The Qing Dynasty Poetry Circle's Reconstruction and Innovation of the Song Poetry Paradigm
by Li Jianbo
About This Novel
The main content of this book is to reveal the process by which the paradigm of Song poetry was re-understood, reconstructed and underwent new changes in the Qing Dynasty. Song poetry and Tang poetry are the two basic paradigms in ancient Chinese poetry. However, the mainstream of poetry in Jin, Yuan and Ming Dynasties was to respect the Tang Dynasty, while the poetics of the Song Dynasty was excluded. In the early years of Kangxi's reign in the Qing Dynasty, people began to explore and find new poetic approaches, and the beauty of Song poetry was rediscovered. During the Yong and Qian dynasties, the Zhejiang School and the Xiushui School, two poetic schools of the Song Dynasty, arose. They used the aesthetic principles of Song poetry to create, and their creative concept was to reconstruct the paradigm of Song poetry. During the Qianjia period, the Texture School and the Tongcheng School emerged. They all tried to integrate poetry with academics and ancient prose, which led to the Qing Dynasty and new changes in the aesthetic principles of Song poetry. During the reign of Daoxian and Tongguang, the Song poetry movement and the Tongguang style poetry school emerged, advocating that the poetry of scholars and the poetry of poets should be integrated into one, forming a poetic concept with its own personality and characteristics of the times, and completing a new change in the paradigm of Song poetry.
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