Part of Akaashi's records, part of abandoning the article, and part of resentment and regret. In order to balance the rating ratio, the book's single three-star rating is actually one and two stars.
[Abandoned Article] Alas, there is no place for this book. In fact, I want to praise it, but there are too many scenes where the heroine is looking for a man and I can't stand it. The following record is not the mood of abandoning the article.
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(The distinction between "new article" and "old article" is based on running with the ball. Running with the ball was the first time I read Fan Yuetai's article)
I've probably glanced at Fan Yuetai's old articles before, and they seemed typical of romance, so I wasn't very motivated. Some time ago, I suddenly wanted to fully understand the author's works, and decided to start scanning them from 23 years ago. So far, I have abandoned "Beloved Wife", "High Class" and "The Doting Period", until I saw this one and I suddenly kept it. (I later watched "The Peach Blossom" and "The Charioteer" and gave up on them as well)
Generally speaking, most of them are really romantic romances. The difference is that the traditional romance narratives contain anti-traditional emotional models and character designs. The most unexpected thing is that although Fan Yuetai's old novels developed more male characters and focused more on emotional pull, the portrayal of the female protagonist is actually more realistic than now. The details of the heroine in the previous writings were so vivid. They all started off poorly, but she is particularly tenacious, optimistic and positive, with pragmatic and flexible thinking. She will strive to seize every opportunity. The super-active baby girl is especially outstanding in "Forgive Her". The shape of Mars is too vital. There is no grand narrative and no tension, but in those details, the heroine can be completely infected. The baby heroine is like a little calf, bright, brave and full of hard work. With such brains, energy and courage, she will succeed wherever she goes.
It's a pity that most of this part is missing in the new article. The heroine's initiative is omitted with a systematic world view. Every effort and energy, calculation and consideration for survival and voyage are mostly covered by strong settings. The character traits that should be left in the details are also briefly summarized by the repeated labels of honest and high energy. If I hadn't read old articles, I wouldn't have discovered that the highlight of the heroine Fan Yuetai is the vigorous vitality that pops out on the page, the tamped flesh and blood, and the simple and hot texture. I feel that a large part of it has been replaced by live work and jokes. I don't know if it's a good thing that I resented it as soon as I read it.
In addition, the core thing I like about this book is that it is driven by the story. Several other old articles focus on the relationship between the heroine and the male counterpart. The driving force of the story of "Forgive Her" is the heroine's personal line, and visually there is a more open career line later, and the proportion of female characters is also higher than other Fan Yuetai's articles I have read. The other old novels are too traditional romance, with more male roles. Although the new novel does not portray the individual men that much, it keeps serving dishes. There are too many male guests, so there are still many male roles. Even though it can be felt that the author intends to write more female characters in addition to Xingyuan targets and potential Xingyuan targets, but they are really squeezed out. Only in "Original" Only in "Forgive Her" can I really see the presentation that I originally wanted to achieve when these interferences are reduced. The female characters are rich and interesting, and the relationship between the heroine and the female character is also very touching. When the heroine had nothing in the early stage, she was busy trying to make money and make a living, and the integration of friendship with the female character made me burst into tears many times. I felt that this book was actually a prototype of a plot. (But men are really annoying...
I clicked on the first chapter and got kicked out. Those who hold the theory that you can't fall in love with male characters = it's bad for female players, etc., Combined with the paragraphs and comments, it becomes more humorous. I have never seen a woman's subjectivity reflected by being able to fall in love with paper men at will. I feel that when the game is not good for female characters, they will criticize female characters for being charming, so they demand the creation of male characters. It overlaps so much with the portraits of cyber abortion enthusiasts that I feel a little stressed.
Although Brother Goose and Sister Goose, the perspective is more biased toward Brother Goose. Most of the player's positions are also presented by the brother. It is considered a hero story, and the sister's role is less than half of that of the brother.
I feel that the only novel I can read by Fan Yuetai is the one about running with a ball. It seems to be more traditional romance in the past, but it is like this one. The heroine's personal line is scattered and light, and the dishes are being served. I have only read Chapter 14. There are already three male characters that have been developed, and the main description of running with a ball is only three. Once a harem novel is written about men, it will be difficult to balance the plot line of the heroine and the emphasis on male guests, which will inevitably dilute the heroine.
