Library

Reading is the basis of writing. If you can't read, how can you write? "Kaiming Library: The Master's Reading Guidance Course (set of 3 volumes)" teaches you to discover the beauty of literature, appreciate the wonders of classics, and learn reading skills. The book collects the guidance methods of two Chinese language masters on how young people read and appreciate literary works. According to the quality of the content, the book collects famous works of many literary masters and details the advantages of good articles and their merits. According to categories, it selects explanatory and argumentative essays. Classics of various genres such as essays, lyrical essays, novels, and poems are used as examples to comprehensively explain the issues and methods that should be paid attention to in the reading process. According to viewpoints, starting from why to read, how to read well, and what is difficult about reading, etc., The importance of efficient reading is explained.

"Kaiming Wenku: Master's Writing Method Courses (set of 6 volumes in total)" collects a summary of the writing experience and techniques of many Chinese language masters. Starting from "What is composition" to "Composition correction", it analyzes the word "composition" to the extreme. The book not only introduces a variety of The genre of the article also explains the writing methods corresponding to various types of composition. Through the demonstration reading of classic works, combined with the common problems and disadvantages of general writing, it discusses that writing must not only have skills, but also the profound meaning of the article, aiming to truly improve readers' writing skills. The language of the full text is friendly, the principles are plain, and it is easy to understand. If you think deeply, you can appreciate the professionalism and rigor in it, so that both teachers and scholars can benefit from it.

From school to work, writing is a necessary step. How to write articles smoothly and vividly is a problem that everyone will encounter. Reading is not difficult, but truly understanding a book is difficult. When you can understand what each book is talking about and why it is said, writing will be as easy as a cook explaining a cow. "Kaiming Library: Masters' Writing Methods and Reading Tips (set of 10 volumes in total)" collects the writing skills and reading tips of many Chinese language masters. Starting from improving reading skills and developing reading habits, it uses easy-to-understand and non-boring language to teach us step by step how to start with reading, improve our literary literacy, and cultivate our writing ability and appreciation level. Once you understand the material and theme of writing, know how to write, how to revise, and how to judge the quality of an article, you will naturally start writing as if you are inspired, and you will no longer have to worry about writing.

This book analyzes the stylistic characteristics of documentary novels from the perspective of the form of documentary novels in the contemporary cultural market, the resource background for the contemporary prosperity of documentary novels, creation theory, and stylistic theory. The book gives innovative meanings to concepts such as "documentary fiction", "real culture", "ability", "prototype" and "truth", analyzes the impact of real culture, infringement cases, social events, etc. On documentary creation, and discusses the differences between documentary novels, non-fiction novels, and reports. The similarities and differences between literature, documentary prose and other literary forms, as well as the artistic purpose of documentary novels to "record true events" and "be true to reality", "deeply describe" the characteristics of the times and stylistic attributes of documentary novels from a comparative perspective, and look forward to the future of documentary novels.

Shen Deqian took it as his own duty to revitalize the "gentle and honest" Confucian poetry and compiled "Collection of Tang Poems". This collection became a standard in the poetry world during the middle period of Qianlong's reign, embodying Shen's personal and official poetic teaching spirit and poetic thoughts, and leading the mainstream direction of poetry circles. This book aims to explore the core concepts, operating methods, main features, and gains and losses of the selection of poems compiled by Shen Deqian from multiple angles and levels under the profound and broad poetic background of the late Ming Dynasty to the mid-Qing Dynasty, and thereby gain perspective on his poetic outlook. Liang Lin, the author of this book, is mainly engaged in literary research and creation. He has published many papers, such as: "Exploring the Religion of Life from the Character Endings", "Analysis of the Operational Strategy of Monologues", "Analysis of Adaptation Strategies" (ISTP), "Looking at the Love Tragedy of Karen and Dennis" (ISTP), "Friendship Makes a Great Life" (ISTP), "The Madness of Theory" (ISTP), the novel "Frost Sky and Twilight Rain", etc.

This book selects five Huayan Zen works from the Blackwater City Special Collection of the Institute of Oriental Literature of the Russian Academy of Sciences for interpretation. The original Xixia texts based on the interpretation are photos taken by Jiang Weisong and Yan Keqin in St. Petersburg in 2000 according to the cooperation agreement between China and Russia. The interpretation of each document in this book is divided into three parts: interpretation, translation and annotation. All parts of the Xixia original text are punctuated and divided into paragraphs. The interpretation uses Xixia recorded text, onomatopoeia, Chinese translation and four-line comparison of the translated text.

This book is a monograph that studies the reception of Chu Ci works by writers in the Tang Dynasty. The author draws on the theoretical methods of reception aesthetics, focusing on the works of specific writers in the history of literary development in the Tang Dynasty, as well as the poetic criticism literature on Chu Ci works and Tang Dynasty literature in the past, and makes a relatively systematic and comprehensive study of the reception history of Chu Ci works in the Tang Dynasty.

