[Crossover] Toward Death, Toward Life

It's a very interesting article. I read it every year. I still like it after reading it N times. Unfortunately, one chapter is locked and I can't order it all.

It still feels a bit sad. Mingyue can live for a long time, but Itachi and Sasuke are just ordinary people.

A gentle, beautiful and perfect ending... But every time I finish reading a masterpiece, I feel melancholy for a long time. It feels like saying goodbye to an old friend forever. There will be no more new adventures and experiences for them. It is inexplicably sad and lonely.

In the end, Ibaraki pursues power because he wants to be with Mingyue forever. Woohoo, how sweet! I don't care, this is almost their story that has been going on for thousands of years.

Hiahiahia The Uchiha family in the distant Naruto world still don't know that they have become grandparents and uncles?

Watch it again and it still looks great

I like Mingyue and Ibaraki Doji so much!

I really want to watch the extra story about Itachi, Sasuke and their little niece.

A long and nonsense review. Read it all in one go. Actually, I don't play Onmyoji, nor have I read Chronicle of the Twelve Kingdoms. At first, I just watched it for the Hokage... But I didn't know what was behind it, so I bought it all... The Onmyoji part was okay, but forgive me, I really can't understand the Twelve Kingdoms part... But I don't regret buying it. Subscription is a support for the author... Don't mention these heart-wrenching things. How on earth can I describe my love for the emotions written by the author? It's hard to see at first. Ming Yue's character is not a simple and clear one - she is more like the kind of person who has experienced a lot of things, regardless of age or time. She just absorbs various experiences bit by bit from her forgotten memories to form her own new cognition, and then she appears as the Ming Yue in most people's eyes. Passionate, beautiful, like the sun. It's her, but it's not. Mingyue is by no means a pure person. She was as ordinary as us at the beginning, just like Ibaraki felt when he saw her at the beginning, it was "mortal beauty". She works hard and moves forward, but she also occasionally feels inferior and is sometimes cowardly. In the beginning, she was just a mediocre member of the crowd. And Null gave her despair, resentment, anger, and grief. To put it bluntly, before Orwell's death, Mingyue struggled to survive even if she was exploited because of this strong negative emotion. She may have thought about giving up - she may have been completely desperate when she discovered the truth but could do nothing about Orwell. Fortunately, she survived, but Null died. Mingyue finally turned back into a human being. She has her father, mother, and brothers, she has Shisui Obito Jiraiya and others, and she has Ibaraki Douji. She has family, friendship, and lifelong love. And that little angel with black hair and golden eyes. Mingyue regained her world. So everything in the past has disappeared with the passing of Orwell. Even if she never comes back, she doesn't care anymore. I can't describe how much I love Akatsuki and Ibaraki. Before reading this article, my only three impressions of Ibaraki Doji were the Japanese monster, the Onmyoji character, and the supporting role of Slippery, who only showed a few appearances. After reading this article - I don't care, Mingyue and Ibaraki are official couples. They just make me like them so much. In other words, it's Nanlou who makes me like them so much. A Thousand Rivers Have Water, A Thousand Rivers and a Moon, Wind and Snow Feel Like Home, and Ibaraki Reunion under the Bright Moon and "A Little Thing in Love" I have read over and over again, and they really touched me. Ibaraki stood on the top of the mountain and looked down in loneliness for most of his life. Finally, he met Shuten Doji. He was so happy that he wanted to share everything with him. And in the process of "rescuing" Shuten Doji, he met Ming Yue - met? It doesn't seem right. The first meeting, encounter, and encounter all seemed wrong. ——Ibaraki Doji and Kamo Mingetsu, they found each other. One has been homeless for most of his life, the other has struggled for most of his life, and they finally found each other. Ibaraki can look at Mingyue differently, maybe because of her beauty, maybe because of her strength, maybe because of her brightness. But I persistently believe in an ethereal and illusory statement, because she is the bright moon. Ibaraki-dōji loves Shuten-dōji, but Ibaraki-dōji loves Mingetsu the most. Son of Shamash, Kamo Akatsuki, Uchiha Akatsuki - every one of them. From then on, Ibaraki wanted to dedicate the best things in the world to Mingyue. Because she deserves the best. Of course she deserves it. There is no doubt that Mingyue also loves Ibaraki deeply. Sure enough, I still can't really describe how much I love them. Then I won't describe it. That's great. What you wrote, Nan Lou, is already very good. I like this article very much, I like Mingyue very much, I like Ibaraki very much—and I also like you, my wife.