The fourth natural disaster in the forum at the beginning made people look forward to it, but when I wrote about it, the entertainment industry made fun of my IQ - the main character planned to be a celebrity and get out of the entertainment industry. He did not choose a female star because of his strong fighting ability. He considered a male star because he is easy to be used as a bodyguard. He rejected the option of a male star because it would attract drug addicts. Finally, a celebrity wife became famous and was snatched away by a fan... Ahhh, this is the ultimate fantasy to soothe the pollen. To be honest, although the female celebrities will be scolded by female star fans, they will indeed be recognized by passers-by and praised by passers-by. No one cares about the male celebrities. The exposure of male celebrities' activities is completely self-pleasure in the fan circle. , Raw powder is also much more powerful than pollen and poisonous Wei. Male celebrities who have sex with porcelain will not gain anything except the insults from raw powder. They can't get out of the circle at all. No one except Du Wei cares about it, and there is no chance of a drug addict. What kind of thing is it for a male celebrity fan to snatch his sister-in-law... Help, it's like the kind of daydream that takes place on your own behalf and fantasizes about being loved by everyone.
(Although it is not a pure feeling of abandoning the article, considering that Su Shuangwen has many recommendations, it is better to move this article to the Akaishi record)
The highlights include more than just degrading words and misogynistic plots... It turns out that there is also a female kidnapper in this book. It would have been acceptable to have a woman when the criminal attackers were mainly men, but the punishment turned out to be the same "tit for tat" of selling her to an old bachelor who wanted a child, and also expanded to write about being raped. There are forced scenes and desperate moods, sexual humiliation, sexual exploitation and reproductive exploitation. There are obviously other ways. It is obvious that the torture of the male attackers in the entire text has not been used in this way. The previous male villains who were also human traffickers and forced women to work in the seqin industry were not treated in this way. I am so speechless. Alas, I didn't realize that the author's article was like this. It was like an unprotected via ferrata. I don't know which foot was suddenly missed.
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The most striking point is the deathly insulting words (expletives). The author uses the insulting words as commas (considering that he is a 21-year-old writer, he can tolerate it a little), and he has almost no awareness.
The advantage is that she is the true darling of the group, the true darling of the heroine, the daughter of the will of the world, the impeccable top family background, the preference of everyone (except the attacker), the strong body, the invincible force value, and most importantly - the strong sense of subjectivity She has a very high ego, always looking for problems in others, and consuming others crazily. No matter what kind of adversity the attacker is in, it will have no impact on the heroine baby, because she can live her own home court at any time and easily torture the attacker to death. (Also considered a big player, he can fly around the world as he pleases [Spreading Flowers]
I like the description of the heroine's appearance in the article: "Fu Baoningsheng's beauty is not the graceful, graceful and charming that the world praises, but a kind of vigor and vitality, with a pair of narrow and sharp phoenix eyes. The whole person looks bright and flamboyant. It does not look like the famous flower that is often used to compare beauty, but more like a little leopard with a tiger head and a tiger head." Who wouldn't like the heroine's baby who is as strong as a cow and can fly three steps away with one punch and hit the silk with three punches? Cute, cute
(It was only after I read this book that I realized that an article I had read on Tomato before was plagiarized from this one. The book was called "Becoming a True Daughter and Sold Everyone After Going Crazy". The core plot was exactly the same. Many text changes were not made, but that one was much more sinister than this one. The ones who attack the heroine must be bad guys with a lot of evil, but the first kidnapper and the second bully are women, and the third and fourth are men. It was the first time I saw that all the systems were on the side of the heroine to help the heroine torture the attacker. It was a novel setting, and I thought it might happen later. There are more men, but the fifth villain is a love-minded heroine in a stereotypical sadistic novel? Not to mention that this kind of female character comes from the creator's malice, and she is a victim of misogyny. How can she be compared with the previous "evil"? She is even said to be inferior to this idiot? The quality of the villain group disgusted me so much that I abandoned the novel. Moreover, the author and other characters in that book were not as loving as the heroine in this book. The background configuration included the favored fake daughter and Yaozu's younger brother. None of the top villains included in Tomato Sinking were included, and Fu Baoning's unsolvable force value was not included.
