The Hat Guy Who Was Forced to Lose His Memory

This is the understanding of double black that I have seen: So in the early days, my understanding of Double Black was completely based on the original animation and comics and my own understanding. Many cuties pointed out the problems, such as Dazai's superpower setting that he has been struggling with for ten thousand years. As an ordinary viewer, I was really shocked by the double blackness. At that time, I really knew nothing about Japanese literary giants except for the name Ryunosuke Akutagawa. Let's start with a single character. The first is Dazai. As a chef, the first thing I want to say is what I like about him. It should be suicide, pranks and trolling. A vigorous and painless suicide. This is my first impression of Dazai. When the confident laughter matches the actual words and deeds, people can already feel the complexity of this character. It can be said that what kept me watching the first half was entirely Dazai's unconventional play. This man is really terrifying. While smiling, he planned everything clearly. He is a naughty and dark character. But it was Age of Darkness that really made me realize the complexity of this character. The 18-year-old Dazai and the 22-year-old Dazai are so different. If what the 22-year-old Dazai did could be described as a joke, the 18-year-old Dazai could be said to be really full of malice outside of facing his friends. Regarding his attitude towards Akutagawa, I really felt that Kuro Tokizai was completely indifferent. It was not until he appeared in the dungeon that Dazai really emerged as a scoundrel and mean-tongued person. But what I will remember forever is Dazai's smile in the manga after Chuuya's incarnation. It is the most cheerful smile of Dazai in my memory. Then there was the breakup of the rogue faction that will be remembered for a lifetime. It was only then that I realized that since I could be on either side, why not choose the better side. I'm really heartbroken here. Not only because of Odasaku, but what makes me sadder is Mr. Mori's attitude towards the whole matter. It can be said that he threatened Dazai to make a choice, to save Odasaku or to stay in Japan. This became even more uncomfortable after I finished the fifteen-year-old novel. So much so that I came to the understanding that Mr. Mori deliberately made a move to force Dazai to leave in order to complete the three-point plan (after all, if Chuuya was there, the whole thing would be easy and there would be no need for Odasaku's death). This part of Dazai clearly feels his conflict. Coupled with the comparison with him when he was 22 years old, it was hard to tell for a while whether it was his own choice or just the last wish of his friend. He was really too gentle. Later, Ango asked Dazai about the car accident. In the manga, Dazai's smile was actually very meaningful. He probably also hated Ango but did not kill him in the end. Dazai in Double Dark Night also made me realize him again. It turns out that Dazai can really be reliable to this extent. The smile at the end and the partner can feel that he is really happy here, maybe because of Chuuya's consistent trust, although Dazai still stopped being a human being in the end, hhh, and then the two black chefs can brag about the age of fifteen for ten thousand years (for details, please see the original work or the wife's research). The original work has more content than the animation. A few things worth noting are that the scene where Dazai shoots at the GSS members is really crazy. The animation performed this scene very well. I couldn't understand the crazy state because I already knew that Dazai longed for death and was keen on committing suicide. So why did he have such a crazy attitude towards dying people? (This was answered in the interview, "Dazai just wanted to see what life was like at that moment.") What was more important was the attitude of Chuuya in the battle. Dazai was extremely shocked, and for the first time in the battle with Rimbaud, he said "I want to try to live." To sum up, the plot of the fifteen-year-old part is very important for Dazai, a transition to the part of a dead person who wants to live. That is to say, although Dazai longed for death and was afraid of living from beginning to end, he actually really longed to live. The Dazai in the movie version echoes the Dazai who always acted alone before. Dazai is a maverick but can always control the whole situation. This is clearly highlighted. I am probably the one at the front, and everyone else just needs to follow their own pace. At this moment, I didn't know whether to shock his mind or sigh at his tenderness. As of the plot of the third season before the manga was discontinued, it can be said that Dazai was sharpening Atsushi and Akutagawa all the time. This point