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This book contains 135 essays and poems written by the author in the ten years from 2007 to 2017. The author uses ten years as a square, uses fresh and restrained words, and records the author's ten years of struggle and the author's growth mentality from multiple perspectives such as life, education, study tours, and humanities. Read calmly, smell the fragrance and feel affection.

This book is a recollection of the past. Except for four articles collected by me, the rest are all my own experiences. The article belongs to the "three relatives" - personally experienced, personally seen and personally heard - articles. The historical events described in the article were personally experienced by me. The people involved in the article were met by me with my own eyes. The time and place mentioned in the article are real and none of them are fictitious. This book uses "war years", "simple folk customs", "deep love for homeland", "temple charm", "path to school", "shop merchants", "childhood interests", "year-old friendship", "garden experience" "", "Early Encounters" and other titles recall the war the author experienced, described the appearance of the village and temples in Bei'an River, reviewed the customs and habits of the village, and reviewed the difficult journey of studying and the trivial matters of his childhood...

The so-called perspective actually first includes the author's standpoint, perspective or "expected intention". Secondly, it is also determined by the complexity of contemporary Chinese literature. Therefore, this book uses multiple cultural perspectives, cultural research, aesthetic exploration, psychoanalysis, narrative close reading, etc. To explore issues such as contemporary industrial literary creation, urban literary creation, the folk form of literature in the 1970s, and the complexity of the creative experience of contemporary writers. It has a certain degree of knowledge and academic rationality. This book has rigorous logic and simple writing. Most of the chapters have been published in core academic journals such as "Contemporary Writers' Review" and "Literary Controversy", and some have been quoted by the media and have certain academic repercussions.

This book is divided into five volumes. The overall structure of this book shows the author's concept of children's literature discipline: children's literature is a discipline with its own distinctive theory, literary history and literary criticism, and has the two attributes of interdisciplinarity and practical application. The papers in the collection provide some important theoretical topics and academic perspectives for the discipline construction of children's literature. The first volume of "History of Chinese Children's Literature" emphasizes the "oneness" of modern Chinese literature and children's literature; develops the theoretical method of constructivist essentialism; adopts an "ideological revolution" stance and perspective on "tradition"; and puts forward the important concept of "differentiation period" in epochal history. The second volume of "Children's Literature Theory" focuses on the study of children's literature concepts and develops a contemporary "child-oriented" children's literature concept. The third volume of "Children's Literature Criticism" is a critical practice of the "child-centered" theory constructed by the author. The fourth volume "On Japanese Children's Literature" shows the author's international vision of children's literature research. The most important academic contribution of the fifth volume of "Research on Chinese Education and Children's Education" is that it proposes a "constructivist" view of Chinese based on reflection on the "instrumentalist" view of Chinese.

"New Century Literature Essays - Writers and Works" is a selection of the famous literary critic Meng Fanhua's comments on the works of important writers in the new century. There are reviews on the academic works and achievements of famous scholars and critics of contemporary literature, as well as reviews on the works of writers from different generations. Over the years, the author has been paying close attention to and tracking the development of current literature, and actively participated in constructing the literary landscape of the new century through critical articles. Although these articles are reviews of specific writers' works, we can also see the author's intellectual analysis, judgment and criticism of the cultural background full of paradoxes in new century literature. Therefore, these comments not only have a distinct sense of the scene and the times, but also express the literary ideals and values ​​that the author has always adhered to.

A collection of micro-views of literature and history. The so-called literati refers to documents. The so-called historian refers to the miscellaneous academic history and cultural history. He was stupid and stubborn. He was born in the countryside. He went to school as a boy and spent his free time herding cattle and collecting firewood. He read very little and had no idea what academics were. In 1981, I studied in the History Department of Wuhan Normal University, where I first learned about academics. In 1985, I entered the Institute of Ancient Books of Hubei University for postgraduate study. Under the guidance of my mentor, I gained a glimpse into the academic community and began to write and publish articles. It has been nearly thirty years now. The ancients said about academics: learning is based on it, knowledge is supplemented, and talent is integrated. A fool has little knowledge and no talent. What he talks about is not the great way, but only a one-hole view, so it is called micro-viewing. Although there are concerns about the harm of pears and jujubes, I cherish my broom and gather it together to seek advice from the Fang family.