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The modern part is even more funny
The front part is pretty good, the heartthrob is a funny and funny story, Gagale. After about 20 chapters, there is a very serious emotional scene, and the male character is too charming. Once I feel the love and affection for the male character in the author's writing, I can't accept it. And the promised heartthrob, although there are also female characters who kiss each other, but the frequency of competition for male characters is a bit too high.
At the beginning of the skill, a mother is sacrificed. It's so annoying that at the beginning, the mother either had a dystocia or died of illness, but the father is alive and well. Later, there must be someone who helps the father, is favored by the father, and is respected/has status/etc. This kind of thing appears more frequently in ancient literature. It may be because of the "realism" in ancient times. Only the father can give power, so we want to weaken the existence of the mother as much as possible. It is best to tie part of the "motherhood" to the father. In order to "eliminate the mother", the kinship connection between the father and the protagonist is stronger and more frequent.
But when I saw the setting at the beginning, I just felt resentful and didn't abandon the article. I kept wondering whether it was a stereotype and whether it was just a means in this article and I would not write in detail.
But a few chapters later, I got another big one. You are really good at me being the author. In the original plot, the female protagonist worked hard for the original male protagonist. She provided resources and saved the people. She worked tirelessly to build infrastructure and make money, "helping the original male protagonist dominate the world." When I saw that this waste was useless, the female protagonist did all the work, and she ended up like a queen. The original male protagonist was beautiful and beautiful. Now that a reborn woman has snatched my man away, and I also know the original plot from the system, I thought I should finally understand that I can only rely on myself, and everything must be in my own hands, but I turned around and told my father all about how I could obtain food and the plot in my previous life... I really couldn't stand it anymore. The reason I used was that I didn't understand the world, and my father lived a long life and knew how to fight, so he knew more and could do more. It's so funny. This is the Empress's novel. If the heroine doesn't know it, won't you let her learn it? Do you plan to never know it for the rest of your life? It's ridiculous. Yi Zhan actually believes that Lu will spare no effort to help him because he has no other children. I think the channel I clicked on is the battle for hegemony channel, not the channel for loving each other and father and daughter. With such huge interests in front of me, he actually believes in the family ties from a few days after they have not been together for a few days. "Even if she is not Jin Mingtang Jin Mingtang will sacrifice her daughter for food, not to mention that she is Jin Mingtang's biological daughter and the only child of Jin Mingtang." What the hell is this writing? Such an important trump card and such a huge profit. Perpetual motion machine should not tell others when it is growing and growing. It should be realistic and waiting to be used as a prop.
The author is really stupid, he might as well write his father to death and let the heroine inherit his power. No wonder the original plot was so smooth and tough in the previous life that the original male protagonist had everything he wanted. He thought he was the control group now, but in fact it was just his understanding. After listening to the original plot with the heroine, he was sure that he was also matched. The difference is that there are more systems in this life, and the results can be told when he turns around. I feel that as long as this is not a novel about the Empress, I might be able to tolerate it longer and see if there will be an explanation later, but the background of this book is that people who are short of food will change their lives and eat, and people will become two-legged sheep. You can also see the same plot in the Empress novel as in the Koi novel. It was so speechless that it made me laugh out loud.
This article is particularly awkward... It's not about the character of the heroine, it's about the author's portrayal of the heroine. Although the heroine is a self-centered character, the author couldn't figure out how to please everyone in this way, so he added a lot of altruism to the interpersonal connections between the heroine and others. When I was reading the article, I felt that King Yao Yao was very cute when he was dragging and fussing. At the same time, I felt aggrieved by this caring little cotton-padded jacket who fought with each other, and I couldn't get up or down. Moreover, this part of the plot also made me hallucinate the unintentional feeling. , But the blood-donating koi heroine who always brings benefits to others is very inconsistent with the character the author wants to create. Especially in this article, it can be said that the main part is the relationship and interaction with sisters and brothers, but the number of women in this part is very low, five men and two women, most of the scenes There are still five men, and the two women are just flashes. One of them has a slightly larger role and is still being groomed as an heir but yearns for beautiful clothes, sweets, and pink. Such very stereotyped things, I also pursued it awkwardly for a few more days. After feeling uncomfortable again, I decided to give up.