This book summarizes the academic achievements of the Qing Dynasty, especially the academic achievements of the Qianjia School, as well as its academic experience and methods. The book has a total of sixteen lectures, including: reaction and pioneer, the aftermath of Yangming School and its revision - Huanglizhou, the remaining records of the waves of learning in the early Qing Dynasty, etc.

This book is a work on literary theory written by Mr. Zhu Ziqing. It consists of two parts: "Classics and Common Conversations" and "Literary and Art Conversations". The contents include: "Shuowen Jiezi", "Book of Changes", "Shangshu", "Zhuzi", "Ci Fu", "What is Literature", "Understanding and Appreciation", "Interpretation of Poetry", etc.

This book discusses pre-Qin academics, firstly taking a bird's-eye view of the origins and interrelationships of various pre-Qin schools, and secondly analyzing Taoism, Confucianism, Legalism, Ming, Mohism, Yin and Yang, Zongheng, military, agriculture, mathematics, alchemy, novels, and miscellaneous schools. This in-depth and simple explanation enables readers to not only have a comprehensive understanding of pre-Qin scholarship, but also to examine the contents of important works of each school under its guidance. The author's discussion is plain and simple, with a unique perspective. Many of his conclusions have been proven by subsequent archaeological results, and it can be regarded as an important guide to understanding pre-Qin scholarship.

This book is divided into four parts: the first part is the study of the Southern Song Dynasty Shushengben and the Jianghu School, involving the research on the life stories of Jianghu poets such as Chen Qi, and the study of the basic literature of the Jianghu School such as the Shushengben and Tang Dynasty Collection; the second part is the compilation of the literary documents of the Yuan Dynasty. Based on the bibliographic survey of the Yuan dynasty editions in public collections at home and abroad, the focus is on describing the Yuan dynasty editions currently stored in the National Library and the Peking University Library, and compiling the collections of Yuan dynasty and Yang Hewen collected in "Quan Yuan Wen"; Part Three It is a textual research on the literary documents of the Yuan Dynasty. It uses the form of individual cases to identify the forgeries of "Du Lu Yu Zhu", a pseudo collection of Yu's works, a pseudo "Zhengsi Zhai Collected Works" of Xia You, and a seven-character quatrain of "Hundred Odes of Plum Blossoms", a pseudo interpretation of the Ming Dynasty. It also examines Han Bi's "Yunqiao Poetry Manuscript". "" And other rare Yuan people's collection editions; the fourth part is the study of the reception of Yuan poetry, including the literary exchange between Japan's Gozan period and the Yuan Dynasty, the reception of Yuan poetry between the Jin'an School of Poetry and the late Ming and early Qing Dynasties, and the reception of Yuan poetry between the French style and the Qianjia period.

Humor is diverse. It is not only presented on the stage of drama, but also on the broader stage of life. Humor plays out in an endless variety of situations. So are you still confused about why you always get cold feet when telling jokes and always tell inappropriate jokes? In what situation is it appropriate to tell a joke? How can I have a sense of humor? From the ancient Greek comedy master Aristophanes to the Renaissance representative Shakespeare, from the silent film king Chaplin to the famous contemporary film director Woody Allen, from "reversal" to "rhythm" to "association"... The author of this book summarizes 6 humor routines through research on 68 comedy works and 52 comedy writers to answer your questions about humor, help you quickly master the routines of humor, and become a person with a sense of humor!

"The Disappearance of "Aura": The Evolution of Contemporary Literary Narrative Aesthetics", literature full of "aura" is disappearing, which not only refers to the disappearance of nostalgia, earth and related charm in literature, but also refers to the gradual loss of the soul's sensitivity to this "landscape". This is a change in the worldview of an era, and many hidden shields are revealed, allowing us to see the complex, noisy, and symbiotic contemporary reality. With the help of Benjamin's "aura" theory, the author makes an in-depth review of contemporary Chinese literature from different perspectives such as family novels, female identity, and local literature. The contemporary classic writers involved include Wang Shuo, Bi Feiyu, Wang Anyi, Lin Bai, etc.

This book is dedicated to helping students accumulate literary knowledge, enhance literary perception, enhance literary interest, and improve literary literacy. In addition to the traditional poetry, prose, and drama collection materials, we have taken a unique approach and compiled three-character songs, four-character prose, idiom songs, antiphon songs, selected couplets, folk songs, selected readings of works by hundreds of scholars, selected readings of traditional poetry, selected readings of Chinese and foreign modern poems, etc., And arranged them by week to facilitate students to arrange their studies reasonably.

