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When the epidemic broke out, the materials donated by Japan, our neighbor to the east, read: "How can I say that I have no clothes, I have the same clothes as my son!" "The mountains and rivers are in foreign lands, the wind and the moon are in the same sky." While we feel the humanitarian care, we also feel the love and beauty of these poems and the light of wisdom. Poetry has always been an important link in cultural exchanges between China and Japan. Japan has always attached great importance to poetry culture. There are a large number of ancient Chinese poems included in Chinese textbooks for primary and secondary schools in Japan. This poetry anthology is compiled from a selection of 100 ancient Chinese poems from his textbook. Some of these ancient poems are familiar to Chinese readers, and some are completely unfamiliar; some of the ones we are familiar with are the same as the Chinese versions, and some are different. The editors hope that this selection can present the spread of ancient Chinese poetry in Japan and the impact of Chinese classical culture on Japan. It is hoped that readers can nourish philosophy and human love in the rhythm of poetry, support each other, and create peace and harmony together.

This book includes "Rebirth of the Goddess", "Phoenix Nirvana", "Tengu", "Coal in the Furnace" and "Earth, My Mother!" "" And other poems, many of which are included in Chinese textbooks at all levels or designated as Chinese extracurricular readings. "Goddess" is Guo Moruo's first collection of poems and the first mature new collection of poems in modern Chinese literature. It is a collection of Guo Moruo's early poetry masterpieces and has a wide-reaching influence. The purpose of publishing a single volume this time is to enrich the types of editions of our publisher. The main target audience is still middle school and high school students.

Rover's writing has always been accompanied by poetry. He began to write poetry when he was young, and loved the poems of Huang Zhongze, Gong Zizhen, Su Manshu, Zhou Zuoren and others. Later, when he was running a newspaper, he had "poetry friendship" with Liu Yazi, Ai Qing and others. During his stay in Beijing, he said: "My ten years in Beijing were the days of poetry. I didn't live like poetry, but I had quite a lot of leisure time to read poetry. Therefore, I read some poetry collections, and also tried my best to read some poems by contemporary people who had not yet formed collections." From then on, he began to write "Poetry Talk", and commenting on "old-style poems by new writers and artists" became an important part of his subsequent writing, and also started a "poetry talk style" that combines poetry with essays and narratives. This new edition of "Selected Works of Luo Fu: Yanshan Poetry Talk (New Edition)" supplements the "Poetry Talk" articles written by Mr. Luo Fu after 1997 and articles that were not included at that time, and has been further revised.

It collects the essence of Yu Guangzhong's thousands of poems in his creative career from 1952 to 2015, and organizes the context based on the poet's creative timeline. It fully demonstrates the diverse styles and broad realm of the poet's poems, and demonstrates the charm and charm of the poet's master. Everyone who is homesick has read his poems, and the famous "Nostalgia" has been included in Chinese textbooks for generations. "Nostalgia Poet" is Yu Guangzhong's label, but his achievements are by no means limited to that. On the Mid-Autumn Festival, he wrote "When will we reunite and eighty million people will sing together?"; He commented on Li Bai that "half of the prosperous Tang Dynasty can be achieved by spitting out the embroidered mouth"; and said of Du Fu, "Your stick has not been cold yet. Such a prime minister deserves to be such a poet." The difference between this book and other collections of Yu Guangzhong's poems on the market is that it excerpts the preface or postscript written by Yu Guangzhong when he published a single collection of poems, ranging from three or four sentences to several paragraphs. Let readers understand the poet's creative process and reflect the evolution of the poet's poetic conception. In addition to serious and honest summaries, there are also heartfelt words.

