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During the Qing Dynasty, poets from other places came to Longyou in an endless stream through officialdom, wandering, entering the imperial court, and being exiled. They created a large number of poems and works in Longyou, which have unique cognitive value. Through the study of the poetry creation of Long You, a poet who lived in Longyou in the Qing Dynasty, this book deeply explores the inner connection between the poetry creation of Long You, a poet who lived in Longyou in the Qing Dynasty, and his local culture and Longyou culture, and further explains the important influence of the integration of regional culture on the creation of poets in the Qing Dynasty.

This book mainly includes three major modules: the first is the study of causes, revealing the historical context of the origin of Zhu Xi's Buddhist Zen and the complexity and contradiction of Buddhist Zen thought; the second is the study of expression, respectively reviewing Zhu Xi's literary thoughts, poetry creation, quotation prose and Buddhist Zen at all levels. Innumerable connections; the comparison and influence study of the three, the vertical comparison and the horizontal connection are intertwined and parallel throughout the discussion of the various relationships between Zhu Xi's literature and Buddhist Zen, trying to deeply reveal the uniqueness of the relationship between Zhu Xi's literature and Buddhist Zen and the projection and influence of the evolution of Song-Buddhist Zen on the psychology of literati.

The famous contemporary British novelist Muriel Spark was hailed by famous critics David Lodge and Frank Kermode as "the most talented and innovative British novelist of her time" and "the most charming writer of her generation" respectively. Spark has been nominated for the Booker Prize three times, and has been shortlisted for each of the six finalists. This book combines the methods of social historical criticism, feminist criticism, literary ethics criticism, spatial theory and text close reading. After introducing Spark's life and creative career, it summarizes her novel aesthetics and creative ideas; it also discusses Spark's novel themes and novel art; and finally places Spark in history. In the coordinates, we will longitudinally sort out and explore the mutual influence between her and other novelists, comprehensively explore the literary origins of her creations, grasp the formation trajectory of her creative concepts and aesthetic thoughts, thereby understanding Spark's inheritance and innovation of tradition, and explore the contribution and significance of her creations to writers of her peers and younger generations.

The modern Chinese classical poetry school mainly refers to the poetry school that has a deep identification with tradition and has formed a critical relationship with the New Literature Free Verse School. It mainly includes the Jiayin School, the National Essence School, members of the Nanshe School, the Xueheng School, and the New Metrics School in the new literature camp. Although these classical poetic schools also advocate the transformation of ancient poetic styles, their reform ideas are very different from those of the New Literature School. This book systematically examines the "new poetry" concepts of classical-leaning poetry theorists in modern China, and conducts in-depth exploration of the language structure, time awareness, development concepts, and value orientations behind them. This kind of research is of great significance to the dialogue between classical schools and liberal schools, and to the re-start of the theoretical construction of new Chinese poetry.

This book first confirms the status of Shandong literature in the history of Chinese literature. Then, it takes outstanding poets and writers with important overall significance as the main line, and connects them with corresponding creative schools to further clarify the mainstream trends of different historical and cultural eras, reveal the laws behind literary phenomena, and provide appropriate aesthetic judgments.

This book focuses on the poets, poems, and poetic styles of the Dezong Dynasty of the Tang Dynasty, mainly in the Zhenyuan period (785-805). It focuses on the Jiangnan poets who entered Zhenyuan from Dali, Li Yi, and Lu Lun. This book focuses on both horizontal points and vertical aspects of the Zhenyuan poetry circle, in order to present the specific historical status and value of the Zhenyuan poetry circle in a well-founded manner.

This book mainly collects 27 papers that I have written over the past few decades since I started teaching in colleges and universities. Among them are already published papers, some papers that have been waiting for publication, and two papers that were revised during the research process. Although these papers were written over a period of several decades, they all revolved around the two major themes of Western literature and overseas literature, with the focus being on the study of Western literature. The study of literature from both sides mainly includes three articles on ancient literature from both sides, three articles on Enlightenment literature, five articles on Romantic literature, and seven articles on Modernist literature. It reflects the research direction that the author is concerned about. The four articles on comparative literature theory and translation reflect the author's academic vision and "China concern" in the process of studying Western literature, that is, the ultimate purpose of studying Western literature is to understand and understand one's own literary and cultural conditions. There are five articles on overseas Chinese literature, which mainly reflect the author's thinking on the relationship between Southeast Asian Chinese culture and Chinese traditional culture.

