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"The Aesthetic Expression of the Mountain World in Eastern Zhejiang-A Study on the Creation of Wei Jinzhi's Novels" is a monograph full of academic value. The whole book has a scientific framework, rigorous structure and strong logic. In the discussion, the argument is fair, the viewpoint is novel, the argument is sufficient, and the argument is penetrating. The operation of the whole book is very standardized, and the citations are very clear, showing a rigorous academic attitude.

"Research on Selected Works from a Modern Academic Perspective" edited by Liu Yuejin and Liu Hong is a collection of research papers on ancient literary theory. The authors are all experts and scholars with high academic levels in this research field. It is divided into two parts. The first part is a comprehensive study and contains 12 papers. It mainly focuses on the study of the methods of famous scholars in studying ancient literature, that is, the study of research. The second part is mostly focused on the proofreading and criticism of various versions of "Selected Works".

In the disciplinary theory of literary geography, there are two core aspects: one is the conceptual category of the discipline; the other is the basic idea of ​​the discipline. The primary issues closely related to these two aspects are the nature, tasks and characteristics of the discipline. Only when the nature, tasks and characteristics of the discipline are clearly discussed can other theoretical issues have a direction. This article discusses the literary and cultural aspects of literary geography from the perspective of its subject nature and tasks, and proposes the foothold of the subject theory.

During the Qian and Chun reigns of Emperor Xiaozong of the Southern Song Dynasty, Xin Qiji and Jiang Kui stepped onto the stage one after another, and the poetry world of later generations has never been freed from their barriers. Lyricists of all generations have recognized the importance of this period but have different opinions. Specifically, Xiaozong's poetry broke the dominance of erotic poetry since the late Tang Dynasty. Themes such as chanting objects, describing feelings, reasoning, birthday wishes, and stanzas were highlighted. "Using poetry as lyrics" was completely realized, and discussions and allusions were extremely common. At the same time, there was a separation between the creation of literati and the entertainment needs of the society, and the songbooks compiled and selected by the public were still mainly composed of Northern Song Dynasty poems. "Poems in the Thatched Cottage" is a typical representative. By comparing the two great poets Su Shi and Xin Qiji, we can also see the differences in the times and the maturity and establishment of the style of poetry in the Southern Song Dynasty.

This book mainly studies the ideological connotation of Richard Wright's novels, covering four aspects: first, the source of Wright's creation, that is, the life experiences he has seen and felt since his childhood; second, the cultural logic and ethical and political thoughts of Wright's novels, which are Wright's ideological program for literary creation; third, the textual interpretation of Wright's representative works created in different periods; fourth, a discussion of Wright's chain role in the development history of African-American literature.

Yan'an literature is a relatively independent literary form in the history of modern Chinese literature. Yan'an literary modernity also embodies a certain degree of humanistic care and enlightenment, and is a complex existence. Its formation has gone through a dynamic process and was formed historically in the course of historical development. The modernity presented in late Yan'an literature has its self-transcendence character, and also strengthens its own modernity color derived from faith. This is literature based on faith and tending to faith. As an objective historical existence, Yan'an literature should also be an open existence when reconstructed under restoration and reflection, and its contemporary value should be highlighted through continuous exploration.

This book puts writers and their works into specific environments for investigation, and examines their relevance and integration with nature, people, society, education, ethics, customs, etc. It breaks through the boundaries of the subject and conducts multi-faceted reflections and explorations on ancient Chinese landscape poetry with an ecological system view and ecological values. This book is divided into three parts: the upper, middle and lower parts. The first part uses the description of landscapes in Aodian's poems to reveal its cultural connotation and social background; the middle part analyzes the most representative aesthetic paradigms of landscapes in the Chinese literary tradition, from which we can understand our nation. Unique ecological wisdom and artistic appeal; the second part uses the standpoint of literature and history, with reference to and integration into various other humanities disciplines such as archaeology, anthropology, folklore, philology, etc., To conduct literature research on the author, year, and theme of some famous landscape poems.

Prishvin is an outstanding Russian literary master. His novels, essays, fairy tales, and literary creation theories are all handed down from generation to generation. This book is based on the historical facts of the writer's creation and uses genre types as methods to study his creation. Gorky praised Plishvan: "After Leskov, there is no such sophisticated Russian in our literary language." Prishwen's clear words and beautiful sentences are beyond the language. He has a profound Russian cultural heritage and is soaked in the charm of Eastern culture. With just a few strokes, the Russian landscape is outlined, and the work is full of rich painterly meaning. His pen is concise and his intention is clear. The moral philosophy soaked in language makes his stylistic innovation unique and unique.

