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From the stories published in The New Yorker by John McPhee, David Gern, and Atul Gawande to the emergence of non-fiction masterpieces such as Mary Roach's "Stiff" and Eric Larson's "The Devil in the White City," narrative non-fiction literature has gained more and more attention. The author of this book, Jack Hart, was the editor-in-chief of The Oregonian. He has worked in the American journalism industry for more than thirty years, accumulated a lot of practical experience, and witnessed the birth of many Pulitzer-winning works. In this book, the author will tell you the creation methods and techniques of narrative nonfiction literature. This book covers all aspects of non-fiction literary creation such as reportage, essays, and essays, including story theory and structure, scenes, actions, characters, etc., And introduces the publishing process such as first draft, revision, and editing. The author tells the story behind the story, taking readers into an in-depth look at the creation process of narrative nonfiction. The book contains examples from famous writers such as Montaigne and E. B. White and multiple Pulitzer Prize winners, as well as a large number of examples from magazine articles, non-fiction best-sellers, documentaries, and radio programs. It is a rare reference for journalists and non-fiction writers.

Writing for young adults (YA) and children's readers (MG) is not "pediatric", but an area of ​​writing worthy of in-depth study. The current prosperity of the children's book market also means that competition is becoming more intense. In "A Guide to Writing Children's Books," veteran book agent Mary Cole shares her expertise on writing children's books and teaches you how to: ·Recognize the differences between different age groups of children's book readers and how this affects your writing. Tailor the tone, length, and content of your manuscript to your readership. ·Avoid common mistakes and cliches in characters, story ideas, plot structure, and more. ·Come up with novel themes and ideas that can touch readers' hearts. In this book, Mary Cole candidly shares her valuable experience in children's book writing, and provides excerpts from relevant works and the personal insights of children's book market experts such as best-selling authors and editors--all very useful tools in your children's book writing career. If you want to create exciting stories for children and young readers that will keep them reading, "A Guide to Writing Children's Books" will provide you with the skills and practical knowledge you need.

"Every day, we write a poem." To achieve a poetic life, you don't have to be extraordinary - everyone can write poetry. Now, poet Psyche invites you to slow down, tune into the rhythm of your creativity, and savor the beauty of poetry. This book will provide you with: @Provide an explanation of poetic life and poetic techniques @Inspire a sense of play rather than hard work @Integrate content, form, and process to provide a fun and moving experience @Invite you to add poetry to your creative writing content Write My Life Poems is an inspiring companion that will help you build confidence in poetry writing. This book will bring poetry from the academic realm into everyone's hands.

The best stories linger with readers for decades. The plots of these stories connect with readers through emotional and intellectual means, making the stories powerful. In Ronald's book, the author analyzes in detail 20 classic plots: exploration, exploration, pursuit, rescue, escape, revenge, mystery story, rivalry, down and out, temptation, metamorphosis, transformation, growth, love story, unfaithful love, sacrifice, journey of self-discovery, tragic unrestrained behavior, ups and downs, showing how a successful plot combines all story elements, and tells you how to effectively use these plots in your own works. Next, the author goes one step further and tells you how to delicately set up the plot for any theme to complete your work smoothly and effectively. Ultimately, your novel will be more coherent and compelling, keeping readers engaged with your story.

What makes a good story or script? Many writers have only a vague idea of ​​where to start when they start writing a novel or telling a story. Sometimes they spend a lifetime writing without ever understanding that a successful story depends as much on good design as on artistic skill. In fact, unless you are a master of the form, function, and standards of a certain type of story, it will be ineffective to sit down and whip out a first draft without a plan. "Story Engineering" starts from the standard and structural design of storytelling (story engineering design), using it as the basis of narrative to help you discover the big picture of storytelling at a professional level. By combining the six core skills highlighted in the book, you can discover the greatest story possibilities. These six core skills include: four basic skills: concept, character, theme, structure (plot), two practical skills: scene construction, style

This collection collects papers published over the years by six senior female professors from the School of Liberal Arts of Liaoning University: Wang Wei, Wang Chunrong, Zhao Linghe, Jiang Fan, Wang Chunfei, and Song Yushu. The academic fields of these six professors are ancient literature, modern and contemporary literature, folk literature, literature and art, and communication. The papers in the book are organized around six parts: Wei and Jin literature research, modern literary genre research, women's literature research, contemporary literary criticism, folk custom field work research, and literary communication research.

