Library

When I was eight years old, I bid farewell to my childhood and welcomed the disaster. Because of my grandfather's death, the instinctive joy and innocence of a little girl were cruelly exterminated from me. At the turn of spring and summer, my grandfather, a carpenter who knew how to make coffins, and I had to end our country life and live in Tianjin. The first time there was a power outage, my grandpa lit a red candle and led me to his dark room. He took out the simple drawings he had drawn during the day, put them in an envelope, glued them up, and asked me to write the address in crooked handwriting, and Feng Dahe accepted it. Grandpa tucked the letter under the mattress and said solemnly, Huahua, one day I will be lying on the bed like your grandma, and I will never think of sending it away. The simple drawing is to tell Dahe in the countryside that if his grandfather dies, he cannot be burned as a bundle of firewood.

The book was written after the victory of the Anti-Japanese War. It began serialization in 1946 and was completed at the end of 1948. It lasted for more than three years. It was Zhang Henshui's "painful experience". With a cold and rational writing style, while accusing the Japanese atrocities of the war, the author also explored the national psychology and analyzed the "evil character" displayed by the Chinese people in the war of resistance. The novel takes the protagonist Li Nanquan as the axis, showing readers a picture of all living beings in the mountain village of eastern Shu. The characters are lifelike, the language is humorous and sharp, and the novel's descriptive skills have reached a level of proficiency. Some scholars call this book "Zhang Henshui's most important masterpiece and the highest pinnacle of his creative life."

In Guanzhong Road, this kind of snake is extremely rare. It is covered with cool purple crystals, like a jade with exquisite shape. It is sitting in a transcendental meditation, with its eyes seemingly closed, like a Buddhist who has longed for the world. The scorching sun ignited the air, and the transparent fire took advantage of the wind to rush forward unscrupulously. In the quiet graveyard, the crazy weeds lowered their heads in pain, feeling limp and weak, wanting to cry without tears. The voles stood up on their hind legs, looked around vigilantly, and made dry "squeaking" sounds. They were busy having sex while looking for water. The pheasant is lying or standing in the shade of the grass, its eyes darting back and forth, its slender tongue hanging down, its cheeks flaring, resisting the scorching sun.

This book is a collection of short stories and short stories by the famous writer Zhao Shuli. The book includes Zhao Shuli's masterpieces such as "Three Mile Bay", "Li Youcai's Straight Talk" and "Xiao Erhei's Marriage". Among them, "Three Mile Bay" describes the conflicts that emerged during the agricultural cooperative movement and the changes in relationships between people; "Li Youcai's Banquet" reflects the intricate situation of rural struggle during the Anti-Japanese War; "Xiao Erhei's Marriage" praises the new life in the new countryside that continues to advance in the struggle.

"The Enchanted Marsh" is a representative work of George Sand's famous pastoral novel. It tells the story of a young farmer, Germain, who is unfortunately widowed and lives with his three children. His father-in-law kindly introduced him to a wealthy widow from a neighboring village as his wife, so Germain and his young son Pierre went to propose marriage. They also traveled with the poor shepherdess from the neighboring family. On the way, they camped beside a pond that the locals called the "Magic Swamp." The tranquility, mysterious and unique scenery of the countryside in the novel add a strong romantic color to the love experience of the hero and heroine. George Sand undoubtedly idealized the love and rural scenery of young peasant men and women. The ideal world and ideal characters described by the author appear as the opposite of the ugly phenomena of capitalist society. Although they lack profundity, they have the value of positive ideals.

This book is a novel. The work uses the protagonist's growth experience as a clue, appropriately interspersed with the stories of his ancestors' journey to Guandong and his father's generation making a living in the Northeast. It vividly depicts the rural life scenes, characters' fate, social changes and folk customs of that period, and shows the protagonist's struggle and continuous pursuit of life.

This is a book about sex. Sex is driven by its own power, but doing something spontaneously is sometimes not allowed, which makes things very complicated. For example, the Summer Palace is to the north of my home. If there was no north direction, I would have to go south, cross the Antarctic and the North Pole, and travel more than 40,000 kilometers to get there. What I'm trying to say is this: People can indeed explain everything, including sex... In a far-fetched way.