This book brings together the author's short and concise commentary, in-depth observations, prefaces written for other writers, and some speeches on reading and writing. Although the time span spans decades, it is still vivid and interesting to read. The author is good at writing thoughtful and artistic essays, which are thoughtful and interesting. From the title to the structure, this book is full of wit. "Spring Meaning", the author's name is Chun, and "Chun" refers to the author. It is the various views he expressed, his interesting anatomy of the current society, and his in-depth interpretation of the phenomenon from the perspective of a bystander.

This book is the author's research monograph on Xie Lingyun, divided into two parts: the main text and the appendix. The upper and lower parts of the text are the author's reinterpretation of the metaphysical implications and historical nature of Xie Lingyun's words and deeds based on the interpretation of Gu Shaobai's "Collection of Xie Lingyun" (Taiwan Liren Book Company) and Li Yunfu's "Collection of Xie Lingyun" (Yuelu Publishing House). The appendix includes a compendium of chronology, historical commentaries and several research papers on Da Xie published by the author. It contains the author's knowledge and research on Daxie over the years.

This book introduces the 20th century and the first 10 years of this century, focusing on the empirical research on Li Bai's poetry in the writings of various writers since 1978 (including the textual research of the historical facts involved in the poem, the textual research of the poet's deeds, the revision of the poetic text, and the language in the poem). (Exegesis of words, etc.) And the results of poetic interpretation based on empirical research have been reviewed as comprehensively as possible, extensively drawing on the original results of various authors, and integrating their own research findings to provide varying degrees of new interpretations of the Li Bai poems involved. The book contains 484 poems with 298 titles by Li Bai, which is about half of the total number of Li Bai's poems.

This book collects more than 400 metrical poems originally written by the author from the 1990s to January 2019, including Wulu, Wujue, Qilu, Qijue and Gufeng. The works are mainly landscape and pastoral poems, with interspersed verses, chants of objects, feelings, gifts, and harmonies. The works are all created in accordance with the traditional metrical poetry method. They pursue the ancient and the distant in the artistic conception. They pay attention to the succession, transition and combination when planning the articles. They pay attention to the elaboration and refinement of syntax and calligraphy. They strictly abide by the rhythm and rhyme with "plain water rhyme", and strive to sing modern life on the basis of keeping integrity and seeking innovation.

This book contains the author's more than ten years of ancient poetry creation and some research results on poetry criticism and poetry theory. The book is divided into three volumes: the first volume is Tao Xuan's poetry, which contains original works such as Qilu, Wulu, Qijue, Wujue and Ci; the second volume is Tao Xuan's poetry reviews, which contains several essays by the author on poets of the Yuan, Ming and Qing Dynasties; the third volume is Tao Xuan's poetry theory, which contains the author's experience in creating ancient poetry for many years. The essence of the book lies in the more than 400 poems and lyrics collected in the book, covering natural mountains and rivers, scenic spots and historic sites, chanting history and expressing feelings, chanting objects and expressing ambitions, recording travel farewells and the style of the times, etc. Most of them focus on the natural mountains and rivers, cultural landscapes and historical places of the Three Qin Dynasty, so it is called "Zhongnan Collection".

The "Shuobu Series" published by the Shanghai Commercial Press is large-scale, with 324 works in 22 years from 1903 to 1924. It is the best among many "Shuobu Series" in the late Qing Dynasty and the early Republic of China, and reflects the great achievements of the revolution in the novel world. This book is the first to carry out a comprehensive and systematic narration of the 324 works in the commercial edition of "Shuo Bu Series", which is quite innovative research work. This book narrates the author (author and translator), various versions, chapter list (full version or excerpt), preface and postscript (full version or excerpt), and other related documents such as reviews, works advertisements and other information of each work in the UK, France, the United States, Russia, Japan and other countries and regions. It has important historical and academic value.

Zhejiang's poetry creation has a long history, and even in modern times there are still many talented people, who once once again regained their glory. The book "Appreciation of the Poetry of Ten Modern Masters of Zhejiang" can be used as evidence. The ten people selected for the book are: Cai Yuanpei, Zhang Taiyan, Liu Dabai, Lu Xun, Ma Yifu, Shen Yinmo, Yu Dafu, Mao Dun, Yu Pingbo, and Xia Chengtao. They are not only celebrities in our country's modern culture, but also experts in poetry creation. The author selects thirty topics from each famous poet's poems. In addition to writing a long article to give an overall introduction to his life and poetry creation, the author also writes a concise appreciation text for each topic of his representative works, aiming to fully demonstrate the achievements of these cultural celebrities' poetry creation, arouse readers' interest in reading and appreciation, and contribute to the current craze of traditional cultural poetry.

