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This book discusses the artistic characteristics of Tang and Song poetry and its status in the history of Chinese aesthetics in the form of a monograph. The introduction adopts a monograph on the study of Wang Guowei's Ci studies. Through the analysis of Wang Guowei's aesthetic modernity trend of continuing and developing traditional Ci studies, it shows the starting point and ideas of this book's research. From the three major aspects of "time and space", "emotion and morality" and "vulgarity and elegance", the characteristics of Tang and Song poetry as musical literature in artistic style, as the characteristics of lyrical literature in creative theory, and its evolutionary characteristics from conflict to reconciliation with traditional artistic spirit are analyzed. Finally, it systematically summarizes the characteristics of Tang and Song poetry in terms of words, rhythm, imagery, time and space, and deep meaning and other artistic structure characteristics, and comprehensively observes the charm of Tang and Song poetry art.

The animals and plants in the Book of Songs are full of symbolic connotations. They are part of the poem, and their symbolic meaning and metaphoric effect greatly increase the poetic meaning and enrich the artistic conception. Without these creatures and objects of perception, there would be a lack of inspiration and it would be difficult to produce poetry. This book introduces 114 species of animals and 137 species of plants in the Book of Songs in detail. The author starts from exegesis and uses modern biological knowledge to carefully examine each creature, striving to communicate the names of ancient and modern times, and between China and foreign countries. It uses authentic and reliable images to show the style, and introduces relevant humanities and interesting things, so that readers can not only understand and appreciate the beauty of the poem, but also get to know these creatures from a biological perspective and feel the excitement effect they bring.

Dreams are a space that is different from reality but not completely fictitious. It is the best place for people to understand themselves and the best medium through which to express thoughts and feelings. The author of this book describes dreams, human dreams, dreams and reality from different angles, interpreting the poetic understanding of dreams from a unique perspective, and at the same time has a deep feeling for real life. This book contains a total of 120 original poems by the author (including 13 English poems), which are caused by the author's feelings and thoughts in real life. They provide both emotional catharsis and philosophical thinking. There are various poetry styles, including modern poetry, ancient poetry, ancient poetry and English poetry.

This book collects poems written by the author since 2015. Against the background of the era of imminent renaissance, the author expresses passionate emotions and displays a bold poetic style. He expresses his love for the magnificent rivers and mountains of the motherland and every plant and tree, his eulogy for the prosperity of the country and the happiness of the people, and his longing for a better life and a more outstanding future.

This book is a selected collection of Yin Fu's poems and novels. It mainly focuses on Yin Fu's poems and collects nearly 80 of his poems, including his representative works "May Day Song", "May 1st, 1929", "Declaration", "Blood Letter", "Children's Tower", "Farewell, Brother", etc., Which have certain historical value. Reading Yin Fu's poems allows readers to appreciate the deep patriotic feelings of this poet who shared the fate of the revolution.

This is a time-travel work by five poets from the 1980s, expressing their respective youthful chants and distant imaginations. They use the richness of literature to resist the wear and tear of life, and finally reunite after being isolated in the world. Youth is gone, but the poetic heart remains.

This book is a long narrative poem in neometrical style. The author uses the writing style of a poet and the perspective of a historian to vividly reproduce the growth experience of Xiao Guanyin, a famous female poet of the Khitan tribe in the Liao Dynasty, and the historical tragedy of being framed to death. It panoramically displays the political struggles, social features, national traditions and nomadic life of the Khitan people in the "Prairie Empire" of the Liao Dynasty. Xiao Guanyin is the queen of Yelu Hongji, the Daozong of the Liao Dynasty. She combines beauty, talent and power, but her wisdom, vision and special identity blocked the steps of the usurper. The careerist Yelu Yixin who was hiding beside Daozong of the Liao Dynasty did not hesitate to use despicable means to frame Xiao Guanyin in order to achieve his personal political ambitions. Daozong of the Liao Dynasty did not distinguish between loyal and traitorous people and ordered the queen to commit suicide. A generation of poetry queens died unjustly. From then on, the powerful steppe empire turned from prosperity to decline.