Wang Laoshi, an ordinary and honest old man left behind in the countryside, attracted a lot of criticism just because he helped the widow Ganoderma lucidum in the same village fix a light bulb. In order to clarify the relationship between the two, the two went up and down and tried various ways to explain it. They even went to the point of dying to prove their innocence, but they could not prove their innocence. In the end, the two had no choice but to compromise and agreed to get married. However, knowing that others did not believe it, they still claimed that nothing had happened to them before.

This book is set in the suburbs of Chongqing during the Anti-Japanese War, and uses the writer's trip to Nanquan as the axis. It shows a picture of the customs of eastern Sichuan. Civil servants, teachers, and intellectuals who make a living by selling literature live in poverty, while wealthy businessmen and high-ranking officials live in luxury and corruption.

This book is set in the suburbs of Chongqing during the Anti-Japanese War, and uses the writer's trip to Nanquan as the axis. It shows a picture of the customs of eastern Sichuan. Civil servants, teachers, and intellectuals who make a living by selling literature live in poverty, while wealthy businessmen and high-ranking officials live in luxury and corruption.

"Hua Xiang" tells the detailed life of a rural woman, portraying the character of Hua Xiang with flesh and blood. The story has a rich flavor of life, and the description of the language is also imaginative, fresh and vivid.

In simple and warm native language, the novel tells a live-action drama about the various mentalities and behaviors of people of all colors in towns and villages around the death of "my uncle" and the absence of a funeral. Because the father of the municipal party secretary was a life-and-death comrade of "my uncle", people who wanted to climb up in the officialdom insisted on having a grand funeral to make the municipal party secretary happy and build a ladder for future promotion; some people think that For a person like "my uncle" who has retired status at the department level, the more grand the funeral, the more money will be collected; but more of the relatives of "my uncle" insist on having a grand funeral for him because of deep-rooted family affection. Only "my uncle"'s son, Ma Jianu, who was implicated in the political disaster of "my uncle" and was severely disabled, stubbornly withstood the pressure from all parties and adhered to his father's will: "No guests, no funerals, no funerals after death", thus protecting the integrity of "my uncle" throughout his life and even to the end.

This book is a collection of short stories and short stories by Ma Jinlian, including 10 novels such as "Embroidered Mandarin Duck", "Thumb and Little Thumb" and "Pear Blossom Snow". The author uses delicate writing style, concise and vivid modern Chinese language, and clever use of Xihaigu dialect and Hui language to describe the fate and emotions of the lower class people in rural areas in the west.

"The Blooming Years" edited by Xiao Peng is the first full-length novel based on the background of young rural migrant workers returning to their hometowns to start businesses. It is also the first full-length novel that positively reflects the life experiences and spiritual emotions of contemporary rural youth. The novel enthusiastically praises the entrepreneurial spirit of a large number of contemporary rural youths represented by Chang Jingjing who are determined to pursue development. At the same time, it profoundly reveals the deep-seated problems in contemporary Chinese rural areas and truly reproduces the survival, life, and development of Chinese farmers or young farmers. Various confusions, thinking and creative spirits in emotions, ideals and concepts outline a picture of rural characters with high artistic taste. In particular, Chang Jingjing has been successfully created in the new era, a typical image of a rural migrant youth who returns to his hometown to start a business, which gives people a refreshing feeling.

Through the mist of history, on both sides of the Great Wall of Qin and beside the Xiaoguan Ancient Road, people running around are the Quanrong, Xiqiang, Yiqu, Wushi, Xianbei, Xiongnu, Dangxiang, Mongolian and Hui people. Different outfits and different languages ​​are performing scenes of historical drama.

"Uncle Daddy" is a rural-themed novel. According to Ying Jing's words, its content fully embodies the core values ​​of socialism. To measure it as a novel: it is very touching! It is a book that can touch the kindness in people's hearts, and it is a book that will wet the tissues with tears. The beautiful girl and the wealthy childhood sweetheart are both very filial children. They are considerate of their parents and put their parents' concerns first. When important decisions in life come, careless choices and strange coincidences also come, making them inescapable and forced to obey their fate, which ultimately leads to the permanent loss of the beautiful love in their lives. For this, Xiumei paid the price with her life, while Fugui never married for the sake of Xiumei and Xiumei's twins.

