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Why did the Jade Emperor send Sun Wukong to look after the Peach Garden? Why can't Monkey King, the great sage who once caused havoc in the Heavenly Palace, defeat many monsters? Why did Tang Monk obtain the Wordless Sutra for the first time? Why does the somersault cloud also happen to be thousands of miles away? What is the cloud road, and what is the main road? ... "Journey to the West" seems to contain many mysteries, but in fact there is a profound philosophy hidden behind it. This book is not a "big talk" or a "joke", but on the basis of being loyal to the original work, it focuses on understanding the life implications of "Journey to the West", allowing readers to get inspiration from relaxed reading and feel the power of the classic work in a subtle way.

Is "Jin Ping Mei" really a filthy book? But why is it one of the four great books and why it has been studied by so many people for thousands of years? This work can be read from many perspectives such as human nature, history, and society. Some of them restore the true history of the late Ming Dynasty, and some tell the story of unchanging human nature. Anyone can borrow the wine cup of Jin Ping Mei to pour out the block in his heart.

"The Complete Poems of Tsangyang Gyatso" tells the life of Tsangyang Gyatso in two parts. The first part talks about the fifth Dalai Lama's birth, becoming a living Buddha, love, deposed, wandering, cause of death, etc. In chronological order. The second part analyzes Tsangyang Gyatso's classic poems. The author pays attention to research, searched a large number of archives, sorted out the true story of Tsangyang Gyatso's life and poems, and made an in-depth analysis of his love and destiny changes.

China's first-class writers and well-known scholars have rarely joined forces to carefully select for you the immortal classics of modern and contemporary Chinese literature, the top ten life themes, and one hundred classics. Look at life from literature, gain insights into classics, and understand life. From Lu Xun's "The Scream", Shen Congwen's "Border Town", Zhang Ailing's "Half Life", to the contemporary familiar "White Deer Plain", "Song of Everlasting Sorrow" and "The Ordinary World"... Each work has a unique interpretation by famous teachers. Only by knowing "what each work is about" can we better understand them.

This is a monograph of literary criticism focusing on He Xiangyong's rural novels. He Xiangyong's novels have unique value in contemporary Chinese literature. Based on traditional Chinese culture, more than a dozen novels represented by the "Village Chronicles" series systematically and comprehensively represent the tremendous changes in China's rural areas during the 40 years of reform. The writer truly describes all aspects of contemporary farmers with delicate brushwork, forming the true "peasant writing" after Zhao Shuli. This book mainly analyzes He Xiangyong's novels and compares them with local novels by writers such as Zhao Shuli and Mo Yan. It discusses how to face traditional Chinese culture and Chinese countryside in the era of large-scale industry, post-modernity and consumerism, and how to deal with issues such as the combination of Oriental narratives and modern Western narratives.

"Jiupintang Art" is the name of a column opened by writer Zhang Jiupeng in the newspaper. He sorted out the artistic achievements and creative past of some representative writers, calligraphers, painters, and sculptors in Ningxia and China, visited them from multiple angles, and wrote a number of thoughtful essays. Zhang Jiupeng compiled these words into a volume, creating "Jiupintang Art Stories", which combines art criticism and art appreciation, serious discussion and interest.

Open the book and slowly read Shakespeare's sonnets. The version I chose is the 2005 Arden edition (edited by Katherine Duncan-Jones) Shakespeare's Sonnets. Opening the collection of poems, I found that in addition to the 154 sonnets, there is another poem under the same title "Shakespeare's Sonnets". This poem is titled "ALover's Complaint" (ALover's Complaint). According to reports, the incorporation of this long poem is to achieve a certain balance, contrast, or complementarity, that is, the sonnet is a male expression, while "The Lover's Resentment" is a female narrative. If the former reveals men's frustrated desire for love, then the latter expresses women's tragic complaints in a wonderful echo, creating an image of a male victim of love. This kind of gender balance would be very interesting if it became a reason for the works to be unified.