This book takes the Russian formalist procedural poetics as a research perspective, combines the British social and cultural background and Western literary and historical theoretical trends to systematically explain the evolution process of the three British historical novel genres: realism, modernism and postmodernism. This has certain academic value and significance for making up for the shortcomings of the overall study of the British historical novel genre and the research theory of Western historical novels.

Why do we read literature? How to judge literature? C. S. Lewis's classic "Experiments in Literary Criticism" grew out of his conviction that literature existed to please readers and that books should be judged by the kind of reading they provoked. When it comes to judging literature, it is crucial to put aside external expectations and values ​​and approach the work itself with an open mind. In the midst of today's clutter of literary theory, C. S. Lewis's intellect is refreshingly down-to-earth in its exploration of the reading experience.

"Thoughts and Wisdom of Chinese Literary Theory (Fortieth Series of Ancient Literary Theory Research)" includes "Category Characteristics and System Construction of Ancient Chinese Literary Theory", "Using the Wisdom of Ancient Chinese Literary Theory to Answer a Worldwide Proposition - On the Mechanism of Climate Literature" ", "Issues on the original literary theory of "Wen Xin Diao Long"", "Ruan Ji's Yixue and the Eighty-two Poems of "Yong Huai" (Part 1)", "Interrogative Syntax and the Lyrical Characteristics of "Flowers", "On the Symbolic Characteristics of Ouyang Xiu's Literary Criticism" and other articles.

The most eye-catching studies on Lu Xun overseas are the achievements of Japanese scholars. This book combs and discusses the study of Lu Xun in Japan over the past century from the perspective of academic history. We can see in the many cross-cultural interpretations and novel viewpoints that they complexly reflect the thinking and pursuit of Japanese intellectuals in the era of cultural transformation, and we can see Lu Xun's spiritual charm and world significance. This book is the first systematic "History of Lu Xun Studies in Japan". It builds an interpretive framework from a Chinese perspective. It not only provides inspiration, reference and reference from foreign countries for the further development of Lu Xun studies in my country, but also has positive significance in promoting the spirit of Chinese culture and deepening the understanding and friendship between the people of China and Japan.

The Institute of Literature of the Chinese Academy of Social Sciences has a cooperation and exchange agreement with the Japanese Buddhist University. In 2017, they determined a common research theme, namely "Research on Various Phases of the Humanities in the Era of Globalization - Inspiration from Contemporary Sino-Japanese and East-West Exchanges", and each held an academic seminar. The seminar conducted in-depth discussions on the relationship between Buddhism and Chinese and Japanese culture, comparative studies of ancient Chinese and Japanese "diaries", ancient Chinese ritual and music systems, and modern Sino-Japanese cultural exchanges. Scholars from both sides published high-level papers. This book is the collection of papers from this seminar.

Mr. Li Guowen reviews the collection of essays on "Dream of Red Mansions". This book combines profound knowledge and thoughtful thinking. It is full of laughter and curses, and provides a fresh perspective for the Chinese red scholar community from a unique perspective.

This book introduces the methods and rules of poetry creation, interspersed with rich and interesting literary and historical content such as the author's life, creative background, and poetry skills.

This book is one of the "Collected Works of Tong Qingbing". In a novel style, it includes the theory of "Dao Xin Shenli" in "Wen Xin Diao Long", the "Qi Zheng Hua Shi" theory in "Wen Xin Diao Long", the "accommodation and adaptability" theory in "Wen Xin Diao Long", and the "internal reason" theory in "Wen Xin Diao Long" The "Thirty Theory" theory, including the theory of "outside the symbols", the theory of "following the body and forming momentum" in "The Literary Mind and the Carving of Dragons", the theory of "sensing things and chanting the will" in "The Literary Mind and the Carving of Dragons", discuss Liu Xie's thinking on literary style, literary creation, composition of works, etc. It is interesting to read and full of interest.

This book is one of the "Collected Works of Tong Qingbing". This book contains the author's essays and short essays on modern literary theory, sociology of literature and art, social psychology of literature and art, and research on Mao Zedong's speeches. It also talks about literary criticism of original works such as "A Person's Experience" and "Farewell to Maggiora". , There are also comments on the movie "Assembly", etc., Which are the author's literary thinking for many years, and also the author's search for the ideal light of literature for many years. The author finally believes that literary ideals are in the dialectical relationship between historical rationality, humanistic care and aesthetic sublimation.

