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The text in this book is divided into: a collated version of "History of Mysteries", a collection of research articles on "History of Mysteries", a collection of Qian Nanyang's essays on mystery and appendices. The "Mysterious History" included in this book is based on the 1986 re-edition, with reference to various previous proofreadings and unpublished proofreadings, and a comprehensive and detailed proofreading. Although I cannot say that it is perfect, it can be said to be the most complete version so far. A collection of research articles covering all aspects of "Mysterious History" both inside and outside the book.

This book is a refined edition compiled by Wang Wenru, a recent scholar, based on the commentaries on ancient prose compiled by Wu Chucai and Wu Tiaohou during the Kangxi period of the Qing Dynasty. This book is completely different from the currently popular ancient texts, which are mainly translations and annotations, or supplemented by simple explanations. The focus is to reveal the main purpose of each article or explain the artistic features in the form of eyebrow criticism, analyze the subtle meaning of the article paragraph by paragraph in the form of comments and comments, sort out the structure of the article, and explain difficult words in the article. There is also a biography of the author at the front of the book for reading reference. It is a commentary that explains profound things in simple terms and has unique characteristics.

This book is Li Qingxi's reading experience of Chinese classical novels in recent years, focusing on "Romance of the Three Kingdoms", "Water Margin", "Journey to the West" and "The Scholars". Some of these articles were published in "Dushu" and some in "Book City". They are all fluent, fresh and readable words. The method is to start with a certain character or event in a classical novel, compare it with multiple historical versions, and read out the gaps and subtleties in it. If history is understood as the common memory of a nation, then classic classical romance novels are undoubtedly better than orthodox history books in terms of narrating history and being deeply rooted in people's hearts. "Lao Du Three Kingdoms" can be regarded as an interpretation of the spiritual world of the Chinese people from a modern perspective, combined with historical books, novels and other materials.

This book contains thirteen papers I have written in recent years. The study of Lu Xun has a history of a hundred years, and there are countless commentators and numerous writings. However, when it comes to evaluating Lu Xun, everyone has different views on benevolence and wisdom, and everyone has different opinions. A wise man writes a great work early, but the author has little talent and little knowledge, and can only recognize the small details. The collection of essays is compiled with a difficult proposition. Lu Xun received many titles during his lifetime, including writer, revolutionist, thinker, warrior, flag-bearer, saint, national soul, etc. If you put one of them in the title of a book, it is enough to shock your eyes and ears.

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This book collects a total of more than 2,900 catalogs of translated novels published in newspapers, periodicals and single volumes in my country from 1840 to 1919. It is currently the most comprehensive catalog of translated novels of this period in China. The main contents of this book include the title of each novel and part of the original title, the author, translator and some translators' introduction, the publication and year of publication, the publishing house and year of publication, novel type annotation and other information. It can provide researchers and enthusiasts in this field with basic research materials and a roadmap for studying Chinese translated novels in the late Qing Dynasty and the early Republic of China.

This book mainly describes the story between Yunxiang, Cao Xueqin and Bai Jiatuan. Prince Yi Yunxiang came to Baijiatuan for flood control; it is said that Cao Xueqin lived alone in Baijiatuan in his later years. The author, as a Baijiatuan native, describes the story in more detail to help readers comprehensively and objectively understand this period of history.

This manuscript is a research work on modern and contemporary Chinese writers and works. The manuscript cuts into the study of modern and contemporary Chinese literature from the perspective of cultural narrative, and explores the author's attitudes and social phenomena behind literature. Out of interest in writers' cultural choices and narrative strategies, the author selected Shen Congwen, Qian Zhongshu, Wang Zengqi, Liang Xiaosheng, Chi Zijian, and the Shaanxi writers group as my objects of observation. Through the cultural and narrative perspectives, I interpret the writers and their works, highlight the rich cultural connotation and aesthetic expression of their works, study the narrative strategies of their works, and explore their attitudes towards Chinese and Western culture, old and new culture, rural urban culture, elite popular culture, etc.

Hayao Kawai, the spiritual mentor who guided Haruki Murakami's creations, interprets the top ten classics of fantasy literature to help you solve various problems encountered in reality. Every fantasy literary work contains the power to help you change reality. "Reading Fantasy Literature" interprets fantasy literature masterpieces including "A Doll's House", "The Borrower" and "Legends of Earthsea" in vivid and simple language, bringing people positive energy to change real life.