This book deeply explores the modern elements of the late Qing's overseas travel notes from the aspects of the turning point of the spiritual structure, the evolution of ideas, and the fission of the travel writing style, and details the complex evolution of its textual writing, thereby pointing out that the late Qing's overseas travel notes contain the basic elements needed to construct the modernity of Chinese prose. This element, which originated from the occurrence of overseas experiences, broke through the righteousness barriers of ancient prose and broke away from the rigid language symbol system. It played a role in promoting the generation of modern prose in terms of spiritual awareness, language awareness, and stylistic awareness, thereby constituting an important link in the modern transformation of Chinese prose. At the same time, while discussing the modernity of overseas travel notes in the late Qing Dynasty, this article always places it in the interactive relationship between "self" and "other", and the local and foreign lands. It not only emphasizes the impact of "other" on "self", but also emphasizes the subjective resistance of "self" when facing "other". It also points out that in addition to impact and resistance, there is also a complex and ambiguous communication picture of mutual penetration and mutual shaping between the two parties. In short, the study of the modernity of travel notes outside the city in the late Qing Dynasty not only explores the modernity of the travel notes outside the city in the late Qing Dynasty, traces the fundamental motivations and realistic basis for the emergence of modern consciousness in the travel notes outside the city in the late Qing Dynasty from a historical perspective, and grasps its evolving historical form relatively objectively, which is of great significance in the history of thought. It also effectively tracks the occurrence process of modern Chinese prose, providing reference and reference for the study of the occurrence of modern literature.

The seventh volume of "Literary Geography" contains 25 papers from the 7th Annual Conference of the Chinese Literary Geography Society, selected from 172 participating papers, including "Spatial Perception and Literary Communication on the Nakdong River and Its Coast in South Korea" by Professor Zheng Yuluo from Kyungpook University in South Korea, and "Spatial Perception and Literary Communication on the Nakdong River and Its Coast in South Korea" by Nanyang Technological University in Singapore. Professor Ruofen's "The Spirit of East Asian Civilization and the Cultural Image of Eight Scenes of Xiaoxiang", Professor Zeng Daxing's "The Connotation and Research Methods of "Regional Literature"", Professor Gao Jianxin's "War Fires in Tang Poetry and Its Cultural Landscape Value", Professor Han Luhua's "Comparison of Jia Pingwa and Mo Yan's Local Narratives - Based on Regional Ecology" Culture as a Perspective", Professor Wang Jianguo's "Xizhou Song - An Examination of the Geographic Environment in which it was Produced", Professor Tao Litian's "Literary Hearts and Carving Dragons - A Study of Geographical Criticism", Associate Professor Du Xueqin's "The Starting Point and Development Process of the Literary Landscape - Taking Three Famous Buildings in Jiangnan as an Example", Associate Professor Long Qilin's "Geography" "Physical Image Historical Materials, Literary Geography Discipline Background and Professional Spirit - Issues and Reflections on Geographic Image Historical Materials in Chinese Literary Research Works", etc. The literature is rich in material, rigorous in argumentation, new ideas, standardized writing, has high academic value, and is of great significance in promoting the healthy development of literary geography.

This book takes the study of Mao Dun in the English-speaking world as the research object. Based on a close reading of the text, it carefully and systematically sorts out and studies the translation, introduction and research results of Mao Dun's works in the English-speaking world. It reviews the translation, introduction and research of Mao Dun and his works from the perspective of Western culture, hoping to provide reference for domestic studies of Mao Dun and even modern and contemporary literature research.

Ryotaro Shiba (1923-1996) was the most influential historical novelist in Japan after World War II. He had extensive influence in the political and economic circles and was known as the "national writer" (Japan). Ryotaro Shima has written a large number of historical novels, essays, and travel notes on topics related to China, Japan, Korea and other East Asian countries, totaling more than 60 volumes. This book conducts a comparative study of the creations of Ryotaro Shiba and related writers, analyzes Ryotaro Shiba's literary narrative of East Asian history, and his thoughts on East Asia and Japan. It can help readers gain a deeper understanding of Ryotaro Shiba's literature, Japanese writers' understanding of East Asian history, and then gain a deeper understanding of Japan and East Asia.