This book is one of the "Collected Works of Tong Qingbing". The so-called "Venus's Belt" refers to the mystery of literary creation. Based on profound knowledge, this book draws on different and even similar literary creation theories from ancient and modern China and foreign countries, and adds the author's own unique choices and deductions to talk about how writers obtain beauty and poetry when creating. In the rigorous academic framework of the book, there are both deep rational thinking and vivid insights into life and creation. The discussion is clear and concise, and the examples are vivid and rich. For creators, it is a useful reference for further artistic exploration and adaptation; for theorists, it helps to broaden their horizons and ideas. "The Belt of Venus - Creative Aesthetics" won the 7th Beijing Outstanding Achievement Award in Philosophy and Social Sciences.

This book is one of the "Collected Works of Tong Qingbing" and is divided into two volumes. The first volume contains Tong Qingbing's works "Ancient Chinese Psychopoetics and Aesthetics", and the second volume contains "Modern Significance of Ancient Chinese Literary Theory". The main contents include: Talking about the past and the present - the inheritance and re-creation of culture; Talking about the West - opening up oneself and going to the world; Religion and poetics - the religious complex of the poet (writer). Through the study of the differences and complementarity of Confucianism, Taoism, and Commentary Theory, and through the study of cultural categories such as Qi, Shen, Rhyme, Landscape, and Flavor, the national character of ancient Chinese literary theory is revealed.

This textbook is a supporting teaching aid for the history of foreign literature. It is not only suitable for students' self-study, but also can be used as review materials for postgraduate entrance examinations. This book is edited by a well-known expert in foreign literature research and organized by many foreign literature teachers and master's and doctoral students who have successfully passed the postgraduate entrance examination.

Through full possession of materials and careful analysis of inherent academic viewpoints, this book clarifies the distinction between "popular novels" and "entertainment novels", thereby determining a more reasonable naming and definition of "Chinese modern entertainment novels", and then conducts an overall study and explanation of its origin, changes, ideological tendencies, artistic characteristics and value positioning. This book reveals the "dual nature" (between tradition and modernity) of "Chinese modern entertainment novels" rather than the "two wings" (along with "new literature"), and explains its historical status and literary characteristics factually and logically. This book studies the evolution, characteristics and value of modern Chinese entertainment novels from two aspects: longitudinal historical investigation and focused text analysis, and perfectly unifies the sense of history and reality.

"Lecture Notes on the History of Russian Literature in the 19th Century" (compiled by Ma Xinzhang and Wang Zhigeng) is a foreign literary history work compiled by Professor Wang Zhiliang based on his lectures on the history of Russian literature at East China Normal University for many years. It focuses on Pushkin, Gogol, Lemon Tov, Turgenev, Dostoevsky, Ostrovsky, Leo Tolstoy, Chekhov and other important writers introduce their life experiences, analyze their styles, and comment on their works, which will help students and readers comprehensively understand the Russian literature of the 19th century.

Development and innovation are the main creative trends of poetry in the mid-Tang Dynasty. This article takes this title as its title and attempts to make an in-depth and systematic study of the overall characteristics of the poetry of the Middle Tang Dynasty and the reasons for its formation in the broad background of the Mid-Tang Dynasty culture. The introduction of this article emphasizes the important position of the poetry of the Mid-Tang Dynasty in the history of Chinese poetry; and through a brief review of the poetry of the flourishing Tang Dynasty, it points out the dilemma faced by the poets of the Mid-Tang Dynasty that "it is difficult to continue their prosperity" and the necessity of opening up new paths for poetry creation.

Looking at the sixty years of foreign literature research, we have to admit two main facts: first, the Soviet model was basically followed in the first seventeen years, but Western literature and cultural traditions were somewhat partial; second, the world turned upside down in the last thirty years, and the large influx of Western literature not only hit the Chinese literary world unprecedentedly, but also provided some kind of leading role in emancipating the mind and bringing order to chaos. However, the study of foreign literature during this period obviously switched to the Western model, thereby somewhat abandoning some of the fine traditions and academic paradigms that should have been adhered to. This was the situation of not being selective, swallowing jujubes, blindly copying, and living in a state of confusion.

