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The collection of poems "Ba Long", Mr. Mu Xin's representative work, includes dozens of poems composed by Mu Xin in the 1980s and 1990s, such as "Late Summer to Pushkin", "Ba Long", "Five Islands Evening Post", "Luoyang Jialan Fu", etc. The themes of these poems cover a wide range of topics, ranging from ancient and modern to Chinese and foreign. The author's profound foundation in Chinese and Western studies is fully reflected in the lines.

"Windsor Cemetery Diary" is a collection of Mu Xin's novels. After being hand-ordered by the author, who is nearly eighty years old, the novel collection has deleted a section of "Hunting" from the original traditional Chinese version, making the "I" deeper and actually making it more intriguing. "American Comedy", "Eighteen People in a Car", "Xia Mingzhu", "Two Villains Fighting", "SOS", "Perfect Girlfriend", "Seven Days of Food", "Fangfang NO.4", "Magic Wheel", etc., Each article is trying a new perspective. "The person who came back from the other side" turns out to be so understanding of the sorrows of the world, and there is no "retirement" in life. He has a clear understanding of the other side.

Gao Xiao felt that he had been a bit behind recently. First he scolded his boss of six years, and then he and his boss encountered an elevator accident. Who would have thought that when he opened his eyes again, his boss, who was still the bread and butter of his parents, would become his husband. Or the one who is holding his own life in his hands? ! Gao Xiao: Damn it, just let me die! Jin Yu felt that Gao Xiao had the consciousness of a subordinate. Wen can approve memorials, Wu can pacify the harem, fight corrupt officials, run a newspaper and seduce the handsome young champion... Wait! Something is wrong, Jin Yu lifted his dragon robe: My beloved, stop working so hard, come here and hug my thigh! In a sentence: Two people travel to ancient times, oppressing and being oppressed, resisting and resisting ineffectively, and then the story of falling in love with each other!

Lin Yu, a sophomore, works part-time outside of school Came to an inn called "Banbuduo" From then on, his world turned upside down ........................ After death, there is a soul, and the soul is divided into good and evil Good souls are at peace, but evil souls are hard to escape. The soul lamps have a faint glow Little candles, panic and yin and yang

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Da Liguo Demons are rampant, ghosts are in power Chu Yi, who was reborn in another world, emerged as an abandoned son-in-law this life An Neng is doing nothing, but he is enjoying himself ======= Cultivation level: The state of ascending to the hall, the state of entering the world, the state of worshiping the mountain, the state of keeping one, the state of the master, The realm of peeking into the sky, the realm of breaking the void, the realm of entering the Tao, the realm of land fairyland, and the realm of flying fairyland. (Each realm is divided into nine levels, the ninth level is the worst, and the first level is the best)

When she was dressing up as a man, she would run away when she saw him. She was terrified from her hair to her toes. Her inner wish was to stay away from him, away from him, away from him! When she was dressing up as a woman, she wanted to run, but she couldn't! Until one day, she was cornered while dressing up as a man. He asked with a smile: "Can you please tell your sister that there is still a princess in my palace, and I think she is very suitable." She was surprised: "No, no, no, she is not suitable at all!" The next day, the imperial edict arrived! ! She looked up to the sky and sighed, she really couldn't pretend anymore!

"My Many Lusts" is divided into three volumes. The main contents include: My Many Lusts, Mediterranean Sea, Milk·Scalp Book, Escot Horse Racing Minutes, Paris Overlook, Fennel Tree, FARO, Send Back to Bordeaux, Autumn in a Georgia Town, Instant Scenes, In Yalta, September in Russia, The Sunny Side of the Alps, David, Sketches of Southern Europe, Russian News, etc.

One of Mr. Mu Xin's masterpieces, it consists of the first volume (poetry) and the second volume (short sentences), including "Love Poems in the Train", "Portrait of an Actress", "Volga" and more than a hundred poems with far-reaching artistic conceptions and rich golden sentences, and more than a hundred lines of wonderful Mu Xin-style maxims. In the strong emotions, using the language of poetry to express yourself, any comments are redundant. This is Mu Xin's more readable collection of poems.