Ah... I really love and hate you, the author... I love you because thank you for letting us see such good writing, and I hate you because - ahhhhhhh, after reading this book, I can't take it anymore and there are no other books in the same genre. ! ! ! Well, it's rare that I come across a book that makes me short of literature again, so I'll just say a few more words about it. How should I put it, there is a sense of calm permeating the entire book, but this calm is powerful. The daily plot is ordinary but not ordinary, the ending is predictable but still shocking, the characters are ordinary but not ordinary, carrying the hatred of destroying the world but full of warmth and love, he is worthy of being the son of Shamash. What I fear most when reading fan fiction is anticipating the ending. After all, there are only so many plots and things to make a fuss about, so this feeling of being shocked even though you know what the ending will be is really great! Maximum foreshadowing, maximum explosive reactions brought about by the interweaving of each line, and maximum characterization! Here I would like to praise the author's great detail and rhythm. The detailed parts will not make people want to skip, and the omitted parts will not make people feel regretful that they cannot see it. They just want to follow you step by step. It is like walking out of a quiet feeling of time, especially the right foreshadowing when changing the world, changing the plot, and even changing each scene. It makes people read very smoothly, and the thoughts change very naturally. The whole book is read in one go. But this kind of sigh is different from the sigh. It still feels natural. Naturally, I laughed, naturally cried, naturally felt inspired, naturally in the end, my mood returned to calmness, and finally turned into a sentence of "This is so good", and then naturally returned to reality, but with a hint of peace and the strength to face it calmly in my mind. It's really great to see this book. Another thing that I find particularly amazing is that the portrayal of the characters is so balanced that it is almost like the yin and yang of Kamo Mingetsu. Except for the two protagonists Mingyue and Ibaraki, the other supporting characters, from Itachi, Seimei, and Naotaka who only show their faces, to Anko, Doman, Luko, etc., All made me feel the fullness and independence of the characters, but the ink clearly told me "this is a supporting role", and the intensity is quite subtle! Nowadays, the novels are either a bit too suave and the supporting characters are all flat characters, or they are group portrait novels, and the secondary CP even has a faint tendency to surpass the main CP. It's not that these two forms are bad, it's just that it's really rare to be able to depict only what you want so beautifully, and yet keep your pen down and not take over the main object. It's like being surprised to see a strawberry among a bunch of apples and pears. Even if the supporting characters can be well portrayed and prioritized, most of these articles are quite long. On average, each character has a lot of descriptions. But this article only has more than a hundred chapters, but it involves so many original and non-original characters... Take the Xiaoqun, Luko, and Fujiwara Kanie that I remember. I remember that they are actually just one-sentence descriptions, or language or gods. The demeanor or appearance [such as the small group who panicked to find Ming Yue, the heroic appearance and sharp-tongued Luko, Fujiwara Kaneie who was so rotten to the core that she thought he was awesome] are all expressive, including the shaping of Bixia Xianjun later. In fact, it was almost formed when Ming Yue almost lost her composure when they met each other, and they were just supplements when they met again later. Let's talk about characters with a lot of writing. Itachi's appearance rate is very high, very high, but there is no such idea as "this guy is more suitable for Ming Yue" or "this guy is the protagonist". The emotion that can be felt from the more ink is simply the author's appreciation, not Ming Yue's appreciation. This is the case for Seimei, and the same is for Shang Taka. They just can't help but write more because of their appreciation, and there is no Ming Yue's emotion involved at all. It really tastes like tiramisu, and it's not greasy. Overall, I really like the author's writing style. I can vaguely feel the power of becoming stronger due to calmness and blooming due to suffering. It can be said that it is "born towards death".