"Human Words" is a literary criticism work written by Wang Guowei. This work is a commentary on old Chinese literature from a new perspective after the author accepted the baptism of Western aesthetic ideas. On the surface, "Human Words" has no significant difference from the style and format of Chinese traditional poetry and poetry works. In fact, it has begun to form a theoretical system and can be regarded as one of the few works among old poetry treatises. In the field of modern word theory, many people regard it as a guideline, which has far-reaching influence. This book is also well-known to today's public readers and is a literary theory work suitable as a popular reading.

Another classic masterpiece of Harold Bloom's literary criticism collection. This book takes the novelist's life time as the main clue, starting with Cervantes in the 16th century, and provides a detailed interpretation of more than 80 outstanding novelists and their works in the past five hundred years. The lives of novelists have influenced their works, and their works are a true reflection of each novelist's thoughts. With his unique vision and taste, Bloom shows readers a world belonging to novelists. This book evaluates nearly eighty influential novelists and more than one hundred novels. From Cervantes in the 16th century to Chinese American female writers in the late 20th century, the styles are diverse and reflect the changes in the art of fiction over the past four hundred years. With the taste and unique vision of an experienced reader, Professor Bloom leads us into the colorful worlds written by novelists, comments on their artistic value, analyzes the influences of each writer and the origin of the genre, and leads the reading experience to a deeper level.

This book is an appreciation of the art of novels written by the British novelist and literary theorist David Lodge. It provides general readers with a way to appreciate the art of novels. It can also be used as an introduction to academic theory and a guide to writing techniques. This book is divided into fifty chapters, giving an in-depth and simple explanation of the art of fiction from fifty aspects. Each article quotes one or two novel fragments, and based on a close reading and analysis of the text, demonstrates all aspects of novel techniques, including the opening remarks in traditional novels, delicate characterization techniques, and the unique theories of stream of consciousness and metafiction in modern and post-modern novels. Most of the chapters in the book have been published as columns in the Sunday Independent and the Washington Post. The content covers a wide range of topics, including almost every major classical and modern writer in the history of English fiction, such as Fielding, Thackeray, Austen, Henry James, Joyce, Hemingway, Beckett, Milan Kundera, etc. The writing is both easy to understand and professional and accurate, and can be used as a textbook and reference book for novel learning and writing. The author's humorous and interesting writing style also makes it suitable for the tastes of public readers. When "The Art of Fiction" was published in the 1990s, it was on the British non-fiction bestseller list. The Financial Times commented: "It is the most outstanding novel study for the general public since Forster's "Aspects of the Novel"."

"A Brief Introduction to the Realm of Ci" is the representative work of Yu Biyun, the grandson of Yu Yue, the master of Pu Xue, the father of Yu Pingbo, the master of Hong Xue, and a master of modern poetry. The book not only explains the selected words from the aspects of melody, rhythm, word context, etc., But also touches on historical sites and expresses feelings for the poets, elucidating the subtleties and nuances with a very poetic writing style, "explaining its meaning and smoothing out its interest".

Those who "invent the ordinary" are to set examples to illustrate the step-by-step process of literary appreciation. This book is different from traditional poems, poems, etc. It expounds the author's "family views" on the basis of absorbing what the predecessors have said. Therefore, this is a unique book for classical literature appreciation. Yu Duanzhi, Mingcheng and others have uniquely elaborated on the spirit of establishing oneself and serving oneself. "Rhetoric establishes sincerity" is not only the foundation of being a human being, but also the forerunner of learning literature. He points out that literary appreciation begins with the taming of one's own personality.

The manuscript of this book is based on the audio transcript of the author's speech reading Lu Xun's "Wild Grass" at the "Tongdao Reading Club" and Lu Xun's essays at Liren University, and supplemented with Lu Xun's works that were carefully read or introduced in detail in the Chinese text of the speech. Based on the contents of "Wild Grass" and Lu Xun's essays, the author of the book explains it in simple terms and combines it with the times at that time. He tells us that when reading a book, we need to know people and the world in order to better understand a book. At the same time, he also points out the significance of re-reading this classic today.