This book is an important achievement in the theory and criticism of Chinese ethnic minority literature since the 21st century. It is an integrated work of the study of "Chinese Multi-ethnic Literature Historical View". On the basis of a comprehensive explanation of the theoretical basis, basic connotation, structural elements, practical value and academic significance of the multi-ethnic literary historical perspective, the author re-explored the basic issues of Chinese literature research such as time, space, and the national knowledge attributes of Chinese literary history. He summarized the relationship between the multi-ethnic literary historical perspective and the transformation of Chinese history and philosophy, and examined the cultural policies and multi-literary ecology of the world's major multi-ethnic countries. The "multi-ethnic literature" in this book is not the "multi-ethnic literature" within ethnic minorities, but refers to the objective form of multi-ethnic literature in multi-ethnic countries. Therefore, the purpose of this book is not only to promote a theoretical shift in the study of Chinese minority literature, but also to re-examine the multi-ethnic, multi-historical, multi-traditional, multi-form, and multi-lingual characteristics of Chinese literature as well as the historical laws of integration, coexistence, and common development based on the theoretical basis of a multi-ethnic literary historical perspective, thereby promoting the fundamental transformation of Chinese literary research paradigms and the innovation and consolidation of literary discourse in a world-wide sense. Therefore, the construction of the Chinese discourse system of world vision, national consciousness and Chinese multi-ethnic literature research is the theoretical innovation and academic contribution of this book.

This book takes as the research object the individual cases of Zen writing in the Song Dynasty. The first part focuses on the poetry tradition of Qian Zong, and studies the special form of the poetry paradigm passed down from generation to generation by Qian Zong in the Song Dynasty. The content includes songs at twelve o'clock, mountain dwelling poems, pastoral songs, "Eight Scenes of Xiaoxiang" poems, etc. It also studies the writing characteristics of Qian Lin's notes in the Song Dynasty. The second part is mainly based on the writing conventions and folk taboos of the monks. The content includes special language phenomena such as monks' Dharma names and epithets, nunneries and Taoist names, death dates and birthdays, clavicle and bolts, fetus abduction and reincarnation.

This book restores and reveals the complex elements contained in the literature of the liberated areas, explores the reasons for the existence and changes of the literature of the liberated areas, and also covers the works of contemporary literary writers and literary phenomena. Literature in the liberated areas has constructed a special tradition, which is renewable. As a latent force, it controls the basic direction and basic way of literary behavior after the founding of New China. Its role is more "original". For later literature, it is by no means just an external restrictive factor and a "shaping" force, but through its effective penetration and refraction, it eventually becomes the spiritual rationale that runs through the writer's thinking and the logical force that affects the internal laws of literary creation.

This book sorts out and examines Chinese contemporary novels since 1978 from the perspective of irony, and focuses on the novels of five writers: Wang Meng, Wang Shuo, Wang Xiaobo, Liu Zhenyun and Yan Lianke. From the inside to the outside, from grand history to the grassroots, it analyzes the role of irony in the process of deconstructing revolutionary political discourse. Five representative forms of irony and ironic emotions: protection in questioning, pleasure after subversion, pursuit in laughter, confusion in alienation, and tenderness in edge, explore the ironic features of novels that coexist in multiple symbiosis in contemporary Chinese novels since 1978 in a discourse system in which enlightenment and subversion mutually penetrate and dissolve.

This book displays the latest results of Dungan research, places Dungan literature in the coordinates of world Chinese literature, covers Dungan written literature and folk oral literature with thematic research, lays the poetic foundation for Dungan literature research, and outlines the research framework of Dungan literature. At the same time, it also makes key breakthroughs, or digs deeply into certain key points of Dongqian literature, or explores the historical context. Based on the latest information in Dungan and Russian, it is interpreted with new references and perspectives, especially the study of complementarity and mutual support between Dungan literature and Chinese culture, and the comparison of the original Dungan colloquialism and the colloquialism of Chinese writers. It subverts some common views of popular textbooks and draws unique new conclusions.

Alice Walker (1944-) is an outstanding contemporary black female writer and social activist in the United States. She not only created a large number of excellent novels, poems, and prose works, but also became a leading figure in American society concerned about the human living environment by advocating women's ideas. This book is a thematic study of Walker's novels (mainly novels), covering author evaluation, literature review, exploration of women's theory, text analysis, etc. Textual analysis (chapters 4 to 7) is the focus of the book. It brings Walker's novels into a womanist perspective and interprets common themes related to the survival of black Americans and even the entire human race, such as the return of black masculinity and humanity, the struggle of black women to subvert male and white hegemony, the inheritance of black folk culture, and gender harmony, racial harmony, and even the harmony between man and nature.