The content of this issue is divided into 6 columns. The "Basic Theoretical Research" column is based on the study of Chinese literary theory and reflects on the Chinese travel of Western literary theory. It not only thinks about issues from the perspective of macro-disciplinary construction or long-term literary history, but also uses specific literary theorists as examples to clarify the various influences of their Chinese travel. The "Western Literary Theory Research" column takes into account the different literary theory traditions of Europe and the United States. It not only pays attention to Western Marxist literary theory, but also focuses on cutting-edge ideas in media and symbols. The "Research on Ancient Literary Theory" column focuses on the study of ancient literary theory. The papers in this issue are not only based on people, but also grasp the thoughts of individual literary theorists, such as Shi Tao's "respect for acceptance" theory, Liang Qichao's poetic view, Ye Xie's poetic view, etc., And also study stylistic issues. "Cultural Studies" focuses on current hot topics in cultural research, such as cultural industries, games, and national identity issues. The "Film Research" column focuses on film appreciation, covering both domestically produced films and Hollywood blockbusters. The "Literature Reading" column starts from specific literary works to elucidate thoughts. The study of Japanese literary works is a highlight of this issue. "Selected Translations" is a new column in this issue. Three translations are selected, covering a wide range of topics and being of high quality, making them worth reading.

Ancient Chinese literary theory is the literary theory of ancient China. Ancient China did not have a "literary theory" based on Western disciplinary concepts, but it did have the concept of "poetics", which was gradually produced and improved with the development of literature in the long history of ancient China. This book uses the "category" research method to extract and discuss the categories of "poetry, expression of ambition", "fu Bixing" and "sensing things" from ancient Chinese literary theory. It systematically combs ancient Chinese literary theory, including work theory, creation theory, author theory, criticism theory, appreciation theory, etc., And concisely and clearly explains the most basic theoretical content of ancient China on the essential characteristics of literature, literary creation, writers, criticism, appreciation and other related issues.

This book explores the influence of Du Fu's poetry on Song poetry from two perspectives: poetry creation and art criticism, sorts out the main contents of Du Fu's poetry art criticism in the Song Dynasty, and puts forward many new insights. Based on the texts of poetry and poetry theory in the Song Dynasty, this book comprehensively reveals the stages and characteristics of Du Fu's poetry creation in the Song Dynasty, explores the influence of Du's poetry on the poetry creation in the Song Dynasty, and the achievements and limitations of Song people's study of Du Fu.

Yan'an literature is a relatively independent literary form that has more real and lasting contemporary value in the context of modern Chinese culture. The study of Yan'an literature has begun since its birth, and by linking it with the 70-year development of Chinese socialism, it can be seen that the study of Yan'an literature is not only an academic history with specific research objects, but also a history of changes in cultural trends of thought and literary concepts. This book not only provides a useful reference for people to have an in-depth and accurate understanding of Yan'an literature, but also provides valuable academic thinking and reference for writing a more comprehensive and academically connotative history of Yan'an literature research.

This book conducts a preliminary comprehensive review of the world's Chinese micro-novel, explores the generation mechanism, group overview, and aesthetic value of the world's Chinese micro-novel, especially the case studies of the writers' works. It makes a preliminary positioning of the Chinese micro-novel from the small to the big, from point to point. It has a broad vision and a global perspective, which is conducive to the promotion of Chinese micro-novel. Promoting the healthy development of the micro-novel genre is conducive to better utilizing Chinese micro-novel around the world, "enabling Chinese people to regain their identity and self-confidence in Chinese culture, and making micro-novel not only a force to promote Chinese literature as a whole, but also a force for world unity that transcends national boundaries and realizes the centripetal force of Chinese culture."

The stylistic form of Ci reached its aesthetic peak in the Song Dynasty, and as the fruit of theoretical exploration closely related to Ci, it also evolved from germination to development, enrichment to maturity, leaving a complete historical map. This book conducts a dialectical study of the poetry of the two Song dynasties from an aesthetic perspective, integrating history and logic. It uses modern literary theory to describe and interpret the representative texts of the poetry of the two Song dynasties. It also compares and corroborates the relevant viewpoints of Western aesthetics, and then gives value evaluations and makes corresponding theoretical inductions. It strives to put forward new aesthetic insights based on the unity of dialectical rationality and historical rationality, thus unifying history and logic, abstract and concrete methodologies.