"On the Rear Area Literature during the Anti-Japanese War" selects certain typical cases to discuss the rear area literature during the Anti-Japanese War from the aspects of the rear area literary movement, rear area literary theory and literary criticism, rear area literary themes and literary works, rear area literary newspapers and periodicals, and the image of the rear area written by famous writers, etc., And puts forward some previous opinions New topics that have not been discussed before have been unearthed, and a batch of new materials that have not been paid attention to by predecessors have been unearthed, and they have tried to interpret them in the context of specific historical contexts to draw more objective and fair conclusions that are in line with reality. This has expanded and deepened the study of Anti-Japanese War literature, including the study of rear area literature, and has certain reference value for the restoration of Anti-Japanese War history.

A companion volume to "Write Good Stories This Way", a classic writing course from a master! A bestseller in the American "Writer's Digest" creative writing book series. The writing professor teaches you to use descriptions and backgrounds to create a unique small world, and combines famous passages from Stephen King and other famous writers with appreciation and practice at the same time! A story creation book loved by writers, screenwriters, and media professionals. You can find all the answers you want in this book. The author and creative writing instructor Ron Rozelle will combine classic cases from famous writers to analyze the importance of description and background in writing good stories.

This collection of papers brings together the papers of three representative generations of ancient literature researchers in China, namely the old, middle and young generations. It is their latest thinking on the vision and methods of research in this field. By reflecting on the past and gaining insights into the past, the paradigms and limitations of ancient literary research over the past century can be discussed, and the discussion of new horizons and new methods for future research is also part of the title. Therefore, with this volume in hand, you can get a glimpse of the history and future of ancient literary research.

The skills of novel writing can be trained and expanded. This expansion aims to activate the author's writing potential and cultivate and enhance his impulse, feeling and ability to tell stories. As the Italian literary critic Croce said, everyone is a potential artist. This book introduces relevant results from the American creative writing research community, and strives to explore various operable and imitable novel writing techniques from the perspective of narrative creative design, and to study the principles and methods of teaching and learning novel writing. The book contains the author's many years of teaching experience in teaching novel writing workshops, as well as vivid cases from Chinese and foreign classic literary works. The book is divided into six chapters, including: the narrative method of the novel, from story outline to plot list, the structural relationship of the novel's characters, the construction of scenes in written stories, "seeing" and "being seen" in novels, and the rhetorical strategies of narrative voice.

This book is one of the "Collected Works of Tong Qingbing". Ancient Chinese literary theory bears the characteristics of the traditional culture of the Chinese nation and also contains certain universal laws of human literary activities. With the development of the times and the deepening of research, its modern significance is increasingly revealed. For the first time, this book places ancient Chinese literary theory in a modern academic perspective, systematically and clearly raises the issue of the modern transformation of ancient Chinese literary theory, and makes a demonstrative attempt at the modern interpretation of ancient literary theory. This is of great significance for people in a modern position to understand, inherit and carry forward Chinese traditional literary theory, as well as for the poetic revival of Chinese national culture.

As the first monograph on Hofmannsthal in the Chinese-speaking world, this book takes Hofmannsthal's literary works as the research object, running through his early, middle and late creations, and covers three genres: drama, short stories and narrative poetry. The chapter structure is divided into five parts, aiming to show the development trajectory and theme evolution of Hofmannsthal's creation. In the early stage, he criticized aestheticism through the dialectical relationship between life and death, and discussed the relationship between life and art, happiness and marriage; in the middle and late stages, he tended to focus on the struggle between individual existence and destiny, excavate the foundation of marriage and family system, and explore the possibility of non-verbal body expression. Accompanying the evolution of his creative themes are Huo's breakthroughs and innovations in literary genres. His works are full of worries and reflections on contemporary individual survival, social conditions, and cultural trends, highlighting the coexistence of a sense of crisis and constructiveness.

This book takes the academic case of disciplinary reflection that has emerged in the transformation and development of contemporary Chinese literary theory since the 1990s as the research center. It combs the occurrence and development process of disciplinary reflection in literary theory, and conducts a relatively in-depth discussion on a series of issues involved in literary theory research objects, ways of thinking, value positions, identity, knowledge configuration and future trends. The author believes that contemporary reflection on the discipline of literary theory takes literary theory itself as the research object, which is a symptom of the discipline of literary theory becoming self-conscious and helps to highlight the sense of history in the production of literary theory knowledge. The reflective literary theory knowledge form it constructs even represents a development direction of literary theory. But no matter what, we must not forget to ask about "good literary theory". This "questioning" is probably not only a reason for the continuation of the reflection on the discipline of literary theory, but also the proper meaning of the topic "literary theory as a discipline."