During the Qing Dynasty, poets from other places came to Longyou in an endless stream through officialdom, wandering, entering the imperial court, and being exiled. They created a large number of poems and works in Longyou, which have unique cognitive value. Through the study of the poetry creation of Long You, a poet who lived in Longyou in the Qing Dynasty, this book deeply explores the inner connection between the poetry creation of Long You, a poet who lived in Longyou in the Qing Dynasty, and his local culture and Longyou culture, and further explains the important influence of the integration of regional culture on the creation of poets in the Qing Dynasty.

This book mainly includes three major modules: the first is the study of causes, revealing the historical context of the origin of Zhu Xi's Buddhist Zen and the complexity and contradiction of Buddhist Zen thought; the second is the study of expression, respectively reviewing Zhu Xi's literary thoughts, poetry creation, quotation prose and Buddhist Zen at all levels. Innumerable connections; the comparison and influence study of the three, the vertical comparison and the horizontal connection are intertwined and parallel throughout the discussion of the various relationships between Zhu Xi's literature and Buddhist Zen, trying to deeply reveal the uniqueness of the relationship between Zhu Xi's literature and Buddhist Zen and the projection and influence of the evolution of Song-Buddhist Zen on the psychology of literati.

The famous contemporary British novelist Muriel Spark was hailed by famous critics David Lodge and Frank Kermode as "the most talented and innovative British novelist of her time" and "the most charming writer of her generation" respectively. Spark has been nominated for the Booker Prize three times, and has been shortlisted for each of the six finalists. This book combines the methods of social historical criticism, feminist criticism, literary ethics criticism, spatial theory and text close reading. After introducing Spark's life and creative career, it summarizes her novel aesthetics and creative ideas; it also discusses Spark's novel themes and novel art; and finally places Spark in history. In the coordinates, we will longitudinally sort out and explore the mutual influence between her and other novelists, comprehensively explore the literary origins of her creations, grasp the formation trajectory of her creative concepts and aesthetic thoughts, thereby understanding Spark's inheritance and innovation of tradition, and explore the contribution and significance of her creations to writers of her peers and younger generations.

The modern Chinese classical poetry school mainly refers to the poetry school that has a deep identification with tradition and has formed a critical relationship with the New Literature Free Verse School. It mainly includes the Jiayin School, the National Essence School, members of the Nanshe School, the Xueheng School, and the New Metrics School in the new literature camp. Although these classical poetic schools also advocate the transformation of ancient poetic styles, their reform ideas are very different from those of the New Literature School. This book systematically examines the "new poetry" concepts of classical-leaning poetry theorists in modern China, and conducts in-depth exploration of the language structure, time awareness, development concepts, and value orientations behind them. This kind of research is of great significance to the dialogue between classical schools and liberal schools, and to the re-start of the theoretical construction of new Chinese poetry.

This book first confirms the status of Shandong literature in the history of Chinese literature. Then, it takes outstanding poets and writers with important overall significance as the main line, and connects them with corresponding creative schools to further clarify the mainstream trends of different historical and cultural eras, reveal the laws behind literary phenomena, and provide appropriate aesthetic judgments.

This book focuses on the poets, poems, and poetic styles of the Dezong Dynasty of the Tang Dynasty, mainly in the Zhenyuan period (785-805). It focuses on the Jiangnan poets who entered Zhenyuan from Dali, Li Yi, and Lu Lun. This book focuses on both horizontal points and vertical aspects of the Zhenyuan poetry circle, in order to present the specific historical status and value of the Zhenyuan poetry circle in a well-founded manner.

This book mainly collects 27 papers that I have written over the past few decades since I started teaching in colleges and universities. Among them are already published papers, some papers that have been waiting for publication, and two papers that were revised during the research process. Although these papers were written over a period of several decades, they all revolved around the two major themes of Western literature and overseas literature, with the focus being on the study of Western literature. The study of literature from both sides mainly includes three articles on ancient literature from both sides, three articles on Enlightenment literature, five articles on Romantic literature, and seven articles on Modernist literature. It reflects the research direction that the author is concerned about. The four articles on comparative literature theory and translation reflect the author's academic vision and "China concern" in the process of studying Western literature, that is, the ultimate purpose of studying Western literature is to understand and understand one's own literary and cultural conditions. There are five articles on overseas Chinese literature, which mainly reflect the author's thinking on the relationship between Southeast Asian Chinese culture and Chinese traditional culture.