I am so heartbroken that I really like this gag and this world view. The heroine is also written very vividly and charmingly, but why is it such an emotional story? It is painful, fairy-tale, and historical. Every time a high-ranking male character appears, and I use that classic romance technique to profile them, add characters, and charm, it makes me feel particularly uncomfortable. In fact, I think about it, if this part is shorter, I might be able to endure it. Unfortunately, it has already made me uncomfortable several times after reading less than ten chapters.
I don't know if e-sports articles are all so offensive. The forum barrages smell like descendants, and there are endless words about naughty girls and naughty girl memes. Dfxr
When it comes to romance dramas, I think of this. Originally, I really hate watching people fall in love, so I don't like to read romance dramas, whether they are reality or novels. However, some of the writing is a bit bright, so people like me will try to read it twice to avoid missing the counter-routine or something. This is what it belongs to, and the early stage looks pretty good. The heroine is very good at teasing people, and the guests all have their own agendas, and they are all here to be famous. No one really wants to fall in love. The heroine is very happy to bully people, and the men are all ashamed of being bullied by the heroine. But later on, a man with the same venomous mouth as the heroine appeared, probably around chapter 30, and a lot of two-person plots were written in succession. The two of them combined swords, and they were also given a domineering CP name. There were also OOC love scenes where the heroine was at a loss what to do. I'm really speechless. You told me earlier. I thought it was an anti-routine article but I didn't expect it to be an anti-routine CP. Some authors write this with a different feeling. The result is to pave the way for her different CP. Although she wrote so much, it was just that she was willing to spend 30 chapters writing the foreground and background.
Because I watched it as a movie, most of my complaints were sent to my friends Xiaochuan. I read 60 chapters with the mentality of enduring at least until I finished one unit. Normally I couldn't read this article for more than a few times, but I really couldn't stand it anymore.
I have read recommendations from some sisters in familiar places before, and the recommendations tended to praise the heroine, thinking that the heroine has a better character and a more interesting growth path. I can only say that if you go for this, you should not have any expectations. The heroines are most often described as "delicate", "pampered" and "unworldly", and the most popular descriptions of the heroines are "astonishing genius", "unruly", "unconventional" and "gangster". Moreover, the logic of the characters is quite fragmented. One moment it is written that the heroine is experienced in intrigues and machinations, and the other moment she seems to know nothing and even seems to be a bit stupid at times, so why not eat meat? I feel that I want to emphasize the heroine's "ignorance" When she was "pure", she began to castrate her ability and strength; although the female protagonist is good at riding and shooting, she has no ability to protect herself. In fact, it is to bind the male protagonist and leave a protective role for him, and book CP points, Su points and highlights. In the first case, the female protagonist basically has no room for display. The author verbally said that the female protagonist is strong here and there as a hexagonal warrior, but she has never achieved anything. Instead, the male protagonist has several scenes of pretending. The typical female protagonist's behavior recognition and growth is to shape the emotional line (and the male protagonist) To give in, I even think that many settings are to try to deprive the female protagonist of what she is good at, and then put her in the area where the male protagonist is good at, and she knows nothing and has nothing. At this time, no matter how powerful the male protagonist is, it is a very typical romance technique.
This author definitely has the Nanning xp. He likes to emphasize the softness of the heroine. He describes the heroine's body as a "delicate body" and uses a lot of images of shyness and softness. It is also quite vulgar. He wrote three or four times of completely unnecessary sexual harassment (of the heroine). One person went to the city for inspection and pinched the heroine's breasts. Some people who like to mutilate corpses said to the heroine that it is a pity that it is not a corpse. There are rogues in the market who thought during the Suzhai gathering. Taking advantage of the chaos of "one kiss is fragrant", there are also stories about male subjects smelling the aromatic spices used by women in the palace and saying that this is the most noble spice that can only be used by women. Smelling this aroma can make you have a night of erotic dreams. There is even a scene where the heroine dresses up and uses her color to seduce a certain man. This man is just smelling the fragrance of the heroine and lusting after the heroine. He is a very "traditional" and stereotyped author with no sense of consciousness.
I prefer to emphasize the coquettishness, arrogance and sexual attributes of the female protagonist, and I prefer to emphasize the strength and chivalry of the male protagonist.