This book contains 17 important research papers by the author on Tang and Song poetry and Buddhist literature and art over the years, plus 3 book reviews. The research part on poetry of the Tang and Song dynasties involves poetic style, poetry themes, poetic concepts, poet identity, etc. The research part on Buddhist literature and art involves many aspects such as art, texts, and folk customs. The specific examinations and discussions are all cutting-edge results in this field, without losing interest and readability.

This book is a monograph that discusses the history of the development of Chinese novels. Starting from ancient myths and legends to the condemnation of novels in the late Qing Dynasty, it discusses the origin and evolution of Chinese novels, evaluates representative novel writers and works in various historical periods of China, and analyzes the internal connections between earlier and later novels.

This book collects a total of 35 poets from the Northern Song Dynasty, with a total of 281 lyrics; a total of 37 poets from the Southern Song Dynasty, with a total of more than 400 lyrics; it basically covers the important poets and lyricists in the Northern Song Dynasty and the Southern Song Dynasty. The selected words reflect the social life and style of the times at that time, and have a high artistic level.

Regarding the origin of the stories in the novel "Strange Stories from a Chinese Studio", most scholars currently focus on the comparative analysis of Legends of the Six Dynasties, Legends of the Tang and Song Dynasties and "Strange Stories from a Chinese Studio". However, there is still a lack of sufficient attention and in-depth discussion of the influence of classical Chinese novels from the Ming Dynasty and the early Qing Dynasty on the creation of "Strange Stories from a Chinese Studio". Based on the research of previous scholars, "Jianzheng Chubian" extensively excavated information from the notebooks, novels and poetry collections of Ming and Qing literati, read the texts carefully, and conducted detailed research, further proving that a large number of works in "Strange Stories from a Chinese Studio" were adapted from classical Chinese novels from the mid-late Ming Dynasty to the early Qing Dynasty.

Sinophone literature is the most eye-catching theoretical innovation in modern Western literature since the new century. From the perspective of global Chinese literature, it emphasizes the new relationship of dialogue, coexistence, and negotiation between mainland Chinese literature and Taiwan, Hong Kong, Macao, and overseas Chinese literature, and opposes the Cold War mentality that opposes the two. This book combines "Cold War culture" with "Sinophone literature" and strives to conduct a new discussion and interpretation of the century-old history of Chinese literature under the perspective of the Cold War. The book creatively uses important terms in Chinese literature such as "Cold War", "war cultural psychology", "Chinese comparative literature", "Southern literati" and "Cultural China" in new contexts, demonstrating the vitality of Sinophone literary theory. This book is also the first treatise on Chinese-language literature in mainland China, and will have a significant impact on the research paradigm of modern Chinese literature.

"Water Margin" mainly describes the story of 108 heroes headed by Song Jiang who gathered in Liangshan in the late Northern Song Dynasty. The author Gui Chuluzhu's writing is easy to understand, humorous and fluent, and full of philosophical thoughts. "Water Margin Exploration" is a collection of articles about "Water Margin" published by the author in newspaper columns. It is based on the novel text, starting from the novel text itself, using the logical mutual support between the plots and narratives of different chapters to explore the character creation, character relationships, Liangshan interesting things and various mysteries in the novel "Water Margin", striving to explore the real Water Margin world written by the novel writer. The full text has solid content, in-depth thinking, and a unique perspective. It is an excellent work that comprehensively interprets "Water Margin".

Poetry appreciation is the identification and appreciation of classical poetry. The thinking activity and process of feeling, understanding and evaluating the images and ideas contained in classical poetry. The thinking activities and emotional activities in appreciation generally start from the specific feelings of classical poetry, achieving a cognitive leap from the perceptual stage to the rational stage. They are not only restricted by the image and content of classical poetry, but also supplement and enrich the image based on their own thoughts and feelings, life experience, artistic perspectives and artistic interests. Use your own visual perception, past life experience and cultural knowledge to feel, experience, associate, analyze and judge classical poetry to gain aesthetic enjoyment.