This poetry collection, 'Passion and Poetry', is a sequel to 'Poetic Inspiration and Dreams'. It continues and builds upon the philosophical depth of its predecessor, exploring the intricate relationships between nature and society from a macro and micro perspective, using a dialectical materialist philosophy. The poems are relatable, vivid, and easy to understand, covering a wide range of topics. The collection showcases a high level of artistic skill and philosophical insight.

This book provides readers with a new perspective to understand Du Fu from his wine-related works. The main content includes five parts: Du Fu's life experience and an overview of wine-related poems and essays, wine-related poems and essays, problem solving, annotations, and collection reviews. A total of 318 poems and essays by Du Fu related to wine are selected, which basically covers his works related to wine. In the summary and problem solving section of Du Fu's life experience and wine-related poems, try to use concise words to outline Du Nan's life trajectory at this stage and the mental journey reflected in his wine-related poems. The annotation part grasps the important and difficult points and explains them in concise and easy-to-understand words without tedious research. The collective evaluation is a selection of representative evaluations by future generations, and does not seek to be comprehensive.

From the perspective of Wudang, this book collects thirteen types of Wudang Mountain poems since the Zhou Dynasty from three levels: Wudang Mountain, Canglangshui of the Han River, and Junzhou City. They depict the beautiful fairyland with a fresh and refined poetic style, and endow the landscape with poetry and spirituality with a lofty artistic conception. Their distinctive artistic style and unique artistic charm are unique. Their rich diversity and unique personality demonstrate the profound connotation of Wudang Mountain Taoist culture.

"The Great Tradition" is Leavis's masterpiece of novel criticism, first published in 1948. By analyzing the works of three great novelists, George Eliot, Henry James, and Joseph Conrad, and Dickens's "Hard Times," Leavis constructs the "great tradition" of British novels, and regards ethical sensibility and moral concern as important criteria for judging literary classics. This book not only establishes a "correct awareness of appropriate distinctions" in the field of novel criticism and provides a highly authoritative novel reading list for professors and students of English departments in Western universities, but also provides a paradigm and direction for future cultural studies of the Birmingham School, and has a status that cannot be ignored in the history of British literary criticism.

This book is the final result of the National Social Science Fund Project (06CZW004). The first part, "Research on the Art and Literature of the Ten Kingdoms", comprehensively examines the literati of the Ten Kingdoms who have written works and the types, spread and loss of their works; the second part, "A Collection of Prefaces, Postscripts and Bibliographic Texts of the Works of the Ten Kingdoms Literati", examines the scholars of the past dynasties, especially those of the past dynasties. Scholars who engrave books and collect books evaluate the literati's works that have survived in rare collections of poems and essays by literati from the Ten Kingdoms; the third part, "An Examination of the Circulation Process and Edition Origin of the Collection of Literati's Works from the Ten Kingdoms", is based on the compilation of bibliographic texts and prefaces and postscripts, and through comparison The similarities and differences in editions examine the editions and evolution of literati's collections of rare poetry collections that have survived, and produce a "Diagram of the Process of Dissemination and Origin of Editions"; the fourth part, "The Lives and Deeds of Literati from Ten Countries and the Authenticity of Their Works," examines the life of literati from ten countries. The fifth part, "Review of the Literary Creation of the Ten Countries," provides a comprehensive and in-depth analysis of the literature of the Ten Countries by carefully analyzing the texts of the works, taking into account the selection and evaluation of predecessors, and adopting a human-centered approach.

As an important writer who is good at both drama and novel creation, Chen Yan's writing benefits not only from his extremely rich life experience, but also from the rich Chinese opera and literary traditions. The basic characteristics of Chen Yan's works are to observe and deal with the lives and life experiences of ordinary people in the broad perspective of the overall era, to create characters that are exemplary for the times, and to integrate Chinese classical tradition on the basis of adhering to the elegant and upright realist tradition to open up a new realm of literature. This is true for "Xijing Story", "Staging", "Protagonist" and the new work "Comedy". By reading the modern plays "The Late Blooming Rose", "The Big Tree Migrating Westward", "The Story of Xijing" and the collection of essays "Speaking of Qin Opera" with the novel text, we can understand the basic status of Chen Yan's overall creation and the significance of the expansion of his vision of concepts and aesthetic expressions. This book attempts to understand and elucidate the literary historical value of Chen Yan's works from a new, more inclusive and general vision that integrates "ancient", "modern", "Chinese" and "Western", and "literature" and "art", and explores its creative transformation and innovative development in Chinese classical tradition, as well as the continuous important experience of realism, and then explores the establishment and significance of the concept of "big literary history" as a new research paradigm.