"Appreciation of Beautiful Writings of the Yan'an Period" mainly selects exquisite short essays by famous writers of the Yan'an Period. From different levels and angles, it deeply analyzes the life and growth of the writers, the themes and ideas expressed in their works, the humanistic insights embodied in the works, and the wisdom enlightenment the works have on people's reading and appreciation today. It helps people understand and evaluate the works of writers in the Yan'an Period objectively and historically. Through all-round appreciation, it provides useful reference and help for further improving readers' humanistic qualities and improving their appreciation level.

"A Brief Introduction to Poetry" was specially compiled and selected by Yu Biyun, the grandson of Yu Yue, the master of Pu Xue, the father of Yu Pingbo, the master of red learning, and Yu Biyun, a flower explorer in the Guangxu Dynasty, for his grandchildren who wanted to learn poetry. The whole book shows the broad realm of poetry. It can not only be used as a method for learning poetry, but also a book for appreciating the beauty of poetry.

"A Brief History of Chinese Thought" is a treatise on the history of Chinese philosophical thought written by Japanese philosopher Yoshio Takeuchi. "A Brief History of Chinese Thought" provides a detailed introduction and analysis of the history of Chinese philosophy from the Yin and Zhou dynasties to the Ming and Qing dynasties in chronological order. In addition to Confucianism and Neo-Confucianism of the Song and Ming dynasties, which are generally emphasized in works on the history of Chinese philosophy, this book has an incisive discussion of schools of thought that were previously ignored by the mainstream, such as the Jixia School and the Classics of the Two Han Dynasties. Using "schools" as the branches to sort out the history of Chinese philosophy, the reasoning is clear and easy for readers to grasp. He has unique insights into the stages and evolution of the history of Chinese philosophy.

Poetry can extend the road to any place in the world, including the universe and the soul; any road in the world will eventually lead to poetry, even if this road is completely different from poetry at the beginning. Regarding poetry, people's aesthetic standards are not static. Old anthologies of Tang poetry may not be suitable for the current era. "Three Hundred Tang Poems" was an elementary school reading book in the Qing Dynasty, and "Selected Tang Poems" was an anthology decades ago, with the unique imprint of the times. This book "The Aestheticism of Tang Poetry" selects some poems with aestheticistic tendencies in style, which are the most beautiful works in Tang poetry.

This book reinterprets four classic works: "Water Margin", "Romance of the Three Kingdoms", "Journey to the West" and "The Scholars". Through a deep understanding of the original work, readers can more truly see the rich emotional connotations behind each familiar classic character, as well as the unknown inner world of the hero. This book serves as a reading guide for classical masterpieces. Through text annotations, readers can directly turn to the original works for comparison and reading. The author uses his humorous interpretation to restore a real hero to readers.

This is a book about the secular world. The writing is vulgar, so many parts cannot be taken seriously. It cannot be taken seriously, which does not mean that the stories and opinions in the book are untrue, but that every small world is always very different in the eyes of everyone. One person has such an experience and has such feelings and emotions at one time and one place, but others may not understand it. Not long ago, I fed a stray cat and was bitten by it. Some people say, never risk your own life to sympathize with animals that have a harder life. I knew from this that I was not compatible with him. How can you give up what you love just because you have to pay a price? Is there such a thing as getting thousands of benefits without having to endure a little grievance? All the tackiness in the world is ultimately due to lack of courage.

"Lecture Notes on New Poetry" is the lecture notes of the "Modern Literature and Art" class given by Fei Ming when he was teaching at Peking University before the Anti-Japanese War. There is a mimeographed version, titled "Lecture Notes on New Poetry", which was later provided by Huang Yu for printing and titled "Talk about New Poetry". Including the appreciation of "Try Collection", "Raising Whip Collection", and modern new poems by Bing Xin, Guo Moruo, Shen Yinmo and others. To talk about modern literature and art, we should start with new poetry. The first is the glorious "Anthology". That is to say, when examining new literary and artistic creation itself, we do not focus on how the new literary movement started. Fei Ming's poems tend to be prose-oriented, and they are often written in a spontaneous manner, flowing freely, moving as they should, and stopping as they should. At the same time, Feiming's works are related to his Zen thoughts. Works from different periods show different style characteristics, which is also influenced by the transformation of Zen thoughts.