This book is a monograph of literary criticism. As a literary master who combines Chinese and Western literature, Mr. Yang Jiang has captured the hearts of thousands of readers with his wise, pure, sincere and broad-minded writing. This book explains in depth and in simple terms, and interprets all of Yang Jiang's dramas, novels, and prose works in detail, with subtle details, leading readers to experience the unique aesthetic characteristics, spiritual connotations, and cultural connotations of Yang Jiang's works, enter the inner world of this wise man wearing an "invisibility cloak", and appreciate the charm of his wisdom that is intertwined with humor and compassion, and that combines rationality and sensibility. As the first monograph at home and abroad that systematically and comprehensively explains Yang Jiang's literary creation over more than eighty years, this book also attempts to grasp the spiritual pulse of intellectuals in the historical changes of China in the twentieth century through case analysis.

"Twenty-Four Histories" is a voluminous Chinese historical classic. It begins with the "Historical Records" written by Sima Qian of the Western Han Dynasty and has been carefully compiled by famous historians from all dynasties over more than 2,000 years. It is a collection of biographical history books, with a total of 3,259 volumes and about 40 million words. It describes the politics, economy, culture, astronomy, geography and other aspects of the Chinese nation for more than 4,000 years from the legendary Huangdi era to the 17th year of Chongzhen in the Ming Dynasty. It is the most detailed and authoritative historical masterpiece in my country.

"Zizhi Tongjian", referred to as "Tongjian", is a multi-volume chronological history book edited by Sima Guang of the Northern Song Dynasty. It has a total of 294 volumes and took 19 years to complete. It uses time as the outline and events as the objectives. It starts from the 23rd year of King Weilie of Zhou Dynasty (403 BC) and ends with the conquest of Huainan in the 6th year of Emperor Xiande of the Later Zhou Dynasty (959 AD), covering 1362 years of history in 16 dynasties. It is China's first chronological general history and occupies a very important position in Chinese official history books.

As an introductory book to Shakespeare's plays, "Teaching You to Read Shakespeare" shows us and analyzes the essence of Shakespeare's plays in easy-to-understand language, and it is in unaltered and original language, which is very rare among existing books in China. The author Ken Ludwig puts 25 of the most famous original English texts in Shakespeare's plays into the book, leading readers to appreciate Shakespeare's wonderful use of words one by one through recitation. Every reader will start with a simple line - I know a bank where the wildthy meblows bloom. At the same time, he also carefully interspersed the background knowledge about Shakespeare and his drama creation, allowing us to fully understand and understand this great literary master and playwright. At the end of the book, the author has carefully compiled a series of auxiliary materials for readers who want to know more about Shakespeare and his dramatic works, including: a chronology of Shakespeare's dramatic works for reference, a list of passages from his works for in-depth study, a carefully selected list of Shakespeare's meaningful quotes, and recommended books, movies, and audio recordings for extended reading.

"Ancient Poetry Lesson" is a book that will make you fall in love with ancient poetry. This book provides exquisite interpretation and appreciation of 46 emotional and classic ancient poems and modern poems. Part of the content is an appreciation draft written by the author in his early years for the flagship program "Reading and Appreciation" of the Central People's Broadcasting Station. The program features celebrities introducing masterpieces and broadcasting by famous announcers (popular with generations of viewers, known as the "three" program); part of the content is the author's essence works in the classical literature courses in colleges and universities, and part is a newly written analysis of classic poetry. The famous Chinese classical writer Yuan Xingpei, the famous calligraphers Fan Zeng and Guan Jun, etc. Have illustrated the poems and texts and presented them in the form of calligraphy, calligraphy, painting, seal cutting and other forms. This book is also accompanied by 15 early precious original audio tracks, reproduced by famous broadcasters Xia Qing, Ge Lan, Lin Ru, Tiecheng, Fang Ming and others. This book presents the infinite charm of classical poetry from all aspects and angles.

The "Speaking of China" series puts the glory and setbacks, unity and division, progress and regression, war and peace, justice and evil of the Chinese nation in the dialectical process of the unity of opposites, and displays them one by one.