There are also a lot of emotional scenes, and I think the plot is quite weak. It doesn't count as plot, and the reasoning is light and almost non-existent. The way the case is presented is almost like telling a story at the end. Most of it is about the male and female protagonists. Most of the time, it is even about the characters' dialogue, their mentality, and their responses. It's almost a two-parter, with emotions. Love stories are relatively based on plot. I created two characters, wrote about their behaviors, and then wrote experiences and unit stories around this. From a film and television perspective, the advantage is that the protagonists are very involved. The disadvantages are too lazy to go into details. There are a lot of baskets. Anyway, whoever likes to pick up who will not give me a single pick, cpf, don't curse me for single picks.
I really can't accept the setting of the heroine [in the game] (emphasis!) Who can't see clearly and behind the ears. If you are short-sighted, you can wear glasses, and if you are hearing-impaired, you can wear hearing aids. If there are surreal and high-tech elements, these are not a problem, but making these debuffs the norm will make me feel that the author intends to write that the heroine is disabled. The meaning is unclear, and it feels like it is for the sake of some plot later xp
I don't know if it's because I happened to be sick right now, but I felt extremely uncomfortable when reading it. It's the most disgusting type of female emperor story. It's not a problem that she doesn't have real power at the beginning. The problem is that there are a lot of male ministers at the beginning. They are noble, unruly, enigmatic, and they are all written by male guests. And the first male supporting actor fell in love with the female protagonist because she touched the quilt. "The girl's love is budding. She needs to extend a helping hand to her when facing an excited crowd. The warmth of that moment is enough to support her to carefully protect this heartbeat and remember it for many years." And she has to stop because she is worried about the consequences. No matter how you look at it, this setting is humble and humiliating. If it is just the original emotion, but there is also the heroine's perspective in the article, "It doesn't matter. She was not very moved in the first place, it was just a stunning sight, and it is not an unbearable loss at all." In Male Support 2, a powerful imperial guard commander from a powerful family dared to go straight into the hall to confront the heroine for his boyfriend. In Male Support 3, the Taifu can be used to directly suppress the female protagonist and even make her fearful. Each one is supplemented by a large number of charming descriptions of Xingyuan. Again, it's not that I can't accept the beginning of hell. I can't accept this temporary counter trend, the heroine's concessions and self-preservation. It's all about writing various male guests and various star models. I can't accept these early stage bosses who ride on the heroine's head. They are a bunch of male supporting characters with star tendencies. The more I talk about it, the angrier I get.
There is a high probability that the main character has a lot of male supporting roles. In the first few chapters, he is profiled as being powerful more than the female protagonist, and he and the female protagonist also encountered the incident of hiding their talents due to fetal poisoning. What level of sharing with the female protagonist is the treatment of the chosen one. Although the male is supposed to be stronger and the female is stronger, there are too many parts about strong men, and there are also CP forums off-site. Who wants to read it? And you can see to the naked eye that there are a bunch of male characters behind it
Comedy style + a fight for hegemony starting from the imperial eagle dog + a little expected harem dispute, it was originally very attractive to me, but the live broadcast room barrages that the heroine depends on for survival are all greedy men, and the sick male partner says every day that the heroine is a daughter balabala It's already very powerful. The heroine said something about breast girls and was banned and she was still angry. The heroine really condemned the cheap father for "doting on concubines and destroying wives" (God damn, is this the psychological activity of a heroine in a hegemony channel)? The cheap mother who was very good to the heroine even died because of this... I was prepared that there might be more emotional scenes, but I didn't expect that the preparation was too little.
The more you write, the more ugly it gets, and the jokes are ridiculous. The heroine herself is a "dog-blooded" (x) sadist (√) writer who is "focused on making money" and is full of malice towards her female characters. This meme is too gloomy. I hate the idea of a woman taking over her life. Of course, I still don't have a problem with the heroine. I mainly have a problem with the author.
I saw that the name was changed, so I would like to add that the name at that time was "I was a gangster in Elos [90]"
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Originally, the title of the novel was quite surprising, but because I had never seen the subject before, I still took two bites of it. There are also lyrics about breast girls, and the writing style of the heroine is a bit saucy. The first character I have been exposed to more often always writes about the sexual attraction of the heroine to him, and about the slight rise and fall of the chest. I really wrote it many times. It's a Russian curse word. I wrote about how the heroine would intimidate others when she said this word. The latter word also appeared several times. After I saw an old lady (a positive character) using this word again when she was talking about a liar and the heroine was a little impressed, I couldn't help but search it. It turned out that it means bitch. I really can't stand it.