of view as an elder really makes me feel complicated. There is no doubt that Dazai is a complex blend of strategy, indifference, and gentleness. Although the coldness from the boy has not completely disappeared, after many struggles, the 22-year-old Dazai can still smile and say that he is going to commit suicide, but there is no doubt that he is also living well and trying to do something to stay alive. Next is Chuuya. I was also shocked when the dungeon appeared. He held down Dazai and beat him! For a moment, I thought he was Dazai's true enemy, but it turned out to be his old partner. As a cook, I first thought about what Dazai had done to Chuu... And then when he challenged the detective agency. When I saw that, I still thought that ** and Butei were sworn enemies. Then, the detective agency members with different abilities that had been foreshadowed in the plot couldn't do anything together. At that time, I felt that it was really too handsome. The character with the highest power value in the entire game did not escape. It turned out to be Dazai's former partner... And then there was Double Night. The famous scene can really be watched ten thousand times. Whether it was the bickering between the two before the battle or the strange tactics of the two at the beginning of the war, it all felt very subtle. It wasn't until Chuuya opened the turbidity that he understood what this subtlety was. Nakahara Chuya believed in Dazai so calmly and had no regrets, and gave his life to a person who did not take his own life seriously without any hesitation. And Dazai can do whatever he wants ten thousand times, and he will never forget to untie Chuuya's filth. At the end, when Chuuya punched Dazai on the shoulder and asked him to send him back properly, I thought about it again and again. Mr. Mori said that this battle was the only resurrection of Double Black. Did Chuuya really not realize Dazai's intention after the battle ended? As a CP fan, I can't say. Until the second season, Chuuya seems to have appeared as a former partner who was tricked by Dazai but still trusted him, with the peak of his combat power, and a violent and rampant image. Until the theatrical version. Ryutouzhan resolutely pursues Dazai and surrounds the enemy alone. The roaring motorcycle can already reflect his special personality and his confidence in his own strength. When it came to walking to the battlefield and talking to Ango and the lines before jumping out of the plane, "Do you know when you can escape from the battle?" "No, there is no such time.", Then the image of Nakahara Chuuya suddenly became three-dimensional in my heart. He stands in his own position and is always the first to bear the brunt. He bears all the hope and despair alone. However, at this time, he is not just being himself. He can also understand Ango from an objective standpoint, even if Ango is indeed in a special ability class that has problems. "That guy is right there." When everyone thought Dazai was dead, he was the only one who firmly believed that the bastard was still alive, just like when he was sixteen years old and fighting against the dragon. After replaying the leading battle plot in the mobile game, I can better feel the willfulness behind Dazai's mechanism and Chuuya's sense of responsibility. Chuuya is really the best character in the entire series. It is not only his reliance on his own strength, but also the reason and gentleness hidden under the irritability that he shows all the time. Regarding sanity, this point was also mentioned in the interview with Chuuya, and a little later during the siege of the Armed Detective Agency in the third season. Objectively speaking, it is impossible for a foolhardy person to serve as a cadre and command the entire battle, especially when he and Hongye sister were reading letters from the enemy. Hongye was standing next to Chuuya who was sitting. As the leader of the armed forces and the senior who guided Chuuya's growth, Sister Hongye's position explains a lot. Chuuya's control ability is not inferior to his brain. Otherwise, relying solely on physical skills would probably not be able to cause Dazai such a headache. Then it was fifteen. The work "Fifteen Years Old" is really important, both for Dazai, who has been reincarnated from the dead, and Chuuya, who has always lived a dazzling life. The episode is from the original novel (the animation has not been restored). When the two faced GSS for the first time, Chuuya said to Dazai, "Bring me some music, some rock music." This is really true. His arrogance and confidence are so attractive. The second important point is that he and Dazai guessed the truth almost at the same time. Although the reasons are different, he is not inferior to Dazai in this aspect. The key point is the character of Rambo. This character was