This book is one of the "Collected Works of Tong Qingbing" and includes two volumes. The first volume contains Tong Qingbing's work "Literary Creation and Literary Criticism". The second volume contains Mr. Tong Qingbing's papers in recent years on various issues such as the theory of mutual conquest of forms, Chinese teaching, canonization, and historical context. The plan is to Chapter 1: The significance of literary creation; Chapter 2: General preparations for literary creation; Chapter 3: The object of literary creation; Chapter 4: The subject of literary creation; Chapter 5: The ultimate pursuit of literary creation; Chapter 6: The general process of literary creation; Chapter 7: The style and techniques of literary creation, etc.

The first documentary work to record in detail the current situation of China's geological and mining industry. A first-hand documentary essay by the leader of the Shandong Bureau of Geology and Mineral Resources, which ranks among the top three in terms of exploration capabilities in the country. Among the more than 200,000 words, there are the changes in officialdom and personnel that the author personally experienced, as well as the sophistication of people in daily life. There are professional and vivid treasure-digging stories, unknown records of geological and mineral exploration, strategic policies of the geological and mining industry, and personal experiences of exploring and mastering the "secret map" of the province's underground treasures. There are conflicts and conflicts between different factions after the discovery of gold mines, and there are first-hand records of strategic treasure grabbing around the world.

According to the autobiographical outline drawn up by Qu Qiubai during his lifetime, this book reviews and restores Qu Qiubai's life in a very literary way through detailed collection of historical materials. From this, we can see the image of Qu Qiubai as a poet and litterateur better than as a revolutionary. The author strives to make this book "capable of carrying the heavy burden left by Qu Qiubai and carving out the realistic "traces" of Qu Qiubai's life, not only describing his body, but also revealing his soul." It can be said that this book is a spiritual biography of Qu Qiubai written in a literary style.

Zhang Dachun, who considers himself to have no prose writing experience, accepted a column invitation from Reader's Digest six years ago because he was willing to learn from the column "Correction of Words" hosted by his predecessor, Mr. Liang Shiqiu, in the magazine. By re-identifying words, he could write stories about the origins of words, and at the same time contribute to the decline of Chinese character culture in this era. Seeing the word is like seeing an old friend coming. The forty-six essays and explanations of Chinese characters included in this book, each one has a "victory first episode", which talks about the scenery and encounters of the writer's encounter with characters in his life. The following article is an explanation and even extension of the shape, sound, meaning and phrases of Chinese characters: if a person is open-minded and not afraid of "fat" and "drunk", the universe is vast, and the long journey of the word "brigade"... ... Words and words, tempered by time, are no longer just textual elements in a collection of classics and history, but also constitute the vivid life experience of a generation; writers often return to the context in which they first learned or used these words, and reveal, explore, and remember those words that are integrated with the facts of life and may disappear with the wind. For anyone, life only goes through once; but words can bring it back countless times - as long as you are willing to read it.

This book is a thematic collection of selected papers from the China Multi-Ethnic Literature Forum in the past ten years. Selected hot topics from the "China Multiethnic Literature Forum" over the years include the construction of Chinese multiethnic literary history, multiculturalism and literary criticism, cultural identity and identity issues, literary ecology from an interdisciplinary academic perspective, etc. These topics basically cover the cutting-edge topics in multiethnic literature research since the new century. The significance of this book is not limited to the study of ethnic minority literature, but also provides a vivid demonstration of paradigm shift in the concepts and methods of Chinese literary research.

As an important representative of modern New Confucianism, Xu Fuguan has always believed that "morality and art are the two pillars of Chinese culture." His literary and aesthetic thoughts are based on "benevolence". In his ideological system, "heart" is endowed with extremely profound and broad spiritual connotations. "Heart" means "situation" and "mind" is the basis, which reflects the distinctive feature that Chinese aesthetics and art theory originate from human moral psychology and spiritual structure; his literary aesthetic thoughts also present the beauty of art. He pioneered the art creation method of "pursuing experience" and "second nature". By mobilizing one's own experience, he connects with the spiritual experience of the research object, and in the process of restoring "second nature", he realizes the spiritual integration of ancient and modern people, authors and readers, researchers and research objects.