"Talking to Youth about Lu Xun" is an article in which the author talks about Lu Xun to young people, starting from Lu Xun's boyhood, Lu Xun in Japan, the Revolution of 1911 and Lu Xun, Lu Xun's first novel, analysis of "The True Story of Ah Q", how Lu Xun writes miscellaneous thoughts, Lu Xun's essays, Lu Xun and the tradition of realism, Lu Xun's contribution to literary form and literary language, Lu Xun's artistic characteristics, and how Lu Xun treats cultural heritage and national mentality. In his youth, Lu Xun was greatly influenced by Yan Fu's translation of "The Theory of Heavenly Evolution". His articles such as "Diary of a Madman" and "The True Story of Ah Q" had a great influence on all progressive intellectuals at that time. They really made everyone feel that China had been ruled by feudalism for too long and that feudal morality was a cannibal and must be overthrown. About the author: Fei Ming (1901-1967), formerly known as Feng Wenbing, was one of the most influential writers in the history of Chinese literature in the 20th century. He studied under Zhou Zuoren and was a member of the Yusi Society. He is regarded as the originator of "Beijing School Literature" in the history of literature. Fei Ming's novels are famous for their "prose culture", which combines Six Dynasties prose, Tang poetry, Song poetry, and modernist concepts. They have both plain and simple beauty as well as spicy and strange beauty. "The Story of the Bamboo Forest" is his first collection of novels. The novels include "The Biography of Mr. Mo Xuyou", "The Bridge", and "After Mr. Mo Xuyou Takes the Plane" (both "The Bridge" and "After Mr. Mo Xuyou Takes the Plane" are unfinished), as well as short stories, essays, and poems.

"On "The True Story of Ah Q"" is the author Fei Ming's analysis and research of Lu Xun's work "The True Story of Ah Q". Starting from Lu Xun's thoughts, he analyzed Ah Q as a social person and a typical novel one by one. Engels said: "Realism means that in addition to the truth of the details, it must also correctly show the typical character in a typical environment." The character of Ah Q is typical because Ah Q is in a typical environment. The author draws out the characteristics of the times reflected in "The True Story of Ah Q" and Lu Xun's attitude towards the Revolution of 1911. And the important question is the typical environment. The choice of a typical environment depends on the writer's worldview, from which Lu Xun's worldview and creative skills can be derived.

"On Du Fu" is a study of Du Fu's personality, including the poet's life and thoughts. The poet Du Fu is an extremely great figure in China. The main reason is that he is close to the people. His life and his thoughts and feelings expressed in his poems are intertwined with the people's lives and people's thoughts and feelings. Du Fu said: "Articles are about things through the ages, and you know the gains and losses carefully." He worked so hard at that time. As readers through the ages, we can completely feel his amazing pen. It is a joy to read his poems, and we can also infer how he worked hard. The value of Du Fu and the achievements of Du Fu's poetry can be said to be universally recognized in the history of Chinese literature, from ancient times to the present. Du Fu inherited and developed the fine tradition of our country's folk literature.

The content in the book was originally published in the "Journal of Humanities and Sciences" of Northeast Renmin University in 1956. There are three articles in total. Fei Ming removed it, reordered and bound it, and changed the name to "Du Fu's Poems". The serial number was from "two" to "eight" without "one", and the text was slightly changed in the meantime. The significance of Du Fu's poems in the history of Chinese literature is analyzed through the "Five Hundred Words of Ode to Fengxian from Beijing", "leaving the fortress before", "leaving the fortress behind", three "officials" and three "farewell", Du Fu's regular poems and his lyrical poems, the poems he wrote when he was in Qinzhou, and the changes in the poems he wrote when he entered Shu and Kuizhou. Du Fu said that when he wrote poems, he would never stop writing poems if his words were not surprising. "If words are not surprising, we will die" is not only a question of "words", but also includes a question of thoughts and feelings expressed by "words". The first thing is to have full thoughts and feelings. If an author wants to convey his thoughts and feelings to others, he must have a skilled pen, otherwise he cannot express them better. This is true of all masterpieces, both ancient and modern, both at home and abroad. Du Fu is one of the most diligent people, so his achievements are remarkable.

"Pursuit and Discovery - Research on Family Narratives in the New Century", as a literary researcher, demonstrates from the perspective of family narratives, takes family literature as the basic object of investigation, pays attention to the changes in family images in literary creation since the reform and opening up, and the derived ruptures and transformations of characters, plot structures and themes, as well as the exploration and thinking of current family life writing.