This book uses the theory and perspective of literary geography to re-examine the "western literature" with regional characteristics in the history of modern and contemporary Chinese literature. It places literary geographical elements such as the distribution of writers, literary languages, literary publications, and religious customs in the special geographical environment of the "Great Northwest". It analyzes the interrelationships between the various elements of western literature and the geographical environment, and explains the complex interdependence, mutual influence, and mutual shaping between western literature and western geography.

Based on the concept of "classic re-evaluation", this book re-explains the works of classic writers, important literary trends and phenomena in Western literature, and important literary theoretical issues, with significant innovations in perspectives, methods and concepts. In addition to the introduction and postscript, the book is divided into three parts: upper, middle and lower parts. The overall characteristics are: broad vision and theoretical depth; updated concepts and based on the forefront; combination of points and aspects, and diverse methods. This book can not only make a macro analysis and discussion of major theoretical issues and literary historical phenomena in Western literature through the use of a variety of research methods, but also provide in-depth and detailed analysis and explanation through specific literary texts. It closely combines the discussion of major theoretical issues with the specific case confirmation of literary research, so that the theoretical discussion does not appear to be empty, and the interpretation of the text has a theoretical level and a basis in literary history. This is an academic work with novel viewpoints, fresh insights, and rich originality. It is suitable for literature professionals and literature lovers to read widely.

This manuscript "Research on Liu Zongyuan: 1912-1949" is a collection of essays, edited by Mao Yanni of the Editorial Department and Peng Erke of the Chinese Department. This manuscript collects academic papers written by scholars from 1912 to 1949 discussing Liu Zongyuan's life, thoughts, creations, etc., As well as post-reading notes from students in universities, middle schools and primary schools across the country during this period. There are more than 60 articles in total with 150,000 characters, which basically represent the overall appearance of Liu Zongyuan's spread and acceptance during this period. The sources of documents are all types of journals officially published during the Republic of China.

Most of the articles selected in this book are writings since the revival of comparative literature in China in the 1980s. They include not only the classic works of respected academic predecessors, but also the outstanding research results of contemporary young and middle-aged scholars. To a large extent, they reflect the progress and level achieved by Chinese academic circles in the theory and practice of comparative literature in the new era. With this book, readers can gain a more concentrated understanding of the problem areas and research paths of comparative literature within a limited space, and learn the classic paradigms of comparative literature research from previous scholars. The editor also fully considered the vividness, distinctiveness and interest of the treatise when selecting the articles, so that readers can appreciate the rich connotation and unique academic charm of comparative literature and comparative cultural studies.

"Chinese literary historical materials" are of great significance and value to the study of Chinese literature. In order to promote the study of ancient Chinese literary historical materials and regional literary documents, and enhance academic exchanges and friendships among members, the 2017 Annual Meeting of the Ancient Branch of the Chinese Literary Historical Materials Society and the International Academic Symposium on Central Plains Literary Documents were held in Zhengzhou, Henan from October 6 to 8, 2017. The conference was hosted by the Ancient Literary Historical Materials Research Branch of the Chinese Literary Historical Materials Society and hosted by the School of Literature of Zhengzhou University. The main topics of the conference include the theory and method of ancient Chinese literary historical materials, research on historical materials of ancient Chinese literary famous figures and masterpieces, compilation and research of literary collections in the big data era, sorting and research of Central Plains literary documents, and research on other documentary issues. The book "Chinese Literary Historical Materials" is based on the papers that participated in the 2017 Annual Meeting of the Ancient Branch of the Chinese Literary Historical Materials Society and the Academic Symposium on Central Plains Literary Documents, and is a collection of papers selected by the editorial board.

The greatest feature of Joseph Conrad's works is the magical uncertainty. No matter in terms of personality connotation, value orientation, ideology or creative style, it is not single and clear, but has multiple, complex and often self-contradictory meanings. This ambiguous contradiction is not only reflected in the numerous textual mysteries in Conrad's novels, but is also projected onto different readers, reflected in the readers' diverse readings and interpretations of the text based on their individual experiences. This book adopts William Empson's theory of double meaning, in order to explore the deep original meaning of Conrad's textual double meaning through close reading of the text.