"The Banquet of Fish and Beauty" is a selection from my "Answering Questions and Answers" series. Although the topics it touches are limited to literature and art, they are also complex, so the name "Fish and Beauty" was originally meant to describe the success or failure of life, but it turned into a feast full of wine and heart-warming.

This book is divided into three parts. The first part is the author's diary while studying in Japan, recording every detail of his life and study at that time; the second part is some of the author's insights when he first became a mother; the third part is the modern poems written by the author when he was a girl. The author of this book is a sensitive, thoughtful and talented female doctor, but her path to study was bumpy and tortuous. She first entered a vocational school, then passed the Adult College Entrance Examination to enter university, then went to graduate school and studied in Japan. This kind of life experience not only broadened her horizons, but also made her writings more philosophical. The author's warm memories of her life in Japan, her thoughts on family, parent-child relationships, and the poems she wrote when she was a girl can all give people a new understanding of the term "female doctor."

"If you are not full of hope, then what are you full of..." "Reflection of Columbia" in Mu Xin's prose novel series is the first simplified Chinese version of Mu Xin's work compiled in his later years. It includes 13 works with Mu Xin's writing style, such as "September 9th", "Bamboo Show", "Empty Room", "Reflection of Columbia", "No Walking Tomorrow" and "Shanghai Fu". When the first edition appeared in 2006, it attracted the attention of media such as Southern Weekend and Beijing Youth Daily. Everyone was asking, who is Mu Xin? This triggered a discussion in the reading circles that this year will be the "Year of Mu Xin".

I always feel that poetry and philosophy are fragmented, intermittent, and bright and dim. There are more than 27,000 lines of poetic drama, and logical works with overlapping peaks and ridges. Goethe and Hegel did not feel tired after finishing them, but they were already exhausted and clueless just thinking about them. Montaigne said nothing about the system, and Nietzsche pointed out that the structural system is dishonest. These two statements make people smile. Although being honest is also a big problem, everyone has his own way of playing the game, but only respectful, respectful, and common people are just players. I have followed Gong and Dangdang to this day, otherwise there would be no need for literature.

"Some people can't help but wonder, is love really, really possible..." "Windsor Cemetery Diary", a series of Mu Xin's prose novels, was hand-ordered by the author who is nearly 80 years old. The novel collection deleted a section of "Hunting" from the original traditional Chinese version, hiding the "I" deeper, and actually making it more intriguing. The collection of novels includes "American Comedy", "Eighteen People in a Car", "Xia Mingzhu", "Two Villains Fighting", "SOS", "Perfect Girlfriend", "Seven Days of Food", "Fang Fang NO. 4", "Magic Wheel", "Windsor Cemetery Diary", etc. Each article is trying a new perspective. "The person who comes back from the other side" turns out to be so understanding of the sorrows of the world, and there is no "retirement" in life. He has a clear understanding of the other side. Following the "Windsor Cemetery" in the novel and watching the "Love Retrospective" of the Duke and Duchess of Windsor, men and women who still live in the world can't help but think of themselves, their own infatuation, and their own indifference. Mu Xin said, this is clearly the most common hundred years of ruthlessness and passion.

"The past with plain shoes is the wish to walk alone..." Mu Xin's prose novel series "The Past with Plain Lures" was finalized based on Mu Xin's later years. The first volume includes "Cooking Fish and Guests", "White Horse Han Ru", "Hungry in the Western Mountains", "Ten Peng's Turtles", "Abandoning the Cart", etc., The second volume includes "One Drink, One Peck", and the third volume includes "The Dead Literary Scholar", "Evening Prayer", "Kitsch Litigation", etc., And is accompanied by the author's images and creative handwriting. "Going with plain shoes" comes from the "Lu Gua" in the Book of Changes: "On the ninth day of the lunar month, if you go with plain shoes, you will have no fault." If you act with a simple and frank attitude, you will not blame yourself. It is used as a metaphor for a simple, innocent and self-sufficient attitude towards life.