Poetry originates from life and is higher than life. It is the abstraction of life, the concentration of emotions, and a high degree of sublimation of real life. I love poetry and reading poetry. I also try to write poetry and keep a diary. It is just to record my inner emotions at that time, record my personal experience; it is also a confession of my joys and sorrows, a record of my life process, that is, my vicissitudes of life. After I studied works, especially poetry, I also imitated and wrote some poems and lyrics, and used my learning experience as a promotional manuscript to publish on the hospital bulletin board. I also used poetry to communicate with people and provide positive energy. Inspire people to love life, be positive, love the party, the country and their family. Guide people to actively learn cultural and scientific knowledge, establish lofty ideals and ambitions, and strive for them. The poem "Zige Huangshan Trip" and its interpretation and explanation came into being for this purpose. The significance of this poem does not lie in the quality of the poem or the level of writing. Strictly speaking, it can only be regarded as a limerick or the like. Every word, every punctuation mark in the entire article is the expression of my inner emotions and personal feelings. There is no artificiality, only borrowings and quotations, no excerpts and plagiarism, no gorgeous rhetoric, no sensationalism, and no strict requirements of rhythmic poetry. It is just simple language, easy-to-understand expression, enlightenment, persuasion and guidance. The object of this poem is not just a certain person, but a group, or it can be said to be all teenage friends. This also reflects the theme and core meaning of "Encouraging Learning" in my book "A Walk in the Medical Forest". It is also my lifelong passion and my lifelong pursuit of learning knowledge. It represents my life's dreams and regrets, my life's experiences and lessons, my life's mistakes and regrets, and my heart-wrenching feelings. It expresses my ardent hope for future generations and my eagerness to see my children succeed. I hope that future generations can understand the good intentions of an elder, be inspired by them, inspire their ideals and ambitions, learn from experience and lessons, and improve methods and methods. Acquire knowledge, achieve success, become a pillar of the country, and be a person who is beneficial to the country and the people.

This collection of poems by Mao Yuewei is arranged in the order of the time when the poems were written. It is a true record of Mao Yuewei's life, a life diary, a travel diary, and a diary of the poet's daily thoughts and activities. All poems come from real life, but are higher than real life. The central idea of ​​the poem gives people a positive spirit from beginning to end. It gives people a kind of motivation and encouragement, and gives people a kind of charisma to move forward courageously. When the poet himself finally read the manuscript, he was very moved and benefited a lot. It can be said that this collection of poems is a rare spiritual support and spiritual food.

Zhang Daxiong, who loves poetry, summoned several poetry lovers such as Wang Ershu, Li Shanjun, and Liu Xiaomei to gather together to discuss poetry culture. After a while, several friends arrived, and Zhang Daxiong spoke first: "Friends who love poetry are here, please take a seat. Let's talk about the content of poetry first. Of course, when talking about poetry, we must talk about classical poetry. Everyone can express their own opinions." "I agree, because of ancient times. Classical poetry has a long history and has deep and profound connotations. The biggest characteristic of classical poetry is that it has a distinctive rhythm, and it must be rich in content when communicating. The words used in ancient poetry are also profound, and you will have endless aftertaste after reading it.

The book "Cultivation of Characters" is divided into four parts, including: Part 1: Reading Era, Part 2: Planting Characters in Fields, Part 3: Garden of New Children's Poems, and Part 4: Rapeseed Flower Supermarket. These four volumes include Cauliflower, Flowers Never Fail, Counting, Hide and Seek, Turtle, Timid Firefly, Crooked Teeth, Washing Machine, Bridge of Wishes, Scarecrow, Butt, Hot Water Bottle, Clouds, Reading Era, No Wonder, Milkvetch, and Grass's Wishes. Hope, "hobby", incorrectly held umbrella, command tower, rapeseed flowers, memory of bamboo poles, mother's homework, bridge, impatient wind, friendly competition between bees and butterflies, sand pit, high jump, sunflower baby, square grid, loofah, I am not a vegetable, light raindrops, etc.

Su Zhong's prose poems, between language creation and life insights, pursue the freedom and agility of poetry and the form and spirit of prose. For many people, it may be a certain sentence or a certain paragraph of text that can touch the inner resonance and make them feel the same. Su Zhong wrote prose and was also fond of poetry. For both genres, he tried to pursue a calm and comfortable state of mind. But now writing prose poems seems to him to be a reflection of life and letting it take its course. He activates wonderful thoughts in his own language world, and captures the sublimity of rhetoric in his own ideological world. This interaction between literature and spirit permeates the lines of his words, which is vivid, sincere, and meaningful. "Slow Writing" is almost Su Zhong's thoughts and understanding of life. What he pursues is a slow life, a slow state, soothing and long. I can imagine him smiling at each other knowingly when he wrote each prose poem, just like the moment when elegance and vulgarity merge into the world. We can appreciate a lot of beauty and goodwill from it. It is the touch brought by words and the natural appeal of "writing for life".