Wang Zezhou was born in a remote village in the Minjiang Valley. There were only a few dozen families in the village. Their home was located under five old cypress trees by the river. These Minjiang cypress trees are Wang Zezhou's natural classroom and the support of his mother Yina's spiritual beliefs. As the first college student in the village, Wang Zezhou, a Chinese-Tibetan mixed-race boy, has been filled with resentment towards his humble and dull father, a carpenter, and his mother, who was bullied by men because of his family background. Later, he left his hometown to go to university in the city. In school, he also suffered bullying and discrimination from his classmate Kampot Tenzin because of his origin. After graduating from university, he chose to return to his hometown. Due to work, he met Kampot Tenzin, and they quarreled over their ideas of ecology, nature, and tourism development... At the same time, his relationship with his parents quietly changed unknowingly, from resentment and dissatisfaction to tender attachment. The disputes and worries in the world slowly melted away in the understanding of his father and the return of family affection...

This is the story of Alai writing Tibetan legends and reality. They used fate to rewrite the legend, but it was rewritten by reality. They tossed and struggled between belief and doubt, but never gave up hope. Alai will describe to you his journey in the vast land of his hometown, from his feet to his heart, from darkness to brightness.

Pink peach blossoms spread endlessly around me. This is the title of the latest book "Peach Blossoms Blooming in Front of Me" by local Qingchuan writer Li Xianyue on the subject of earthquakes, and it is also an entry point for readers to enter the book. Following the pull of the peach blossoms, two villages on a mountain ridge spread out in front of us one after another. While two folk craftsmen kept measuring the land under their feet, they also vividly told us a story about survival or destruction...

The novel describes life in Wen'ao Mountain Village in eastern Hubei, fully demonstrating the local customs and complex and primitive human struggles. The novel focuses on the disharmony between grassroots cadres in the village and fully demonstrates the fate of the villagers in extraordinary times, as well as the ups and downs of people's fate. It presents a sad beauty, a unique artistic style, complex and full of ethics, emotion, philosophy, and various life styles and philosophies that transcend life and are reasonable. This book is a finalist in the first cross-strait online original literature competition.

The protagonist of the work is a "black dog". The work uses the dog's nature and spirituality to examine human relationships and human nature. The unique angle, unique vision, smooth narrative, humorous language, unique touches of local customs and folklore and the use of local language make the work not only maintain a strong regional custom, but also contain a profound meaning of punishing evil and promoting good. It makes people feel like "dogs are looking at people's affairs" and interpersonal relationships are ugly. The work won the "Grand Bronze Award" in the first Cross-Strait Online Original Literature Competition.

Near Chadong at the junction of Sichuan and Hunan, next to the white pagoda of the creek, there lived a family. In the private courtyard, there are only two people, grandfather, old boatman, granddaughter Cuicui, and a yellow dog who is quite human... "Border Town" is Shen Congwen's masterpiece of novels. It depicts the unique customs and customs of the western Hunan region with a beautiful style that combines lyric poetry and essays. It uses the love tragedy of the boatman girl Cuicui to highlight the kindness and beauty of human nature and the clarity and purity of the soul. The unique artistic charm of "Border Town" has established its special status in the history of modern Chinese literature.

The novel describes a custom in the countryside, chanting sutras to save women who have passed away, and writes about the reverence for life and death passed down from generation to generation by masters who recite sutras. Created a group of simple rural characters. In the preservation of sacrificial rituals, it pays tribute to the desire of the living and the tenacity of vitality.

The novel tells the story of "my" family in the first person, including grandmother, grandfather, father, mother, brother-in-law, second aunt, etc. By writing stories about family life and shortcomings in rural life, a group of people with clear loves and hates but deep obsessions are created. They love and live, but in the end they cannot escape their fate. The language of the novel is simple and makes it sad to read.