"It's better to go for a walk every day. Summer is the best for Qiongmeika..." Mu Xin's prose novel series "Qiongmeika's Random Notes" was finalized based on Mu Xin's later years. The first volume includes "Ruyi", "My Friend", "The King", "Perfection", "Awakening", "The Call" and " "Irrelevant" and so on. The second volume includes "Rhymes", "Haikus", "Fengyan", etc., And the third volume includes "Beguiled", "Hope", "Really", "Say Again", "Very Good", "Wise Frog", "Endless", "New", etc., And is accompanied by the author's images and creative handwriting. When Mu Xin finalized the draft, he made a lot of "subtractions" and omitted explanatory sentences about "I" without revealing them. Each title in the book has two words, such as "The Sword Hilt", "Embellished with It", "Evil Thoughts", "Dead Year" and so on - there are endless whimsical thoughts in the last chapter. When writing this book, Mu Xin lived in Qiongmeika, East New York, so the book was titled "Random Thoughts of Qiongmeka".

"To judge lightly is a kind of happiness, to foresee vaguely is a kind of happiness, but it is only suitable to be gentle and vague..." Mu Xin's prose novel series "Impromptu Judgment" was finalized based on Mu Xin's later years. "Already Cold", "Sending to the White Plains", "Late for Snow", "Summer in Princeton", etc. The second volume includes "Road Worker", "Auspicious Rain", "Fish and Book", "Angel Selling Wings", "The Overturn of Drunken Boat", "Memorandum from France", etc., And is accompanied by the author's images and creative handwriting. According to a review of "Mu Xin Talks about Mu Xin", in 1993, Mu Xin, in response to repeated requests from students, spent half of the nine lectures in a lecture on the history of world literature taught by Chen Danqing in New York about his literary creation, sharing the "Preface to the Dynasties" in the first lecture.

The poet Mu Xin once drew the keys of the piano on white paper and played Mozart and Bach silently during the period of confinement. Chen Danqing said, "He loves literature to the point of sin, and he is as isolated from the world as sin." Because "Chinese Good Songs" student Liu Huyi composed, played and sang Mu Xin's poem "Once Upon a Time Slow", student mentor Liu Huan further performed it at the Year of the Sheep Spring Festival Gala, which attracted attention. There are seven series (158 poems) of poems in "Mu Xin's Selected Poems", ranging from the early "Alibaba Night" to the "Slowness of the Past" that is well-known to readers of our generation, as well as the four-character poem "Tongpao" known as the "Book of Heaven", etc., Including selected poems from various periods. These poems are selected from all six poetry collections written by Mu Xin during his lifetime - "My Lots of Desires", "Three Trees in Spain", "Pseudo Solomon", "Balong", "The Book of Songs" and "The Skylark Cries All Day". Mu Xin's poems, exceptions and normalcy, thinking outside the inertia, are the mortal enemies of empty words and clichés. The quality of poetry is jealous of hatred, not showing off or noisy, expressing emotions with "old facts", forming "the power of whispering in reveries", and forming intertextuality with real life, historical time and space, classical literature, and Western culture and literature.

"Emerson, Montaigne, and even the unfortunate Socrates, their skepticism was always as bright as the moon and stars, and they talked and laughed..." Mu Xin's prose novel series "The Bad Guest at the Emerson Household" is a work re-edited by Mu Xin in his later years. It contains a collection of books published for the first time. His novels include 14 novels, including "Round Light", "Color of Grass", "You're Still Here", "Last Bus Passengers", "Three Women on the Street", "Atlantic Casino Night", "Ganges·Lotus·Sisters", "Mother's Ceremony of the Song Dynasty", etc., And are accompanied by the author's images and creative handwriting. Among them is Mu Xin's first literary work dedicated to depression, which is reinterpreted in three words and two beats, presenting a new style of ancient Chinese novels.