deleted so much in the animation that his importance cannot be highlighted at all. Joining □□ will get a gift from the leader, and Chuuya's gift is that hat. In short, in the original novel, Nakaya was recognized by Rimbaud as a human being and not as an abominable being. Chuuya's long-hidden wish is not recognized as a human being, and all the previous care for the "sheep" child has also been answered, because this is the recognition that he needs his companions. So even if they get betrayed, they will choose to compromise to let them survive. The hands that Chuuya hid during the fight, and the gloves he wore later, confirmed his determination to live. After that, the conversation between Chuuya and Mr. Mori about what it means to be a leader is what really made Chuuya find the meaning of his own existence, and he willingly surrendered to it and offered his loyalty. Throughout their fifteen years, Dazai and Chuuya were in stark contrast. Those who were alive lived toward death, while those who had never had life desperately searched for the meaning of living. Chuuya found it, but Dazai didn't. Faith and confusion, recklessness and strategy, it's no wonder that Mr. Sen is so thoughtful. "Diamonds must be polished with diamonds." Because Chuuya is such a dazzling character, he will never waver in his belief. With enough strategy and extreme ability, he also retains the typical gentleness, frankness, and trust of a human being. These words that can describe a person's qualities can almost all be used on him, so there is Nakahara Chuuya who is so proud that he pursues his goals and never compromises. So what exactly do I like about Double Black? One, competition. Rather, it was their desire to win. They started fighting each other when they were fifteen years old, but there was no result. The two of them really never held back when they beat each other up and quarreled. They would see blood every time, but they would never hurt their lives. Second, trust. The two of them used messy codes, and Chuuya went to rescue Dazai who jumped from the building. Dazai came into contact with Chuuya's filth. Dazai broke into the enemy camp alone countless times, but every time he was able to wait for Chuuya. This tacit understanding can really only be described as trust. Obviously he doesn't even want to hear a word from the other party, but this trust does not require words. Third, contradiction. The characters of Chuuya and Dazai are contradictory in themselves. Dazai didn't want to live, and Chuuya tried his best to live like a human being. Their fundamental contradiction is actually a contradiction about the meaning of life. This is incomprehensible. Even though they have each found the meaning of life at the age of 22, they still have very different attitudes. Fourth, the connection between the two-dimensional characters and the three-dimensional gentlemen. Regarding the names of slug and green mackerel, the origin of Chuuya actually scolding Dazai when he was drunk, and some of the principles of the character itself. As a novice writer, when I first started writing, I was particularly unsure of the characteristics of these two characters other than symbolism. So I read the books of two gentlemen in Three Dimensions. Regarding Mr. Dazai's works, I felt "sad" due to the public influence at first, but it wasn't until I started reading that I discovered that this was not the case. Mr. Dazai's writings are generally very small (such as "Girl Disciple" and a series of short stories), but because of this, they are tender and heartbreaking, and delicate enough to make people cry. They are particularly touching. It is a touching work that makes people feel the same so deeply that they cannot bear to read it anymore (especially "The Disqualification of the World", although due to my literary preference, I really did not read it because the emotions are too easily aroused.) In other words, Mr.'S words are actually related to real life, but Mr. Chose the ending of death in the end. After you have some understanding of the three-dimensional character and look at Fumino, you will find that the relationships between many characters are reversed (for example, Akutagawa's admiration for Dazai, the three-dimensional character is exactly the opposite). I personally think that the character of Dazai is also the exact opposite of the three-dimensional character. A friend posted me Mr. Sakaguchi Ango's "On the Fall", which mentioned Mr. Tan Kazuo's evaluation of Mr. Dazai's death, regarding it as Mr. Dazai's last prank. This is very similar to Dazai who regards death as fun in Fumino. After understanding this, I finally understood that Dazai's love for suicide may not just be a simple desire to live and seek death. He truly believed that this was his pleasure. Compared with Mr. Three-Dimensional's final