Wen Yiduo wrote prolifically throughout his life, and his talents and intelligence continuously shaped him into a master of poetry, prose, essays, and literary theory. This book contains selected masterpieces from famous poetry anthologies such as "Red Candle" and "Dajiang" by Wen Yiduo. The metrical and musical ideas of new Chinese poetry that he advocates are also reflected in it. The poetry highlights the rendering of fantasy and subjective emotions in its expression techniques, and contains a lot of lyricism. To show readers Wen Yiduo's talent, knowledge, cultivation and sincerity in a more specific and detailed way. He likes to read ancient Chinese poetry collections, poetry talks, history books, notes, etc. When he entered the school, his name was Wen Duo. At that time, Wen Yiduo's revolutionary idea was to abolish the surname and friends called him by his first name. Pan Guangdan suggested that he change his name to Yiduo. He was so kind and immediately agreed. He studies hard, has excellent grades, and has a wide range of interests. He likes to read ancient Chinese poetry collections, poetry, history books, notes, etc.

This book is a collection of old-style poems. In these poems, the author expresses more of his own thoughts and sighs.

This book is a collection of new-style poems. The author's poems are fluent in writing and beautiful in writing. They reflect and express his feelings about the times and life from different angles.

The publication of this collection of poems is for the author to record his life trajectory, especially his insights in his later years, and also to add some color to the originally pale life. From these poems, we can see what scenery the author visited, what art exhibitions he saw, how he felt about missing home, how happy he was to be with his friends... Ordinary and trivial daily things are expressed in different ways through poetry.

Mr. Qian Zhongshu's book "Selected Notes on Song Poems" is a classic anthology of ancient poetry, and his research interest in Tang poetry is actually even greater than that of Song poetry. This book is a collection of Tang poetry works selected by Mr. Qian Zhongshu from 1985 to 1991 in "The Complete Poems of the Tang Dynasty". It reflects Mr. Qian Zhongshu's personal evaluation of Tang poetry and has never been published or published so far. The original manuscript of this book was transcribed by Mr. Yang Jiang himself. This time, it is planned to publish a typed version first to introduce Mr. Qian's unique experience of Tang poetry to the public. At the same time, the book contains 305 authors and 1,863 poems. It is also a relatively comprehensive reading book of Tang Dynasty poetry. In addition to revising the text of the original poems, this typesetting version also invited scholars in related fields to add biographies and annotations of the poets to facilitate public readers to have a more in-depth reading and study of this unique anthology of Tang poems.

"Hai Bo Xing Liang" records a total of more than 100 poetry works, and the content always focuses on family management, love, family affection, life insights and yearning to pursue dreams. Language has the power to directly touch the reader's heart and make people work hard; even if it is painful, it is not dark, bold and pure, giving people confidence and full of positive energy.

"Watting the Head Listening to the Dry Rain" is a collection of prose poems selected by Jin Daguang. It has a unique metaphysical and humanistic reflection on human emotions in its aesthetic self-sufficiency. This book is divided into six series: the first series is the exploration of metaphysics and universal human emotions. The second volume is a eulogy of many aspects of Chinese civilization. The third volume is the memory of jumping in line and an analysis of life in my childhood hometown. The fourth part is about chanting things. Part Five is a critique of the self. Part six is ​​some experiences on prose poetry writing. Looking at the whole book, the themes are diverse, the expression methods are unique, the images are colorful, the emotions are profound, the writing style may be simple or bright but still retains the true nature of the temperament, and the artistic conception is quiet and elegant. It is worth reading.