The "Lecture Notes on World Literature by Professors of Tokyo University (set of 5 volumes)" series of books is a must-read for undergraduate and graduate students majoring in literary theory at Tokyo University, and is also a basic reading book for students majoring in literature at Tokyo University. This volume includes dialogues between contemporary American writer Libby Hero, Harvard University scholar Robert Campbell, Japanese Akutagawa Prize winner Keiichiro Hirano, Japanese literature expert Yuyuki Iino, and Japan's leading researcher on Russian literature, Kameyama Ikuo. The topic revolves around the variation of traditional Japanese literature, modern literature and the essential characteristics of Japanese literature, touching on the cosmopolitan nature of Natsume Soseki's creations, the Westernization and return of Murakami Haruki's works to Japan, the essential meaning of Japanese poetry, the influence of Russian literature in Japan, etc. In addition, it also provides answers to questions such as how Japanese literature has entered the modern era.

"Lecture Notes on World Literature by Professor at Tokyo University 1" is the first volume in the series of "Lecture Notes on World Literature by Professor at Tokyo University". This book is a lecture note on world literature by Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume includes dialogues between contemporary American writer Libby Hero, Harvard University scholar Robert Campbell, Japanese Akutagawa Prize winner Keiichiro Hirano, Japanese literature expert Yuyuki Iino, and Japan's leading researcher on Russian literature, Kameyama Ikuo.

"Tokyo University Professor's Lecture Notes on World Literature 2" is the second volume in the "Tokyo University Professor's Lecture Note on World Literature" series. This book is the world literature course handout of Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume includes dialogues between Ikuo Kameyama, Japan's leading researcher on Russian literature, Nozaki Hiroshi, an expert on Japanese literature, Risa Hataya, a Naoki Award-winning writer, Yang Yi, a Chinese writer active in the Japanese literary world, and Yoko Tawada, a Japanese writer active in the German literary world.

"Tokyo University Professor's Lecture Notes on World Literature 4" is the fourth volume in the "Tokyo University Professor's Lecture Note on World Literature" series. This book is the world literature course handout of Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume contains dialogues between Japanese Akutagawa Prize winners Ogawa Yoko and Ikezawa Natsuki, famous Japanese translator Minami Aoyama, famous Japanese translator Sachiko Kishimoto, and American literature researcher Michael Emmerich. The topics revolve around Japanese children's picture books, complete works of Japanese literature, and modern American novels.

"Tokyo University Professor's Lecture Notes on World Literature 3" is the third volume in the "Tokyo University Professor's Lecture Note on World Literature" series. This book is the world literature course handout of Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume contains dialogues between the popular Japanese writer Kaga Otohiko, the famous Japanese poet Shuntaro Tanigawa, the Japanese Kawabata Yasunari Prize-winning writer Noboru Tsujihara, the well-known Chinese poet Tahara living in Japan, and the popular American writer Roger Pfeiffer.

"Tokyo University Professor's Lecture Notes on World Literature 5" is the fourth volume in the "Tokyo University Professor's Lecture Note on World Literature" series. This book is the world literature course handout of Mitsuki Numano, a professor of literature at the University of Tokyo and a famous Japanese literary critic. The content consists of a literary dialogue between the author Mitsuki Numano and 23 well-known contemporary writers and scholars (from Japan, the United States, China, Poland, Bulgaria and other countries). This series of books is required reading for undergraduates and graduate students majoring in literary theory at the University of Tokyo, and is also a basic reading for students majoring in literature at the University of Tokyo. This volume contains dialogues between popular Japanese writers Kawakami Hiromi and Ono Masatsugu, Bulgarian writer Tsvetana, Ukrainian translator Uyacheslavi, and Czech translator Elusi Pieta. The topic revolves around the two themes of "From the World to Japan" and "From Japan to the World", exploring how to introduce Japanese literature to countries around the world, and how to read literature from different countries in the world.

This book is divided into five chapters, including: comparative literature and macro-comparative literature, looking at the characteristics of Chinese literature from macro-comparative literature, looking at the characteristics of literature in various countries from macro-comparative literature, and looking at the regional and global nature of literature from macro-comparative literature.

There are many issues worthy of discussion in the forty years of new era literature. "I" and the writers and critics of my generation are not only the "parties" to the forty years of literature in the new era, but also its "creators". Analyzing and screening the memories of the parties concerned is also an important topic in the study of literary history. When conducting literary analysis, the author focuses on the "superposition of memory and literature". He not only respects the historical memories of the parties involved in literary history, but also seriously distinguishes and analyzes these memories, clearly distinguishing which ones are subjective reconstructions of literary trends and slogans, and which ones are related to personal destiny, and re-understand the laws and limitations of literary development in several seemingly different memories.