The "Speaking of China" series puts the glory and setbacks, unity and division, progress and regression, war and peace, justice and evil of the Chinese nation in the dialectical process of the unity of opposites, and displays them one by one.

This book brings together the author's nearly 20 years of poetry research results. Although some chapters were written earlier or the thinking is not mature enough, they can still be used as a reference for the research and creation of modern Chinese poetry. The author insists that the study of modern Chinese poetry should be "opened up" as the main feature. From a comprehensive perspective of ancient and modern Chinese and foreign poetry creation and poetic thought, the author uses the history of modern Chinese poetry as the basic research background and the recent new development direction of current poetry creation as the starting point for research, reviewing history and looking forward to the future.

This book contains 27 academic papers on female topics in ancient Chinese novels that have been written by the author since 2000 or co-authored with master students under the guidance of the author. They are signed by the author in the catalog. "A Research Paper on Women in Ancient Chinese Novels", based on traditional research methods, uses feminist criticism methods to analyze and discuss issues such as female images, views on women, women's living conditions and female consciousness in ancient novels. At the same time, it also reflects the unique perspectives, experiences and research interests of myself and the graduate students as women.

The main contents of this book include: Writing in the Cave·Anthropology of Poetry, "Everything must be lived personally", the historical sense of contemporary poetry, writing such as loess-fried sorghum, lifeboats, life and death cards, and island writing, active poetic language alcohol molecules, abstract poetry: unknown codes, black holes of thinking, etc.

This book is divided into three parts: the upper part, the lower part and the appendix. The first part mainly discusses the two art types of literature and film, and makes a theoretical comparison from the differences and interactivity of their media symbols and other aspects; the second part is a close reading of the texts of Zhang Xianliang's literary works and film works. In the process of collecting and reading, relevant theories of literature and film were used to analyze the works, mainly using the methods of media symbols and narratology mentioned above to read the works carefully; the appendix is Zhang Xianliang's memorabilia, which completes Zhang Xianliang's life and creative memorabilia in the form of a chronology.

"Yan Ming Jiugao - A Review of Ningxia Essays" is the author's monograph of narrative commentary on the current situation and achievements of Ningxia essays in the past forty years. It is divided into eleven chapters and discusses the works created by Ningxia essay writers in different eras, such as Wu Xuanwen, Wang Qingtong, Xing Kuixue, Niu Paina, Mu Yuan, Ma He, Wang Tuya, Batu, and Min Shengyu. It not only presents the diversity of Ningxia essays, but also structures the current situation of Ningxia essays in this period from an academic level.

This book discusses the development of literature in the Ningxia Hui Autonomous Region since its establishment sixty years ago, and presents the overall style and historical development of Ningxia regional literature. It is divided into three parts: "Literary Geography Theory", "Literary Mere Theory" and "Documentary Data Collection".

Liu Jian was born in Jingzhao Prefecture (governing Liangliang'an, Shaanxi today) during the Five Dynasties and early Song Dynasty. In the early Song Dynasty, tired officials came to live and give up their lives. In the third year of Emperor Qiande's reign (965), Emperor Taizu of the Song Dynasty became the general magistrate and military supervisor of Sizhou. In Kaibaozhong, he was the salt and iron judge of the third division. He was ordered to participate in the compilation of "Old History of the Five Dynasties". After Emperor Taizong of the Song Dynasty came to the throne, he was promoted to Wai Lang, a member of the Ministry of War. In the third year of the Taiping Xingguo reign (978), he was ordered to jointly examine the special officials of various states with Zhang Jue and Guo Zhi. He eventually became the governor of Rongzhou. He likes to recite poetry and has a collection of poems.

The main contents of this book include: poems, lyrics, songs, fu, tunes, couplets, drinking orders, lantern riddles, Jiejie, jiwen, divine fortune tellers, and verses.