This monograph relatively systematically explains the two-way diaspora of British people from the United Kingdom to its overseas colonies and from (former) colonies to the United Kingdom in the works of British diasporic writers from the late 19th century to the early 21st century, from Rudyard Kipling to Zadie Smith, and the accompanying political, economic, military, cultural and racial security issues.

"Metaverse" has recently become a global hot word, igniting people's enthusiasm for future technology. If the metaverse means that literature needs to adhere to a global vision, will the many local concepts surrounding literary creation and research (such as concepts such as "region" and "tradition") face a loss of explanatory effectiveness? In such an era where the boundaries between virtuality and reality are increasingly blurred, it is necessary for us to sort out and re-examine those local concepts that were once active in the field of literature, and explore their possible future implications. This book takes the above-mentioned issues as an opportunity, takes regional space and culture as the research objects, and conducts all-round research on them. It includes both a macroscopic inspection of returning to the historical scene and a close reading of the text based on individual creative cases. In addition to the introduction and appendices, it includes a total of five chapters, namely: the journey of seeking roots and the pain of losing roots, regional writing and transcending regions, rational examination of traditional culture, historical sorrows and body images, technological future and ethical confusion. This study attempts to connect history, tradition and the future, and comprehensively expand the research space on the relationship between literary region and culture.

Through literature, the social transition and ideological landscape of the 1980s are redrawn, and the term "two 1980s" is put forward: the first 1980s revolved around concepts such as reform, enlightenment, and modernization in the social field, starting from "scar literature" and opening up many writing fields. Literature still has full social and political functions and historical missions with realist techniques. The second 1980s originated from the reflection and questioning of the first 1980s. The main themes of reform and modernization brought not only vitality but also problems and crises. While individual consciousness and inner self became increasingly prominent, culture and civilization issues also became the core ideological issues after the mid-1980s; modernism quietly rose, and the concept of "pure literature" was born, and its influence continues to this day. At the end of the 1980s, new realistic novels and Wang Shuo's works appeared in turn, turning the Chinese people's yearning for a better future in the early 1980s into a mediocre daily life. They used literature to dissolve the ideals and values ​​of a great era, thereby ending the 1980s and beginning the 1990s. This is an ideological text produced by the author combining the study of literary history with social history and intellectual history. The author believes that the 1980s cannot be a memorial to the people of the 1980s, but should become a library of history for us to read again and again.

This book is a collection of personally created poems with classical poetry as the genre and modern life as the theme. It is divided into ten volumes in chronological order. The author focuses mostly on what he sees and hears in his personal life. On this basis, he expresses his emotions and generally shows his love for life, especially his support for the party and the country.

Zhu Yingdan is a representative poet among the Beijing literati group. His poetry creation and poetry theoretical criticism are a valuable modern poetics resource that needs to be developed. This book is divided into three parts: a comprehensive review and monograph of Zhu Yingdan's poetry, a comparative study of Zhu Yingdan's poetry and Chinese and foreign poetry traditions, and a study of Zhu Yingdan's poetry theory and criticism. It discusses the imagery, rationale, and style characteristics of Zhu Yingdan's modern poetry, the relationship between Zhu Yingdan's modern poetry and the tradition of ancient landscape poetry, and the art of Western symbolism poetry, the theoretical criticism of Zhu Yingdan's poetry, and the cultural psychology and formal characteristics of Zhu Yingdan's old-style poetry. This article systematically explains the artistic experience of Zhu Yingdan's poetry and the blending of ancient and new, tradition and modernity.

This book is a collection of scientific and cultural essays created by Mr. Su Qing in recent years. The 80 articles included cover science and humanities, science and technology and cultural venues, experts and scholars, travel notes, social hot spots, emotional world, etc. Most of the articles contain at least one original poem or couplet that is highly integrated with the content to reflect the integration of modern technology and traditional culture, and to highlight the sense of history, the times, the overall situation, the global outlook, knowledge, and interest.