The protagonist is too immersed in the world of fast travel, and the heaviness of the predicament is not expressed much, but the protagonist's mentality seems to be suppressed to the same dimension, which makes me feel that it is not difficult to get out of the problem. I spent a lot of time and energy struggling with them, which looks really useless and aggrieved. The author's settings are very rough, and there are many bugs that he doesn't explain. The heroine's design is vague. To say that she is too immersed means that she feels assimilated by the original owner of the fast-traveling world every time. Her emotions and thinking patterns are both more like the original owner's awakening than coming to change her life. If the focus is to write about ordinary people helping ordinary people, this book is not as good as "My Eight Wonderful Lives". If it is to write about the heroine having a broader vision and a more tempered soul, with higher energy and self-esteem so she can get out of trouble, then she is so immersed that I can't see it.
The prairie dog screams, he loves to see the Big Hero heroine and the supporting cast are all ninjas, and the main character is also changing. Shit is coming, there is a Big Hero hero, a ninja heroine, and he is still chasing after her! ! ! As a person who doesn't like Tata Kai, I always scold the company and Rui Zhui the most. I wish I could hang my nipples on the gallows. The male lead is actually the wife's wife. I want to piss them off! ! ! I'm going to be so angry. The author is still commenting: Don't chase me! Then what did your heroine do wrong?
There are men on the left and men on top. We Su Wen's masculinity is too scary. We have no mother and no sister. We only have a father and a bunch of brothers. I can't imagine waiting for a bunch of stars to appear again. Isn't there no women in this world except the protagonist?
In fact, I really like the growth adventure story of the heroine who is gifted in the academy. This one will give me a little bit of Loling's magic or Harry Potter feeling, but this growth is really too much. The partner is a foul-mouthed and arrogant genius who pretends to be a man. Although the heroine is more talented than him, the growth period is too long and the early stage is too weak. However, it was suspected of being a cp. I endured 30 chapters out of expectation for the story, thinking that when the heroine grows up, he would not be so annoying. But when I saw the description of the heroine as a quiet, well-behaved girl, I really broke down. Why should a 1.71 Meter young and majestic boy be described as so altruistic and give up his aggression? I thought that this was also a part of growing up, so I continued to endure it for a while, but after chapter 32, I completely gave up. Actually, I didn't mind that much that the heroine inherited her bloodline from her dead father, because her mother was still alive and well as the CEO, but to set off the past and present, it was written that all the heroine's relatives (mother and mother's side) didn't love her, which made me feel that her mother was a complete buffoon, but her father kept sacrificing for her ideals with great righteousness, and her friends were also more protective of the heroine. Her mother was a bad person, and her father was a good person, forget it.
This is shit. I can't stand it. My boyfriend betrays me, my best friend betrays me, and the heroine is reborn. I've read eight chapters and I'm still dealing with these people. There's also a best friend who's "low-key", "unknown" and "despised" in a variety show. The biotech boss pretends to be a man, but the heroine exposes him. A group of people exclaimed, ahhhh, it's Zhou Shen. In fact, if it was a female protagonist, I would have endured such an awkward scene and watched it again. However, in the eighth chapter, the male supporting role is the only positive character besides the female protagonist. I want to vomit for praising him, which is unbearable.
I seem to be reading other people's tweets saying that the heroine's dom was watched and she ate a big mouthful of shit. The first male CP who drew the most ink was a rotten anus, and he and the heroine's ex-husband in name only did it while the heroine was asleep. In fact, I endured this because I felt that this may just be an experience that the heroine had before her divorce. Regarding the heroine's emotional line, I thought I would cut him off after writing this paragraph. I didn't realize that he was the first CP pick, but after the heroine took revenge on the two scoundrels and asked him to take the blame, he was fished out by the president. Others thought that the heroine was vicious, so they stayed away from her and greeted him. I started to feel something was wrong. What about revenge? ? Just one meal and it's over? ? Doesn't that reward him? ? He originally had a low opinion and had nothing. The heroine gave him everything, but she didn't take it all away and asked him to transfer to a branch. Someone even promised that he would transfer him back. May I ask? ? Is this a growth story for this man? ? Then I saw that the heroine had also transferred to this branch to be the president of the branch. The man also said that I would not look at you this time. I was shocked that this was a rotten anus that was lifted up by the heroine or the first CP. I had to write his emotional drama even though I couldn't get revenge in the end. He dared to face the heroine. I was completely at my wits' end [Spreading Flowers]
(Also, I found that I really hate the heroine wearing a gb that stabs the man, but I have rarely read gbs. The few books I read before did not describe the external feces in a positive way, and I could relatively turn a blind eye. Wearing this is too for others, and it is unacceptable.