This book uses the creations of the Mid-Tang Dynasty poets Zhang Ji and Wang Jian as basic research materials, draws on and utilizes existing research results, examines the origin and connotation of "Zhang Ji and Wang Jian's style" in detail, and conducts a comprehensive and in-depth study of Zhang Ji and Wang Jian's poetry creation, contribution and influence.

In this book's research on collection poetry, in addition to making great efforts to collect collection poetry works of the past dynasties, the author of this book further explores the preservation and recording of collection poetry, the literature review and error identification of collection poetry, the value of collection poetry lost, the imbalance and relativity of the value of collection poetry documents, etc. It is the first monograph to systematically study the literature of collection poetry.

Starting from the basic concepts of aesthetics in "Goethe's Conversations and Goethe's Literary Aesthetics", the topic of "Goethe's Literary Aesthetics" is developed from six aspects. First, "Goethe's Conversations and Goethe's Literary Aesthetics" reviews Goethe's spontaneous materialism and spontaneous dialectics, and clarifies that his spontaneous materialist worldview is the ideological basis of his realist aesthetics. Secondly, "Goethe's Conversations and Goethe's Literary Aesthetics" is based on Goethe's harmonious nature. Characterizing him as an eclectic, he believes that artistic beauty is the organic unity of formal beauty and content beauty, perceptual images and rational concepts; "Goethe's Conversations and Goethe's Literary Aesthetics" also analyzes Goethe's independent and confident habits. It was this habit that drove him to take the lead in launching a symbolic revolution to cultivate pure art in the German literary field at the end of the 18th and early 19th centuries, and to defend classical independent aesthetics. Third. "Goethe's Conversations and Goethe's Literary Aesthetics" discusses Goethe's theory of creation. Goethe believed that artistic creation mainly relies on imagination, and imagination is an important means to elevate natural reality into artistic reality. He regarded genius as outstanding creativity and used magic to explain genius. Fourth, "Goethe's Conversations and Goethe's Literary Aesthetics" analyzes Goethe's view of nature, and Goethe starts from naturalism. Taking the universal and ideal ancient Greek and Roman literature and art as a model, he created classical realist aesthetics; using an empirical rationalist way of thinking, he established a typical creative method of "expressing the general in the particular". Fifth, "Goethe's Conversations and Goethe's Literary Aesthetics" introduces Goethe's internal research on artworks. He divided artworks into three organic structural elements (material, connotation and form), and proposed the theory of characteristics. He defined characteristics as expression objects that have both individual and universal connotations, and the result of formal artistic processing of connotations is artistic beauty. Sixth, "Goethe's Conversations and Goethe's Literary Aesthetics" reviews Goethe's concept of world literature, which refers to international literary exchanges. The conclusion of "Goethe's Conversations and Goethe's Literary Aesthetics" is that Goethe's literary aesthetics is a kind of classical realist aesthetics with romanticism.

This book is one of the collections of special articles by members of the Chinese Academy of Social Sciences. This book is divided into four volumes, and all the articles collected have been published in academic journals or academic lectures at home and abroad. Among them, the paper on the Korean copper movable type version of "Romance of the Three Kingdoms" was the theme paper at the 2010 Korean International Academic Conference. This paper fills the gap in domestic academic circles. "Catch and Release Cao" - From "Romance of the Three Kingdoms" to "Romance of the Three Kingdoms" is a speech delivered at Korea University in South Korea and the Japanese Society of Three Kingdoms. Two long articles, "The Preface to the Printed Version of "The Romance of the Three Kingdoms"" and "Summary of the Dream of Red Mansions" comprehensively, systematically, and in-depth introduce and discuss the author, edition, content, and artistic features of the two books "Three Kingdoms" and "Red". Many of them are the author's own opinions and arguments. The author has his own writing style and characteristics. It is both in-depth and highly readable. The book contains both essays expounding the author's own views, as well as articles debating with opponents, such as the debate on the authenticity of the original version of "A Dream of Red Mansions". The author has published the monographs "Diagnosis of Cao Xueqin's Ancestral Origin", "Exploration of Versions of Dream of Red Mansions", "Exploration of Red Mansions - Liu Shide on the Dream of Red Mansions", "The Mystery of the Dream of Red Mansions - Liu Shide's Academic Lectures", "Novels of the Ming and Qing Dynasties - Liu Shide's Academic Lectures", "Liu Shide Talks about the Three Kingdoms", "A Study of the Authors and Versions of the Romance of the Three Kingdoms". The articles collected in this book are mainly articles published in recent years, and they are all not included in the above monographs. The author has his own style of writing, without any difficult words or sentences. He is very rational and logical, and his writing is concise and clear.