The two pillars of Chen Yizhi's poetic art are rural and classical. When commentators mention local poetry, they naturally think of the works of Wu Sheng, Xiang Yang and others. However, China's vast territory and diverse folk customs make it impossible to go beyond the countryside. With his ancestral home in mainland China and growing up in Taiwan, Chen Yizhi, like many second-generation writers from other provinces, has a dual sense of locality - a complex of intertwining the mainland and the island. On the one hand, he identifies with the life experience of growing up on an island; on the other hand, he has a geographical, historical, and cultural nostalgia for the hometown of his parents and ancestors on the mainland. This kind of nostalgia is certainly different from what writers of my generation embrace, because it has no personal memory, only knowledge of history and place, and the influence of my parents, so it is romantic and imaginative.

"Sword, Gut, Qin, Heart - Poems, Lyrics and Music by Zhao Fuchun" has finally been published. This is Fuchun's wish for many years, the crystallization of his hard work and wisdom for most of his life, the sustenance of his rich emotions, and the record of his ups and downs in life. I am happy for him and proud of him from the bottom of my heart. He can finally leave some memories of the road he has traveled, although these memories include joy and sadness; gains and losses; beautiful longings and helpless melancholy. No matter what it is, it is a precious experience in our lives. When we are old, we can still take it out and play with it, savor it carefully, and mark our sour youth.

This book is a new work by Ma Huiyuan, a Chinese cross-border writer living in Canada. This book collects her twenty-eight essays on music and reading, divided into two volumes: "MUSIC" and "SCIENCE AND HISTORY". The book contains passages about the author's insights into the power of music and people, music and dreams, as well as articles describing Akma's organ, Frank on the organ, and sonatas by Bach and Beethoven. The writing is elegant and concise, and sparks of thought can be seen everywhere.

"I Love My Motherland: Middle School Edition" is a themed reading book tailored for middle school students based on the "Implementation Outline of Patriotism Education in the New Era" issued by the Party Central Committee and the State Council in November 2019. It is divided into three chapters: Suffering Glory, Charming China, and Innocence. It also selects classic patriotic poems by famous figures such as Li Dazhao, Zhu Ziqing, and Shu Ting, such as " "The Difficult National Destiny and the Vigorous Nation", "On Integrity", "Motherland, My Dear Motherland", etc. It also keeps pace with the times and includes authoritative articles such as "The New Implication of Patriotism in the New Era" and "Moving forward rain or shine - written when the Chinese people are fighting the new coronavirus epidemic". They are highly readable and can inspire the majority of middle school students to love the motherland and enhance their feelings about their homeland.

This book briefly combs the evolution of ancient poetry in Dalian, and makes a preliminary review of writers and works. In order to get a full picture, it also selects some representative works. The author is well aware that excavating and sorting out local literary heritage and making a pertinent evaluation and summary is a voluminous academic project.

"I Love My Motherland: Primary and Secondary School Edition" is a volume in the "New Era Patriotism Education Readers" series. It is a themed reading book tailored for primary and secondary school students based on the "Implementation Outline of Patriotism Education in the New Era" issued by the Party Central Committee and the State Council in November 2019. It is divided into three chapters: Chinese Sons and Daughters, Innocent Voices, and Dream-Chasing Boys. It selects classic patriotic poems and essays by Lu Xun, Wen Yiduo, Zheng Zhenduo and other famous figures, such as "The Soldier and the Fly", "Prayer", "I am a Boy", etc. It also keeps pace with the times and includes authoritative articles such as "Exploding the Power of Patriotism in the New Era" and "Sublimating the Great Chinese Spirit in the Fight against the Epidemic". It is highly readable and can inspire young people's love for the motherland and enhance their feelings about home and country.

The works published this time are the best of the 55 winning works in the 2019 "Popular Science and Science Fiction Young Stars" Essay Contest, including 10 popular science works and 15 science fiction works. We believe that the publication of this book will build a broad platform for young writers to showcase themselves and improve themselves. At the same time, it will further encourage young writers to create more and better science fiction works and constantly climb to new creative heights.