Some of the poems the author wrote in the 1980s have the feel of campus ballads. The author may have been influenced by Western sonnets, and the campus poems he wrote have that flavor. Some poems have a melancholy beauty that shakes people's hearts when read. For example, there is a poem about a classmate who "I don't know who will hold hands with you, I don't know who will hold your long hair gently for you", "Because he will go to the mountainous countryside and be with poverty. Dozens of school-age children are eagerly looking forward to it, which often makes him sleepless all night. When I sleep, my heart is like a knife being cut out; at that time, maybe I will read this poem and swallow the beautiful memories together with the painful saliva..." It not only talks about love, but also expresses the responsibility to society. It is soul-stirring to read and creates a sense of sublimity. It is really a small poem with great meaning.

Epic poetry is a unique poetry genre resulting from the combination of history and literature. Through poetry about officials, we can get a glimpse of the commonalities and differences of history in the communication and acceptance of literature. It is an important medium for studying history in a literary way. This book firstly discusses the development of epic poetry creation in various periods of the Qing Dynasty, and then selects the creation of epic poetry poetry by literati in the late Ming and early Qing dynasty, and the creation of epic poetry poetry poetry by the emperor, royal family and minister Luo Dunyan in the Qing Dynasty as examples for special research. The purpose is to explore the changing trajectory of poets' historical literary concepts during the changes of dynasties and the evolution of thought and culture, and also discuss the unique meaning of historical images in historical poems and the historical evaluation of mainstream social cultural views.

This book is guided by the concept of emotion as the basis and closely follows the issue of the characteristics of Chinese literature explained in "Human Words". It discusses four aspects: emotion is the ontology of Chinese literature, the artistic realm of life is the subjective spiritual condition that achieves the characteristics of Chinese literature, the objectification of inner emotions is the poetic discourse structure, and the integration of Taoism and art is the ultimate state of Chinese literature and art. It is divided into five chapters, based on the connotation of "realm" in "Human Words", and adopts a general-part-general structure. That is, the first chapter explains Wang Guowei's inheritance and development of the traditional Chinese ontology of emotion, which is the basis and summary of the whole book; Chapters 2, 3, and 4 are based on the ontology of emotion from the two perspectives of literary subject and literary text. The elaboration of the characteristics of Chinese literature summarized in "Jianci Hua" is divided into three parts; the last chapter is a comprehensive improvement of the first four chapters, expounding the purest and most perfect integration of literature and art in the authentic emotion, the poetic discourse of literature and the aesthetic realm of life to reach the highest artistic realm of ambition - the realm of "Taoism and art as one".

This book is a collection of Mr. Li Zhengwen's poetry creations in recent years, some of which have been published in newspapers or well-known websites. Mr. Li Zhengwen has various poetry styles, and is especially good at "four-line short poems" and "ten-line short poems". His "new narrative poetry concept" has been praised by some well-known writers and scholars. The book is divided into seven chapters. The first chapter, "How Humans Are" is a philosophical poem, the second chapter, "Southern Short Chapter" is a landscape poem, the third chapter, "Ten Chapters of Youth" is a love poem... The seventh chapter, "Australia" is an Australian style poem.

"Light and Shore - Zhong Wen's Poetry Collection" is divided into four parts: poet's reminiscences, text appreciation, poetic essays, and poetic exploration. It includes stories about interactions with several well-known poets, including Bei Dao, Gu Cheng, and Zhai Yongming, as well as appreciation of their poems, reflections on poetry creation and poetry appreciation standards, and analysis of human nature and postmodernity in poetry. It shows the author's unique understanding of poetry and has a certain theoretical depth.

This book contains all the works in Guo Moruo's representative collection of poems "Goddess", as well as some works in the author's other representative work "Starry Sky". Many of these works are included in Chinese textbooks at all levels or designated as Chinese extracurricular readings, including "The Market in the Sky", "Phoenix Nirvana", "Coal in the Furnace", etc. "Goddess" is Guo Moruo's first collection of poems and the first mature new collection of poems in the history of modern Chinese literature. This book invites first-line famous teachers to conduct introductions to the works, refine knowledge points, expand reading horizons, and help students better understand classics and apply what they have learned.