The author selects 40 modern novels that represent the times and reflect the social outlook in the thirty years from 1919 to 1948. "Novel is the secret history of a nation." In addition to political storms and wars, the novel also contains the mentality, thoughts, and actions of ordinary people in "big history", as well as their joys, sorrows, and joys, as well as the details of their lives. Fictional novels have non-fictional backgrounds. To understand the history and emotions of modern China, the best way is to read the novels that were widely circulated at that time and communicate and resonate with the Chinese people a hundred years ago.

This book is divided into five parts: author theory, work theory, reader theory, comparative theory, and appendices. The main content covers Zhang Henshui's life and creative path, Zhang Henshui's literary achievements, the artistic characteristics of Zhang Henshui's masterpieces, the social and cultural roots of Zhang Henshui's continuing popularity of novels, and the interactions and comparisons between Zhang Henshui and contemporary writers. It examines Zhang Henshui and his works in the context of Chinese culture and Chinese literature, and guides readers into Zhang Henshui's literary world.

This set includes a total of 5 volumes: "The Analects of Confucius (The Theory of Gentlemen)", "The Analects of Confucius (Etiquette, Music, and Humane Virtues)", "The Analects of Confucius (The World is Common)", "The Analects of Confucius (The Words and Behavior of Rural Residents)" and "The Analects of Confucius: Common People's Right Mind and Self-cultivation". The Analects of Confucius is a work that records the words and deeds of Confucius and his disciples in the form of quotations. It is the origin of Chinese Confucian culture. This book is the author's interpretation of "The Analects" from an ordinary person's perspective. The author is an official and has been conducting in-depth research on the Analects of Confucius. This analysis focuses on "cultivating one's mind with a correct mind", taking the improvement of self-cultivation and exploring social phenomena as the context, and interprets it chapter by chapter, sentence by sentence, hoping to connect theory with practice, open up and stimulate readers' thinking, so as to achieve the purpose of interactive communication and reach the destination together.

Mr. Wen Yiduo went through three stages in his life: poet, scholar, and fighter, and finally composed a magnificent poem with his own blood and life. The poems written by Wen Yiduo developed the patriotic tradition in the creations of Qu Yuan and Du Fu, and have a distinct sense of the times and the nature of social criticism. This book selects Mr. Wen Yiduo's discussion on poetry to help us understand the ideological process of Chinese people in turbulent times. Some people comment that Wen Yiduo's poems are the practice of his artistic ideas. Most of his poems are like oil paintings with heavy colors. He not only likes to use heavy brushstrokes to depict images and exaggerate the atmosphere, but is especially good at changing various moods and colors in bold imagination and novel metaphors. Coupled with the framework of beautiful artistic forms such as harmonious syllables and neat verses, his poems become complete works of art. But sometimes due to deliberate carving, the brilliance of simplicity and natural beauty is lost. It can be said that Wen Yiduo's poems created a new genre of metrical poetry and influenced many subsequent poets.

This book attempts to conduct a relatively comprehensive study and evaluation of Forster and his works from the two perspectives of Forster's creative thoughts and writing skills. The book touches on Forster's life experience and the formation process of his outlook on life. It also studies Forster's creative thoughts and creative process from the perspectives of changing times and social, political and economic development.

Tang legends, like Tang poems and poems, have the function of reflecting the voice of individuals and even the times. Hu Yinglin, a Ming Dynasty scholar, said: "Talks of variation flourished in the Six Dynasties, but most of them were based on inaccurate records and were not necessarily fictitious. In the Tang Dynasty, people used to write novels out of curiosity and wrote fake novels." The author of this book found a new approach in addition to textual research and artistic research on the authors of Tang legend versions, starting from the political background of legend writing, and starting from the political background of the legend author. Starting from the political attitude, through the combination of expertise and mutual verification of literature and history, or by comparing the similarities and differences between the content of the work and historical facts, or identifying the prototype of the work's characters, the year of creation, or investigating the actual author and title of the work, on this basis, we can infer the song, use the will to go against the will, and explore the author's creative intention, that is, the true meaning of the work, through the superficial drawings.

