novels since the 1970s from the perspectives of post-colonialism, new historicism, popular culture and gender culture. From the emergence of Hong Kong consciousness to the entanglement of Hong Kong history, from the imagination of city maps to the creation of alien spaces, from the exhibition of materialistic culture to the discussion of gender identity, Hong Kong women's novels use solid content and novel and strong styles to interpret Hong Kong identity in depth with symbolic and metaphorical meanings, presenting the construction of identity as an open and diverse pattern.

Literature in the new era has experienced a development process from unity to pluralism, showing a great trend of "letting a hundred flowers bloom and a hundred schools of thought contend". This book explores the development achievements of literature in the new era from the development trend of literary thought in the new era from monism to pluralism, the development process of minority literature in the new era from the margins to the frontier, and the development status of Hubei literature in the new era from Hubei to the whole country. Literary trends in the new era have experienced realism, romanticism, and modern postmodern literary trends. The emergence of each trend is closely related to the times. Each trend of thought has recorded the mental journey of the Chinese people since the reform and opening up in a literary way. The development of minority literature in the new era has experienced a development process from the edge to the forefront, holding high the banner of patriotism and highlighting Showing the theme of national unity, exploring the connotation of national culture, and exploring diverse creative techniques have expanded the territory of contemporary Chinese literature and made outstanding contributions to the literature of the new era with indispensable achievements. Hubei literature in the new era has also made remarkable achievements. Hubei literature of the new era has excavated Hubei culture, explored new ways of expression in Hubei literature, and formed the unique style of Hubei literature.

This book is a monograph on the study of folk oral literature in Myanmar based on the understanding of different cultures. Through comprehensive and detailed field surveys of twelve ancient capitals and major cities in Myanmar, including Taigong, Bagan, Ava, Pingya, Sagaing, Taungoo, Bago, Shwebo, Amaropura, Mandalay, Pathein and Magway, it contains ninety-six pieces of folk oral literature that combine text, text and context. On this basis, this work takes the folklore context theory as the perspective, makes full use of relevant research results at home and abroad, and combines the theories and methods of folklore, history, cultural anthropology, linguistics and other disciplines to conduct multi-level and multi-dimensional analysis and investigation, outline the overview of folk oral literature in Myanmar, and strive to reconstruct the national development history, life history and spiritual history of the local people.

The basic object of this thesis is modern lyrics, with a total of 5 chapters: Chapter 1: School music and the occurrence of modern popular poetics discourse; Chapter 2: Ballad Movement and the initial conception of popular poetics; Chapter 3: Lyric creation of Shanghai pop songs and the creation of space for popular poetics; Chapter 4: The evolution of "singing" and popular poetics in Yan'an; Chapter 5: Thoughts after leaving the "scene".

This book is Ma Yuan's essay on the theme of appreciating classic masterpieces. He extracted the essence from many years of knowledge accumulation and writing experience, combined with the text, selected O'Connor, Borges, Alexandre Dumas, Green, Hasek, Hemingway, Heizer, Hawthorne, Gide, Camus, Akutagawa Ryunosuke, Capote, Kao Twenty-five world-famous writers such as Dwyer, Crane, Marquez, McCullers, Mérimée, Nabokov, Singer, Ishwood, Suskind, Emmy, Kundera, O. Henry, Christie and other 25 world-famous writers and their representative works have been deeply interpreted and appreciated, outlining the creative overview of the masters.

The spirit of ecological ethics in literature refers to the moral attitudes and ethical norms contained in literary works when discussing the relationship between humans and nature, and humans and other non-human life. This ethical spirit emphasizes the affirmation and respect of the value and rights of nature and other life, and realizes the aesthetic expression of ethical attitudes through literature. This thesis uses literary journals since 1976 as primary research materials, and forms judgments through the analysis and sorting of original materials. Taking interpersonal ethical narratives as a reference, this paper presents the diachronic characteristics of the ecological ethical spirit from its absence to its gradual formation, and explores its ethical connotation, narrative mode, discourse form, and literary historical positioning and localization path.

This book conducts an in-depth and detailed study of the language, narrative, style and characters of contemporary ethnic minority novels in China from the perspective of literature and art. It believes that the construction of national identity by language includes native language writing, non-native writing and bilingual writing; the construction of national identity by narrative includes first-person plural turn, multiple perspectives, parallel dialogue structures, religious and cultural narratives and narrator intervention; the construction of national identity by style includes lyricism, retelling of mythological epics, cultural display writing and stylistic transformation, etc. This has certain theoretical significance for the construction of national literary theory and national literary criticism. At the same time, this book also carries out certain theoretical reflections on the language, narrative, stylistic and image aspects of literature itself, as well as the theory of identity and national identity.