This book mainly uses comparative literature research methods to place Natsume Soseki's literature in the historical context of world literature, modern Japanese literature and civilization. It uses detailed text analysis to explore issues such as suffering and harmony, madness and faith, sinking and redemption involved in his creation, and strives to restore a living Natsume Soseki. He is like a mirror, reflecting the mental trauma of modern Japanese intellectuals and the difficult process of exploring how to heal.

Ian McEwan is a famous British writer and one of the most influential writers in contemporary Western literary circles. His creations are mainly novels, and he has published two collections of short stories and eleven novels so far. This article takes all of McEwan's novels as the research object, analyzes the unreliable narrative characteristics in his novels, and uses this as an entry point to study McEwan's creations to launch an in-depth discussion of McEwan's novels. Unreliable narration is a very important theoretical concept in today's narratology research, and it is also a very expressive narrative strategy that has been widely used in Ian McEwan's novels. The writer deliberately makes the narrative unreliable, just like an excellent dancer deliberately puts on shackles to dance to show his superb dancing skills. In this way, an extraordinary narrative effect is achieved. This manuscript is based on the different manifestations of unreliable narrative techniques in McEwan's novels. Through detailed and in-depth text analysis, his thirteen novels are interpreted in sequence, and the specific use of unreliable narrative in them, the way it is generated, and its unique artistic expression are elaborated from a narratological perspective. This comprehensive study of Ian McEwan's novel creation is the first of its kind in the country. As a contemporary heavyweight writer, McEwan deserves more attention in the country. Choosing unreliable narrative as the entry point for studying McEwan well captures the key points of the writer's narrative strategy, from which the essence of the writer's thoughts and artistic level can be unearthed, which has important academic value. At the same time, this research also led to the academic discussion of the concept of unreliable narrative, and demonstrated strong theoretical innovation through the narratological explanation of its six types of performance mechanisms.

"Countryside, Revolution and Modern Imagination: A Study of Novels in the Liberated Areas of the 1940s" starts from the perspective of literary imagination and explores the collision and integration of rural experience and revolutionary consciousness in the rural narratives of novels in the liberated areas in the 1940s, and explores the various modern consciousnesses that entered the countryside during the process of rural modernization and the author's initial way of imagining rural modernity. Zhao Shuli's rural imagination strives to construct a rural social order that emphasizes humane ethics while introducing modern consciousness into the countryside; the class discourse in Ding Ling and Zhou Libo's land reform revolutionary writings was not completely influenced by rural experience, but their emphasis on the ideological enlightenment of villagers and the democracy of the revolutionary process made their rural modernity The original thoughts are extremely revolutionary; Liu Qing and Ouyang Shan's cooperative narratives describe the complexity of economic transformation issues and leadership issues in the process of rural revolution in a period of change; the writing of daily modern symbols in new life also reflects the diversity of the original thoughts of the villages in the liberated areas in the 1940s. The diversity and complexity of rural/revolutionary modern ideas in the literature of the liberated areas in the 1940s reflect the many possibilities of rural modernity.

Tao Yuanming neither has the grandeur and tragedy of Qu Yuan, nor the boldness and elegance of Li Bai, nor the majesty and majesty of Du Fu. With his hundreds of poems, how did Tao Yuanming win a lofty status on par with these three giants of poetry? Su Shi believed: "Cao, Liu, Bao, Xie, Li, and Du are all beyond comparison." Wang Guowei pointed out: "After Qu Zi, there are only literary heroes, especially Yuan Ming." Zhu Guangqian said: Tao Yuanming's "lofty status as a poet can be compared with him. Before him was Qu Yuan, and after him only Du Fu." Chen Yinke believed: "Tao Yuanming not only ranks among the top in literary quality in ancient and modern times, but also is actually the best poet in history. A great thinker in the medieval era of our country." Teacher Dai Jianye used his profound academic background, solid historical foundation, interesting writing style, and unique value orientation to discuss Tao Yuanming's literary achievements, personality, and spiritual world, restoring to readers a true and full Tao Yuanming - he was a clear spring in the turbulent current, and a real person in the era of "the rise of falsehood".