This book is mainly a series of discussions centered on related topics in German literary trends. Specific topics include: the creation of "reception aesthetics" and the expansion of the scope of literary research; "aesthetic liberation" and the update of the definition of realism; the persistence of classical literary theory and the awakening of new aesthetic consciousness; the revolution of artistic thinking and the innovation of literary practice; German literary research and translation issues, etc. The author returns to the historical context of the development and evolution of German literature, and deepens the analysis of relevant literary trends of thought and art through the interpretation of relevant writers, artists and their works, which helps readers understand the development context of relevant literary and artistic trends of thought and their expression in literary and artistic creation.

In literary theory, "the boundary of interpretation" is a proposition that cannot be ignored. It takes the objectivity of interpretation and the certainty of meaning as its core, and is constantly activated in the current era of uncertainty. It is different from arbitrary rules or decrees, but contains rich theoretical paths and methodological orientations, and constantly involves the broader cultural and spiritual field. This book conducts an in-depth analysis of the "boundary" issue of literary interpretation from different perspectives such as conceptual connotation, historical genealogy, construction path, ontological form, and practical strategies, thereby launching a critical reflection and discourse re-evaluation of contemporary literary theory and even cultural ecology. The goals of this book are, first, to enrich the theoretical discourse on interpretive boundaries and expand the knowledge landscape of literary research; second, to extract positive factors such as humanistic spirit, aesthetic ideals, and truth value from boundary issues, so as to provide certain solutions for the humanities community facing the threat of relativism and even cultural nihilism.

This book is the first domestic monograph on the study of Wilde's fairy tales. It summarizes the characteristics of fairy tales in the transition period from traditional fairy tales to modern fairy tales, and systematically studies the creative motivations, themes, literary images and narrative art of Wilde's fairy tales. The author believes that Oscar Wilde is a representative fairy tale writer in the transition process from traditional fairy tales to modern ones. His works reflect the distinction between traditional fairy tales and modern fairy tales, and have a historical position in the history of Western fairy tales as a link between the past and the future.

The book combs and examines various Ming and Qing poetry collections, collections, family collections, genealogies, poems and county chronicles and other documents. It identifies more than 300 female writers from prominent Jiaxing families in the Ming and Qing Dynasties, unearths 71 collections by women, sorts out 13 creative groups of female writers from prominent families, and analyzes the life environment of women from prominent families in Jiaxing from both macro and micro perspectives. This paper comprehensively examines and discusses the environment, cultural ecology, time and space distribution, family lineage, characteristics and stages of literary creation, dissemination of texts and regional representative writers, outlines the spiritual outlook and the overall outline of literary creation of female writers from prominent Jiaxing families in the Ming and Qing dynasties, and expounds the value and influence of literary creation by female writers from prominent Jiaxing families in the Ming and Qing dynasties. This book adds a new perspective to the study of family literature and provides a model for the study of women's literature.

This book is a work that focuses on the "Daya" brand and uses a close reading method to delve into the poetic art and mystery of many famous poets' masterpieces. "Daya" is a humanities publishing brand under Guangxi People's Publishing House, focusing on poetry. Focusing on "Daya", the author, firstly, as a promoter and participant, recalls the process of "Daya" from initiative, establishment to brand influence over the past ten years, summarizes the experience of building a niche brand, and tells the unknown story of "Daya". Second, as a researcher, the author carefully read the representative works of many great poets at home and abroad in the "Daya" series, such as Hughes, Heaney, Lowell, Walcott, and Stevens. From the aspects of sound, image, language, rhetoric, structure, meaning, etc., The author comprehensively dissected these poetic masterpieces like a sparrow, analyzed the subtleties and beauty of modern poetry, touched the core of its aesthetic discourse, and presented the "wordless book" behind the "Daya" brand and its series of poetry works.

This monograph is mainly based on Escarpi's "Literary Sociology", Foucault's "Archaeology of Knowledge", and Bourdieu's "Field Theory". With the attitude of "returning to the historical scene", on the basis of in-depth excavation of historical materials of awards and theoretical speculation, it extends its research horizons to the literary award activities of the entire 20th century. It not only fills many academic gaps in the study of the "historical origins" of contemporary Chinese literary awards, but also questions the existing consensus in the academic community. Theoretical errors were "corrected"; it not only conducted a panoramic examination of the establishment, evolution, and revision of the Chinese contemporary literary award system with the national novel award as its core, but also conducted a constructive study of the mutual game and ebb and flow of various forces in the literary field that were highlighted behind this change. At the same time, it also provided necessary theoretical analysis of the leading principles, aesthetic biases, and institutional flaws of the Chinese contemporary literary award that were formed as a result.