The content of this issue is divided into 6 columns. The "Basic Theoretical Research" column is based on the study of Chinese literary theory and reflects on the Chinese travel of Western literary theory. It not only thinks about issues from the perspective of macro-disciplinary construction or long-term literary history, but also uses specific literary theorists as examples to clarify the various influences of their Chinese travel. The "Western Literary Theory Research" column takes into account the different literary theory traditions of Europe and the United States. It not only pays attention to Western Marxist literary theory, but also focuses on cutting-edge ideas in media and symbols. The "Research on Ancient Literary Theory" column focuses on the study of ancient literary theory. The papers in this issue are not only based on people, but also grasp the thoughts of individual literary theorists, such as Shi Tao's "respect for acceptance" theory, Liang Qichao's poetic view, Ye Xie's poetic view, etc., And also study stylistic issues. "Cultural Studies" focuses on current hot topics in cultural research, such as cultural industries, games, and national identity issues. The "Film Research" column focuses on film appreciation, covering both domestically produced films and Hollywood blockbusters. The "Literature Reading" column starts from specific literary works to elucidate thoughts. The study of Japanese literary works is a highlight of this issue. "Selected Translations" is a new column in this issue. Three translations are selected, covering a wide range of topics and being of high quality, making them worth reading.

Ancient Chinese literary theory is the literary theory of ancient China. Ancient China did not have a "literary theory" based on Western disciplinary concepts, but it did have the concept of "poetics", which was gradually produced and improved with the development of literature in the long history of ancient China. This book uses the "category" research method to extract and discuss the categories of "poetry, expression of ambition", "fu Bixing" and "sensing things" from ancient Chinese literary theory. It systematically combs ancient Chinese literary theory, including work theory, creation theory, author theory, criticism theory, appreciation theory, etc., And concisely and clearly explains the most basic theoretical content of ancient China on the essential characteristics of literature, literary creation, writers, criticism, appreciation and other related issues.

This book explores the influence of Du Fu's poetry on Song poetry from two perspectives: poetry creation and art criticism, sorts out the main contents of Du Fu's poetry art criticism in the Song Dynasty, and puts forward many new insights. Based on the texts of poetry and poetry theory in the Song Dynasty, this book comprehensively reveals the stages and characteristics of Du Fu's poetry creation in the Song Dynasty, explores the influence of Du's poetry on the poetry creation in the Song Dynasty, and the achievements and limitations of Song people's study of Du Fu.

Yan'an literature is a relatively independent literary form that has more real and lasting contemporary value in the context of modern Chinese culture. The study of Yan'an literature has begun since its birth, and by linking it with the 70-year development of Chinese socialism, it can be seen that the study of Yan'an literature is not only an academic history with specific research objects, but also a history of changes in cultural trends of thought and literary concepts. This book not only provides a useful reference for people to have an in-depth and accurate understanding of Yan'an literature, but also provides valuable academic thinking and reference for writing a more comprehensive and academically connotative history of Yan'an literature research.

This book conducts a preliminary comprehensive review of the world's Chinese micro-novel, explores the generation mechanism, group overview, and aesthetic value of the world's Chinese micro-novel, especially the case studies of the writers' works. It makes a preliminary positioning of the Chinese micro-novel from the small to the big, from point to point. It has a broad vision and a global perspective, which is conducive to the promotion of Chinese micro-novel. Promoting the healthy development of the micro-novel genre is conducive to better utilizing Chinese micro-novel around the world, "enabling Chinese people to regain their identity and self-confidence in Chinese culture, and making micro-novel not only a force to promote Chinese literature as a whole, but also a force for world unity that transcends national boundaries and realizes the centripetal force of Chinese culture."

The stylistic form of Ci reached its aesthetic peak in the Song Dynasty, and as the fruit of theoretical exploration closely related to Ci, it also evolved from germination to development, enrichment to maturity, leaving a complete historical map. This book conducts a dialectical study of the poetry of the two Song dynasties from an aesthetic perspective, integrating history and logic. It uses modern literary theory to describe and interpret the representative texts of the poetry of the two Song dynasties. It also compares and corroborates the relevant viewpoints of Western aesthetics, and then gives value evaluations and makes corresponding theoretical inductions. It strives to put forward new aesthetic insights based on the unity of dialectical rationality and historical rationality, thus unifying history and logic, abstract and concrete methodologies.