(Try again and add the ones that were reported and deleted before) Another tragic turn of life comes from the scene where a vicious female partner destroys everyone. "The author's xp is to use the ancient method of abusing women to abuse men." Haha, there is no need to think about it. Just writing this point in the previous life is already abusing women in ancient times. Even if there are some forces behind it, "Although I abuse men, I will not abuse them to death. It is essentially a kind of play and a kind of fun." Good advice. I will run away.
(Re-added what was reported and deleted before) Humor. In just a few lines of copywriting, the word "milk girl" appears twice. The title of begging is "good brother".
Painful, I really like the setting of the heroine, and I also like the theme of hegemony, but why should the heroine's trophy be an old man who doesn't know 456 moves? This is already vulgar.
Again... Why is this kind of article labeled as an article about loving women? To be honest, I really dislike writing about female sexual exploitation, whether it is to pave the way for resistance or not, because this kind of thing has been landscaped, and there is no need to write it so lightly, not to mention that the heroine can say "If you go out to work as a duck brothel, you will have to close down"...
I don't know where to add the underworld story, so I scanned it because I didn't want to read Kuaiwen. At the beginning, the heroine "thought that it would be interesting if the unit behind No.
The beauty service is extremely serious. Every time the heroine appears, there are several paragraphs of long descriptions of her appearance. They are written as if they are dishes. A female detective with a natural appearance will envy the heroine for her femininity. The description of the female clown is also from the perspective of female competition and humiliation of appearance. It also makes nonsense of the fact that women are born weak.
I have completely lost my temper with this kind of Godly Man who, when he was poor, thought about serving in the US military because he had no money or energy, and would serve as soon as he got rich, who used beauty as aggression, high-heeled shoes as momentum, and beautiful women as buffs to slap the face and rot in the south. The male clown is despicable but has some ability, and the female clown is a pure retard who only knows how to compete with women. This routine is disgustingly familiar.
According to the author's writing, the father is a good person, treats the heroine well, does not favor boys over daughters, and is considerate. The father's parents, friends, and friends are also sincere; the mother is vicious, selfish, dfxr heroine, looks down on the girl in the movie "if the husband doesn't like it", favors the second-married husband and stepdaughter, and wants to suck every drop of the heroine's blood. This way of writing really makes me uncomfortable
After reading less than 9 chapters, I just jotted down at least 20 odd points. The female characters have a very strong sense of sexualization and masculinity, while the creation of male characters likes to emphasize "aloofness" and "a sense of superiority". The dominance is fake, and only the male is cool. How can he be dominant? Oh, it's true that she is a domineering woman. She loves to write about things that are too weak to be strong enough to cause her body to turn red when pressed. The author also makes the heroine very unnecessary. He prides himself on being sober and questioning the female victims who were raped online by dfxr. He thinks that she is not decisive enough and has poor endurance, but he will not be like this.
There's no other problem, it's just that the time I was following this article happened to span my transition period. After the transition, I can't stand any male protagonists' stories, not even the cubs.
I gave up when there were more than a dozen chapters left. The heroine's arrow was too thick. I didn't want to live without the hero. I just burst into tears. The front part was very good. Starting from the fourth issue, the romance aspect was too heavy. I ignored it because I thought that the heroine was powerful anyway. Now that I think about it, I should have stopped the loss in time ??????
This book is more like the underworld. What should I do if the technology points are full and there is no "justifiable" physical reason? Hey, I forcibly created a gender defect, and the setting is that childbirth will cause talent to regress and waste resources, but it cannot be set to create an artificial uterus. Even if the technology points are full, it will return to family dependence on men. The epilogue proves that women can also do well. It clearly states that the high-tech interstellar reality is backward and feudal, and I wish I could weld women to the second gender.
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