This book is a collection of poems based on the author's diachronic ideas. It brings together a period of the author's mental journey; from themes such as wandering, time, because, life and destiny, salvation, love, writing, etc., It condenses the author's true feelings of poetic life and poetic world.

Yan Ruzhen wrote many poems and essays throughout his life, and he also wrote numerous works. The "Paradise Poetry Manuscript" published during the Daoguang period inevitably omitted many poems and essays. Some poems will be added during this compilation. For example: "Continuation of Hannan County Chronicles" majored by Yan Ruzhen, Volume 29 contains poems such as "Visiting Tiantai Mountain", "Zhanba Jinchiyuan", "Qing Master Daolin Temple", "Winter Night Passing Jitou Pass", "Dingjun Mountain Visiting Zhuge Wuhou Temple". But in Volume 29, "Two Poems to Show the Students of the Academy" and "Paradise Poetry Manuscript" are titled "To Show the Students of the Fuwen Academy in Xunyang", Xunyang is today's Xunyang County, Ankang City. Volume 13 of Guangxu's "Xunyang County Chronicles" "Art and Literature Chronicles" contains four poems "Xunzhou Bamboo Branch Poems" in addition to "Two Poems by Students of Shifu Academy". This group of poems was written when Yan was appointed magistrate of Xunyang County, that is, between the sixth and eighth years of Jiaqing (1801-1803).

This is a military poet who imagines a heroic military life but has never been involved in a war. Please read this song "Zuoma Bianguan": "In the slanting light of the clouds and mountains, the lake is calm. Zuma Bianguan is wide, and there is no smoke for a while." The grassland, green mountains, and white clouds are all in this sunset. The windless lake is extremely calm. Only when a bird passes by will it cause a ripple, and then it will become calm again. There was no smoke in the vast border of the motherland for a while. In fact, a peaceful and prosperous age with smoke everywhere is a great thing for all people in the world. Therefore, when there was no war, the poet changed his career and returned to his hometown.

"River of Life: Collection of Poems by Yu Gong" is a personal collection of poems by the poet Yu Gong. The collection of poems is divided into eight volumes: River of Life, In My Life, Bells Ring Softly, Heavenly Book, Songs Across the Sky, Between Coming and Going, Business Cards, and Window. It contains one hundred and sixty poems written by Yu Gong in recent years. Most of his poetry works are based on daily life and stories around him, integrating life insights, emotional experiences, and philosophical thinking to release positive energy with a peaceful mind.

The author writes about the magnificence and beauty of the earth; he writes about the people on the earth, the things on the earth, and everything that happens on the earth. Praise the truth, goodness and beauty of the earth, and write down the falsehood, evil and ugliness on the earth. I wrote it with my heart, so I wrote a collection of poems.

This book is a collection of poems written by Mr. Kaiyun Kai.

This is an anthology of poems about the author himself.

This book is a collection of poems. The manuscript selects more than a hundred poems written by the author, which eulogize the glorious and long history and culture of the Chinese nation, praise the beautiful rivers and mountains of the motherland and the earth-shaking changes in people's lives, and look forward to and long for the beautiful tomorrow of the motherland and the life prospects of young people with full of romanticism.

"Red Candle" was published in 1923. It is a famous collection of poems in modern Chinese literature and Wen Yiduo's first collection of poems, with a total of 62 poems. His poems may express the poet's patriotism, criticize the darkness under feudal rule, reflect the suffering of working people, or depict the beauty of nature. The concept is exquisite, the imagination is novel, and the language is vivid. "Dead Water" was published in 1928. It was Wen Yiduo's second poetry collection and included 28 new poems written after the collection "Red Candle". It is more mature in terms of depth of thought, breadth of subject matter, and expression techniques, and expresses the sorrow for China's poverty, backwardness, and turmoil. The collection of poems runs through broad and profound patriotic feelings. Wen Yiduo's poetry collection was selected into the Ministry of Education's recommended books. The main selections of the poetry collection are also from "Red Candle" and "Dead Water".

This book is the most comprehensive collection of poems created by Wang Zengqi since 1941 and is the most comprehensive collection of poems to date. It includes lost poems that the author has published and has collected successively. It also includes books from his essays, novels, and letters, as well as a newly discovered word and poem, totaling 259 poems. In addition, according to the author's own characteristics, this book appropriately includes 25 of the author's paintings (including front inserts and in-text illustrations), which vividly restores the author's poetry writing scenes, with pictures and texts, allowing readers to appreciate the author's multi-faceted artistic talents.