This book is the result of the author's years of accumulation in the field of Chinese and foreign literary relations. The topics span many fields: how the French philosopher Bergson was borrowed or even misappropriated in the debate on science and metaphysics, the modern Western elements in Wang Zengqi's novels, Wang Xiaobo's "inheritance" and external influences, Chen Ran's "female writing" and its paradoxes, how Borges made the protagonist Yucun kill the Sinologist (thus being able to write his own Chinese story), Dickinson (Emily Dickinson) over the past century Dickinson's reception and translation in China, misunderstandings in the foreign translation and dissemination of Chinese classical poetry, body metaphors in Chinese and Western literary theory, the "Sinology" debate, etc. These case studies may be able to add a little line to the big map of "The World Republic of Letters", even if it is just a trail, a small bridge, or a small signpost at a fork in the road.

In the 40 years since the establishment of the Shenzhen Special Economic Zone, the literary and art circles in Shenzhen have grown from scratch and grown from small to large. When the Municipal Federation of Literary and Art Circles was established, there were only 7 literary and artistic associations (society), and now it has 12 literary and artistic associations in various categories. The Federation of Literary and Art Circles has 103 members at the first literary congress in 1981. As of October 2020, it has formed a literary and artistic army of 911 national association members, 2319 provincial association members, and 9014 municipal association members.

This book goes a step further on the basis of previous research. It chooses to approach people from the perspective of subversion, starting from the way of exploring differences, combining macro historical background examination with micro analysis of writers' works. From the perspective of postmodernism, using post-colonialism, new historicism and other theoretical guidance as theoretical guidance, it comparatively analyzes McCarthy's western works and traditional western novels, and studies Investigate how McCarthy criticizes tradition and how he constructs his own western story. What social and historical realities and problems does his subversion and reconstruction of the traditional model of western novels reflect? How does he reflect the transformation of western novels into the direction of convergence and integration with the mainstream of American literature in the postmodern social and cultural context? A series of other issues.

Narrative is a basic human impulse that is innate in humans and is almost as old as human history. However, it is very recent that the important phenomenon of narrative has been formally brought into the research field of view. In the late 1960s, influenced by the structuralist trend of thought, narratology as a discipline was officially born in France. It should be admitted that the achievements of structuralist narratology are huge and its influence is far-reaching. The theoretical model it establishes enables people to conduct detailed and accurate analysis of the complex internal mechanisms of narrative works, instead of being limited to rough descriptions of plots, characters and other large categories due to the lack of analytical tools as before.

The body is one of the important expression objects of modernity. Whether in popular culture or avant-garde culture, the worship of the body has long become a consensus. Michel Gaurot, a well-known French professor and poet, distinguished two competing trends within modern body poetics: one that pits the body against the spirit, and the other that regards the body as an intermediary between the spirit and the world. By analyzing typical works that establish the image of the body and the universe, as well as his own writing practice, and combining the phenomenological concept of "flesh", the author extracts the characteristics and artistic tendencies of a "corporeal poetics" and clarifies the central position of the body in contemporary poetics and philosophy. This closely integrates body and soul, self and world, text and spirit, and points out a clear way for us to enter the depth of modern poetry.

With integrated thinking, this book comprehensively grasps the current status and development trends of translation studies, summarizes and comments on the main schools of translation studies, and grasps the current status and development trends of translation studies; uses a systematic structure to highlight the connotation and disciplinary characteristics of translation studies; uses a developmental perspective to sort out and reveal the development and interconnection of various translation theoretical schools; with an open attitude, it proposes 100 thinking questions to guide readers to think independently about translation activities and translation research, and to open up space for academic development. This book has played a positive role in promoting the construction of translation disciplines in my country, especially curriculum construction and academic research.

This book takes the Fan family in Tongzhou as the subject, adheres to diversified research based on literature, explores the evolutionary trajectory, cultural spirit and social status of "literary family" and "family literature", forming an overall concept of the trinity of "individual-family-society", and comprehensively brings the Fan family literature and culture into the field of investigation. The main results of the research are as follows: First, from the perspective of topic selection, we paid attention to the commoner literary family. The majority of the family members are commoners, and it has lasted for 13 generations over more than 450 years. More than 30 writers have been born, and members have written an average of nearly 10 kinds of works. Second, from the literature, a large amount of original information has been disclosed. Many writings of family members have been handed down in manuscripts and banknotes, such as "Shishan Lou Poetry Year", "Wolf Five Poems Preserved", and "Shishan Book Engraving Preface" collected by the Chinese Academy of Sciences Library. These are all disclosed for the first time. Third, from a structural perspective, macro and micro are organically combined. It not only analyzes and refines the internal rules of Fan family inheritance, member characteristics and family commonalities, sort out the family pedigree and family context, but also reveals the influence of the politics, economy and culture of the times on the family. Fourth, from a perspective, it puts forward innovative insights. Through careful examination and debate, the true face of Fan Fengyi Fei as a "Donglin figure" was clarified, the social activities and objects of Li Yu's trip to northern Jiangsu in the ten years of Shunzhi were examined, and the biased understanding of the academic circle was corrected.

