I like articles that describe the drama within the article well. I prefer the main character to focus on acting, with less variety shows or singing and dancing. I especially prefer the lunatic-type protagonist.
The protagonist is a woman who wears a man as the director. The writing is really good. The disadvantage is that because she is the director, the description of the play within the play is more from a God's perspective, with not many details, and not much psychological description or emotional description. The advantage is that I like and am very interested in the selection of films for the protagonist. The play within the play lacks a first-person perspective and appears to be more stream-of-consciousness, more timeless, and more stylized? Moreover, he wrote a relatively novel description of the movie within the movie. The ones who impressed me the most were indeed Qianqiu and Putao. Qianqiu logically presented a different Zhao Ji; Putao had a unique flavor, a sense of madness, and was very strange. On the contrary, the two middle ones, Bhikkhu and Bodhisattva, have no feeling. Maybe the source of inspiration is too familiar.
The writing is quite good. For example, the main character became addicted to alcohol after his rebirth and has not changed yet, so it feels more realistic. But it's his first play. The character design is pretty good, a chaotic evil character with a sense of mystery. However, there is only a defined and summary expression of the character's personality, and there is no specific plot to express the character's personality. I don't know if this drama is not that important, so I write it briefly, but it always feels like it's not deep enough, not thorough enough, and it feels like it's smoke and mirrors. Let's see if it's written in detail later.
What impressed me most was the part about the aphasic person. A mountain village teacher, I just didn't understand the smile at the end. There is no other impression. The other dramas within the drama are not great.
This book is okay, above the standard. It feels quite refreshing, and the writing is refreshing. It's really that the male protagonist's personality is relatively cold and flat. The description of the play within the play is not very in-depth, and nothing in the script is very impressive. I might prefer a protagonist who is more sensitive, sharp, and crazy. Also, literary and artistic films prefer to portray marginalized groups.
There are a lot of descriptions in the play within the play, and the characters played are not very stereotyped. The protagonist is very ambitious and charming.
The scenes in the movie are very good, the plot is reasonable and I can understand it. It will become a hit. I even hope it will be filmed. The one that impressed me the most is (Revenge). It's a bit like "Silent Confessions", but the almost pathological control of East Asian families is stronger, and the ending is a wonderful touch, which is really touching. (I have limited viewing experience, so I don't know if it is a classic plot in any movie)
"Control and resistance are almost eternal themes in the parent-child relationship."
The protagonist is very charming, and the scenes within the scenes are not very detailed, but the writing style is interesting, and the metaphors and evaluations of the characters' behaviors are sharp and funny.
It's been a long time since I watched it, so I forgot to rate it. I liked the "Duel" part better, where the heroine played a more complex and thoughtful villain role. I really like this kind of rational, cold and energetic character. "She took a deep breath of fresh air, her expression intoxicated, as if the beast that had been suppressed for a long time had finally broken free from the chains that bound her."
I have a deep impression on the role played in the part of Moonlight Beauty. Bai Yueguang, who died young as a ballet dancer, died young. "You can't meet anyone who is too stunning when you are young." Memories will infinitely beautify the passing Bai Yueguang. The heroine's beauty and atmosphere make the plot with some logical loopholes reasonable, and she is so beautiful that revenge is convincing.
What makes this book better than other heroines in Sanchunjing is that the heroine doesn't have such a sense of detachment and isolation, which makes the character a bit dull. After all, this is about acting, and emotional expression is important.
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