After a Tormented Romance, I Faked My Death

Finished reading. Overall, it's fine, but it doesn't look complete due to some imperfect handling of details and pronoun issues. Some girls also mentioned the rationale for why Feng's eldest son insisted on sleeping with Si Wu, but I won't go into it. There are several other questions. First of all, the male protagonist has two side wives. It is mentioned in the article that one is a benefactor (although he pretends to be one, but the male protagonist himself cannot be sure that the female protagonist is secretly helping him) and the other is his mother. As we all know, the status of a concubine in ancient times is actually equivalent to that of a slave. The article repeatedly mentions that the male protagonist has respect for her but not love for her. But let's just say that treating her benefactor by raising her as a concubine is a bit repaying a favor. You can find a good family for her or give her a lot of gold and silver in return. Some people may say that you will have someone to rely on when you enter the palace, but you will not be lucky enough to marry. Does this mean that the benefactor will be left a widow? Another Aunt Liu, who lived in the male protagonist's mother's room, also mentioned that the princess was so obedient to him to compensate for the male protagonist, that even a woman like the heroine who caused her son's disability could be married as a concubine. Therefore, according to the logic in the article, it is impossible for Seren to do it without the male protagonist's nod, because if the male protagonist is not happy at all, the princess cannot force him, and neither of the two concubines can enter. Regarding this, I suggest the author use a short extra to explain it better. In the text, the causes and consequences of the two entering the house and the true attitude of the male protagonist are not clearly explained. Only Miss Akatsuki and the act of giving her gifts were clearly stated by the male protagonist later on as a way to test the female protagonist. If the male protagonist agrees to enter the house, and the two aunts do not play an active role, bringing him in as a concubine is actually a slap in the face of the female protagonist, not to mention drugging the female protagonist later on. Speaking of drugging, it can be seen that the author wants to express that the heroine's death is the result of a combination of "physical decay + test drug + safflower musk + jian catching stimulation". In fact, the latter two alone are enough for a pregnant woman to drink a pot. I can accept the view that "the female protagonist was not abused because she didn't love her", and I don't doubt the authenticity of the male protagonist's so-called deep affection. But in fact, if this is not a fantasy, the female protagonist was not only slapped by the male protagonist for his concubine-taking and kidnapping, but was also killed by the women he left behind, killing two people. It can be said that the male protagonist is a real indirect killer. Because of connivance, carelessness, and stupidity, in this world, even if he loves the heroine deeply, he has no ability to protect her, and the crux is not the kind of family and country problems, they are all avoidable. The plot setting is too awkward, and it will make people feel that the hero is really incompetent. In this fantasy, he was the one who deserved the most death. Indeed, as a certain girl said, he should die immediately instead of engaging in performance art here. Moreover, his life was not worth the two lives of the heroine and his daughter. As for the back, I didn't look very carefully, and it's really not as interesting as the tug-and-pull at the front. There seems to be no explanation as to where the soul of Chang Fu in the male protagonist's hand comes from? It feels like extras are still needed to fill in the details. Including the questions I raised earlier, if any readers who have noticed the details can remind me, thank you. Finally, I would like to thank the author for his hard work in writing this story. It is not easy to finish writing a novel. It is recommended to continue to polish the rationality of the plot that affects the direction of the key plot, so that the whole story is more convincing and more able to withstand scrutiny, so that the character design will be easier to stand. I wish the author makes progress every day.

I may be sick, I like the story of Zhang and Su having sadomasochism in the palace

In fact, I like this article very much... The heroine is very strong-minded and will not hesitate to shrink from things when she is sure about them. She doesn't have many arrows to return to at the end. The hero loves her to death several times. However, the frequency of updates is indeed a bit cruel. Readers who follow the series will definitely want to vomit blood.

It ended like this, it felt a bit sloppy, I was hit hard by Su Ti and I have persisted until now. Although I didn't see that the heroine loved the hero very much in the end (but I don't care about that), I felt that some things were not written clearly and clearly, and the demon king died quite suddenly hahh

After watching The Palace, I skipped to the ending... I really liked the part about The Palace, oooooooooo...

The introduction is great but the text is a bit average

The sisters just have to watch [Daily Life in the Palace] and treat them as dead.

The rest of it is not as good as the Human World chapter

One person writes in blood the daily routine of the palace [Spreading Flowers]

The ending is bad, the orthopedic plot that was foreshadowed in the beginning, and in the end, there is only one sentence that has been seen for a long time, and there is nothing to talk about. Then why are you writing all this, you disgusting person?