The imagination of the socialist modernization process in rural China in novels from the 1940s to the 1970s was full of richness and complexity. They either reconstructed the ethical order of rural people in the way of rural modern local imagination, or used rural class and revolutionary consciousness to think about the subjectivity of cadres and urban youth, or used narratives of virtue to advertise the future society, which made the imagination of future society lose the possibility of practice. The emergence and concealment of discourse and the gaps in narrative make the discourses that characterize modernity such as literacy, hygiene, efficiency, and technology become ambiguous. As a kind of literature that imagines a new social order, the identification, love and imagination of rural socialism make this literature full of youthful atmosphere, bright color and romantic passion. In the "Short Twentieth Century", the appearance of this piece of literature highlights the efforts of socialist country literature to confirm its own cultural identity in the context of globalization.

From the perspective of ethical narrative, this book focuses on the academic controversy over the "nothing to say" and "moral ambiguity" in Updike's novels, and deeply analyzes the characteristics and formation process of ethical narratives in Updike's novels. It pays special attention to the profound influence of thinkers such as Søren Kierkegaard and Karl Barth on his novel creation. It innovatively constructs three narrative dimensions: contextualized narrative, tragic narrative, and non-authoritative narrative, and combines it with modern narratology theory to deeply analyze the constituent elements and functional mechanisms of this deep narrative model, and then explore how Updike's novels artistically transform ethical intentions into the creative art of novel narrative.

This book takes the literature of the British Victorian era as the research object, and takes the "gentrification" phenomenon as the entry point for research. It rethinks the moral discourse that literature of this era paid attention to, and deepens the moral discourse into the context of British intellectual history, trying to explore the inner connection between moral issues and the decline of the British aristocracy and the rise of the middle class. Although the moral reconstruction of the Victorian era alleviated class conflicts to a certain extent and created a seemingly harmonious social state, the moral concepts of the aristocratic class did not provide spiritual vitality to modern British industrial society, but instead strangled the inherent moral traditions of the middle class.

"Chinese and Foreign Literary Theory (Issue 2018)" is divided into six columns. "Research on Chinese Literary Theory" focuses on the discussion of literary and artistic theories of famous modern and contemporary Chinese literary and artistic theorists. The column "Research on Western Literary Theory" has a balanced focus: it includes special studies on characters, as well as an overview of issues in the history of literary theory and a review of literary theory research. "Research on Ancient Literary Theory" displays and discusses specific and detailed issues in ancient literary theory from multiple perspectives such as taking people as the guideline and problem as the guideline. "Selected Translations" contains a full selection of the translations of the lectures on Aristotle's poetry by the famous aesthetic and art theorist Carroll, to demonstrate the importance that contemporary art researchers attach to and carry forward the tradition of classical poetry.

In the ancient civilized world, India, like China, was a well-deserved literary power. It produced the oldest collection of poetry in the Indo-European language family, two magnificent epics, rich myths, legends and fables, exquisite lyric poems, narrative poems, dramas and novels, as well as a unique system of literary theory. This book provides an overview of ancient Indian literature from the fifteenth century BC to the twelfth century AD, that is, the literature of the Vedic period, the epic period and the classical Sanskrit literature period. Among them, Sanskrit literature is the mainstream, including Pali and vulgar literature.

The book is divided into upper and lower parts, comprehensively sorting out the historical process and research interface of Buddhist literature research and Taoist literature research at home and abroad over the past century, integrating macroscopic understanding and thematic review. The appendix is ​​three introductions to the 12-volume, 25-volume "History of Chinese Religious Literature", a major bidding project of the National Social Science Fund. It is a theoretical construction based on a review of academic history and special research, and systematically explains the compilation concept of "History of Chinese Religious Literature."

This book collects some of the author's major papers on Polish literature and Polish Chinese studies published in various domestic journals and anthologies since the reform and opening up, as well as the author's prefaces to several translated works of Polish literature. In terms of Polish literature research, these articles include research and introduction to some major literary periods, genres, important writers and works in Polish classical and modern literature, comparisons of Polish literature and Chinese literature, and research on modern Polish literary theory. These articles fully reflect the author's unique insights. This book is an indispensable reference book for understanding the achievements of Polish literary creation, and provides useful reference for domestic research on Polish and Central and Eastern European literature. In terms of Polish Sinology research, the collected articles mainly focus on the introduction of the achievements of ancient Chinese civilization to the West by the Polish Jesuit missionary Boymig who came to China in the mid-17th century. In addition, there are friendly exchanges between Polish people from all walks of life and China since ancient times, as well as the introduction of Edward Kajdanski, a famous contemporary Polish sinologist and Boymig's research expert. These are all conducive to enhancing cultural exchanges and traditional friendship between China and Poland.