"Fifteen Lectures on Common Sense of Poetry, Ci, Music and Fu" provides a comprehensive and systematic introduction to the common sense of "Poem, Ci, Music and Fu". Organized into a book in the form of a special topic, it first discusses the "three elements" of rhyme and rhythm, and then discusses the style, rhythm and basic knowledge of writing of poetry, lyrics, music and poetry, providing an entry-level introduction to the appreciation and creation of classical poetry. For beginners who love classical poetry, "Fifteen Lectures on Common Sense of Poetry, Ci, Music and Fu" are targeted to solve problems such as difficulty in in-depth understanding and "doorway" due to insufficient understanding of the rhythm, form, expression methods, etc.; For readers who are keen on creating classical poetry, "Fifteen Lectures on Common Knowledge of Poetry, Composition and Fu" is an even better guide. Each topic in the book not only has a large number of examples, but also interesting exercises and reference materials. The content is very rich and practical.

This is my country's first monograph on the history of ancient Japanese literary theory written in Chinese. It covers the period from AD 721 to 1945 and is divided into three stages: ancient medieval times, modern times, and modern times. Each stage is divided into categories according to its order, focusing on the sorting, evaluation, and translation of representative Japanese literary theory writers and works of literary theory in each period. This book is intended to be used for teaching graduate students majoring in Comparative Literature and World Literature, which is part of the Chinese Language and Literature discipline. Therefore, the discussion is intended to be concise, not complex, and concise.

Hayden White is a famous contemporary historical philosopher, literary critic, and cultural historian in the United States. He is one of the representatives of New Historicism. His theory of historical poetics advocates the poetic construction of history and breaks the disciplinary boundaries between history and literature. He has attracted much attention from domestic and foreign academic circles. Based on sorting out and analyzing the main content and academic context of Hayden White's theory of historical poetics, this book combines the texts of American sinologist Shi Jingqian and the case of the Nazi Holocaust to analyze White's historical textualism and historical relativism from the perspective of debate, and then discusses White's theoretical contributions, hoping to promote the current research on Hayden White and promote the proliferation of his ideas.

Metaphor involves all levels of literary activities. Based on the relationship between metaphor and literary thinking, language operation, discourse form, and work meaning, this book conducts an in-depth analysis of several issues such as metaphor and literary thinking, metaphor and rhetoric, metaphor and work structure, metaphor and meaning, metaphor and discourse, metaphor and style.

The narrative ethics used in this book mainly include two aspects: first, an ethical value concept reflected by the narrator in the description of environment, characterization of characters, arrangement of plot structure, choice of rhetorical techniques, etc.; Second, an ethical appeal shown behind the motivation of the writer as to why he writes this way. On the basis of close reading of the text, combined with theoretical dialectical thinking, it mainly examines the narrative ethics concepts reflected by the authors of cooperative novels when dealing with the relationship between "what to write", "how to write" and "why to write like this". Therefore, the narrative ethics of cooperative novels are thought and analyzed from four aspects: First, starting from the creation of character images , observe the ethical implications behind the author's typical method of character creation; second, analyze the ethical implications reflected in the linear plot structure of the seventeen-year cooperative novel; third, explore the ethical implications of the description of time and space in the seventeen-year cooperative novel; fourth, focus on the ethical values expressed by the narrator's adoption of different rhetorical arts and techniques.

The interpretation of literary texts can start from the text itself or from factors outside the text. This is what the American literary theorist Wellek calls "internal research" and "external research." This book uses both the internal and external perspectives of the text to examine the poetic works and spiritual worlds of Zhuangzi, Zuo Si, Bao Zhao, Tao Yuanming, Xie Lingyun, and Li Bai, and discusses in depth the literary significance of Zhengshi argumentative essays, Yuanjia seven-character ancient poetry, and modern new poetry.

"Research on the Categories of Ancient Chinese Literary Theory Surviving in Modern Literary Theory" is a cutting-edge new topic proposed by the author in recent years. Based on literature survey and data analysis, this book places the phenomenon of "survival" in the complex and ever-changing historical and cultural context of the 20th century from the perspectives of ancient Chinese literary theory, modern Chinese literary theory and foreign literary theory, conducts macro analysis and micro perspective, and proposes new concepts and perspectives such as "survival", "hidden inheritance", "traditional regeneration mechanism" and "four levels of discourse", forming an original "survival theory".