"Attempt Collection", published in 1920, is the first collection of vernacular poems in the history of modern Chinese literature. It ushered in the new literary movement and is a pioneering text. The content is divided into three parts, with "Qu Guoji" attached. The first volume has not yet been born out of the old-style poetry, while the second and third volumes are bold innovations in free verse. "Trial Collection" was first published in 1920 and sold over 10,000 copies as soon as it was released. Hu Shi also invited scholars and poets to add and delete poems to the selected edition, and attached a preface to the new edition until the fourth edition was finalized and passed down to future generations. It has been nearly a hundred years since the first edition of "Anthology". During this century, literary and theoretical circles have widely debated its significance and value. It is a veritable must-read classic in the collection of modern Chinese poetry.

This book contains more than 120 newly created poems by the poet. The author transforms desolation into youthful enthusiasm, makes migration into the running of youth, rides away, and builds the frontier of his own poetry.

This is a smart and beautiful collection of essays on flowers and plants. The author takes flowers as the theme and uses classical poetry to lead readers into the changes of flowers blooming and falling in the four seasons of the world. Not only to observe the vegetation, wind and moon, but also to express feelings about worldly things. Thirty exquisite texts, with flowers and plants as the skin, poetry as the bones, and elegant meanings in the pen, unfold for you a charming picture of fallen flowers!

"The Wind Too Late" is Xi Si's first collection of poems. It was written while traveling to various places from the late spring of 2019 to the early autumn of 2020. The book contains nearly a hundred poems, including both long and short poems, mostly hazy poems.

Poems are like red beans. Some fall into your fingers inadvertently, some require effort to pick up, and some just jump into your eyes, and it is difficult to distinguish them when a gust of wind passes by. As you collect more, you have higher requirements for color and texture, and the difficulty of picking naturally becomes greater. It takes a long, long time to get one that you are satisfied with. Needless to say, there is no need to explain the hard work, and only you know the joy.

This book brings together more than 200 excellent poetry works, all of which were published in 2018 and selected from more than ten publicly distributed poetry publications across the country. Among them, there are senior poets such as the "Poetry Demon" Luo Luo and Mang Ke, the representative poet of Misty Poems; Zhang Xinquan, who won the first Lu Xun Literature Award; young and middle-aged poets such as Lei Pingyang, Wang Xiaoni, Yu Jian, Zang Di, Shen Wei, Da Jie, Hu Xian, Chen Xianfa, Shang Zhongmin, and Li Nan; and young poets born in the 1980s and 1990s such as Li Borong, Yu Youyou, Xin Yi, Yu Zhen, and Zhu Guangming. The works have diverse themes and different poetic styles, which basically reflect the staged creation level of Chinese poetry and the general style of the current poetry world.

"Didi Runs Deeply Affectionately: A Collection of Winning Works from the First Never Split Pear Cup Global Love Poetry Competition" was written by two authors, Liang Ping and Zhou Lifeng. This award-winning collection of love poems brings together outstanding love poems by domestic poets. These works have different styles, but they all praise the beauty of love from different angles. There are both eloquent series of poems and independent chapters that are carefully polished, restrained and restrained. This award-winning collection of love poems not only interprets the eternal theme of "love", but also presents the poets' extraordinary writing skills.

"Zhimo's Poems" is Xu Zhimo's first collection of poems. The first edition in August 1925 was a vertically arranged version imitating Song Dynasty thread binding. In 1928, Shanghai Crescent Bookstore republished it in horizontal paperback format. Compared with the first edition, 15 poems have been deleted and 1 has been added, for a total of 41 poems, of which only 1 stanza of the 18-stanza "Sayannara" is retained. "Collection of Tigers" is Xu Zhimo's collection of poems with the highest artistic achievement. Published by Crescent Bookstore in August 1931, containing 34 poems. "Goodbye Cambridge", "I Don't Know Which Direction the Wind Blows", "In the Mountains", "Autumn Moon", "Two Moons", etc. All come from this collection of poems. The best poems written by Zhimo are lyrical poems, which are swaying, lingering and intoxicating. The poetry is also perfectly unified with poetry. It can be called a classic of modern new poetry.