"Focus Research" combs the emergence and development of the core concept of "focus" in narratology. Based on the changes in media carriers in different literary eras and based on multiple text analyses, it explores the narrative characteristics related to focus. It believes that changes in focus types reflect the development of human thinking and cognition and the impact of technological innovation on narrative methods.

The basic idea of ​​this book is to sort out the changes in the public identity of literary consumerism and the changes in its value function based on "history". Under this macro-framework, we specifically take the three changes in the public identity and value function of literary consumerism since the new era and the three stages of the development of market economic relations represented by them as the node, and explore the spiritual trajectory, internal laws and value characteristics of its historical evolution as a whole, and discuss in detail the specific process and microscopic form of the changes in the public identity and value function of literary consumerism.

William Faulkner is one of the most important writers in the history of American literature and has had a profound influence on contemporary Chinese writers. This book conducts an overall and systematic study of the narrative art of Faulkner's novels from four related structural levels: narrative language, perspective, work structure, and the structure of the Yoknapatawpha lineage, and deeply examines the essential characteristics of his artistic style. His artistic innovation integrates literary tradition and A series of important issues such as the achievements of modernist avant-garde experiments, the interactive relationship between his artistic creation and the modernization transformation of American southern society, and its influence and inspiration on contemporary Chinese literature, overall show a clear awareness of comprehensive understanding and in-depth evaluation of Faulkner's creation.

"The Compatibility and Differences between Oe Kenzaburo and Lu Xun" starts from the aspects of thought, writing style, influence, etc., And deeply explores the literary origins of Oe Kenzaburo and Lu Xun and the resulting value and significance that cannot be ignored. That is, from the aspects of literary thoughts, creative concepts, techniques and methods, genres and styles, etc., It reveals the relationship between Oe Kenzaburo's literary creation and Lu Xun in a relatively specific, comprehensive and in-depth way. It provides some useful reference for further understanding the creation and influence of Oe Kenzaburo and Lu Xun, as well as understanding the relationship between Chinese and Japanese literature. It also brings some useful enlightenment to contemporary literary creators on how to create excellent literature with global universal significance.

The theme of male fertility in online literature refers to the male fertility content (including but not limited to pregnancy, childbirth, etc.) Described in online literature. Starting from the perspective of gender culture, this book collects and organizes Chinese and foreign literary works on male fertility and describes its historical evolution. It conducts an in-depth and systematic study of the male fertility theme in online literature through interpretation of text characteristics, analysis of creative groups, and analysis of readers' understanding and acceptance of male fertility in different cultures.

Masaji Aoki is one of the important representatives of the Kyoto School of Chinese Studies in Japan. This book takes Aoki Masaji as the main research object and combines it with the context of modern Japanese culture. It focuses on a series of research results of Aoki Masaji in the history of Chinese opera and literature, clarifies his unique research perspective and research methods, and analyzes how modern Japanese Chinese studies established China's "difference" and how to seek the essence of "self" by returning to the origin of Chinese culture.

In the early Qing Dynasty, the Ming Dynasty system was established, and scholars were selected based on the eight-part system. In the 22nd year of Qianlong's reign, during the Ding Chou Examination, the imperial court issued a decree to add a five-character and eight-character rhyme poem, and it was custom-made to select scholars for the examination. At present, a large amount of theoretical information on trial verse poetry has been preserved in various poetry talks, anthologies, prefaces and postscripts to collections and poetry criticism from the Qing Dynasty. This book takes the development of trial verse poetics in the Qing Dynasty as a clue, examines its theoretical characteristics and achievements in three stages of development, from its initial beginning, mid-term completion, to new changes in the late Qing Dynasty. It deeply analyzes its stage characteristics, explains the core theoretical viewpoints, and comprehensively sorts out and displays the development context of the trial verse poetics in the Qing Dynasty.

This book focuses on Kunming during the All-out Anti-Japanese War. It breaks away from the research idea of ​​treating Kunming as just the "background" of the Southwest Associated University. By excavating and sorting out original documents, it carefully examines the literati mentality and cultural atmosphere conveyed in literary works, and demonstrates the special charm of Kunming as a "cultural metropolis" during the war. The Anti-Japanese War promoted Kunming's modernization transformation. Cultural people coming to Kunming from the mainland changed Kunming's cultural ecology and stimulated the cultural cognition of local people. This formed a unique cultural space jointly constructed by outsiders, locals and the city of Kunming. This book's investigation of Kunming's cultural space during the Anti-Japanese War enriches the cognitive perspective of Anti-Japanese War literature, and then ponders the complex process of Chinese literature and even culture moving towards "modernity".