The work "Like a Dream" is set against the backdrop of the vast rural entrepreneurial world during the period of social transformation. It focuses on the life and mental journey of a released prisoner, Shen Nanbei, who worked and returned to his hometown to start a business and was reborn after being released from prison. It uses a delicate and unique narrative technique to describe Shen Nanbei's relationship with the prison warden Li Jian and his father, the prisoner. The intersection of life and emotional entanglements of three generations of the family of police officer Li Jianguo, Li Jian's son, prison guard Li Yu, and village official Li Lan, through the different thoughts and emotions of several generations, lead readers into the inner world of this special group of people, appreciate the warmth and coldness of life, feel the warmth of human nature, and eulogize lofty morality and beautiful human nature.

Erhua, a rural woman, competes with the powerful secretary of the township party committee and molds her son into a symbol of victory. This resulted in a life tragedy for the son and Erhua himself. The story is wonderful and fascinating. The novel reveals the profound philosophy of how ordinary people should behave and do things.

A tough man and a passionate woman create such a vivid story. Unique nostalgia and modern consciousness form a durable flavor novel. The west is a land of seven emotions and six desires. Men, women, mountains and rivers are full of emotions and full of anecdotes. Blood and tears, kindness and hatred, love and hate, humanity and wild emotions are in conflict and collision. The author is famous in the literary world for his works such as "Wild Mountain" and "Men's Style", which have won domestic and foreign awards. Here, the powerful hard-core stories of Qin, the gloomy, desolate writing style and profound philosophy will make you fall into deep thought. Jia Pingwa, a native of Qin, wrote the preface to this book.

Ruli Zhao Village is a simple and picturesque village in the south of the Yangtze River. It is said that its ancestors are from a high-profile family that has been around for generations. Here, it seems that even the biggest secrets can be kept. Zhao Boyu has never seen his mother since he was a child, and he lives with his father, a fortune teller. One winter night in the late 1960s, he was completely orphaned, and news suddenly came from his mother whom he had never met. It remains intact in the catastrophic years, but quietly separates in the changing times. "Looking at the Spring Breeze" depicts the complex process of the gradual evolution of the hometown village. Through the changes in personal destiny, family and village, it describes the historical movement of the Jiangnan countryside for more than half a century, and shows its possible future.

"The Past" is a novel that exudes a strong flavor of life and the local characteristics of Beijing's Hutongs. It is an "original" image of Beijing! During the famine years, when materials were scarce, Lu Zhongxiang opened a small wine shop in his courtyard, which became the center of the alley, and thus began the love-hate relationships of various little people. Although the background of the story is in the 1960s, the focus of the story is the lives of ordinary people in the hutong. The author downplays the special political environment of that era and focuses more on the daily life of the people at the bottom. This book describes not only the nooks and crannies of Beijing's old city, but also the various aspects of life in Beijing's courtyard houses.

By narrating the simple and ordinary lives of villagers, describing the marriage trajectories of two generations, and vividly describing customs and morals, the novel reconstructs the ancient and vivid rural cultural structure through vivid and peaceful rural life, plain and profound neighborly affection, and reasonable guidance of interests and emotional desires, and reproduces the roots and blood of the five thousand-year-old profound culture of the Chinese nation. The entire novel is about rural life, farmers, farming affairs, crop yards, and crop fields. It strips away industrial and modern elements at a deep level and vividly expresses the distant emotions of the Chinese nation's homeland and farming life. At the same time, the novel attaches great importance to the recovery and reappearance of ancient beautiful morals. The spiritual core of harmony, tolerance, and mutual assistance are deeply reflected in the novel.

It is said that in very ancient times, at the bottom of this basin surrounded by mountains, there was a lake of several hundred acres. The lake water was clear and sweet, nourishing and nourishing the mountain people, and the people lived a happy and harmonious life. But one day, when an old beggar was begging at a house, the owner's daughter-in-law threw two moldy white-flour buns into his broken porcelain bowl and told him to leave quickly. Seeing how unruly and rude she was, the beggar shook his head helplessly. The arrogant young wife saw that the old beggar was a little dissatisfied, so she grabbed the two steamed buns from his broken bowl and threw them to the big yellow dog that was pulling the reins and barking at the old beggar. The old beggar left the courtyard of her house sadly. He turned into a puff of smoke and drifted away to the north before walking very far.