Wu Xinghua has translated the works of many famous foreign poets, such as Byron's poems, Keats's poems, Ye Zhi's poems, as well as some unpublished chapters of Dante's Divine Comedy. It may also be influenced by Western poetry. His own poetry has a deep connection with old poetry and Western poetry in terms of artistic conception and text. It is an organic fusion between Chinese classical and Western modernity. This translation includes articles such as "Destiny", "Picking Up Things", "Prayers in Crisis Times (Selected Translation)", "Anecdotes of Leonardo da Vinci", "Selected Books of Franklin's Prose", "Crisis" and "A Week in the City". Through the contents of this book, we can interpret Wu Xinghua's profound implications from the side.

Wu Xinghua has translated the works of many famous foreign poets, such as Byron's poems, Keats's poems, Ye Zhi's poems, as well as some unpublished chapters of Dante's Divine Comedy. It may also be influenced by Western poetry. His own poetry has a deep connection with old poetry and Western poetry in terms of artistic conception and text. It is an organic fusion between Chinese classical and Western modernity. This translation includes articles such as "Destiny", "Picking Up Things", "Prayers in Crisis Times (Selected Translation)", "Anecdotes of Leonardo da Vinci", "Selected Books of Franklin's Prose", "Crisis" and "A Week in the City". Through the contents of this book, we can interpret Wu Xinghua's profound implications from the side.

"Lecture Notes on New Folk Songs" is Fei Ming's interpretation and understanding of "New Folk Songs" and is an important part of Fei Ming's poetry criticism after the founding of the People's Republic of China. This lecture continues the consistent style of Fei Ming's poetry criticism - discussing ancient and modern times and paying attention to emotions. It is very personal in a specific historical context and also reflects on the creative thinking and creative methods at that time. In this lecture, Fei Ming is willing to compare classical poetry with new folk songs, so as to explain and comment on new folk songs through mutual interpretation. The poets in classical poetry mentioned most often include Tao Yuanming, Xie Lingyun, Li Shangyin, Wang Wei, Du Fu, etc., Which also shows that Fei Ming is very familiar with and loves pastoral poetry and late Tang poetry.

The author of "The Collection of Iron Sales" is a bibliophile and scholar, and has read countless books for decades. It collects some fragments of the author's thoughts after daily reading, comments from confidants, book reviews and recommendations, etc. Both inside and outside the text, you can see the sparks of the author's collision with books and social thoughts. The exquisite words contain elements of wisdom, and some of the author's new observational horizons can also be seen. The writing style is simple but melancholy, and the content is comprehensive and comprehensive. Everything inside and outside the book, things and people can be understood through words. With a volume in hand, your eyes and mind will be filled with joy, and you will be happy with your faith.

"One Hundred and One Chapters of Poetry" is a commentary on the theoretical monographs on ancient Chinese poetry. Readers can learn about the methods of creating and appreciating Chinese classical poetry from the book.

This book systematically analyzes and organizes the various interpretations of "Zhixue" by famous scholars in the past dynasties, and integrates the connotation of "Zhi" with the living environment of modern society, so that readers can better grasp the direction of life, be determined, not impatient, not eager for success, and have a stable and calm heart in a world full of temptations. Whether you are a politician, a business person, a student, or even a parent, you can gain some insights from this book.

There are those who express their ambitions, and there are those who express their emotions. Those who talk about the charm, those who talk about the realm. There are those who are rigid in rhyme and those who are muddy. It is difficult to argue with one another, and it is difficult to adjust one's nature. Therefore, disputes have been going on for a long time. However, what is ambition? How can one become a poem without ruthlessness? Where is God and where is the realm? If you don't get it by chance, you will definitely use your heart as your guide! Only when there is a heart, like a source of living water, can we feel the emotions of things and express our own aspirations. Because of its true nature and sincere emotions, it can also be addicted to addiction and never get tired. Therefore, when he is sad, the clouds are indifferent and the world is dark. When he is happy, the sun is shining and the snow is white, and he is full of joy. Therefore, the emotions are attached, the weeping can be compared, and the analogy can be understood, so it is the person who can understand oneself and understand others.