"Wangshu's Poetry Draft" was published by Shanghai Magazine Company Press in 1937. It is a collection of Dai Wangshu's poetry drafts, with appendices including a few notes on poetry and six chapters of French poetry. The famous "Rain Alley" and "My Memory" are all included in this collection of poems. Influenced by Western symbolism, Dai Wangshu's poems are based on melancholy. The poems contain both classical life feelings and modern helpless sadness. He uses the tone of friendly daily speech to seamlessly combine the images of traditional poetry with modern symbolic techniques to implicitly express the sorrowful emotions of modern people with exquisite emotions and delicate brushwork. In the late 1920s and early 1930s, he was known as the "poetry leader" of the modern poetry school because of his unique style.

"Dayan River" was published in 1936. It was Ai Qing's first poetry collection and included 9 poems. The poem "Dayanhe - My Nanny" recalls the poet's nanny and expresses the poet's gratitude and praise to the working people. This poem established Ai Qing's position in the history of new Chinese poetry. It has been translated into dozens of languages ​​and is deeply loved by readers. The other poems are mostly the author's memories of his apprenticeship in Paris, an intuitive feeling about local politics, culture, ideological blending and competition, and express the author's desire for freedom and equality. "The North" is a collection of poems created during the Anti-Japanese War. The works not only reflect the oppression and poverty of the North, but also recognize and praise the northern people's will to survive. Ai Qing's poems have simple language, simple poetic meaning, deep emotions and bright rhythm. They are the best works of modern new poetry. He makes good use of symbolic things to express his hatred and helplessness towards reality without losing hope. There is warmth and brightness flowing in his poems.

This book brings together the essence of Zhang Zao's lifelong poetry creation, fully demonstrates the overall style of Zhang Zao's poetry creation, and highlights Zhang Zao's value to the development of poetry as an emerging poet in the new era. Since its publication, the book has reached 30,000 copies, making it the best-selling collection of personal poems published in recent years-of course, it cannot compare to Yu Xiuhua, but I am an exception-there are constant messages from readers asking for more copies, but the library has no stock. This revision mainly supplements some newly discovered lost poems by the author, and there are also some errors that need to be corrected - the original editor was not a professional, the author has passed away, and there was no original material to check at the time.

"History of Chinese Poetry Research (Song Dynasty Volume)" is based on the new century. It comprehensively reviews and examines the results of Song Dynasty poetry research in the 20th century. It combines the special topics of Song Dynasty poetry research and discusses the research progress in various fields. It comprehensively shows the history of Song Dynasty poetry research in the 20th century and has reference significance for the current Song Dynasty poetry research.

This book belongs to one of the series of representative works of famous modern Chinese poets. Small hardcover, easy to read and collect. From the outside to the inside, the poetry is meaningful. Books in the same series include "Beauty and Love - A Collection of Poems by Wen Yiduo", "Spring Waters with Stars - A Collection of Poems by Bing Xin", "Don't Throw Away - A Collection of Poems by Lin Huiyin", "A Wild Flower - A Collection of Poems by Chen Mengjia", "Cold Night - A Collection of Poems by Bian Zhilin", "Rain Alley - A Collection of Poems by Dai Wangshu", "An Old Dream - A Collection of Poems by Feng Zhi", "Love at Sea - A Collection of Poems by Mu Dan", etc.

This book belongs to one of the series of representative works of famous modern Chinese poets. Small hardcover, easy to read and collect. From the outside to the inside, the poetry is meaningful. Books in the same series include "Beauty and Love - A Collection of Poems by Wen Yiduo", "Spring Waters with Stars - A Collection of Poems by Bing Xin", "The Joy of Snowflakes - A Collection of Poems by Xu Zhimo", "A Wild Flower - A Collection of Poems by Chen Mengjia", "Cold Night - A Collection of Poems by Bian Zhilin", "Rain Alley - A Collection of Poems by Dai Wangshu", "An Old Dream - A Collection of Poems by Feng Zhi", "Love at Sea - A Collection of Poems by Mu Dan", etc.