Professor Li Yongdong's monograph "Literary Imagination and the Concept of the Nation-State in the City of the Republic of China" takes the literary imagination of the city in the Republic of China as the research object and explores the intrinsic relationship between the urban imagination and the concept of the nation-state. The main cities involved in the Republic of China are Nanjing, Chongqing, Beijing, Tianjin, Chengdu, etc. With a novel perspective and unique viewpoint, it expands the direction of urban imagination research. By grasping the identity of the city and the identity of the writer, we examine the literary imagination of the capitals (Beijing, Nanjing, Chongqing) and concession cities (Tianjin, Shanghai) of the Republic of China, and elucidate the mutual construction relationship between urban imagination and the concept of nation-state. It enriches the theory of urban imagination and nation-state, and uses the research method of urban inter-viewing to draw novel conclusions in the study of urban imagination such as Chongqing and Tianjin.

This book is Mr. Wen Yiduo's classic study of Tang poetry. Insightful comments on many poets of the Tang Dynasty. "Miscellaneous Comments on Tang Poetry" is a writing plan for the study of Tang poetry drawn up by Mr. Wen Yiduo during his lifetime. However, due to his sudden death, this task was not completed. In 1948, "The Complete Works of Wen Yiduo" edited by Zhu Ziqing, Guo Moruo, Wu Han and Ye Shengtao was preemptively released under the title "Miscellaneous Treatises on Tang Poetry" and included nine texts including "Leishu and Poetry" and "The Self-Redemption of Palace Style Poetry". Its content covers many aspects of Tang poetry, and provides unique and profound analysis of the achievements of famous poets in the Tang Dynasty, such as the "Four Heroes of the Early Tang Dynasty", Meng Haoran, Jia Dao, Cen Shen, Du Fu, Li Bai and others.

This book is divided into three parts: commentary on Wang Guowei's "Dream of Red Mansions", exploration of "The Story of the Stone" by Cai Yuanpei, textual research on "The Dream of the Red Chamber" by Hu Shi, and nine prefaces, postscripts and inscriptions about "The Dream of the Red Chamber". The specific content includes: an overview of life and art, the spirit of "The Dream of the Red Chamber", exploration of the hidden meaning of "The Story of the Stone", research on "The Dream of the Red Chamber", etc.

This book consists of: "World Theater", "History of Chinese Theater", "Artistic Creation", and "Audience Psychology". "World Theater" is the starting point of Yu Qiuyu's lifelong academic journey. It is a comprehensive review of the theater history of more than a dozen cultural countries in the world. It is still the only textbook on this subject, and no other book can replace its status. "History of Chinese Drama" is the first work to study the history of Chinese drama from the standpoint of cultural anthropology, and reminds readers from a beautiful perspective: who we are. "Art Creationology" spent seven years in the lovely 1980s, carefully studying the aesthetics and art of fourteen countries, and finally discovered that all great works of art have two secrets of success. "Audience Psychology" Traditional art is accustomed to teaching from a high platform, announcing from top to bottom what art should be. In fact, we should do the opposite, from bottom to top, and fundamentally detect the audience's psychology when accepting. His life was rich, but he never left academia. For this I am deeply honored. I am a ship traveling far away, forever in the mist, and academia is a magical harbor that pulls me, protects me, comforts me, and stabilizes me with a series of invisible cables.

This book provides an all-round review of Chinese literary criticism and research in the 20th century from the aspects of literary criticism, cultural studies, and Chinese and foreign literary theories.

This book conducts in-depth research on six topics: the discipline construction of literary geography, literary landscape, travel writing style, "field research", literary maps, and the geographical differentiation of Chinese literature. The main points of this book include: The basic knowledge structure of literary geography consists of four major sections: principles of literary geography, history of literary geography, criticism of literary geography, and methodology of literary geography. The literary geographical landscape has the characteristics of spatial extension and must be intuitively externalized into concrete objects in reality. Literary geographical landscape does not ignore the expression of the time dimension, and even most of its aesthetic meaning and aesthetic value come from this. Travel writing is the most typical overlapping and intersecting field between literature and geography, and it is also the most worthy of study from the perspective of literary geography. Compared with other literary styles, travel prose has a closer and deeper affinity with "geography", "nature", "landscape", etc. In fact, the on-site research method is one of the most comprehensive and technical research methods among various methods in literary geography. It is also one of the most distinctive research methods in literary geography. It has huge development space and potential. There are still many key theoretical and practical issues that need to be resolved in the field of literary maps. Solving these problems requires the joint efforts of scholars from various disciplines and academic backgrounds to complete them as soon as possible. Chinese literary creation showed distinct regional characteristics in its initial stage. The changes and even interchanges between the literary center and the periphery are often intertwined with the issues of north-south and east-west.