A comprehensive review of the current research status of overseas travel notes in modern times can be seen that in sharp contrast to the prosperity of overseas travel writing, there is a serious lag in research on it. The study of overseas travel notes has always been marginalized and ignored. Regarding the methods and discourse of travel writing research, a set of basic paradigms accepted by everyone has not yet been formed. Most researchers either construct it systematically in a historical context, or treat overseas travel notes as part of documentary materials or writers' prose creations. However, there is still a lack of in-depth interventional research on overseas travel notes. This book takes modern overseas travel notes as the center of investigation and selects overseas travel experience as the research perspective. It goes deep into the travel notes and examines the close relationship between overseas travel experience and the transformation and occurrence of modern Chinese literature and the process of China's modernization. It explores how overseas travel experience affects the changes in the style of modern Chinese literature, the generation of core propositions, social collective imagination and other important literary and cultural phenomena, and deciphers the rich literary and cultural information contained in overseas travel notes.

The dissemination and research of Chinese literature in Mainland China, Taiwan, Hong Kong, Macao and overseas has a history of more than 30 years. Review and reflection on this period of history has also become a new academic growth point. Based on the perspective of cross-contextual communication, this book attempts to open up the phenomena and academic issues worth exploring in the history of the communication of Chinese literature in Taiwan, Hong Kong, Macao and overseas from the levels of theoretical awareness, communication cases, text close reading, and review interviews. It also reveals the landscape nature of mainland, Taiwan, Hong Kong, Macao and overseas Chinese literature and research, and provides new entry paths for related research.

This manuscript is a social science fund project with excellent results. The main content of the manuscript includes two complementary parts: a history of the development of British fairy tale novels since modern times, an introduction, and a monograph on specific writers' works and important creative phenomena. This manuscript is the first to comprehensively examine the phenomenon of modern and contemporary British fairy tale novels from the perspective of Chinese scholars. It not only provides a macroscopic review of the development history of British fairy tale novels, but also provides a specific analysis of the works of representative writers and important creative phenomena. When elaborating on the background of the rise of British fairy tale novels in the Victorian era, the manuscript not only comprehensively describes the glorious achievements, social changes, ideological turmoil, and new social contradictions of the British Victorian era (the most important material achievements and the most profound social impact of the British Industrial Revolution occurred in the Victorian period), but also objectively points out important facts that have been deliberately concealed or avoided by British and even Western historiography and literary history: During the Victorian period, Britain pursued its own interests and did not hesitate to engage in opium trade and even opium wars that harmed the Chinese nation. This manuscript fills the gap in the domestic research field on the development history of British fairy tale literature; breaks through the narrow view of fairy tale literature, examines the creation of British fairy tale novels with world influence in the context of social history, culture and children's literature, and broadens the disciplinary connotation and research level of foreign literature research in domestic academic circles.

This book takes the novels published since the new century (ten years) as the research object, and is divided into two parts with ten chapters under the titles of "Flow of Concepts" and "Regeneration of Space". The previous part discusses the inheritance and innovation of novel creation concepts in the new century based on actual literary creation. However, this discussion is not a comprehensive review in an overall sense, but selects several areas with distinctive characteristics and significant changes for discussion. New century literature has not only grown vigorously in the past ten years, greatly changing the basic style and development trend of contemporary literature, but it is also obviously continuously expanding and suddenly amplifying, and is no longer a self-sufficient phenomenon in a single and pure literary field. It is inevitably and naturally connected with social trends, economic trends and cultural fashions, and is growing or mutating into a new type of hybrid literature. The second part mainly discusses the various literary types and diversified literary spaces of the novels in the ten years of the new century. However, this part does not conduct a panoramic scan of the areas of life reflected in literature since the new century. It does not conduct too much analysis on those areas that have not changed much in terms of expression of life in the literary historical tradition. It mainly selects several types with more transformational significance, including the deep fission of the rural world, the deep implantation of industrial life, the existential context of military reclamation life, the transcendence of identity in the creation of ethnic minority themes, and the resurgence of the Xinhai narrative. There is an appendix at the end of the book, which contains four conversations and interviews related to the book.