The novel was written from the 1960s to the 1990s, covering a long time span. It reflects the people and things that happened in the towns and villages at different times and under different circumstances. It focuses on describing the deeds of a group of young township cadres who worked hard to start a business in the mountainous areas.

On the road to realizing the Chinese Dream, our party has always paid attention to the sufferings of the people at the bottom. Novels about working are one of the core themes of bottom-class literature. To this end, Chunfeng Literature and Art Publishing House organized and compiled a set of three volumes of "classics of migrant novels that are most suitable for farmers to read". This book is one of them. It mainly includes short stories and short stories by Ge Shuijing, Xu Zechen, Hu Xuewen, Liu Qingbang, Chen Yingsong, Shao Li, Sun Huifen and others.

Weimin is the son of a farmer. He witnessed the cruel scene of his father torturing the landlord. After going through inhumane ups and downs, he finally got admitted to university as he wished. He was timid by nature. After graduating from college, he first became a teacher and had no choice but to leave. Later, I became a small civil servant in a county, but I was not familiar with the rules of officialdom, and I was always a marginal person. And the younger brother was idle, not doing his job, causing trouble, and even took risks and kidnapped his little niece with gangsters outside! In order to stay away from this place of right and wrong, Weimin once again chose to escape. He fled to the United States and worked as a restaurant waiter and a takeout delivery person. When faced with many difficulties, he chose to leave again and again...

The recklessness, simplicity, and paranoia of young people always give rise to the breath of blood. Those days may be sunny or gloomy, or there may be intervals between sunshine and gloom. This article mainly describes the impulses of adolescent boys from the perspective of a teenager. The triangular relationship between Xiao Wu, Big Crab, and Satellite ended with the inexplicable death of Satellite. The protagonist Xiaoke worked hard to save money in order to go to the county cinema with Yangyang to watch a movie. In fact, he didn't know what the real purpose of going to the cinema was. As a young man, he just thought that adults would do that and he would do it. In fact, there was a price in blood.

This novel uses the rope as a clue, and through the tone of the protagonist Yin Shu, it writes about rope-twisting in the countryside, the use of ropes, and many stories involving ropes. In the end, Yin Shu abandoned the rope-twisting skills, gave up the countryside and settled in the city. When the girl who fell in love with him in the countryside learned that Yin Shu would never come back, she ended her life with the rope he rubbed. The novel reflects the confusion of rural development and the confusion of rural people in the process of urbanization.

Through narrative, the author presents the fictional history of a village from different dimensions. It is the cruel rural memory of a generation of new urban immigrants, and it is also a memory and reflection of the countryside in the changes between urban and rural areas. By writing about a southern village, the author tries to explore the living feelings of small people against a grand background. Chen Chongzheng's works are known for their bizarre imagination and are good at combining the narrative techniques of legendary novels and serious literature. The stories have twists and turns and are highly readable.

The novel narrates the rumors about "Big Fish" in the countryside and connects the stories of several small people. They are selfish but kind-hearted, but a little greedy in their duties. They try to make money for a better life, but they mistakenly fall into the wrong ways and lead to an accidental murder case. In the end, there is no way to escape, and the prisoner is caught and returns to the blessing of the legend of "Big Fish".

The novel is intended to show the real changes in the Central Plains in the past ten years with the help of small things around us. The demise of rural areas is an inevitable global trend that will be realized in the past hundred years. The romance of the countryside only exists in the writings of literati. All local writers write in their memories after leaving the countryside. Rural areas, the real rural areas are ignorant, backward, and miserable. Farmers and rural areas are the first to suffer any disaster in history, such as war, natural disasters, plagues, etc. History is bound to move forward. The author has a rational desire to perish but cannot let go of it in his memories.

This book tells the story of Bendren, a farmer in the southern United States, who led his family to transport his wife's body back to his hometown for burial in order to keep his promise to his wife. The entire ten-day trip was full of disasters: the water almost washed away the coffin, later the mule pulling the cart was drowned, and the fire almost incinerated the body. As a result, the eldest son lost a foot, the second son went crazy, the third son lost his beloved horse, the daughter failed to have an abortion and was raped by a pharmacy clerk, the younger son did not get the train he expected, but Bundren got dentures and married a new wife.