Based on a comprehensive review of the literary materials and historical research of "Historical Records", this book systematically outlines the process of literary canonization of "Historical Records" based on the question of why "Historical Records" "crossed the boundary" and became a literary classic. It shows the interpretation and acceptance of the literature of "Historical Records" by different readers in different periods from the Han Dynasty to the present day, and explores the political, cultural and other reasons behind the canonization. Through comprehensive research on the history of literary interpretation, aesthetic effects, and classic influence of "Historical Records" at home and abroad for more than two thousand years, we have further understood the literary characteristics of "Historical Records" and its immortal position in the history of Chinese culture, deepened the study of "Historical Records" and Han Dynasty literature; revealed the internal and external factors that formed the literary classic of "Historical Records", and delved into the inner connection between literature and historiography; through The discussion of the literary dissemination and reader acceptance of "Historical Records" has unearthed the aesthetic psychology and aesthetic concepts of our nation; through the discussion of the process and approaches of the literary canonization of "Historical Records", it provides reference for today's literary creation and historical compilation, and then inspires contemporary writers to create vital biographical works that are accepted by readers, so it has important theoretical and practical significance.

Based on the research on the relationship between Chinese and foreign words and images, as well as the theory of image theory and visual culture, this book conducts in-depth research on the internal mechanisms, respective characteristics and interrelationships of words and images, word art and image art, and puts forward its own opinions and conclusions. The characteristic of this work is that it tries its best to start from the standpoint of Chinese scholars, combines Chinese and Western theories and literary and artistic practices, expounds the core issues and complex relationships between words and images, and forms its own theoretical system. This work has original discoveries and explanations in the research on the relationship between words and images, the relationship between language and words, the image constructed by language, the representation and thought in images, the relationship between words and images, etc.

The first issue of "Chinese and Foreign Literary Theory" in 2020 covers several aspects of basic literary theory research, ancient Chinese literary theory research, aesthetics and art theory research, film culture and literary theory research, contemporary poetic theory research, book reviews, and translations. In the study of basic literary theory, there are research contents on verb theory, realism emotional analysis, Yale School, German tragedy, etc.; In the study of ancient literary theory, there are research contents such as "Poetic Expression", ancient sound poetics theory, Qiankun Bianjian and Wang Chuanshan's theory of poetic style; aesthetics In terms of theoretical research on art, there are analytical studies by theorists such as Adorno and Hall; in terms of film culture and literary theory research, it involves research on science fiction film theory and literary montage; in terms of contemporary poetics theory, it involves research on contemporary Chinese poetry and comparative studies of Chinese and Western poetry. While focusing on basic research, this volume pays special attention to the latest research results at home and abroad, such as verb theory research in literature and art, Yale School research, science fiction movies and montage research, which are all relatively cutting-edge topics. At the same time, a book review column has been added to this issue, which publishes book reviews of the most cutting-edge works in "literati painting" and "general history of Chinese literary theory"; the translation column publishes translations of the famous American literary theorist Irving Babbitt and the famous French sinologist Hou Luxi, which is of great value in terms of "imitation theory" and "comparison of Chinese and Western views of nature". The research content of this volume focuses on the complementarity of the basics and the cutting-edge, and connects theory with specific literary and artistic content to provide cutting-edge and solid theoretical research references for the Chinese literary and art theory community.

This book describes and summarizes the evolution of modern African literature in the 20th century and its complex relationship with the historical changes of the African continent in this century. Through such a comprehensive study of the interactive relationship between "literature and the times", I try to explain some basic views about the national spirit and national characteristics of African literature in the 20th century. That is, African literature in the 20th century is actually a special window to see through the changes in African society over the past century. It is the special effort made by the African people in literature to explore national rejuvenation, national development, and international dignity over the past century. For a century, African literature, with its unique sensitivity and authenticity, has not only reflected the political, economic and social environment in which the African people live, but also expressed the inner spiritual emotions and spiritual pursuits of the African people. African literature in the 20th century should get its due respect and status in the history of world literature in the 20th century, because the leapfrog rise of African literature over a century and its achievements that have attracted world attention are not only a vivid record of the development of modern African history, but also the enlightenment ideas of the African continent in a changing era. It is not only a symbol of the changing times of the African continent, but also a clarion call to mobilize the African people to struggle.