In the 1980s and 1990s, with the rapid development of China's economy, urban culture played an increasingly prominent role in modern culture, and its influence on Chinese literature gradually deepened. Based on this, this book chooses to comprehensively use theories and methods that combine cultural studies and novel narrative aesthetics from the perspective of social and cultural transformation to conduct a comprehensive analysis and in-depth investigation of Chinese contemporary novels in the second half of the 20th century. It also focuses on the discussion of novel creation theories and explores the historical limitations and practical problems of novel writing. This research has the value of exploring literary ecology and literary evolution, and also has practical significance in the construction of modern culture.

This is a book composed of sections and chapters under a general theme. The theme is a review of the content and artistic characteristics of the representative works of the most outstanding writers in the 200 years from the mid-18th century to the mid-20th century, from the initial formation to the heyday to the transitional period of modern British novels. Writers include Henry Fielding, Jane Austen, Dickens, Emily Brontë, Hardy, Susan Hill, etc., And their works include "The History of the Outcast Tom Jones", "Pride and Prejudice", "David Copperfield", "A Tale of Two Cities", "Wuthering Heights", "Tess of the D'Urbervilles", "Jude the Obscure", "I Am the King of the Castle", etc.

The author adheres to the academic responsibility of humanities scholars and focuses on the New Literature in middle school Chinese education from 1920 to 1937. Based on a comprehensive collection of materials, the author restores the historical scene, starting from the evolution of the education system, the formation of the legal intellectual identity of New Literature, the change of selections, and the transmission of New Literature knowledge inside and outside the classroom. Conducting research from the perspective of broadcasting and other aspects, it explores the correlation and interaction between new culture, new education and new literature, as well as the internal process of knowledge production and transformation, and explains in detail the symbiotic relationship between literature, education, and media environment. It not only reflects on the construction of new literature itself, but also culturally examines the practice of literary education.

The main content of this book is to reveal the process by which the paradigm of Song poetry was re-understood, reconstructed and underwent new changes in the Qing Dynasty. Song poetry and Tang poetry are the two basic paradigms in ancient Chinese poetry. However, the mainstream of poetry in Jin, Yuan and Ming Dynasties was to respect the Tang Dynasty, while the poetics of the Song Dynasty was excluded. In the early years of Kangxi's reign in the Qing Dynasty, people began to explore and find new poetic approaches, and the beauty of Song poetry was rediscovered. During the Yong and Qian dynasties, the Zhejiang School and the Xiushui School, two poetic schools of the Song Dynasty, arose. They used the aesthetic principles of Song poetry to create, and their creative concept was to reconstruct the paradigm of Song poetry. During the Qianjia period, the Texture School and the Tongcheng School emerged. They all tried to integrate poetry with academics and ancient prose, which led to the Qing Dynasty and new changes in the aesthetic principles of Song poetry. During the reign of Daoxian and Tongguang, the Song poetry movement and the Tongguang style poetry school emerged, advocating that the poetry of scholars and the poetry of poets should be integrated into one, forming a poetic concept with its own personality and characteristics of the times, and completing a new change in the paradigm of Song poetry.

"Shinto Teaching: The National Tradition of Narrative in Chapter Novels of the Ming and Qing Dynasties" theoretically constructs one aspect of the narrative tradition of the Ming and Qing chapter novels, such as "Journey to the West", "Water Margin", "Jin Ping Mei Ci Hua", "The Romance of the Three Kingdoms", "The Scholars", "Dream of Red Mansions", etc., And attempts to perform a restorative interpretation on this basis, and reflects on many views in the academic world.

The subject of literary creation is the writer. The writer's gender stance and attitude towards the gender culture he lives in determine to a certain extent the gender shaping in his creation. In literary narratives, male and female writers often have different forms of expression. Everyone has a deep understanding of their own emotional and spiritual needs, and then has a great sense of identification with people of the same gender as themselves. Even those who can think about issues from the perspective of the other gender are often limited by gender limitations and cannot truly understand the needs of the other gender. The images that appear in literature reflect the influence of the cultural field in which the writer lives, and the works not only reflect this culture, but also convey the writer's individual emotional wishes. "The portrayal of gender appears in various art forms, thus entering the culture of our time and entering our consciousness as participants in this culture. The novel tells the story of the formation and discovery, hiding and emergence of gender identity. The drama stages the confusion, rupture and change of gender relations. Film depictions, painting exhibitions, song expressions, sculptures Shaping gender issues, that is to say, the emergence of these art forms stems from the emergence of gender issues. These art forms show that gender has become an important and common way for us to express ourselves. Gender has become a channel through which human self can be expressed, human relationships can be explored, and the dilemma of human life can be revealed." Precisely because of the gender stance in literary creation, works express gender relations and reflect gender conflicts. Therefore, studying literature from a gender perspective not only allows for a better interpretation of literature, but also has practical significance.