It was long overdue, but here we are after all. Mu Xin, a senior who is honored as "my teacher" by Chen Danqing (author of "Retrograde Collection"), a literary master who was commented on in a special edition of "Southern Weekend" and recommended by famous writers such as Chen Zishan, Chen Cun, and He Liwei. Mu Xin is an "odd number", an "odd number" with dual nature. Mu Xin's own temperament and talent would be outstanding in any era, but it happened to be in the historical period when personal talents were most fatally annihilated. He was destined to wither and die young, but he existed, matured, remained silent for decades, and finally became famous overseas. The special comment on Mu Xin's literary activities is a posthumous event, a major event, and a grand event. His writing is such a kind of Chinese characters full of human emotions and cultural expressions. It is elegant, calm, concise, sophisticated and extremely sophisticated. He also understands Western quintessence, and he also understands Chinese quintessence, but he does not simply combine Chinese and Western elements to create a "sandwich", just like he paints his landscapes with ink. He writes thoughts in pure Chinese to express his understanding and feelings about the world.

Mu Xin said that "being sentimental" and "being ruthless" are ridiculous, "I would like to change my name in the future..." According to Mu Xin's final draft in his later years, "The Banquet of Fish and Beauty" includes Mu Xin's past articles such as "Answers to Friends" and "Answers to Reporters", as well as the author's images, creative handwriting, etc., Including "Night Talk at the Jianglou" and "Straits". "The Voice", "Snowy Evening", "Midsummer Party", and "A Late Confession" which reveals the "journey minutes" of Mu Xin's trip to the United States from 1983 to 1998. In addition, "Postwar Carnival" also looks back on "personal adolescence", and "Friends from the West" reveals Mu Xin's "precious literary friends" in his later years. Mu Xin's preface says, "The Banquet of Fish and Beauty" is a selection from my "Answering Guest Questions" series. Although the topics it touches are limited to literature and art, it is also complicated, so it is euphemistically called "Fish and Beauty"... In this way, the original intention was to narrate the successes and failures of life, but it turned out to be a drunken feast.

"Three Trees" is a kind of wine produced in Spain. Mu Xin said, "What does Spain have to do with me? What does Three Trees have to do with me..." Mu Xin's poetry collection "Three Trees in Spain" was finalized based on Mu Xin's later years. The second volume contains tributes to Ci, Tolstoy, Dostoyevsky, Pascal, Borges, etc. The second volume includes "The Good Brothers of Everly", "Ah, Paperclip", "The Second Waterloo", "Antarctic Green Grass", "Egypt Ramadan", "Narrative Poems Without Worry", etc. The third volume contains nineteen short stories in classical Chinese, which are like poems and sketches. The whole book is also equipped with the author's images and creative handwriting.

"I love all the men and women in the three hundred poems..." Mu Xin said about the "Book of Songs", "Three hundred poems, in one sentence, Hui Wu Zhong." Mu Xin's collection of poems "The Book of Songs", whose real name is "Hui Wu Zhong", was compiled by Mu Xin himself in his later years, creatively injecting modern content based on the "Book of Songs", each poem has 14 lines, a total of 300 poems. The inner chapters include 263 poems such as "Tongpao", "Holding Hands", "Guan Guan", "Peach", "Wuzhi", "Samsung", "Wuzhen", "Yuli", "Jianjia", "Zijin", "Shimu", etc. There are 37 poems including "Water", "Hie Shan", "Tian Xia", "Chaos" and "Qi Su". The words are classical and the concepts are modern. Appreciating the beauty of rhetoric is like getting lost in the complicated meaning, shape and pronunciation of Chinese characters.

"An unexpected personal growth history, in the name of Solomon..." Mu Xin's poetry collection "Pseudo Solomon" was finalized based on Mu Xin's later years. The first volume includes "Khan's Hotel", "Peering and Looting", "The Sixth Year", etc., And the second volume includes "Little Temple", "Happy Wounded Soldier", " Then the Rose is an Exception" and so on. The third series includes "Night Sugar", "Turgenev", "My Farming Poems", etc. The fourth and fifth series include "Shell Exile Law", "Northern Fog", "The First Night of the War", "Dogwood Farm", etc., And are accompanied by the author's images and creative writings. Mu Xin said that it would be more fun to condense other people's "literary" sentences into "poetry" sentences and sway them from the magic carpet. It is called "the history of unexpected personal growth."