This book is an important academic work on the study of contemporary Chinese literature. It caused great repercussions in the 1990s and has been listed as a reference book for contemporary literature majors in many universities. After the book was published, many newspapers and periodicals published articles to review it, calling it a pioneering work in the study of contemporary Chinese avant-garde literature. This book is very personal and creatively combines historical data research, aesthetic analysis of works and theoretical speculation. It vividly, deeply and poetically demonstrates the origin, aesthetic characteristics and internal logical relationships of contemporary Chinese avant-garde literary trends, and puts forward many new insights of great academic value. Based on the original work, the revised version of this book incorporates the author's re-examination and thinking on related issues in recent years, which can be described as a new induction and summary.

Starting from the perspective of representation and meaning production, this book delves into a variety of topics in related fields such as literary concepts, literature and symbolic structure, literature and modernity, and cultural studies. In the author's theoretical landscape, many issues such as literature, revolution, intellectuals, the masses, nationality, ideology, modernism, and the subaltern form a complex cultural network that is interconnected and echoes each other. The author not only devotes himself to the historical description of these themes, but also pays attention to the structural analysis. These words are a precise summary of the author's research results in the past ten years. They relatively intensively reflect the author's broad humanistic vision, in-depth theoretical analysis ability and sharp thinking, and have produced a great academic response.

This book is a selected collection of literary and cultural criticism papers by the famous literary theorist Mr. Nan Fan, which represents the highest level of his critical writings. It is a self-selected collection of papers by Mr. Nan Fan who has been engaged in literary criticism and cultural criticism for more than 20 years. This book focuses on the core issues of Chinese literary theory, contemporary Chinese literary trends, writers' incisive comments, and critical texts that have an important influence on classic works in the history of contemporary Chinese literature. It is an important gain for the study of contemporary Chinese literature.

This book explains the structural characteristics of Chinese literature in the 1980s, as well as the various relationships and internal conflicts hidden within its structure. The whole book interprets the conflicts existing in Chinese literature in the 1980s from the aspects of "survival reality", "spiritual dimension", "imaginary realm", "dissension of literature", "decomposition of symbols" and "basis of criticism". In this book, the author adopts the relatively rare synchronic structural analysis method to describe the complexity of multiple cultural conflicts originating from the three "sources of value" of pre-modernity, modernity and post-modernity after the lifting of cultural ban in the 1980s. The appendix of this book is the author's two lectures on cultural and literary theoretical issues. They are articles of high academic level and are a new and important supplement to the content of this book.

From the perspective of "cultural education", this book selects a large number of ancient and modern Chinese and foreign literary classics. These works reflect history, express society, and show life. In the process of savoring and reading, students can increase their cultural accumulation and enhance their aesthetic judgment, which is conducive to improving their personal qualities. Not only that, these literary works can ignite students' passion for literature and help promote healthy reading habits, which is of great significance to their future career development. The content of this book includes an introduction to basic knowledge of literature and the appreciation of literary works. It is divided into the following three parts: Introduction - Introduction to Literature. Starting from real life, the basic concepts and functions of literature are explained, so that students can realize that literature is in our lives. Tasting Reading - Feeling Literature. It introduces the basic knowledge of poetry, prose, novels, and dramas, and selects a large number of literary classics and currently popular literary works to analyze and comment on, guiding students to deeply experience the charm of literature. Sublimation Chapter - Poetic Life. Combining the allusions or works of famous people from ancient and modern times, both at home and abroad, to further emphasize the value of literature and highlight the importance of literature in improving humanistic qualities, realizing personal values ​​and promoting harmonious development of society. Most of the chapters in this book use literary allusions to introduce the main topic, which is helpful to stimulate students' interest in reading. Introductory chapter: combine literary knowledge with real life, introduce basic knowledge of literature, eliminate students' sense of distance from literature, and guide students into literature. Reading chapter: appreciating and reading literary works to inspire students to think and understand the theme and artistic value of the works; in order to facilitate students to consolidate their knowledge of ancient Chinese and reduce reading difficulties, this book also provides detailed annotations of ancient Chinese works. Sublimation chapter: Connect with reality on the basis of appreciating works, and guide students to think about the importance of literature for personal development and social progress in real society, so as to realize the educational function of literature.

Guided by the philosophy of historical materialism, this book mainly adopts the research methods of history, sociology, and culture. With vivid and rich examples and precise and clear analysis, this book concisely outlines the basic types of ancient Chinese literati groups, their composition and cultural functions, and focuses on examining the relationship between various types of literati groups and literary styles. Literary groups in ancient China included several types: academic factions, literary acolytes, literati cliques, literati societies and literary schools. In ancient Chinese society, various types of literati groups took literary activities as their main activity. Literary groups and literary styles were closely connected through the intermediary of group psychology and group consciousness. The group consciousness and group psychology possessed by literati groups often initiated or affected the literary style of an era, and caused the herd phenomenon of group literature, which had a huge impact on the changes in literature.