This book uses the theory and perspective of literary geography to re-examine the "western literature" with regional characteristics in the history of modern and contemporary Chinese literature. It places literary geographical elements such as the distribution of writers, literary languages, literary publications, and religious customs in the special geographical environment of the "Great Northwest". It analyzes the interrelationships between the various elements of western literature and the geographical environment, and explains the complex interdependence, mutual influence, and mutual shaping between western literature and western geography.

Based on the concept of "classic re-evaluation", this book re-explains the works of classic writers, important literary trends and phenomena in Western literature, and important literary theoretical issues, with significant innovations in perspectives, methods and concepts. In addition to the introduction and postscript, the book is divided into three parts: upper, middle and lower parts. The overall characteristics are: broad vision and theoretical depth; updated concepts and based on the forefront; combination of points and aspects, and diverse methods. This book can not only make a macro analysis and discussion of major theoretical issues and literary historical phenomena in Western literature through the use of a variety of research methods, but also provide in-depth and detailed analysis and explanation through specific literary texts. It closely combines the discussion of major theoretical issues with the specific case confirmation of literary research, so that the theoretical discussion does not appear to be empty, and the interpretation of the text has a theoretical level and a basis in literary history. This is an academic work with novel viewpoints, fresh insights, and rich originality. It is suitable for literature professionals and literature lovers to read widely.

This manuscript "Research on Liu Zongyuan: 1912-1949" is a collection of essays, edited by Mao Yanni of the Editorial Department and Peng Erke of the Chinese Department. This manuscript collects academic papers written by scholars from 1912 to 1949 discussing Liu Zongyuan's life, thoughts, creations, etc., As well as post-reading notes from students in universities, middle schools and primary schools across the country during this period. There are more than 60 articles in total with 150,000 characters, which basically represent the overall appearance of Liu Zongyuan's spread and acceptance during this period. The sources of documents are all types of journals officially published during the Republic of China.

Most of the articles selected in this book are writings since the revival of comparative literature in China in the 1980s. They include not only the classic works of respected academic predecessors, but also the outstanding research results of contemporary young and middle-aged scholars. To a large extent, they reflect the progress and level achieved by Chinese academic circles in the theory and practice of comparative literature in the new era. With this book, readers can gain a more concentrated understanding of the problem areas and research paths of comparative literature within a limited space, and learn the classic paradigms of comparative literature research from previous scholars. The editor also fully considered the vividness, distinctiveness and interest of the treatise when selecting the articles, so that readers can appreciate the rich connotation and unique academic charm of comparative literature and comparative cultural studies.

"Chinese literary historical materials" are of great significance and value to the study of Chinese literature. In order to promote the study of ancient Chinese literary historical materials and regional literary documents, and enhance academic exchanges and friendships among members, the 2017 Annual Meeting of the Ancient Branch of the Chinese Literary Historical Materials Society and the International Academic Symposium on Central Plains Literary Documents were held in Zhengzhou, Henan from October 6 to 8, 2017. The conference was hosted by the Ancient Literary Historical Materials Research Branch of the Chinese Literary Historical Materials Society and hosted by the School of Literature of Zhengzhou University. The main topics of the conference include the theory and method of ancient Chinese literary historical materials, research on historical materials of ancient Chinese literary famous figures and masterpieces, compilation and research of literary collections in the big data era, sorting and research of Central Plains literary documents, and research on other documentary issues. The book "Chinese Literary Historical Materials" is based on the papers that participated in the 2017 Annual Meeting of the Ancient Branch of the Chinese Literary Historical Materials Society and the Academic Symposium on Central Plains Literary Documents, and is a collection of papers selected by the editorial board.

The greatest feature of Joseph Conrad's works is the magical uncertainty. No matter in terms of personality connotation, value orientation, ideology or creative style, it is not single and clear, but has multiple, complex and often self-contradictory meanings. This ambiguous contradiction is not only reflected in the numerous textual mysteries in Conrad's novels, but is also projected onto different readers, reflected in the readers' diverse readings and interpretations of the text based on their individual experiences. This book adopts William Empson's theory of double meaning, in order to explore the deep original meaning of Conrad's textual double meaning through close reading of the text.