Since its birth, "New Stories" has attracted the attention of many researchers. The book starts from the connection between "New Stories" and the spirit of Yue culture that people have ignored in the past, and selects five aspects such as pragmatism, innovation, revenge, and uprightness, and discusses it in five chapters. It describes the performance of this spirit in the history of ancient Yue, Lu Xun's own words, deeds, and works.

"Lin Shi Yixing" is an important collection of Sanqu in the Ming Dynasty, with a total of 10 volumes and 1,000 recorded songs. It is rich in content and bright in language. The author Xue Lundao, also known as Tan De (first known as Tan De) and named Lianxi layman, was a native of Dingxing (now Yixian County, Hebei Province), Zhili. It is difficult to confirm his life. According to the prefaces and postscripts attached to the Wanli version of "Lin Shi Yixing", "In the autumn of Wanli Gengyin (1590 AD), it was written by Hu Ruqin, a layman of Longchuan in Dingxing" and "In the summer of Wanli Wuzi (1588 AD), it was written by Wu Jing of Xin'an "On the Wanli Wuzi Mengxia Shanghuanri, Xue Lundao's autobiography" and "Wanli Gengyin Mid-Autumn Festival, Yongxing Yu Zhong met in the ancient Tan Qingping Pavilion" and other descriptions indicate that the collection was carved no later than 1590, when Xue Lundao was still alive.

Tencent Everyone columnist and best-selling author Yan Hong's new work: a unique interpretation of classic works, discovering the interesting things in the world between the words, identifying yourself while reading, and awakening yourself!

Zhang Yanjin is a professor and director of the Chinese Department of Capital Normal University, a doctoral supervisor, and the director of the Institute of Ancient Books Collation. The main content of this book is divided into three parts: a collection of opera theories, interpretations of famous operas by famous writers, and a review of novels, poems, lyrics, and music. The book has profound and unique insights into ancient Chinese literature, especially famous opera works such as "The Romance of the West Chamber". Most of the articles have been published in major newspapers and periodicals, making it a useful book to read.

This book is a cultural essay written by Wu Genyou, a professor at Wuhan University, after researching the life and works of Zheng Banqiao, a famous literati painter in the Qing Dynasty. The book is divided into nine chapters, which conduct in-depth and innovative research on Zheng Banqiao's life, poetry, calligraphy, painting, seal cutting, scholar's ideals and influence on later generations. It comprehensively displays Zheng Banqiao's ups and downs in his life, as well as his outstanding pursuit of literature and art. It reflects his inheritance and innovation of traditional Chinese scholar culture and scholar's character, and can provide useful reference for future generations to understand and study Zheng Banqiao.

This book contains 25 short stories by Mr. Wang Xiangfu, known as the "King of Contemporary Novels". The collected novels are mostly representative works of various periods and new works published for the first time. Among them, the representative works have won various awards, such as the Lu Xun Literature Award, the Hundred Flowers Award of "Novel Monthly" and other important domestic awards. These novels not only reflect the daily life and spiritual life of contemporary people, but also reveal their embarrassment and enterprising spirit, thus reflecting a kind of care and concern for "human nature". Coupled with the reviewer's accurate analysis, the book is even more intriguing to read.

This book is a cultural essay written by Chen Wenxin, a professor at Wuhan University, after studying the famous Qing Dynasty writer Wu Jingzi and his works. The book is divided into ten chapters, which conduct a comprehensive and in-depth study of Wu Jingzi's life, novels, literary theory, friendships, Confucian sentiments and influence on later generations. It shows Wu Jingzi's tortuous life experience and Confucian sentiments throughout his life. It also illustrates the profound impact of the unique style of his novels on later generations of literati and society. It can provide useful reference for future generations to understand and study Wu Jingzi.

"New Century Poetry Dictionary" is a poetry recommendation column on Weibo (WeChat) opened by the poet Yisha in 2011. It recommends and comments on an outstanding original contemporary poem every day. On this basis, it is compiled into a "New Century Poetry Dictionary" every year and is officially published. This is the sixth volume. Works are not selected based on posture, attitude, qualifications or seniority, but only based on the quality of the work as the only evaluation criterion. "New Century Poems" is a collective presentation of Chinese poetry since the new century. It records the voice of the times, shows the survival of Chinese people, and conveys the emotions of poets. Yisha's selection is not sectarian and has an all-inclusive atmosphere. His wonderful comments on each poem can also be seen as an overall observation and evaluation of China's current poetry scene.