"Especially in the quiet night, my passions are so strong that they float down one after another..." Mu Xin's poetry collection "My Lots of Love" was finalized according to Mu Xin's later years. The first volume includes "My Lots of Love", "A Tree in the Wilderness", "Coffee Review", "To Horatio", "The Last Lines of a Night Story", "Love History", etc., And the second volume includes "Some Waves" The third volume includes "On White Nights", "Winter Travel in New England", "Poet by the Lake", "Children Named Clouds", "Sea Breeze N0.1", "Sea Breeze N0.2", Etc. It is also accompanied by images of the author. He was seventy-two years old when first published, showing the traces of his past.

A fragile human heart inevitably needs some legal entertainment. "If they hadn't heard of love, how many people would know about love..." Mu Xin's collection of poems "Ba Long" was finalized based on Mu Xin's later years and included in "Ba Long" and "Roman Stopping Clouds" Poems such as "London Street Sounds", "The Rain of My Life", "Autumn Colors of the Ming Dynasty", "Bells of Bordeaux", "Back Slope of the Taoist Temple", "Five Islands Evening Mail", "Luoyang Jialan Fu", "Weimar Early Spring", are accompanied by images of objects and creative handwriting.

"Impromptu Judgment" is a collection of Mu Xin's essays, which are also about contemplating and searching for life.

Mu Xin's poetry series of 6 types (10) "Three Trees in Spain" - Mu Xin's long and short sentences, a collection of Mu Xin's poems with "spiritual codes" lurking everywhere. (11) "My Passionate Desires" - "Especially in the quiet night, my desires are great and they float down one after another..." It contains more than 100 poems. He was 72 years old when the collection of poems was first published, which shows the traces of the past. (12) "The Book of Songs" - Creatively injecting modern content based on the "Book of Songs", each song has 14 lines, a total of 300 poems. (13) "Balong" - "Balong" is originally a wine flask from Madrid. It is in Spain and is also in Mu Xin's collection. (14) "The Book of Pseudo Solomon" - an unexpected personal growth history of "Mu Xin", an epic poem by a lyric poet. (15) "The Skylark Squawked All Day" - especially contains the original poems from "Once Upon a Time Slow".

"The Book of Pseudo Solomon" is one of Mr. Mu Xin's most valued masterpieces. The author calls himself "a history of unexpected personal growth." The collection of poems is composed of seven volumes, with profound implications and varied styles, just like Mu Xin's painting style. The author wanders freely between Chinese and Western cultures, changing scenery and creating a myriad of cultural images.

This book is a collection of Mr. Mu Xin's prose works, divided into three volumes. The contents of the first volume include: "Round Light", "Color of Grass", "You're Still Here", "Cigarette Butts", "Passengers on the Last Train", "7 Grams", "Three Women on the Street", and "The Malague Project". The contents of the second series include: "Atlantic Casino Night", "Ganges·Lotus·Sisters", and "Emerson's Bad Guest". The content of the third series includes: "Wei Siming" and "Da Song Mu Yi". Appendix "Zhu Xiao Ji". "7 Grams" talks about the balance of life and wisdom, mysterious and penetrating...

Opening the "Mu Xin Posthumous Manuscripts" series (the second volume), there are three volumes in total, and I found that Mu Xin left a silent message - "Like Hardy, I hate others writing my biography. Hey, you know what I am." Mu Xin said - "Mr. Li Shutong is still a mystery. The message 'Sorrow and Joy' is a keyhole, but there is no key..." Today, how to understand Mu Xin's "last moments must still be arranged in Wuzhen"? Also "without a key"? "I can't see my ending yet." Fortunately, we still have Mu Xin's manuscripts, which began to be revealed to the world ten years after Mu Xin's death. In "Meeting Mu Xin Again" in Mu Xin's manuscript, there are some words that you can only read in his original only copy!

It was the clear day of Haiyan River, the time of Xiuwen and Yanwu. This was the origin of Ye Zi's title and she was also responsible for it. At the age of fifteen, Ye Zi saw Jiang Qiyun for the first time while riding in the woods. He fell in love with her at first sight because of his heroic appearance in the spring. At the age of seventeen, his country died before his family was destroyed. He returned to the capital and was granted a title. The orphan of a wise king enjoyed the honor of a princess, but was feared by others and walked on thin ice within the palace walls. He was the marshal of the Northwest Triumphant Division, with great military achievements and no reward. The emperor ordered a marriage, and he smiled and agreed. Ye Zi thought that the two of them would never cross paths in this life, but a scroll of imperial edicts evoked an unspeakable fate, and the two of them were reunited. The deep love is not revealed, just because it is deep in the bones. Reluctantly, Jiang Qiyun embarked on a long road to pursue his wife, traveling to the capital, traveling to the south of the Yangtze River, traveling to the northwest, and exploring southern Xinjiang, to watch the ups and downs of the prosperous Qin Dynasty together!