The imagination of the socialist modernization process in rural China in novels from the 1940s to the 1970s was full of richness and complexity. They either reconstructed the ethical order of rural people in the way of rural modern local imagination, or used rural class and revolutionary consciousness to think about the subjectivity of cadres and urban youth, or used narratives of virtue to advertise the future society, which made the imagination of future society lose the possibility of practice. The emergence and concealment of discourse and the gaps in narrative make the discourses that characterize modernity such as literacy, hygiene, efficiency, and technology become ambiguous. As a kind of literature that imagines a new social order, the identification, love and imagination of rural socialism make this literature full of youthful atmosphere, bright color and romantic passion. In the "Short Twentieth Century", the appearance of this piece of literature highlights the efforts of socialist country literature to confirm its own cultural identity in the context of globalization.

From the perspective of ethical narrative, this book focuses on the academic controversy over the "nothing to say" and "moral ambiguity" in Updike's novels, and deeply analyzes the characteristics and formation process of ethical narratives in Updike's novels. It pays special attention to the profound influence of thinkers such as Søren Kierkegaard and Karl Barth on his novel creation. It innovatively constructs three narrative dimensions: contextualized narrative, tragic narrative, and non-authoritative narrative, and combines it with modern narratology theory to deeply analyze the constituent elements and functional mechanisms of this deep narrative model, and then explore how Updike's novels artistically transform ethical intentions into the creative art of novel narrative.

This book takes the literature of the British Victorian era as the research object, and takes the "gentrification" phenomenon as the entry point for research. It rethinks the moral discourse that literature of this era paid attention to, and deepens the moral discourse into the context of British intellectual history, trying to explore the inner connection between moral issues and the decline of the British aristocracy and the rise of the middle class. Although the moral reconstruction of the Victorian era alleviated class conflicts to a certain extent and created a seemingly harmonious social state, the moral concepts of the aristocratic class did not provide spiritual vitality to modern British industrial society, but instead strangled the inherent moral traditions of the middle class.

"Chinese and Foreign Literary Theory (Issue 2018)" is divided into six columns. "Research on Chinese Literary Theory" focuses on the discussion of literary and artistic theories of famous modern and contemporary Chinese literary and artistic theorists. The column "Research on Western Literary Theory" has a balanced focus: it includes special studies on characters, as well as an overview of issues in the history of literary theory and a review of literary theory research. "Research on Ancient Literary Theory" displays and discusses specific and detailed issues in ancient literary theory from multiple perspectives such as taking people as the guideline and problem as the guideline. "Selected Translations" contains a full selection of the translations of the lectures on Aristotle's poetry by the famous aesthetic and art theorist Carroll, to demonstrate the importance that contemporary art researchers attach to and carry forward the tradition of classical poetry.

In the ancient civilized world, India, like China, was a well-deserved literary power. It produced the oldest collection of poetry in the Indo-European language family, two magnificent epics, rich myths, legends and fables, exquisite lyric poems, narrative poems, dramas and novels, as well as a unique system of literary theory. This book provides an overview of ancient Indian literature from the fifteenth century BC to the twelfth century AD, that is, the literature of the Vedic period, the epic period and the classical Sanskrit literature period. Among them, Sanskrit literature is the mainstream, including Pali and vulgar literature.

The book is divided into upper and lower parts, comprehensively sorting out the historical process and research interface of Buddhist literature research and Taoist literature research at home and abroad over the past century, integrating macroscopic understanding and thematic review. The appendix is ​​three introductions to the 12-volume, 25-volume "History of Chinese Religious Literature", a major bidding project of the National Social Science Fund. It is a theoretical construction based on a review of academic history and special research, and systematically explains the compilation concept of "History of Chinese Religious Literature."

This book collects some of the author's major papers on Polish literature and Polish Chinese studies published in various domestic journals and anthologies since the reform and opening up, as well as the author's prefaces to several translated works of Polish literature. In terms of Polish literature research, these articles include research and introduction to some major literary periods, genres, important writers and works in Polish classical and modern literature, comparisons of Polish literature and Chinese literature, and research on modern Polish literary theory. These articles fully reflect the author's unique insights. This book is an indispensable reference book for understanding the achievements of Polish literary creation, and provides useful reference for domestic research on Polish and Central and Eastern European literature. In terms of Polish Sinology research, the collected articles mainly focus on the introduction of the achievements of ancient Chinese civilization to the West by the Polish Jesuit missionary Boymig who came to China in the mid-17th century. In addition, there are friendly exchanges between Polish people from all walks of life and China since ancient times, as well as the introduction of Edward Kajdanski, a famous contemporary Polish sinologist and Boymig's research expert. These are all conducive to enhancing cultural exchanges and traditional friendship between China and Poland.