"A History of American Poetry" is a monograph on the study of American poetry prepared for the "History of American Poetry" (multi-volume), a major national social science project cultivated by Beijing Union University. The content includes five parts: "Early American Puritan Poetry," "American Romantic Poetry," "American Modernist Poetry," "American Postmodernist Poetry," and "Contemporary American Poetry." Each part is an independent chapter, with its own Important poets and their representative poetic works in each historical period are the focus of research and discussion. It uses the perspective of historical materialism and through in-depth and detailed text interpretation to excavate and summarize the core poetic theory innovations of core poets and their poetry creation techniques and style innovations. At the same time, it focuses on sorting out and revealing the historical and cultural memories, characteristics and themes in poetry theory and poetry creation in each historical period, and outlines the history of American poetry.

This book systematically sorts out the representative works of the 20th century Russian-Soviet classic writer Platonov (1899-1951), clearly presenting the landscape and common aspirations of the writer in different periods, and explaining the ideological source of the writer's creation and the trajectory of the changes in his worldview. Platonov's creations reflect the complex interaction between utopian thought and dystopia. He cares about human destiny and seriously reflects on social reality in a literary way, searches for truth arduously in the world, and spreads happy souls.

At the end of Victoria, the British generally paid attention to the topic of family, and family ethics also became the theme of many novels during this period. This book systematically analyzes the family ethics narratives in the representative works of Hardy, Conrad, Kipling, Forster, Lawrence and other writers, trying to outline the impact of the development of British industrial society and its colonial expansion on family ethics and interpersonal relationships at that time, thereby providing a useful reference for the study of British Victorian literature.

This book is based on the current status and existing problems of research on American novels at home and abroad, using literary reception criticism and New Historicist literary criticism as theoretical references. By carefully reading American novel research papers published in important domestic academic journals since the early 20th century and American novel research treatises and related research academic papers and treatises published by important publishing houses, this book conducts an in-depth study of three different historical periods (1901-1978, 1979-1999, 2 000-2015) hot spots, angles, methods and overall trends in the study of American novels in China. From an overall perspective, it diachronically and systematically explores the historical evolution of the study of American novels in China from ideological criticism to non-ideological criticism and multi-literary and cultural criticism in the course of a century, as well as its cultural and literary effects. It summarizes the successful experiences and failures in the study of American novels in China over the past century, and looks forward to the future development trend of the study of American novels in China.

In the Ming Dynasty, there was fierce sectarian rivalry in the poetry world, and each school used anthologies to set examples, highlight ideas, and attack dissidents. This book takes Ming Dynasty ancient poems and Tang poetry anthologies as the object, and takes the poetic genre differentiation concepts of each school as the core to explore the hot issues about poetic style and poets in the poetic debate in the Ming Dynasty. It emphasizes that anthologies are an important field for Ming Dynasty poets to criticize and attack each other, as well as absorb and transform each other. It not only contains the confrontation and assimilation between different schools, but also carries the criticism and integration within the same school. The anthology is a comprehensive carrier with dialectical quality and a representation of the social culture of that time. The research in this book hopes to enrich the understanding and imagination of Ming Dynasty scholarship and culture through analysis and comparison of reviews and selections of ancient poems and Tang poems, as well as intertextuality with poetic criticism methods such as poetry talks, prefaces and postscripts, etc., Between poetic criticism and cultural analysis.

Yunnan poetic criticism in the Qing Dynasty was about reflection and return to originality. The former was related to logic, and the latter was related to experience. As methods, both are self-evident like sunlight and air; as beings, they are like sea water and fire waiting to be revealed. Starting from the dual perspective of self-evident existence, Yunnan poetics in the Qing Dynasty implies two propositions: what is poetry - the artistic expression of the subject's temperament; what is poetry - an aesthetic creation based on foundation and interest. From a modern academic perspective, the poetic discourse of Yunnan in the Qing Dynasty is more of a theoretical and intellectual existence; for the regional subject of Yunnan poetics in the Qing Dynasty, its poetic discourse is based on the self-constructed feelings of the poet himself and his family and country, aesthetics and morality.