This book is one of the ancient and modern legend series of "Chinese Contemporary Story Literature Reader". This book includes the masterpieces of ancient and modern legends by outstanding authors in the story world today. It also integrates for the first time the resources of ancient and modern legend novellas that have not yet been developed since the founding of "Story Club" magazine. These stories have withstood the test of time and have become classics. The stories may be strange or touching, and are full of legend, allowing readers who love ancient and modern legends to enjoy the story.

This book is the third in the ancient and modern legend series of "Chinese Contemporary Story Literature Reader". It includes the masterpieces of ancient and modern legends by outstanding authors in the story world today. It also integrates for the first time the resources of ancient and modern legend novellas that have not been developed since the founding of "Story Club" magazine. This book "Human Head Transplantation" compiled by the editorial department of Story Club contains masterpieces of ancient and modern legends! The stories are either bizarre or touching, and full of legend, allowing readers who love ancient and modern legends to enjoy the story.

The towering high-rise buildings cannot highlight the accumulation of history and the richness of national culture. The ancient mosque tells the history of the development of the Chinese nation, highlights the spiritual power of national unity, precipitates the richness of national culture, and displays the long history of humanistic care...

"On the Plain" written by Wang Peifei is a work full of true feelings and poetic flavor. "Plateau" revolves around the living conditions of people in three adjacent impoverished villages on the plateau. It uses the joys, sorrows and joys that happen in ordinary farmers' homes as a window to authentically show the perseverance and tenacious struggle of people in the western plateau under the impact of the tide of change. The works are full of sincere humanistic care and compassion.

In the rural context, the inner thoughts of the township head, a tiny political cell, vaguely outline the general outline and official rules of China's rural areas during the transition period. "Big Cat" is an independent rural novel that depicts the degradation and perseverance, decay and transformation of different characters in the land of western Beijing, showing readers the most memorable original ecology of rural China. The author's rural narrative may not be elegant and refined, but it is true and accurate, and has the quality of the land itself. He writes about the living conditions of many small people from a folk standpoint and perspective. The changes of the times have given rural novels richer connotations, including the conflict and integration of agricultural civilization and urban civilization, self-preservation and alienation, resistance and compromise.

This book selects some of the author's excellent novellas. The background of the story of "Douzhi Ji" is old Beijing. It mainly tells the story of a maid who was good at cooking in the author's childhood. In the article, the servant Mo Jiang, a typical image of an old Chinese woman, is very vividly portrayed by the author.

This is Afu's self-selected collection of short stories and short stories. What the author sees and writes is mostly about contemporary urban life. But occasionally it touches on remote themes, such as "Night in the Wasteland" describes the distant life of educated youth, "Big Phoenix and Little Phoenix" describes the more distant life of the Republic of China, "Daddy Guoquan" and "The Story of a Small Village" describe rural characters, "Min Jiesheng and His Tall Wife" and "An Old Girl as a Sister" describe the lives of ordinary people during the Cultural Revolution, "Dust-laden Memories" describes the subconscious in sleep, "A Suicide Note" describes the psychological activities of homosexuals, etc. The last article in this self-selected collection, "The World Is Short with You," expresses consciousness and subversive consciousness from multiple angles, and uses concentrated and scattered streams of consciousness as mutual structures to describe the complexity and beauty of modern life.

In the early 1980s, the rural areas of Jiaodong successively implemented the large-scale production responsibility system. The implementation of the production responsibility system has given the majority of farmers new hope. They are eager to get rid of the embarrassing predicament of "working for 30 to 40 cents a day, not having enough to eat, having no money to pick chicken breasts, and grinding teeth when sick". With the implementation of the production responsibility system, farmers' stomachs are full, but their pockets are still deflated.

The moon in the countryside twenty years ago, the well water in my hometown in the early years, the river in my hometown, the small cart with rubber wheels... One by one, each scene has turned into the days gone by, and is gradually drifting away from us.