This book belongs to one of the series of representative works of famous modern Chinese poets. Small hardcover, easy to read and collect. From the outside to the inside, the poetry is meaningful. Books in the same series include "Beauty and Love - A Collection of Poems by Wen Yiduo", "Spring Waters with Stars - A Collection of Poems by Bing Xin", "The Joy of Snowflakes - A Collection of Poems by Xu Zhimo", "A Wild Flower - A Collection of Poems by Chen Mengjia", "Cold Night - A Collection of Poems by Bian Zhilin", "Don't Throw It Away - A Collection of Poems by Lin Huiyin", "An Old Dream - A Collection of Poems by Feng Zhi", "Love at Sea - A Collection of Poems by Mu Dan", etc.

This is a collection of one hundred and thirty-two poems. It expresses the author's attachment to spring, his love for April in the world, his praise for his hometown, his description and lyricism of the scenery... It also shows the author's views on how to create poetry and the future development of poetry.

This is a collection of poems full of memories of time. The author turns his thoughts day and night over the years into small poems, showing the author's mood and ideals, and expressing the author's life insights. In this collection of poems, readers can see the laziness of the city, the wonderful morning, the mother's care, the scattered love, and the author's introspection... The author's delicate thoughts are hidden between the lines, bringing readers unlimited reverie.

Since ancient times, there have been many strong men in Yan and Zhao, and now we even smell the fragrance of calligraphy and ink. The government affairs are ruthless and effortless, and the literary thoughts are cleansed and brilliant. The mountains and rivers of Jiuzhou patrol the sun and the moon, and the people ask about the vicissitudes of life. I can envy Mr. Tao for his long legacy when he takes his time to add elegance and interest to his novels.

The author evaluates the righteousness of life, family and friendship, and the beauty of the country's mountains and rivers from the perspective of thirteen beauties. A collection of rare and beautiful sentences. The story is eloquent, gentle and emotional; the mind is broad and majestic.

This collection of poems selects 100 poems and is divided into four chapters: "Finding the Road", "Traveling", "Nature" and "Childlike Innocence". The collection of poems writes about the feelings of a mother in a large amount of space, expressing the warmth of love and the beauty of family affection. In the objective description, it incorporates one's own thoughts on life and expresses the joy and nostalgia for family, society, and daily material life.

"The Pre-Qin History of Chinese Poetry Research Volume" is based on the new century and comprehensively reflects on the achievements and shortcomings of the research on Pre-Qin poetry in the 20th century. The book is divided into five time periods, namely the first 20 years of the 20th century, the 1920s, the 20 years before the middle of the 20th century, the 20 years after the middle of the 20th century, and the last 20 years of the 20th century. It provides a detailed analysis of the main characteristics and academic achievements of the study of Pre-Qin poetry in each period. It has reference significance for further research on pre-Qin poetry.

This book contains 70 poems (groups) of various types written by the author since 2004. The themes are wide ranging, including the world and the mind; emotions are deep and painful, and spirituality and emptiness are revealed. This collection of poems highlights four characteristics: first, the poetic exploration of daily life, that is, the subject matter emphasizes the experience of one's daily life; second, the description of life feelings in the era, the content has a broader time and space; third, the pursuit of eternal love and chants, including personal emotional experience, attitude and reflection on the emotional concepts of young people nowadays; fourth, the spiritual perception of all things in nature, including the feelings, imagination and thinking of various things in nature.

When the epidemic broke out, the materials donated by Japan, our neighbor to the east, read: "How can I say that I have no clothes, I have the same clothes as my son!" "The mountains and rivers are in foreign lands, the wind and the moon are in the same sky." While we feel the humanitarian care, we also feel the love and beauty of these poems and the light of wisdom. Poetry has always been an important link in cultural exchanges between China and Japan. Japan has always attached great importance to poetry culture. There are a large number of ancient Chinese poems included in Chinese textbooks for primary and secondary schools in Japan. This poetry anthology is compiled from a selection of 100 ancient Chinese poems from his textbook. Some of these ancient poems are familiar to Chinese readers, and some are completely unfamiliar; some of the ones we are familiar with are the same as the Chinese versions, and some are different. The editors hope that this selection can present the spread of ancient Chinese poetry in Japan and the impact of Chinese classical culture on Japan. It is hoped that readers can nourish philosophy and human love in the rhythm of poetry, support each other, and create peace and harmony together.