"Goddess" is Guo Moruo's masterpiece. Includes Guo Moruo's major poems from 1919 to 1921. Together with the preface, there are 57 chapters in total. Most of them were written by Guo Moruo when he was studying in Japan. Among the representative poems are "Phoenix Nirvana", "Rebirth of the Goddess", "Coal in the Furnace", "Sunrise" and "Earth, My Mother!" ""Tengu", "Good Morning", etc. The content uses mythological themes, poetic drama genres, symbolic techniques, etc. To reflect reality. Guo Moruo has a profound foundation in Chinese studies and is familiar with fables, myths and allusions. His poems can be a channel for modern people to return to tradition. At the same time, he is familiar with the latest scientific, philosophical, cultural and other advances in the West, so his poems have a strong modernity. In terms of poetry form, it broke through the shackles of old styles and created a vigorous and unrestrained free verse style, which opened up a new world for the development of free verse after the "May Fourth Movement" and became the foundation of new Chinese poetry.

This is a collection of poems covering all aspects of life. The purpose of life is to taste the ups and downs of the world, go through hardships and hardships, seek a glimmer of light, and win the warmth of spring. Therefore, in the adventures of the human world, the author cares about the complicated affairs of the world day and night, sings about unforgettable love, and experiences all kinds of changes in his heart, whether small or vast, inferiority, pride, tenderness, or pride.

Poetry is the flavor of life that a poet cannot hide. Flowers bloom and fruits bloom, and the fragrance comes naturally. The philosopher Mr. Jin Yuelin once said: "I like the sweetness mixed with other things." If this sentence is converted into an understanding of poetry, can it be said like this: I like the poetry naturally revealed by a person with an abundant life.

In this era when fish want to fly and birds want to swim, it should be a satisfying thing to make a small stone. It can lie quietly in the mountain valleys and let the streams wash away, or it can be buried deep in the soil and pave a colorful road for the world to walk on. Someone once asked: Do you regret it? Did you miss a lot? I didn't think about it: I didn't have any regrets, no matter what role I played, I was loyal, clean and responsible. Leaving is to bring back a better version of yourself. For a while, I was always asked why I didn't update my circle of friends? In fact, the circle of friends is not for updating. Most of the time, it is to look at the noise, right and wrong, right and wrong in silence. Or, treat your circle of friends as a mirror and look at yourself in the mirror. Sometimes, maybe it's just an empty mirror, nothing more. Only when your mind is calm and empty can you hear your own voice and see the true nature of all things. Life often moves in a hurry, so we must slowly learn to stop and laugh at the wind and clouds, sit down and enjoy the flowers blooming, calm down and be as calm as the sea, settle down and watch at ease. Live your life quietly. If your heart doesn't move, the wind will do nothing.

Li Qingzhao's lyrics, poems and articles occupy an important position that cannot be ignored in the historical corridor of ancient Chinese literature. "Li Qingzhao's Collection and Annotations" carefully and comprehensively organizes his works, provides detailed annotations, and appendixes with detailed information and chronology. Since its publication by our company, it has been widely recognized and praised by readers and has been reprinted several times. It is now included in the "Collection of Ancient Chinese Famous Masters" series.

"Looking at the Homeland in the Wind" is a collection of poems by the author, which focuses on the following aspects: first, the thoughts of family and country, second, the ambition of the military, third, the affection of human relations, and fourth, leisure and elegance. This not only shows the richness of the author's spiritual world, but also the broad range of themes in his lyrics. He followed the mainstream of Ci, but did not stick to certain theories. It can be said that he learned from many teachers and learned from their strengths to form his own artistic world.

This manuscript is the latest collection of poems by poet Hu Hao. It contains more than 100 poems written and published by the poet in recent years. The language of his poetry is concise, concise and full of personality. The text presents a beautiful, affectionate, clear and romantic style, as well as the strictness and solemnity of the neoclassical style. Writers and critics such as Qiu Huadong, Li Shaojun, Wang Gang, and Zhang Zhe all spoke highly of his creations.