Mu Xin's prose novel series of 6 types (4) "Reflection of Colombia" - as the first simplified Chinese version of Mu Xin's work compiled in his later years, it includes 13 works with Mu Xin's writing style such as "September 9th", "Bamboo Show", "Empty Room", "Reflection of Colombia", "No Walking Tomorrow", "Shanghai Fu", etc. (5) "Qiongmeika's Random Notes" - Mu Xin finalized it in his later years. Every word, sentence and punctuation are very particular, reflecting the consistent style of implicitness and non-explicitness. (6) "Windsor Cemetery Diary" - Follow the last chapter of the novel collection "Windsor Cemetery" and read the "Love Retrospective" of the Duke and Duchess of Windsor. (7) "Improvisational Judgment" - Regarding the loftiness and unknowability of life, Mu Xin offers a light "aesthetic judgment". (8) "The Past of Su Lu" - "The Past of Su Lu" comes from "The Book of Changes·Lu Gua". Mu Xin said that the good thing about life is that it is meaningless, so that it can accommodate each of us to give it meaning. (9) "The Bad Guest at Emerson's House" - a collection of prose novels re-edited by Mu Xin in his later years.

Three types of Mu Xin's lecture notes series (1) "Literary Memoirs" (volumes 1 and 2) - Mu Xin's gift to the world, the gospel of literature. (2) "Mu Xin Talks about Mu Xin" - In the five-year "History of World Literature" course, Mu Xin once responded to the repeated requests of the students and spent half of the nine classes from March 7 to September 11, 1993, talking about his literary writing. Its entire content is contained in Chen Danqing's original notes. (3) "The Banquet of Fish and Beauty" - Why is Mu Xin Mu Xin, Who is who? A "book of answers" published by Mu Xin himself.

The Utopia Collector's Edition "The Complete Works of Mu Xin" collects 15 kinds of written works (including lecture notes "Literary Memoirs" and "Mu Xin Talks about Mu Xin"), including Mu Xin's final drafts in his later years, the author's images, creative handwriting, etc., Word for word, from the original manuscripts of Mu Xin during his lifetime (and Chen Danqing's lecture notes), all hardcovered for the first time - [1] 3 series of Mu Xin's lecture notes, "Literary Memoirs" (volumes 1 and 2), "Mu Xin Talks about Mu Xin", "The Banquet of Fish and Beauty" [2] 6 series of Mu Xin's prose novels, "Reflections of Colombia", "Qiongmeika Sui" "Want to Record", "Windsor Cemetery Diary", "Impromptu Judgment", "The Walking Away", "The Unwelcome Guest at Emerson's House" [3] 6 types of Mu Xin's poetry series, "Three Trees in Spain", "My Lots of Lust", "The Book of Songs", "Balong", "The Book of Pseudo Solomon", "The Skylark Cried." Friendly reminder for "All Day": In addition to the set of "The Complete Works of Mu Xin", there are also two volumes of "The Complete Works of Mu Xin" (edited and selected by Tong Ming), one is the poem "Selected Poems of Mu Xin", and the other is the novel "Leopard Change", such as Gemini, but both are single volumes and do not belong to the "Complete Works of Mu Xin".

"Reflection of Columbia" is Mu Xin's first simplified Chinese version of his work. It selects 13 essays that best express Mu Xin's writing style, such as "September 9th", "Reflection of Columbia", and "Shanghai Fu". The full text of the "Mu Xin's Prose Symposium" was launched on May 9, 1986 by the supplement "East-West Wind" of New York's "China News".