In the history of cultural exchanges between China and the West, missionaries to China played an extremely important role, and their influence has increasingly attracted academic attention. This book provides historical materials and academic analysis of the special significance of modern missionaries to China in the history of cultural exchanges between China and the West from a literary perspective. The specific content is mainly developed from three aspects: the first is the study of Catholic missionaries to China in modern times and Chinese literature; the second is the study of Protestant missionaries to China in modern times and Chinese literature; the third is a case study of three missionaries to China, including Ming Xingli, Pearl Buck and Bao Guisi. Although the translation and introduction research of Chinese literature by missionaries in China inevitably has religious overtones, as "people between" Chinese and Western cultures and researchers with profound "on-the-ground" experience, their work has preserved a wealth of first-hand information for the study of Chinese literature today and provided a unique research perspective, which can undoubtedly enrich our research space and expand our research horizons.

This book takes some modern Chinese novels with musicality as the object of investigation. From the perspective of implicit musicality and explicit musicality, this book attempts to open up the subtle relationship between novels and music from a cross-art perspective, understand the overlap and gap between the two arts when they serve as reference for creation and criticism, and thus intervene in the deep interpretation of human nature, culture and art behind the gaps of these overlaps and gaps. The musicality of the novel in the book is both a means and an end. It is a way to grasp and understand the work and even the world. It can even be said to be an inner deep structure of any organic life form.

Virginia Woolf (1882-1941), a master of British modernist literature in the 20th century, devoted her life to the innovation of novel creation and promoted the development of modernist literature. She also wrote about historical events such as war, the feminist movement, homosexuality, and the decline of the British Empire in her era. Woolf's modernist works seem to be divorced from historical background, but in fact they are rooted in the historical reality of modernity, and they are also an effective means of narrating history. This monograph comprehensively studies Woolf's diaries, autobiographies, letters, speeches, literary reviews, and historical documents such as Woolf's biography, notes, archival materials, and manuscripts, and reorganizes the family history, social history, and British Empire history that Woolf experienced in the real world. At the same time, this monograph adopts the New Historicist perspectives of Greenblatt, Hayden White, and Montrose to examine Woolf's modernist novels in the historical and cultural context. It examines Woolf's historical writing on the family history of her parents, siblings, the social history of the feminist movement, homosexuality, and class conflict, as well as the history of colonial independence and the British Empire in the two world wars, thereby exploring Woolf's historical views, historical narrative views, and historical writing strategies.

This book conducts a comprehensive investigation of Wang Jia and his "Supplementary Notes" from a religious perspective and a literary perspective. Specifically, the book conducts textual research on Wang Jia's place of origin and year of death, conducts in-depth exploration of his friendships and writings, and conducts a comprehensive examination of Wang Jia's thoughts from the four aspects of Confucianism, Buddhism, Taoism and prophecy. The study of "Supplementary Records" first sorted out the official and private bibliographic records of "Supplementary Records" in the past dynasties, and conducted a detailed study of the version and style of "Supplementary Records"; secondly, there was a special study on the textual content and artistic features of "Supplementary Records", which involved five aspects: the women and myths in "Supplementary Records", the language characteristics of "Shiyi Records", the intentional supernatural novel "Shiyi Records", and Xiao Qi and her "Records of Supplementary Relics".

"Mo Yan's Novels and Chinese and Foreign Literature" comparatively studies the similarities, similarities and differences between Mo Yan's novels and Chinese and foreign literature. It objectively, plainly, comprehensively and accurately reveals the inheritance and transcendence of Mo Yan's novels on Chinese and foreign literature as well as the unique value of Mo Yan's novels. It can be regarded as a reference book for Mo Yan research and readers' reading and understanding of Mo Yan's novels.

This book uses archetypal images as the logical starting point to construct a narrative theoretical system of Chinese ethnic minority literature, and uses it to interpret the texts of four writers and poets, Mandu Mai, Nan Yongqian, Zhang Zezhong and Akuwu Wu. It not only summarizes the creative experience of multi-ethnic writers, but also extends into the meaning of regional cultural interpretation and cultural personality construction, referring to the integration and interpenetration of Chinese classical literary theory, literary theory, narratology and literary psychology, and attempts to combine Chinese and Western cultures in a localized sense. The theoretical value of this book: (1) describes the philosophical process from ontology to subject, to object and even cultural text; (2) deconstructs the narrative paradigm that promotes conflicts, constructs plot logic, and shapes typical characters; (3) dismantles the gap between lyricism and narrative; (4) eliminates the gap between narrative and history.