"Fishing the Moon in Peach Pond" is another collection of poems from Chen Liangji's "Folding Years". This government official who has been participating in and promoting the reform and development of China's social security system has persisted in writing despite his tedious work, and created a number of poetry works that are in line with the spirit of the times and integrated with society and people's livelihood. Browsing through the more than 290 poems in this book, the state of melancholy, character, wonderful enlightenment, and solitary thought shown in them left a deep impression on people.

"Asking for the Bottom Line of Life" is the author's personal collection of poems. After encountering a major change in life - a serious illness, the author began to think about life and society. He not only valued life and tried to explore the philosophical issue of the origin of life, but also reflected on social issues, analyzing the relationship between individual life and human society and how to build a balance between the two, so as to achieve the dual unity of individual existence and social development, and realize the true value of life.

This manuscript is edited and selected by the author's close relatives, and it compiles the author's essence works since his poetry creation. Gu Cheng's poetry is a unique branch in the Chinese poetry circle, writing the history of contemporary literature. Since the new era, several poets have been indispensable, and Gu Cheng is one of them. This manuscript clearly demonstrates the author's poetic quality and is a good resource for appreciating and learning poetry and studying contemporary Chinese literature.

This book contains more than 100 poems written by Bao Jian, including "Stars", "Hometown", and "I Among All Things". The night sky in the early morning, the flight, and the changes of the four seasons are all condensed into words on the pen, which are profound and delicate, projecting the reflection of self and the times into the poem. From "Hold the Sword", readers can feel that simple life often contains huge energy, and the calm core usually breeds a determined and tough life. Whether it is warm or unrestrained, restrained or rough, it can always touch the sensitive and warm feelings deep in the heart unconsciously.

Huayan Temple is located in Dalaoshan, Huayan Township, Jiulongpo District, Chongqing. It is named after the Huayan Cave on the south side of the temple. This book is a collection of poems and lyrics about the Buddhist culture of Huayan Temple in Chongqing. It includes several poems and lyrics by various Buddhist figures. This book is one of the "Huayan Collection". The content in the book aims to promote and promote Buddhism in the southwest region and support the cause of Buddhist culture and academic research in Chongqing.

Guang'an is the hometown of Comrade Deng Xiaoping. It has beautiful scenery and outstanding people, and has given birth to countless good children for thousands of years. The majestic Huaying Mountain, the long Qujiang River and the Jialing River have nurtured generations of Guang'an people for thousands of years. The author of this book uses the language of poetry and his own personal experience of Guang'an to describe beautiful and moving scenery for us, and eulogizes the great achievements of Deng Xiaoping, a great man of the century who was born and raised here, as well as the outstanding people who have emerged in Guang'an for thousands of years. After reading this book, readers can vividly understand the beautiful land of Guang'an, and be proud and fascinated by this place where great men of the past century have appeared.

Introduction to "Chinese Modern Poetics Series": The 1930s is considered the "golden age" for the development of new Chinese poetry. "Chinese Modern Poetics Series" is divided into three parts. The first part studies the occurrence and transformation of the modern poetry trend in this period, the artistic connection between foreign poetry trends and traditional poetry, and makes in-depth discussions on Lin Geng, Fei Ming, He Qifang, etc. The second part uses a historical narrative to review the development process of new poetry in the past 30 years and reflect on it. The third part explores and analyzes the writings of many poets, revealing their artistic personality and poetic thoughts.

This is a collection of literary poetry. The content includes joy and melancholy, human feelings and sophistication, encounters and partings... This collection of poems witnesses the author's victory over himself, experiencing life, and using poetry to commemorate the past time. The author reflects and wakes up again and again, breaks through himself, and welcomes his own poetry and distance...

This collection of poems uses innovative themes, unique thinking, and broad vision to present grand and spectacular migration pictures and poetic natural legends from the sky, land, desert, grassland, and ocean. The life presented is all shining, such as wildebeest, antelope, bar-headed goose, red knot, killer whale, meerkat, poison dart frog, monarch butterfly, chipmunk, snake, beetle and so on. They use their best wisdom and survival strategies to "present the world with wonderful things everywhere." These fresh and lovely lives give full play to the advantages given by the Creator, which is the poet's praise of nature. The author explains that nature has unparalleled beauty and is a self-sufficient ecosystem with regular cycles. It has far-reaching significance for our understanding of life and ecology.