choice of death, and looking at the character Dazai I like, who survived in the sunshine despite struggles again and again, I will think of how much this character has done under his evil smile, and the tenderness in Mr. Dazai's works that can be felt forever. Even if Dazai's pranks go too far and he looks for various ways to die, the 22-year-old Osamu Dazai is undoubtedly gentle and heart-warming. Regarding Mr. Nakahara Chuuya's works compared to Mr. Dazai's works, I was relieved. Mr. Nakahara's poetry was greatly influenced by Rimbaud, so I also read Rimbaud's works by the way. The whole person was shocked. Here we have to talk about the school of symbolic poetry to which they belong, using intentions to connect reality and inner feelings. So it is relatively easy to understand. Mr. Nakaya's poems (from "Goat Song", it is said that Mr. Nakaya once jokingly called himself a goat, and some scholars analyzed the background and may have the meaning of atonement and sacrifice) give me a personal feeling of confusion and search. For example, "Goat Song" impressed me deeply. "Only in that way can I finally understand that my death/is the punishment of things that I cannot perceive in this life/Ah, I want to face the sky and welcome my death!" According to my wife's research, this poem also appeared in the theater version as the background of Dazai's rescue. I think these sentences also confirm the character's desire for life and his fearlessness. This collection of poems written by Mr. Is very rich, but I personally feel that the calmness and fearlessness of life can be seen from it. For example, the translation of the famous sentence in "Blind Autumn" "You could have fallen on me suddenly and killed me." Most of the works are linked to life and death. When combined with Rimbaud's works, which are more passionate (take "The Drunken Boat" as an example), they have a rich and even crazy appeal. I think part of it is also reflected in Chuuya's setting. Contacting Mr. Nakahara in the third dimension actually has violent tendencies and alcoholism. Compared with the processed image, Nakaya has undoubtedly become a man who, although violent, is more human than a human being. He always walks neatly, never retreats, never compromises, and never regrets walking on his own road. Dazai is really gentler than anyone else. Chuuya is really more decisive than anyone else. After repeated consideration, the double black pair has become a perfect match. There is no one who is weaker than anyone else. In other words, once one party is weaker than the other, the meaning of double black itself will disappear. "Diamonds must be polished with diamonds." Only by competing against each other can they polish each other into their most suitable shape. It just fits right in, and the bottom line about his personality is that there will never be any softening. Dazai would retaliate harshly against Chuuya a thousand times, but Chuuya would still rush up and beat him without hesitation the next time. Regarding the issue I discussed with my friends about whether Dazai's image is scumbag or not... I personally think it was influenced by the image of Mr. Three-Dimensional. In fact, if you look carefully, you will find that Dazai in Fumino is basically just flirting, and there is no further action. As for Chuuya Diva's joke, it actually comes from his voice actor Taniyama Kisho, who is the top voice actor in the singing skills circle. And Dazai's voice actor Miyano Mamoru, I remember he was also top 2 in a certain year? Can't remember this clearly. The two have also collaborated many times and have a good relationship with each other (I must remember correctly?). It can be said that this pair of CP is really special. It's just that "Diva" is just a joking name, not really feminine. Miss, this was Dazai's stupid joke one time, just like Dazai asking Chuuya to be his dog... You have to believe that every time Dazai does something like this, he will definitely be beaten by Chuuya until he can't get up next time. Damn, in short, this is really a fidelity CP that forces colleagues to death. The relationship between them is like a war, they are both enemies and friends, they show no mercy, and they trust each other. I can really brag about this complex relationship for the rest of my life. Above. This is something I've seen and understood quite clearly (?▽?)

The combination of articles and poems is so good. I also want to buy Zhongya's poetry collection.

Double black is so sweet, woo woo woo

It's really hard to find this article.

I almost want to buy a collection of poems.

After three brushes, I am still very touched. Thank you to my wife.

The poem's "Sacrifice for you is happiness" is greatly highlighted in the OP position that also appeared in the third season or which season. Really, such big characters