Lu Ling is a famous modern writer and a member of the July Party. His creations lasted from the 1940s to the "Seventeen Years" and the new era. The starting point of this book's research is neither a panoramic "scan" and exposition of Lu Ling's novel creation, nor a repeated discussion of issues that have been fully valued and studied in Lu Ling's novel creation. Rather, it is an attempt to break through the conventions of the genre and examine and stage it from a holistic perspective. By contrasting the two dimensions of sex, we excavate the works and artistic characteristics that have been "obscured" or have not been fully discussed in Lu Ling's novels, trying to present the echoes and dislocations between Lu Ling's novels, literary mainstreams, and political practices in different historical contexts, and outline the evolution of Lu Ling's literature.

The "second dimension" specifically refers to the Internet culture represented by ACGN. There is a generation gap between it and the three dimensions representing traditional culture, industrial culture, and popular culture. With the development of media integration, more and more cultural practices tend to break this barrier, and adaptation practice is one of them. The current academic circles and industry use the word "breaking the wall" to express the mutual respect between the two cultural circles in terms of emotion and value. Based on a diachronic review of a large number of texts adapted from online novels, this book uses intertextuality to cut into the practice of adaptation, and through analysis at three levels: typology, folklore, and gender narrative, it deduce the cultural development direction of value integration. This book follows the idea of ​​discovering the spiritual qualities of the younger generation from subcultures and looking for ways to alleviate the generation gap among mainstream people in popular culture, in order to prove that the vitality of language is intersecting in multiple fields.

This book first explains the connotation of the theory of authorship anxiety, focusing on describing the gender dimension contained in the theory of authorship anxiety, trying to complete the secondary interpretation and development of the existing theory. Then it explores the spatiality of authorship anxiety based on gender identity, and analyzes the causes of this spatiality. This paper focuses on the spatial manifestations of authorship anxiety based on female gender identity, specifically including the manifestations of female anxiety in real cultural space, the manifestation of female anxiety in ideological space, and the manifestation of female anxiety in literary space.

This book starts from the perspective of national consciousness, takes the literature of the occupied period from 1931 to 1945 as the research object, and analyzes the manifestations and implications of national consciousness in the literature of occupied areas from the aspects of writers' works, literary journals, collective memory, literary trends, narrative symptoms, etc. This book makes extensive use of first-hand historical materials, conducts a relatively systematic and overall study of the literature in occupied areas from the perspective of national consciousness, reveals in depth the complexity, diversity and plasticity of national consciousness in a special context, and demonstrates the unique aesthetic value of literature in occupied areas. The research results fully prove that national consciousness is an important ideological resource with vitality for the literature in occupied areas, and improves the artistic quality of literature in occupied areas. These are all conducive to people's better understanding and grasp of the special development laws of literature in occupied areas.

In the Tang and Song dynasties, demotions occurred frequently, and many literati were demoted. The relegated poems of the Tang and Song Dynasties not only constituted the climax of the relegated literature together with the relegated poems and essays, but also contributed to the brilliance of the Tang and Song literature in the entire literary history to a large extent. They also successfully constructed the rise, development and transformation of the genre itself. Without the relegation of Ci in the Tang and Song Dynasties, not only would it be impossible to talk about the development of the history of Ci, but even this grand and magnificent symphonic chapter of the entire literary history would suddenly be eclipsed. This book will outline the development of relegated poetry in the Tang and Song Dynasties, trace the literary origins of relegated poetry in the Tang and Song Dynasties, and explore the profound impact of the relegation of literati on Tang and Song poetry.

Yoshikawa Kojiro's research career in Chinese studies can be divided into the era of Confucian classics, the Yuanqu era and the Du Fu or Du poetry era. His research on Yuanqu and Du Fu were carried out on the basis of his Confucian studies. This book focuses on Yoshikawa Kojiro's research on Yuan dramas and Du Fu's research, sorting out the characteristics of his research on Yuan dramas and Du Fu studies, aiming to study how he analyzed the influence of the ethos of the Yuan Dynasty and the transformation of humanistic ethics in the Yuan Dynasty on the rise and fall of Yuan Zajus and literary character. , And how he tried to use Du Fu as a model to explore the dignity of literature; at the same time, this book attempts to explore his research methods on China based on the teachings of his teacher Kano Naoki and the inspiration given by Huang Kan, as well as Yoshikawa Kojiro's own "The Study of Reading".