A multi-dimensional, three-dimensional and comprehensive presentation of the "post-80s" literature, a follow-up writing that lasted for more than ten years.

This book selects the representative works of Chinese poets from past dynasties, interprets them with affection, deconstructs them spiritually, writes them with independent thinking, and expounds them with aesthetic gestures, carrying out a poetic tour and a cultural exploration. The book is divided into nine volumes, including: the romance of the Book of Songs, the charm of Chinese poetry, the style of Wei and Jin Dynasties, the style of the Six Dynasties, the beauty of Tang poetry, the elegance of Song lyrics, the dilution of Yuan poetry, the spirit of Ming poetry, and the temperament of Qing poetry.

After the publication of "Looking at the Spring Breeze", the confusion and worry about the decline of rural civilization or the rise of urbanization aroused are still lingering. From 2018 to 2020, Ge Fei took the "Novel Narrative Research" class in the Chinese Department of Tsinghua University to think about these issues in the context of the history of modern novels. He selected three cases from novelists since the mid-19th century to discuss the changes in social, historical and cultural concepts over the past 100 years, thus forming this vivid literary lecture volume - "The Boundaries of Civilization". This book focuses on the Austrian writer Robert Musil, the Japanese writer Naoya Shiga and the American writer Melville. From "The Man Without Personality", "Walking in the Dark" to "Moby-Dick", Ge Fei takes readers through the forest of literature to visit these three restless modern hermits. Strong questioning and reflection on the process of modern civilization are the common characteristics of all great novels since the 19th century. This volume of literary lectures, from the perspective of an intermediary in the natural transition from tradition to modern civilization, asks: What is the boundary of modern civilization? Where exactly is it taking us?

The "Jia Mansion" with its poetic hairpins and the "Grand View Garden" with its prosperous flowers and willows are full of rich material details. Among these details, the depiction of "architecture" and "garden" are particularly meaningful: the quietness of Xiaoxiang Pavilion, the lightness of Hengwu Garden, the splendor of Yihong Courtyard, and the silence of Zhujin Tower. , The spaciousness of Qiu Shuangzhai, the simplicity of Daoxiang Village... Almost every part of the Grand View Garden echoes the character of the characters - the Qiu Shuangzhai with no partitions and grand furnishings can only be a refreshing and enterprising place to explore spring; while the Hengwu Garden, with its rooms like snow caves, would not be Daiyu's choice. Halls, halls, buildings, pavilions, pavilions, pavilions, gardens, houses, pavilions, nunneries, temples... These many ancient Chinese architectural names not only reflect the styles and styles of Ming and Qing architecture and gardens, but are also imaginative constructions based on the character's temperament and destiny. It is not only the background and stage for interpreting the story, but also an important role in "Dream of Red Mansions", where the ladies of the Red Mansion can stop and concentrate, breathe and grow, and sing and cry together with them. For example, Daiyu's Xiaoxiang Pavilion was once "a dense forest of phoenix tails and a thin roar of dragons." When Daiyu's fragrance faded away, the whole courtyard was filled with just fallen leaves and cold smoke... This book starts from the "architecture" and "garden" in the Red Mansion. While introducing relevant knowledge about ancient Chinese gardens, architecture, furniture, etc., It also analyzes the relationship between characters and their living environment, leading readers to experience the infinite depth and tortuous "meaning" of Red Mansions in this "context".

Mr. Yang's master's thesis "The Collation and Annotation of Literary Mind and the Carving of the Dragon" completed in 1939 aroused strong repercussions at home and abroad after its publication. The famous Japanese sinologist Kōkatsu Toda believed that "The Annotation" contains "many insights that have not been published before" and can be called "a masterpiece in the study of "The Literary Mind and the Carving of the Dragon" from the Republic of China to the post-war period." Taiwanese scholar Wang Gengsheng believed that the book "established a new epoch for future generations in the study of "The Literary Mind and the Carving of the Dragon"." This book selects Mr. Yang's "Liu Xie and "Wen Xin Diao Long"", "Liang Shu Biography of Liu Xie" Notes", "Liu Xie's Thoughts from Two Articles of "Wen Xin Diao Long", "Yuan Dao" and "Preface"" Papers such as "Liu Xie's Theory of Conception - Reading One of the Essays on "The Literary Mind and the Carving of the Dragon"" embody Mr. Liu's important achievements in the study of "The Literary Mind and the Carving of the Dragon" and are of extremely high academic value.