This book includes "Rebirth of the Goddess", "Phoenix Nirvana", "Tengu", "Coal in the Furnace" and "Earth, My Mother!" "" And other poems, many of which are included in Chinese textbooks at all levels or designated as Chinese extracurricular readings. "Goddess" is Guo Moruo's first collection of poems and the first mature new collection of poems in modern Chinese literature. It is a collection of Guo Moruo's early poetry masterpieces and has a wide-reaching influence. The purpose of publishing a single volume this time is to enrich the types of editions of our publisher. The main target audience is still middle school and high school students.

Rover's writing has always been accompanied by poetry. He began to write poetry when he was young, and loved the poems of Huang Zhongze, Gong Zizhen, Su Manshu, Zhou Zuoren and others. Later, when he was running a newspaper, he had "poetry friendship" with Liu Yazi, Ai Qing and others. During his stay in Beijing, he said: "My ten years in Beijing were the days of poetry. I didn't live like poetry, but I had quite a lot of leisure time to read poetry. Therefore, I read some poetry collections, and also tried my best to read some poems by contemporary people who had not yet formed collections." From then on, he began to write "Poetry Talk", and commenting on "old-style poems by new writers and artists" became an important part of his subsequent writing, and also started a "poetry talk style" that combines poetry with essays and narratives. This new edition of "Selected Works of Luo Fu: Yanshan Poetry Talk (New Edition)" supplements the "Poetry Talk" articles written by Mr. Luo Fu after 1997 and articles that were not included at that time, and has been further revised.

It collects the essence of Yu Guangzhong's thousands of poems in his creative career from 1952 to 2015, and organizes the context based on the poet's creative timeline. It fully demonstrates the diverse styles and broad realm of the poet's poems, and demonstrates the charm and charm of the poet's master. Everyone who is homesick has read his poems, and the famous "Nostalgia" has been included in Chinese textbooks for generations. "Nostalgia Poet" is Yu Guangzhong's label, but his achievements are by no means limited to that. On the Mid-Autumn Festival, he wrote "When will we reunite and eighty million people will sing together?"; He commented on Li Bai that "half of the prosperous Tang Dynasty can be achieved by spitting out the embroidered mouth"; and said of Du Fu, "Your stick has not been cold yet. Such a prime minister deserves to be such a poet." The difference between this book and other collections of Yu Guangzhong's poems on the market is that it excerpts the preface or postscript written by Yu Guangzhong when he published a single collection of poems, ranging from three or four sentences to several paragraphs. Let readers understand the poet's creative process and reflect the evolution of the poet's poetic conception. In addition to serious and honest summaries, there are also heartfelt words.

Poetry originates from life and is higher than life. It is the abstraction of life, the concentration of emotions, and a high degree of sublimation of real life. I love poetry and reading poetry. I also try to write poetry and keep a diary. It is just to record my inner emotions at that time, record my personal experience; it is also a confession of my joys and sorrows, a record of my life process, that is, my vicissitudes of life. After I studied works, especially poetry, I also imitated and wrote some poems and lyrics, and used my learning experience as a promotional manuscript to publish on the hospital bulletin board. I also used poetry to communicate with people and provide positive energy. Inspire people to love life, be positive, love the party, the country and their family. Guide people to actively learn cultural and scientific knowledge, establish lofty ideals and ambitions, and strive for them. The poem "Zige Huangshan Trip" and its interpretation and explanation came into being for this purpose. The significance of this poem does not lie in the quality of the poem or the level of writing. Strictly speaking, it can only be regarded as a limerick or the like. Every word, every punctuation mark in the entire article is the expression of my inner emotions and personal feelings. There is no artificiality, only borrowings and quotations, no excerpts and plagiarism, no gorgeous rhetoric, no sensationalism, and no strict requirements of rhythmic poetry. It is just simple language, easy-to-understand expression, enlightenment, persuasion and guidance. The object of this poem is not just a certain person, but a group, or it can be said to be all teenage friends. This also reflects the theme and core meaning of "Encouraging Learning" in my book "A Walk in the Medical Forest". It is also my lifelong passion and my lifelong pursuit of learning knowledge. It represents my life's dreams and regrets, my life's experiences and lessons, my life's mistakes and regrets, and my heart-wrenching feelings. It expresses my ardent hope for future generations and my eagerness to see my children succeed. I hope that future generations can understand the good intentions of an elder, be inspired by them, inspire their ideals and ambitions, learn from experience and lessons, and improve methods and methods. Acquire knowledge, achieve success, become a pillar of the country, and be a person who is beneficial to the country and the people.