The "cultural poetics" represented by Greenblatt is mainly famous for distinguishing between historicism and formalism and utilizing the resources of the two schools. This book believes that its core lies in using Foucault's thought of power to illustrate literary activities, as a sign that far-fetched historicism has truly entered reality, and also as the key to formalism getting out of the language prison. In his specific comments on "Shakespeare's Opera and "Early British Romanticism", he affirmed the power game relationship between the three artistic generative dimensions of author, text and reader, and expressed his overall concept of literary criticism in the poetic "oscillation" space formed by these nodes.

The Crescent Poetry School is an important and complex poetry school in the history of Chinese New Poetry. The three poetic forms of romanticism, classicism, and modernism coexist with each other, making New Moon's poetic view present mutually inclusive poetic concepts and eclectic artistic forms. The complex relationship between the Crescent Poetry School and the Crescent Society, a famous free intellectual society in China, determines that the Crescent Poetry School cannot be just a simple poetry school. From the research perspective of the emergence and development of the Crescent Poetry School, this book projects the Crescent Poetry School into the cultural context of China in the 1920s and 1930s, and explores the intricate development trajectory of the Crescent Poetry School with the help of a large amount of historical data. Use the theory of modern media to re-examine the relationship between the formation of literary genres and modern newspapers and magazines; draw on some concepts of "anxiety of influence" in modern Western poetic theory to explain how the New Moon poets got rid of the "anxiety of influence" of "pioneer poets" and "powerful poets" and through intentional creative mistakes By reading, the system of Crescent Poetry is constructed; the theoretical strategy of "anti-priority" is used to study the inheritance and transcendence of poetic ideas among poets within the Crescent Poetry School; and many issues and phenomena of the Crescent School's personnel composition, poetic temperament, cultural choices and aesthetic value forms are explained by confirming the hybrid cultural identity of the poets.

This book is a monograph on African American studies and is the final result of the National Social Science Foundation Youth Project "Research on the Works of Richard Wright". The overall framework of this book consists of five chapters. The first chapter focuses on the two central themes of "Evolving Blues and Black Survival Ethics" and "Wright's Blues-Based Ethical Writing". The next four chapters treat Richard Wright's four novels "Native Son", "Black Child", "The Outsider" and "Laws of the Father" from different periods as a dynamic system of works, and study the protagonists of these novels as a continuously developing male subject group to analyze the ethical environment of black people's lives and the internal connection between the ethical relationships in which they live and the ethical choices they make. This book compares the similarities between Richard Wright's novel system and the theme of blues music, analyzes the ethical values ​​implicit in it, and clarifies that Richard Wright's novels outline the transformation of black men's ethical identity from boy to man to father over time. In fact, it is the inheritance of the blues tradition and the writing of black survival ethics.

This book replaces the traditional "native novel" with modern "nostalgia novels", examines emotion, form and modernity at a logical level, and elucidates the modern connotation of literature by analyzing the relationship between the writer's "nostalgia" writing style and literary form. This paper uses the time and space of "nostalgia" and the characteristics of nostalgia to gain a glimpse into the aesthetic characteristics of modern Chinese "nostalgia novels", and then examines the interaction between human emotions, history and politics, and the way they respond to the impact of modernity. The "difference" narrative method followed by modern Chinese "nostalgia novels" also includes respect for life itself, the awakening of self-consciousness, the appeal for enlightenment and national salvation consciousness, and the identification of the nation-state imagination. With its unique modern aesthetic form, it reflects the generation process of people's modern consciousness in the traditional rural Chinese context, and provides a vivid and valuable emotional portrait for the modern transformation of Chinese literature.

This book examines Xu Xu's novel creation from the unique perspective of "poeticity", and looks at how this liberal intellectual maintained a serious creative attitude during the war years and the commercial context of Hong Kong from the aspects of culture, psychology, philosophy, etc., Thus showing his thoughts on human destiny, existence and its meaning. At the same time, by examining the poetic character of Xu Xu's novels, we also rethink Xu Xu's status and significance in literary history.