With his trademark open and eloquent and unrestrained writing, Wang Meng expressed his unique understanding of the vast and exquisite ideological artistry and social, historical and cultural connotations of "Dream of Red Mansions" in the context of the twentieth century, and wrote Wang Meng as a writer. How did Meng try to explore the writing style and writing psychology of another writer Cao Xueqin in the creation of "Dream of Red Mansions", as well as various thoughts and practices, successes and mistakes during writing, and from this novel perspective, he unearthed many unhumanized ideas and formulations. Therefore, this book can be said to be a dialogue between writers who are thoughtful and spontaneous.

Bachelard has always permeated the artistic conception of dreams and poetry into his thoughts. In this book, he further introduces phenomenological methods into imagination and poetics. He emphasized the epistemological value of imagination and images, believing that they open up the future: any awareness of consciousness is an increase in consciousness, an increase in light, and an enhancement of psychological coherence. Bachelard used the results of contemporary psychoanalysis in his research. However, his thoughts were closer to Jung's depth psychology. In order to deeply explore the human soul, he entered the distant childhood of human beings, that is, the era when sensibility and rationality were unified long before the emergence of science. He pondered alchemy and little-known aspects of ancient philosophical thought: such as the doctrine of the duality of yin and yang, and the material imagination of the basic elements of the universe: water, fire, air and earth. Bachelard's feminine and masculine "anima" and "animus" guide us to appreciate the poetics of dreams with endless charm.

The initial form of the "History of Poetry" theory: re-reading "Ben Shi Shi", Li Bai's story and the emergence of the concept of "History of Poetry", the theoretical background of Meng Qi's "History of Poetry" theory: "Spring and Autumn" theory and "fate", the "History of Poetry" theory in the Song Dynasty centered on the interpretation of Du's poems, the historical periodization of the "History of Poetry" theory in the Song Dynasty, and the arrival of the last years of Renzong The connotation of the concept of "history of poetry" in the early years of Zhezong (1060-1090), the connotation of the concept of "history of poetry" in the Huizong and Qinzong dynasties (1101-1127), the connotation of the concept of "history of poetry" from the Southern Song Dynasty to the early Yuan Dynasty (1127-1286), and the application of the concept of "history of poetry" in the late Song and early Yuan Dynasties.

Bai Juyi (772-846), whose courtesy name was Letian, also known as Xiangshan Jushi, and Mr. Zuiyin. His ancestral home is Taiyuan, Shanxi. His great-grandfather moved to Xiagui and was born in Xinzheng, Henan. Bai Juyi was a great realist poet in the Tang Dynasty and one of the three major poets in the Tang Dynasty. Bai Juyi and Yuan Zhen jointly advocated the New Yuefu Movement, known as "Yuan Bai" in the world, and "Liu Bai" together with Liu Yuxi. Bai Juyi's poetry has a wide range of themes, diverse forms, and simple and popular language. He is known as the "Poetry Demon" and the "Poetry King". He became a bachelor of the Hanlin Academy and a doctor of Zuo Zanshan. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. There is "Bai's Changqing Collection" handed down from generation to generation, and his representative poems include "Song of Everlasting Sorrow", "The Charcoal Seller", "Pipa Play" and so on.

As an additional volume to the "Collected Works of Joyce", as its subtitle suggests, this book is a collection of famous writers' comments on Joyce. Critics include Pound, Yeats, Bernard Shaw, Woolf, Edmund Wilson, Richard Ellman and other modern and contemporary masters. They not only deeply explored Joe's text, but also paid close attention to and grasped its structure from a conceptual perspective. For many years, it has been an indispensable introductory tool for reading Joyce. Many of the original discussions are famous works (authors) of Qiao's research that have caused a sensation and attracted much attention. Both general readers and experts put it on their desks.