This collection of poems by Mao Yuewei is arranged in the order of the time when the poems were written. It is a true record of Mao Yuewei's life, a life diary, a travel diary, and a diary of the poet's daily thoughts and activities. All poems come from real life, but are higher than real life. The central idea of ​​the poem gives people a positive spirit from beginning to end. It gives people a kind of motivation and encouragement, and gives people a kind of charisma to move forward courageously. When the poet himself finally read the manuscript, he was very moved and benefited a lot. It can be said that this collection of poems is a rare spiritual support and spiritual food.

Zhang Daxiong, who loves poetry, summoned several poetry lovers such as Wang Ershu, Li Shanjun, and Liu Xiaomei to gather together to discuss poetry culture. After a while, several friends arrived, and Zhang Daxiong spoke first: "Friends who love poetry are here, please take a seat. Let's talk about the content of poetry first. Of course, when talking about poetry, we must talk about classical poetry. Everyone can express their own opinions." "I agree, because of ancient times. Classical poetry has a long history and has deep and profound connotations. The biggest characteristic of classical poetry is that it has a distinctive rhythm, and it must be rich in content when communicating. The words used in ancient poetry are also profound, and you will have endless aftertaste after reading it.

The book "Cultivation of Characters" is divided into four parts, including: Part 1: Reading Era, Part 2: Planting Characters in Fields, Part 3: Garden of New Children's Poems, and Part 4: Rapeseed Flower Supermarket. These four volumes include Cauliflower, Flowers Never Fail, Counting, Hide and Seek, Turtle, Timid Firefly, Crooked Teeth, Washing Machine, Bridge of Wishes, Scarecrow, Butt, Hot Water Bottle, Clouds, Reading Era, No Wonder, Milkvetch, and Grass's Wishes. Hope, "hobby", incorrectly held umbrella, command tower, rapeseed flowers, memory of bamboo poles, mother's homework, bridge, impatient wind, friendly competition between bees and butterflies, sand pit, high jump, sunflower baby, square grid, loofah, I am not a vegetable, light raindrops, etc.

Su Zhong's prose poems, between language creation and life insights, pursue the freedom and agility of poetry and the form and spirit of prose. For many people, it may be a certain sentence or a certain paragraph of text that can touch the inner resonance and make them feel the same. Su Zhong wrote prose and was also fond of poetry. For both genres, he tried to pursue a calm and comfortable state of mind. But now writing prose poems seems to him to be a reflection of life and letting it take its course. He activates wonderful thoughts in his own language world, and captures the sublimity of rhetoric in his own ideological world. This interaction between literature and spirit permeates the lines of his words, which is vivid, sincere, and meaningful. "Slow Writing" is almost Su Zhong's thoughts and understanding of life. What he pursues is a slow life, a slow state, soothing and long. I can imagine him smiling at each other knowingly when he wrote each prose poem, just like the moment when elegance and vulgarity merge into the world. We can appreciate a lot of beauty and goodwill from it. It is the touch brought by words and the natural appeal of "writing for life".

