Encountering the Demon

The author's writing style is very good, and the content is full and attractive. The female protagonist is the kind of person who is handsome and unrestrained, and goes her own way, but she will also become soft-hearted for family and friendship, while the male protagonist is forbearing and tough, and has an overall view. The first two stories may be due to the heroine's shallow emotional background, and there is relatively little interaction between the male and female protagonists. The emotional line between them is not obvious, and it is more like the heroine's own growth experience. The third story touched me more. The female protagonist travels through time and space and meets the male protagonist from different periods. In the end, no one can change the course of history. It kind of means that you are born before I was born, and you are old when I was born. In this story, there are more interactions between the male and female protagonists, the emotional fluctuations of the mutual influence between the two people are more obvious, and the detailed descriptions are also more delicate. The third story is suitable for expansion as a stand-alone story because the setting is very interesting and closer to real life. In this story, there is not only love, but also hatred and fulfillment.

I like the last story very much, and then there are the four chapters of the extra chapter about cultivating immortals. Speaking of which, the heroine in that extra chapter looks like what I love. When she is full of love, she is affectionate, free and self-sufficient. Xiaoyu laments how she can enjoy love again after giving up eight points of her love. But only such a flamboyant and wanton love can still kill for revenge when she is a dragon, and plan for love when she is a human being. In fact, I like this story the most because it is the version of the grandfather paradox. You were born and I was not born and I was born and you are old. This story is both happy and sad. The happiness lies in the mutual happiness of two people, and the sadness lies in the difficulty of staying together. There are many authors who have written about these two points, but few have written them well, because it is difficult to have a solid logic to support such a story. There must be a bridge between happiness and sadness. This bridge is also a contradiction, and it is a scene. Conflict, so the Cowherd and the Weaver Girl had the Queen Mother, and the Butterfly Lovers had family hatred. Many love stories at home and abroad are like this, but if time or the grandfather paradox is used as the bridge, it cannot be more convincing. Perhaps the farthest distance in the world is not life and death, but when I love you, I live in the upper reaches of time, and when you love me, you live in the lower reaches of time.

Although, I want a clear ending of love. . .

I like it very much, especially the last world. I like the way the author tells the story. Everything is so natural that you can't help but want to keep reading.

It's good for the male protagonist to be a tool man.

The fate between people is like the story in the article. It's worth sighing, but what can I do?

I really want to know my wife's new pen name. I particularly like this type of writing. It would be better if it didn't end like this!

Seven years ago, I read half of this book. Seven years later, I read three books in one go and felt satisfied. Unfortunately, my dear author no longer writes books under this pen name. I hope we can meet again in the vast sea of ​​books...

If this wasn't a dream, it would be miserable.

I really like the character of the first heroine (referring to the ascetic)