This book attempts to reconstruct the complex literary landscape under Japanese and puppet literary control during this period (1942-1945) by examining relevant literary journals, newspaper supplements and some special phenomena during the fall of Shanghai (1942-1945), and interprets the mental symptoms of modern Chinese literati under alien slavery and the significance of their "clam disease forming pearls". The main contents include the prose writing of Wang Puppet politicians, the rewriting of Lu Xun's image in "China Supplement", Zhou Zuoren's influence on prose creation during the fall of Shanghai, Lewis's "pure poetry" theory and literary creation, Zhang Ailing's war memory and writing, Qian Zhongshu's hibernating mentality and creation of old-style poetry, Zheng Zhenduo's hibernating memory and writing, etc. This book is different from other works on the literary history of occupied areas. In terms of writing method, it focuses on analyzing the writer's creative mentality and literary influence; in terms of text selection, it is compatible with old and new literature, and is not limited to this time and place. It mainly depends on whether the writing content is closely related to the period of Shanghai's occupation. This book is suitable for researchers of modern Chinese literature and college students, and will help expand their literary history horizons.

From the macro perspective of the development history of ancient Chinese novels, this book is based on a detailed combing and in-depth interpretation of "Taiping Guangji" and its related documents, analyzes the understanding of "Taiping Guangji" in Han and Tang novels, explores "Taiping Guangji"'s confirmation and collection of Han and Tang novels, and reveals the objective facts that "Taiping Guangji" summarizes the development of Han and Tang novels; Based on the historical investigation of the copying and engraving of "Taiping Guangji" since the Song, Yuan, Ming and Qing dynasties, we will sort out the ways, methods and effects of "Taiping Guangji" in preserving and disseminating Han and Tang novels, clarify the role, status and influence of "Taiping Guangji" in preserving, disseminating, organizing and researching Han and Tang novels, and objectively evaluate the contribution of "Taiping Guangji" to the history of novels.

"Research on Image Documents of Chu Ci in Past Dynasties" is the first to conduct a systematic study on the generation, development, evolution, value and influence of the image documents of "Chu Ci" in ancient China. The "General Catalog of Images of Chu Songs in the Past Dynasties" has been sorted out, including 311 items of "Chu Songs" images, which is the largest number of similar studies in existence. It focuses on showing the overall appearance of "Chu Songs" images collected at home and abroad. It has compiled more than 490 poems and articles related to "Chu Songs" images in past dynasties, including For the first time, more than 60 lines are copied directly from the images; the development process of the emergence, prosperity, and transformation of the ancient Chinese "Chu Ci" images is sorted out, and its schema types, characteristics, causes, literary and artistic values, etc. Are explored, providing an important research foundation for successors.

Based on texts and historical materials, this book systematically and comprehensively explains Jiang Jingai's novel creation and the trajectory of the writer's life and activities in Northeast China from aspects such as theme, gender consciousness, Chinese image, narrative mode, metaphorical structure, scene description, and aesthetic connotation. It then looks into the literary creation of Korean immigrant writers in Northeast China in the 1930s, and grasps the impact of multicultural context on the writer's creation and the perception of China's image in the specific era of the Japanese occupation of Northeast China.

Who is the real author of "A Dream of Red Mansions"? What is the true meaning of Dream of Red Mansions? These issues have always been debated. This book is another masterpiece by the famous psychologist Zhu Jianjun. Some authors use dreams as a starting point, combined with psychological analysis, to sort out more than ten kinds of arguments about the author of Red Mansions, and finally reveal the true author of the Dream of Red Mansions - the historical figure Zhu Yunwen. The second part of the book analyzes the character and destiny of various characters in "A Dream of Red Mansions" from a psychological perspective, and elucidates the subtle meaning of "A Dream of Red Mansions". The book takes psychology as the starting point and provides a unique perspective for interpreting Red Mansions.