The works include five masterpieces of Xu Chunqiao's novellas from different periods, different styles and different responses. The selected works have broad themes and rich narrative techniques, which are a demonstration of the comprehensive strength of Xu Chunqiao's novellas. The five novellas selected for this work are all headline works published by important domestic journals, and have been included in different selections and anthologies. "Secret Injury" won the first prize of Hong Kong's "Chan Weinan Literary Award", "The Wheat is Ripe" was the headline of "People's Literature", and was reprinted in "Chinese Literature Selected Magazine" and "Novel Monthly". Coupled with the reviewer's accurate analysis, the book is even more intriguing to read.

This book is an explanation of the narrative characteristics of the novels of the new era and the cultural meaning behind them. Some studies explain the connection between the novels of the new era and contemporary novels and even the new literature since the May Fourth Movement from the perspective of narratology, and diachronically analyze the historical origins and innovative characteristics of the narrative modes of novels of the new era. Some studies go deep into the in-depth interpretation of their poetic characteristics and cultural implications by sorting out the story prototypes and narrative modes of novels created by important writers.

This book is the representative work of the famous American music critic and writer Greer Marcus. It uses the famous American folk singer Bob Dylan as the entrance and the basement tapes of Dylan and his band in 1967 as the theme. It tells us a strange story of the old America. In addition to a detailed and in-depth analysis of the creation process and profound significance of the precious songs from the basement tapes of the famous American folk singer Bob Dylan and his band in 1967, this book is more interesting than the fact that through these in-depth analyses, readers can have a glimpse of Bob Dylan's ideological transformation process as an alternative cultural icon in the late 1960s, and how the ancient and strange United States experienced ups and downs in the undercurrent of that era. The author eliminates the boundaries between music, literature and social culture, and depicts the turbulent era of Dylan's life with sharp precision, which also reflects the era we live in.

This book is the first monograph to systematically study and comment on the creation of new poetry by Tujia people. The author has selected 27 case studies on the creation of new poetry by Tujia poets. It has rich information, in-depth thinking, and beautiful writing. At the same time, there are appendices of major events in contemporary Tujia poetry, archives of poetry collections published by Tujia poets, representative works of Tujia poets, etc.

This book combines traditional accumulation with modern discourse, and explains the process of literature from tradition to modernity from four aspects: mythological tradition as the source of new literature, diversified exploration of literary and artistic thought, localized discourse of literary history, and literature under new media forms.

American Jewish writers are good at examining their own existence or the nation's spatial living conditions from the perspective of gender, ethnicity, class, ethics, etc. That express spatial norms. They use their own spatial experience and the spatial changes of the Jewish nation to participate in the construction of the protagonist's spatial identity in the form of novel narratives, revealing the complexity and hardship of the Jewish protagonist's growth from individual to subject under alien space conditions. This book mainly uses Merleau-Ponty's body space theory, Lepevre's "Spatial Trinity" theory and Foucault's spatial power theory to explore the space generation process and generation mechanism of the Jewish protagonists in American Jewish Bildungsromans from individuals to subjects in the spatial relationship of American society.

"Selected Criticisms of European and American Literature: Ancient Times to the 18th Century" is an auxiliary textbook for comparative literature and world literature majors and foreign language and literature majors in colleges and universities. The selected articles are mainly reviews of the works of European and American classic writers. They are arranged in order of era, country and birth year of the writers, and are divided into three volumes. Volume 1 covers ancient times to the 18th century, Volume 2 covers the 19th century, and Volume 3 covers the 20th century. The focus of the whole book is to provide concrete and practical references for students to improve their literary criticism and research levels.

"Appreciation of Masterpieces" Essence Reader: Appreciation of Masterpieces of Foreign Novels is aimed at appreciating excellent Chinese and foreign literary works, cultivating the appreciation of literature and art, and improving humanistic literacy. It features the publication of classics by famous writers appreciating famous works. Selected chapters, more than 400 classic articles written by famous writers on the appreciation of Chinese and foreign literary masterpieces, are compiled into a book based on ancient and modern times, Chinese and foreign literature, and literary genres. They are divided into twelve volumes. The collected articles are selected from more than 20,000 articles. They are written by famous writers, have clear views, profound knowledge, vivid language, eclectic, strong reading and appreciation, and are worth collecting.