Beidahuang literature mainly refers to the local literature of Heilongjiang as a whole. The literary image of Beidahuang ranges from Xiao Hong's traditional wilderness to the home consciousness of pioneers, and then to the folk hope of Beidahuang in the second entrepreneurship. Beidahuang's literary creation reflects the revolutionary discourse under the control of ideology. Entering the historical scene with a historian's attitude highlights the spirit of Beidahuang with dedication and sacrifice as its basic connotation, and reveals the difficult growth of people's degeneration under ideological discourse. Writers use reportage to touch the pulse of new life, demonstrate the beauty of the spirit of the times, and extract the passion of life. Sticking to the writing of daily life becomes the writer's spiritual stance. The writings of Beidahuang writers show a realistic attitude, and the concentrated appearance of "main theme" works and the recognition of local culture have become their common choices. The writing is devoted to dignity, and the poetic moments flow out in the ordinary life, listening to the redemption and self-redemption of "the sound of nature". The "bearded" culture and traditional virtues reflected in pastoral writing present images of rural life in the Great Northern Wilderness. It is the unique cultural aesthetic character of Beidahuang to enter the national soul from local writing, showing a cultural form of diverse symbiosis.

As a master of literary criticism, Jin Shengtan is concerned about the textual quality of a work and explores the nature of literary form. He mainly adopts the method of literary appreciation to analyze the beauty, ugliness, pros and cons of literary works, reveal the author's intention in writing, and guide readers on how to appreciate the text, thereby demonstrating the beauty of literary heart, diction, composition and analysis. This book attempts to summarize the characteristics of Jin Shengtan's formal criticism, explore how he grasps the meaning of text through form, and how he seeks the tension between emotion and rationality between art and science.

Neo-Victorian novels refer to the postmodern historical novels that emerged in the 1960s with the historical turn of contemporary British novels, with the Victorian period as the background and reconstruction object. Based on the conceptual definition and characteristics of neo-Victorian novels, this book explores the historical imagination and narrative reconstruction of the Victorian period by contemporary writers from three levels: metahistorical romance narrative mode, spatialized narrative time, and polyphonic narrative voice. The spatiality and hybridity in the narrative form of the neo-Victorian novel, the contradiction and uncertainty in the ideology, and the grotesqueness of ghost writing in the aesthetic style make it the most representative literary style of British postmodernism.

This book is the first academic treatise on the study of the Tongcheng Literary School in modern times. The article conducts a systematic and in-depth exploration of the modern Tongcheng School of Literature from the perspective of research on modernity and regional culture. The modern school of literature is divided into main branches according to region: Lingxi School, Shangyuan School, Xiangxiang School, Lianchi School, Xincheng School, Wuyi School, and Hou Tongcheng School. It conducts a groundbreaking discussion on the development and origin of this school, and uses the Tongcheng School as a case study to demonstrate the evolution trend of modern literature into modern literature. This work established the status of the modern Tongcheng School of Literature in the history of Chinese literature. It has important academic value for re-understanding the Tongcheng School and the evolution of modern literature. It is a rare academic work in the field of Chinese literary school research in recent years.

Based on extensive reading and in-depth understanding of Eco's writings, this book finds that his thinking on the labyrinth text ran through his entire academic and creative career, and fragments of his thoughts were scattered and submerged in every corner of his theoretical books, essays and novels. In his representative work "The Name of the Rose", he put the theory into practice, and added narration to what was unclear in the theory. This book puts forward a proposition - Eco has actually discussed the labyrinth text theory intermittently and scatteredly, but only in fragmentary form, which needs to be connected. This book attempts to discover, sort out and connect relevant theoretical fragments to outline the basic outline of its labyrinth text theory.