"A History of American Poetry" is a monograph on the study of American poetry prepared for the "History of American Poetry" (multi-volume), a major national social science project cultivated by Beijing Union University. The content includes five parts: "Early American Puritan Poetry," "American Romantic Poetry," "American Modernist Poetry," "American Postmodernist Poetry," and "Contemporary American Poetry." Each part is an independent chapter, with its own Important poets and their representative poetic works in each historical period are the focus of research and discussion. It uses the perspective of historical materialism and through in-depth and detailed text interpretation to excavate and summarize the core poetic theory innovations of core poets and their poetry creation techniques and style innovations. At the same time, it focuses on sorting out and revealing the historical and cultural memories, characteristics and themes in poetry theory and poetry creation in each historical period, and outlines the history of American poetry.

This book systematically sorts out the representative works of the 20th century Russian-Soviet classic writer Platonov (1899-1951), clearly presenting the landscape and common aspirations of the writer in different periods, and explaining the ideological source of the writer's creation and the trajectory of the changes in his worldview. Platonov's creations reflect the complex interaction between utopian thought and dystopia. He cares about human destiny and seriously reflects on social reality in a literary way, searches for truth arduously in the world, and spreads happy souls.

At the end of Victoria, the British generally paid attention to the topic of family, and family ethics also became the theme of many novels during this period. This book systematically analyzes the family ethics narratives in the representative works of Hardy, Conrad, Kipling, Forster, Lawrence and other writers, trying to outline the impact of the development of British industrial society and its colonial expansion on family ethics and interpersonal relationships at that time, thereby providing a useful reference for the study of British Victorian literature.

This book is based on the current status and existing problems of research on American novels at home and abroad, using literary reception criticism and New Historicist literary criticism as theoretical references. By carefully reading American novel research papers published in important domestic academic journals since the early 20th century and American novel research treatises and related research academic papers and treatises published by important publishing houses, this book conducts an in-depth study of three different historical periods (1901-1978, 1979-1999, 2 000-2015) hot spots, angles, methods and overall trends in the study of American novels in China. From an overall perspective, it diachronically and systematically explores the historical evolution of the study of American novels in China from ideological criticism to non-ideological criticism and multi-literary and cultural criticism in the course of a century, as well as its cultural and literary effects. It summarizes the successful experiences and failures in the study of American novels in China over the past century, and looks forward to the future development trend of the study of American novels in China.

In the Ming Dynasty, there was fierce sectarian rivalry in the poetry world, and each school used anthologies to set examples, highlight ideas, and attack dissidents. This book takes Ming Dynasty ancient poems and Tang poetry anthologies as the object, and takes the poetic genre differentiation concepts of each school as the core to explore the hot issues about poetic style and poets in the poetic debate in the Ming Dynasty. It emphasizes that anthologies are an important field for Ming Dynasty poets to criticize and attack each other, as well as absorb and transform each other. It not only contains the confrontation and assimilation between different schools, but also carries the criticism and integration within the same school. The anthology is a comprehensive carrier with dialectical quality and a representation of the social culture of that time. The research in this book hopes to enrich the understanding and imagination of Ming Dynasty scholarship and culture through analysis and comparison of reviews and selections of ancient poems and Tang poems, as well as intertextuality with poetic criticism methods such as poetry talks, prefaces and postscripts, etc., Between poetic criticism and cultural analysis.

Yunnan poetic criticism in the Qing Dynasty was about reflection and return to originality. The former was related to logic, and the latter was related to experience. As methods, both are self-evident like sunlight and air; as beings, they are like sea water and fire waiting to be revealed. Starting from the dual perspective of self-evident existence, Yunnan poetics in the Qing Dynasty implies two propositions: what is poetry - the artistic expression of the subject's temperament; what is poetry - an aesthetic creation based on foundation and interest. From a modern academic perspective, the poetic discourse of Yunnan in the Qing Dynasty is more of a theoretical and intellectual existence; for the regional subject of Yunnan poetics in the Qing Dynasty, its poetic discourse is based on the self-constructed feelings of the poet himself and his family and country, aesthetics and morality.