This book mainly studies the development history and representative works of Chinese-American literature, as well as the main content of Confucianism and its influence on Chinese-American literature. Through the interpretation of a series of literary works by Chinese-American writers, readers will have a deeper understanding of how Chinese-American literature developed, how it related to Confucian culture, how it influenced each other, what the pros and cons were, and how the relationship with Confucian culture was affected by factors such as race, gender, class, and history in American society.

This book is divided into four chapters. The book starts with Bartel's fragmented writing, Sartre's interventional writing theory and neorealist writing theory. The manuscript also explores the richness and complexity of Auster's novel creation from the character descriptions and narrative scenes of many of Auster's novels, such as the "New York Trilogy". It summarizes his unique creative style, historical background of creation, artistic characteristics of writing, use of language structure and narrative techniques, etc. It brings inspiration to contemporary literary creation and points out the direction for current literary criticism.

This book takes Yuanqing poetry, which was the mainstream in the late Han, Wei, and Jin Dynasties, as an independent research unit and object. It combines the background of the history of thought and literary theory to systematically study the emergence, development, formation, and decline of Yuanqing poetry. It analyzes its aesthetic experience model of sensing objects and Yuanqing, and identifies its significance and limitations in the history of poetics and aesthetics. It strives to conduct a comprehensive study and reasonable positioning of Yuanqing poetry and poetry Yuanqing theory, and delineate the scope of application and interpretation limits of Yuanqing in the history of Chinese poetics and Chinese aesthetics.

In China, the literary publications of the 1940s and the Anti-Japanese War period have not attracted corresponding attention. This book just makes up for the lack of research on this period. Based on a large number of works and literary theories at that time, the author believes that "July" and "Hope" set a clear literary stance, adhered to the literary spirit of never giving up, and advanced along the path of "enlightenment literature" pioneered by the May Fourth Movement. In the strong atmosphere of national salvation, the power of "enlightenment" was gathered. These two publications had a profound impact on the history of modern literature, giving birth to the July School and injecting new power into the development of new literature.

This book is one of the "Chinese Academic Archives Series". It is mainly divided into three parts: reviews of classic works on Tongcheng School research, summaries of Tongcheng School research works in the past thirty years, and major events in Tongcheng School research in the past thirty years. It introduces an overview of Tongcheng School research headed by Fang Bao, Liu Dakui, and Yao Nai, and covers the origin and spread of the Tongcheng School, the Tongcheng School and politics, the dispute between Han and Song Dynasties, the Wen-Bai dispute, etc.

This book explores the impact of social transformation since the late Qing Dynasty and the women's liberation movement on ancient women's self-cultivation, and looks for the connection between modern female writers and traditional female culture. The two concepts of "female work-study culture" and "female cultural conservatism" are proposed to analyze the different situations of gender and morality in traditional and modern societies. While reflecting on history, we question practical issues and make our own evaluations of some important research methods in academia.

This book is one of the "Chinese Learning Textbook Series for International Students". It includes examples and explanations of outstanding works of modern Chinese literature and contemporary literature, allowing international students to have an intuitive understanding of modern and contemporary Chinese literary works, and to hone their Chinese expression and performance abilities.

This book approaches, examines and demonstrates the May Fourth writers and their literary creations from the perspective of traditional ethics, and explores the relationship between the May Fourth writers and traditional ethics from the perspective of personality. It is an academic research monograph.

Knowledge is boring, stories are interesting. Integrating knowledge skillfully into interesting stories and acquiring a lot of knowledge while reading stories is undoubtedly the most ideal learning method. "Wenxin" is an example of this successful approach. Mr. Xia Chuzun and Mr. Ye Shengtao used 32 stories from "Wenxin" to explain "all the knowledge about Chinese language" based on their many years of teaching experience. They are approachable and entertaining, and have been praised by countless readers for many years. This reprint of "Wenxin" includes Mr. Wu Haoran's Republic of China-style illustrations to vividly reproduce the study and life of students in the Republic of China. Modern readers can not only learn the knowledge of reading and writing easily and happily through "Wen Xin", but also understand the Republic of China "immersively".