The mid-to-late 16th century was a historical period when China was "globalized". Closely related to naval warfare and maritime trade, the maritime situation provided opportunities for literati to display their talents. The maritime shogunate greatly attracted young scribes from the mainland. The anti-Japanese governor Hu Zongxian and the Zhejiang shogunate gathered a large number of elites from all walks of life. During the turbulent period of history, staff and scribes assisted the rulers in consolidating coastal defense and border areas and stabilizing the situation in the Ming Dynasty. The literary and cultural activities of the shogunate that were always associated with the naval war directly led the literary trend of the times. The needs of the cultural life of the shogunate and the singing and exchanges between the staff and scribes resulted in the production of a large amount of shogunate literature at this time. Operas, parallel prose, and novels competed with each other, and military literature also flourished. The most influential among them was Xu Wei, a famous scholar from Shaoxing. Xu Wei's creations represent the achievements of Hu Zongxian's shogunate literature and the development trend of the literary world of the times. After Xu Wei, many talented scribes joined the new coastal border shogunate after Hu Zongxian was killed and continued to engage in military and cultural activities. The Haijiang shogunate directly drew the literary map of China in the mid-to-late 16th century to a large extent, and since then changed the ecology of China's literary world.

Zhou Libo is a writer with fertile creations and far-reaching influence. However, Chinese literary criticism has not given him due historical evaluation for a long historical period. In the era of passion, Zhou Libo's works were suppressed because they were "not ideal enough" and "not pure enough". In the "new era", his works were ignored because of the trend of "farewell to the revolution". Zhou Libo has been portrayed as a hesitant hesitant or a passionate follower in different historical periods. He has long been underestimated and under-explained by critics. This book reinterprets Zhou Libo's literary creation, carefully sorts out the relationship between his works and the "May Fourth Movement" tradition and the "Speeches" tradition, analyzes his fate in the history of Chinese literary criticism, and thus reflects on the internal mechanism of contemporary Chinese literary criticism.

With "the relationship between contemporary Chinese novels and Buddhist culture" as the core, this book aims to place Chinese novel texts since 1949 in the context of the development of the relationship with Buddhist culture, and examine how Buddhist story prototypes, basic concepts, and discourse expressions shape the ontology of the story and the spiritual connotation of the novel; its significance in the creation of the narrative style, time and space structure of contemporary Chinese novels; and the generation and exploration of specific images, artistic conceptions, and language expressions. By sorting out the relationship between contemporary Chinese novels and Buddhist culture in diachronic and synchronic dimensions, it breaks through previous evidence-based research and case studies of writers' works, and deepens and expands this research dimension that has not yet been fully developed. It not only explores the opening up of the aesthetic paradigm of contemporary Chinese novels by Buddhist culture as a part of traditional Chinese culture, but also further considers anthropological propositions such as the sacred and secular, the ultimate concern of literature, and the possibility of Chinese literature dialogue with the world on a metaphysical level.

Zen Buddhism belongs to religion and poetry belongs to literature. The combination of the two finally blooms into the beautiful flower of Chinese poetry - Zen poetry. Zen poetry has the dual attributes of religion (Zen) and literature (poetry). It is a special creation that integrates religion (Zen) and literature (poetry). It is "literature" and "Zen". This book places the literati Zen poetry of the Tang Dynasty in the broad background of the development of literature and Zen Buddhism in the Tang Dynasty. From a macro perspective, it conducts a relatively concentrated, systematic and comprehensive study of the development and value of the literati Zen poetry of the Tang Dynasty from the aspects of its classification, typical imagery, unique artistic conception, aesthetic qualities, and the acceptance and absorption of Buddhist Zen classics, in order to be beneficial to the study of Tang Dynasty poetry and Chinese literature.

Based on research on Lawrence at home and abroad, this book relies on literary geography criticism methods, takes Lawrence's short life course as its longitude, and uses the geographical environment where he lived as its latitude. It examines the profound impact of the geographical factors that the writer experienced on his creations. Starting from a close reading of the text, we studied the geographical spaces such as mining areas, villages, cities, lakes and islands constructed in Lawrence's novels, and explored many profound natural images in these spaces, demonstrating the unique artistic style and charm of his novels.

At the beginning of the 20th century, under the background of "Western wind spreading eastward", Western fairy tales began to enter China. The development of Chinese fairy tales is inseparably related to Western fairy tales. This book mainly discusses the diachronic acceptance process of Western classic fairy tales in China and its multiple influences on Chinese fairy tales from the perspective of reception research. It specifically analyzes the independence of Western fairy tale genres and the generation of classic works, China's choice of Western fairy tales before and after the "May Fourth Movement", the spread and acceptance of Western fairy tales in China in the 1930s and 1940s, and the integration and development of Chinese and Western fairy tales in the new era.