The two pillars of Chen Yizhi's poetic art are rural and classical. When commentators mention local poetry, they naturally think of the works of Wu Sheng, Xiang Yang and others. However, China's vast territory and diverse folk customs make it impossible to go beyond the countryside. With his ancestral home in mainland China and growing up in Taiwan, Chen Yizhi, like many second-generation writers from other provinces, has a dual sense of locality - a complex of intertwining the mainland and the island. On the one hand, he identifies with the life experience of growing up on an island; on the other hand, he has a geographical, historical, and cultural nostalgia for the hometown of his parents and ancestors on the mainland. This kind of nostalgia is certainly different from what writers of my generation embrace, because it has no personal memory, only knowledge of history and place, and the influence of my parents, so it is romantic and imaginative.

"Sword, Gut, Qin, Heart - Poems, Lyrics and Music by Zhao Fuchun" has finally been published. This is Fuchun's wish for many years, the crystallization of his hard work and wisdom for most of his life, the sustenance of his rich emotions, and the record of his ups and downs in life. I am happy for him and proud of him from the bottom of my heart. He can finally leave some memories of the road he has traveled, although these memories include joy and sadness; gains and losses; beautiful longings and helpless melancholy. No matter what it is, it is a precious experience in our lives. When we are old, we can still take it out and play with it, savor it carefully, and mark our sour youth.

This book is a new work by Ma Huiyuan, a Chinese cross-border writer living in Canada. This book collects her twenty-eight essays on music and reading, divided into two volumes: "MUSIC" and "SCIENCE AND HISTORY". The book contains passages about the author's insights into the power of music and people, music and dreams, as well as articles describing Akma's organ, Frank on the organ, and sonatas by Bach and Beethoven. The writing is elegant and concise, and sparks of thought can be seen everywhere.

"I Love My Motherland: Middle School Edition" is a themed reading book tailored for middle school students based on the "Implementation Outline of Patriotism Education in the New Era" issued by the Party Central Committee and the State Council in November 2019. It is divided into three chapters: Suffering Glory, Charming China, and Innocence. It also selects classic patriotic poems by famous figures such as Li Dazhao, Zhu Ziqing, and Shu Ting, such as " "The Difficult National Destiny and the Vigorous Nation", "On Integrity", "Motherland, My Dear Motherland", etc. It also keeps pace with the times and includes authoritative articles such as "The New Implication of Patriotism in the New Era" and "Moving forward rain or shine - written when the Chinese people are fighting the new coronavirus epidemic". They are highly readable and can inspire the majority of middle school students to love the motherland and enhance their feelings about their homeland.

This book briefly combs the evolution of ancient poetry in Dalian, and makes a preliminary review of writers and works. In order to get a full picture, it also selects some representative works. The author is well aware that excavating and sorting out local literary heritage and making a pertinent evaluation and summary is a voluminous academic project.

"I Love My Motherland: Primary and Secondary School Edition" is a volume in the "New Era Patriotism Education Readers" series. It is a themed reading book tailored for primary and secondary school students based on the "Implementation Outline of Patriotism Education in the New Era" issued by the Party Central Committee and the State Council in November 2019. It is divided into three chapters: Chinese Sons and Daughters, Innocent Voices, and Dream-Chasing Boys. It selects classic patriotic poems and essays by Lu Xun, Wen Yiduo, Zheng Zhenduo and other famous figures, such as "The Soldier and the Fly", "Prayer", "I am a Boy", etc. It also keeps pace with the times and includes authoritative articles such as "Exploding the Power of Patriotism in the New Era" and "Sublimating the Great Chinese Spirit in the Fight against the Epidemic". It is highly readable and can inspire young people's love for the motherland and enhance their feelings about home and country.

The works published this time are the best of the 55 winning works in the 2019 "Popular Science and Science Fiction Young Stars" Essay Contest, including 10 popular science works and 15 science fiction works. We believe that the publication of this book will build a broad platform for young writers to showcase themselves and improve themselves. At the same time, it will further encourage young writers to create more and better science fiction works and constantly climb to new creative heights.