This book is Mr. Zhu Ziqing's introduction to ancient Chinese literature, history, and philosophy classics for young people. According to the order of classics, history, zi, and collection, and taking into account traditional opinions, it successively analyzes "Shuowen Jiezi", "Zhouyi", "Shangshu", and "Book of Songs" , Three Rites, Three Biography of the Spring and Autumn Period, Four Books, "Warring States Policy", "Historical Records", "Hanshu", Zhuzi, Ci Fu, Poems and Wen are explained with incisive insights and simple explanations. It is a guide for readers to understand ancient Chinese cultural classics and an introductory book to Chinese studies.

As a modern trend in the West, creation studies is an interdisciplinary field developed in the United States in the 1940s and is closely related to market economy, patented inventions, psychology, education, etc. Western creative studies focus on developing creative abilities and popularizing creative techniques, focusing on creating results (belonging to "foreign studies"). As one of the representatives of oriental culture, Chinese traditional culture is extensive, profound and has a long history. It is closely related to philosophy, education, religion, literature and art, science and technology, etc. The core of Chinese culture is Chinese philosophy, and the core of Chinese philosophy is "Tao". The core of "Tao" is practical experience, focusing on physical and mental cultivation (belonging to "internal learning").

This book is included in the late-stage funding of Zhejiang Province in 2017. This book is revised based on the doctoral thesis. The author mainly uses the theoretical framework of Western narratology, starting from the common narrative nature of opera and story-telling novels, and explores the interaction between the narrative modes and narrative content of story-telling novels and dramas. It not only explores the feasibility of the two-way narrative interaction between story-telling novels and operas, but also analyzes the penetration of narrative modes of story-telling novels and operas, and reveals the need to realize the conversion of narrative time, narrative angle, and narrative structure due to different artistic characteristics when the two interact; at the same time, combined with personal Case analysis examines the penetration of narrative content between story-telling novels and operas, and also explores the differences between the two in terms of narrative themes, narrative characters, narrative plots, etc. Due to different artistic characteristics, revealing that the texts of different story-telling novels and operas of the same story present different narrative characteristics.

Ideal personality is a life goal pursued by wise men at home and abroad in ancient and modern times. At the same time, they use their own life practice to clarify its true meaning. The unity of knowledge and action is fundamental. From the perspective of truth, goodness, and beauty, this book uses Confucius, Zhuangzi, Buddha, Socrates, Jesus, and other famous sages throughout the ages as examples to explore what it means to be the highest state a person can achieve. Their words and deeds are of great significance to our reflection on our current life.

12 world-renowned modernist novelists reconstruct a new form of human mind in rebellion; 12 domestic first-class translators and researchers take us back to the golden age of literature through careful reading. Yu Zhongxian, Liu Xuelan, Dai Congrong, Wu Xiaodong, Lu Jiande, Mao Jian, Lin Bin, Chen Zhongyi, Yuan Xiaoyi, Wen Zheng, Fan Ye, Dong Qiang are all in this true novel master class. Vivid: A literature lesson that can be understood even without reading the original work. Concise explanation: A writer only leaves it to one expert to dig deeper. Authoritative: From the translator's perspective, the beauty of the original work is directly accessible. New knowledge: Use novels as a window to analyze Western civilization and philosophy. Modernism shaped the psychology and way of "modern people" experiencing the world. Modernist novels that emphasize rebelliousness, avant-gardeness, and experimentation not only conduct in-depth explorations in aspects such as self-awareness, character, and the complex relationship between people and society, but also challenge the novel's creative techniques, readers' aesthetic habits, and people's moral ethics. These classic modern novels take us to countless challenging spiritual horizons. It is an aesthetic journey as well as an ethical journey. It can not only help us understand the "wasteland" and "magic" experiences we experienced in the 20th century, but also allow the souls gradually lost in the digital and networked era to regain the dual sensitivity of consciousness and emotion, and better understand the present as a consequence of modernity. Why read novels? Is the novel dead? How can I finish reading "In Search of Lost Time"? Who is K in "The Castle"? How is the suspense of "Winter Night Traveler" set up? How did Fitzgerald show off his wealth? Why doesn't Marquez consider himself a representative of magical realism? Proust, Woolf, Joyce, Kafka, Lawrence, Fitzgerald, Faulkner, Borges, Camus, Calvino, Marquez, Kundera. These names represent the most brilliant golden age of literature in history. Their thoughts and works have had a huge and far-reaching impact on human civilization to this day. 12 Brilliant novel master classes, 12 of the most authoritative scholar-translators in China, each explain a 20th century novel master and a masterpiece, combining the conditions of the times and the writer's background, lifting the veil of text, leading us to gain insight into the connotation of the work, and analyze Western society, thought and civilization. Based on the works of these most classic writers and the background of the times, we can build the common sense and foundation of literature and appreciate the beauty of language and life.