The Lady Heir and Her Princess Consort

It has been two years, and every time I read this article, I feel an unwillingness to be angry. This book should have been finished in the first part, and this second part should not have been published. It should have ended in the middle period if it appeared. The ending is bad, bad, bad, bad, bad. The lives of the two heroines have become the foreshadowing of the male child. The double death of the male child has made the male child the emperor. The death of the two female protagonists is aggrieved, and the death is funny. A nephew who has no blood relationship, forcibly becomes the most reassuring Gu. As for the child that cannot be born, I thought He would be the most worried about it in the end. But you said the one you are worried about is the baby boy. Damn it, what right does the baby boy have to hate Helian? He has the throne, his lover, a happy family, and his parents are still alive. He has got the baby boy. He hates everything. Let him pick it all up. Author, you should only have the first one in each work. The second part of each of your works is like letting yourself go. It disgusts readers, has a ruined ending, and achieves a baby boy. From the beginning to the end, I was waiting for Gu to recover and kill everyone, and for Helian to plan and achieve everything she wanted. But in the end, you gave me such an ending that you felt comfortable writing and the readers were devastated. It seems like you were forced into a story about two female protagonists, and in the end you struggled desperately to resist the system of awakening the love for a boy, and push the boy to the throne of God. You write articles just to kill readers. When each work is about to become a god, you publish a second one that is as unpalatable as history. Every time I wonder if you wrote the first and second books by yourself. The period when you disappeared seemed to have given up on yourself, letting your logic and thinking of writing novels go astray, so that a lot of inexplicable things appeared. Shut it down, don't feed me a mouthful of Michelin-starred chefs and a mouthful of history. I'm serious.

I, you, woo, feel a little uncomfortable. The previous movie was so well written, and the plotting and pulling were great. I couldn't help but be moved while watching it. After catching up on this movie, I felt like I was suddenly transported from a Machiavellian studio to a fantasy theater. From now on it has nothing to do with machinations. The information learned from the main perspective each time is not enough for her to make arrangements in advance, or in other words, only after the incident is over, the relevant information begins to enter the protagonist's field of vision one after another, and it becomes a plot of soldiers coming to cover up the water and the earth. Does the princess love the prince? I feel love, but the most important thing in her heart before was her brother, her nephew, and her family's throne. When the prince was about to die, she suddenly realized that she was in pain and she couldn't bear to die. With this plot of a good guy, you couldn't write a story about rebirth in the crematorium of chasing your wife? From fantasy to bloody plot () After the prince confessed his feelings to the princess, she completely lost her selfish temperament and became a wife slave. Wherever the princess is, she must be actively protected whether in danger or not. However, this kind of love was not enough to make the princess, who had lived in an extremely complicated and difficult environment since childhood, completely confide in her. In other words, until the prince's death, the prince and the princess still had unequal information. It is not ruled out that the princess does not want the prince to be involved in danger, but it is really uncomfortable. Then okay, everyone went back in time, and the princess almost went crazy because the prince died to save her, and then she practiced evil magic and lay in an ice coffin and waited for thousands of years until the prince existed in the present world. Can we make a pure sugar story this time, write more about the sweet daily life of the two, and let the princess reflect on herself? And this book feels a bit bitter, because the two of them didn't really think about the two of them during the whole book. Now that I have no other worries, can you write a few more chapters? Please, oh, oh, oh, since it's not finished, there should be a chance.

According to the direction of the first part, it was obviously a very enjoyable gold-finger ancient love story, but the second part directly entered a hodgepodge of bizarre elements and numerous clues. Obviously every foreshadowing can be expanded into dozens or hundreds of chapters. The progress is so hasty, am I short of money?!

After tossing through two novels, the protagonists both became love-minded. They lost all their relatives and left them all to the boy. The left boy became an emperor and married a bunch of wives and became a winner in life. Then the most beloved child is like an uncle, but the boy is still unhappy because there is no uncle. Is this setting a nephew vs. Uncle or a boss vs. Bai Yueguang? The author often stops updating when writing. The author likes male babies so much. When he saw this setting and stopped updating without doubt, the author went to give birth to a boy, right? I didn't expect to see this kind of sexy operation in Baihe's article where love is given to a girl and property is given to a boy.

It's not as good as the first one. It's obviously a Machiavellian story, but later it became a fantasy story, and then it became a love story. It was unfinished.

The eldest princess Jin An is the eternal god, ten times better than the second part

After the two fell off a cliff and met a dragon, they both fell in love, and the plot began to run wild, leaving me alone as a reader messy in the wind.

The first part really vividly embodies the feeling of pulling and two people falling in love and killing each other, as well as all kinds of intrigues. Even though it is updated every three months, I still read it over and over again. The second part feels good after reading it again. Maybe the second part focuses on some logical things that the first part has not had time to explain.

I stopped watching it for a while, but I finally finished it. Just like the female counterpart, the first half felt very good. The two people were emotionally involved at the beginning, and the subsequent plot line was a bit inexplicable. Yamato Sora's feelings may also be the reason for the discontinuation. This book just writes about ancient intrigues. There is really no need to talk about fantasy. The beginning is a time travel, and the end becomes a time travel, and the original male protagonist becomes a villain. . . . Overall, it's the same as the previous book, with a brilliant beginning and an average ending. . .

The ending really sucked. Sad?