I always feel that poetry and philosophy are fragmented, intermittent, and bright and dim. There are more than 27,000 lines of poetic drama, and logical works with overlapping peaks and ridges. Goethe and Hegel did not feel tired after finishing them, but they were already exhausted and clueless just thinking about them. Montaigne ignored the system, and Nietzsche pointed out that the structural system was dishonest - these two statements made people smile. Although being honest is also a big problem, everyone has his own way of playing the game, but only respectful, respectful, and common people are just players. I have followed Gong and Dangdang to this day, otherwise there would be no need for literature.

Collected 46 essays. In the book, readers can as always appreciate Mu Xin's "rich and skillful" writing skills, his "good use of strange characters like Han Fu" and his characteristics of "speaking out of the ordinary in places that others cannot say".

Mu Xin said, "On the day I became famous, I watched myself being buried." Before returning to his hometown of Wuzhen from the United States in his later years, he decided not to enter galleries, auction houses, receive interviews, give lectures, publish articles, accept gifts, or write inscriptions - these seven "nos" are also his attitude on the day he returned home. Mu Xin said that a person's position in history is nothing more than a bed. In addition to all Mu Xin's published works, there are also a considerable number of notebooks and scattered manuscripts, which have never been published and are estimated to exceed one million words. Since Mu Xin usually does not indicate the year of writing, it can be inferred from the content and handwriting that a small part was written in the 1980s, and the majority was written in the 1990s and the new century, until his death in 2011. The contents of this batch of posthumous manuscripts are broad and miscellaneous, and are not divided into chapters. They can be written as they go and are rarely complete in length. These include names of people, bills, book lists, catalogs, letters, and occasionally simple book designs drawn by hand, as well as his own cemetery. Haiku, random thoughts, old-style poetry, and free verse that readers are familiar with account for about half of the work. The rest is somewhere between miscellaneous notes, memos, narratives, and recollections of the past, as if talking to oneself, and is different from all his published works. On the tenth anniversary of Mu Xin's death, the first batch of Mu Xin's posthumous manuscripts can finally be handed over to readers.

"In the past, the sun became slower, and the cars, horses, and mails were all slower. There was only enough time to love one person in a lifetime..." Mu Xin's poetry collection "The Skylark Called All Day" was finalized based on Mu Xin's later years. The first volume includes "Big Mood", "Love Poems in the Train", "Nagai Lotus" "Japanese Wind", "We also had our youth", "Rest in Peace, Enemies", "Zhidang Shisulu", etc. (Especially the original poems from "Once Upon a Time Slow"), the second volume is included in the haiku collection, and is accompanied by the author's images, creative handwriting, etc. When the collection of poems was first published, Mu Xin was eighty-two years old. These more than 100 poems with profound artistic conceptions and rich golden sentences, as well as more than 100 lines of wonderful proverbs written in the style of Mu Xin, are still talked about by readers today. In Part A, the poet roams in time and space, roaming the Volga River, Sicily, Istanbul, Java, ancient Greece... Exotic people, Chinese landforms, vividly appear on the page. The second volume is all short sentences, mostly written by chance, and is full of brilliance. These sentences are like haiku and aphorisms, just as Mu Xin said: Haiku collected together have a great feeling of fire and silver flowers.

The story of "Leopard Change" describes an individual person, and it can be roughly seen in the life stages of childhood, adolescence, youth, and middle age. Personal experience corresponds to the stages before the war, World War II, after World War II, after the founding of the People's Republic of China, and the opening of the country. It needs to be thought about in these historical backgrounds. Of course, there is another important stage: the Western world after going abroad. In addition, "Leopard Change" includes a long preface by editor Tong Ming. From the perspective of world literature, how to view the global nature of Mu Xin's literature also shows that Tong Ming and Mu Xin started brewing in the summer of 1993, and first published the 13 American English versions of AnEmptyRoom ("Empty Room"). By the 90th anniversary of Mu Xin's birth, the complete Chinese version of 16 chapters was finally published. This was a "literary appointment" that spanned more than 20 years. The title of the book comes from the "Book of Changes": "The great man changes from tiger to tiger, the villain changes from face to face, and the gentleman changes from leopard to leopard." Leopard change is a process from weak to strong, which implies the spiritual growth history of an artist.