A Single Wish, A Heart Renewed

Hello, author, I'm very sorry for the slow pace of placing orders. I'm very interested in articles with real historical background. At that time, I saw that it was a short story with ancient Chinese proverbs, and there was a sentence in the copy, "Just for those emotional memories left in the Five Dynasties and Ten Kingdoms, bit by bit." So I accepted the order. After reading it, I felt as a whole that it just started but ended at the end. I don't know if you have any deeper arrangements for the nine-year setting. It seems that nothing particularly famous happened in the ninth year of the establishment of the Later Jin Dynasty. No matter how big it was, it couldn't compare to its demise ten years later. Nanjing belonged to the Southern Tang Dynasty. Moreover, Nanjing was not called Jinling at that time, but Jiangning. So the nine-year setting seems a bit awkward, I don't know why. By the time Jiang Qi became an old man, the country had undergone great changes, and it was likely that the Song Dynasty had been established. But there seems to be no explanation in the article, which makes the background of this era very weak. I wonder if Jiang Qi's arrangement of becoming an official from the Later Tang Dynasty to the Southern Tang Dynasty (then called Da Qi) contained a hint of betrayal of abandoning his master? Or is it just because someone in the south appreciates him? Qin is also someone who appreciates him, so why does he fall in love with a wealthy daughter who doesn't understand him? In addition, at the beginning, "Qin Huier" made me think that she might betray someone in the end. Does the name "Qin Fu'er" have any other meaning besides mispronunciation? At the end, the explanation for Qin's departure from Jiang was: "Maybe Jiang Qi suddenly understood that Qin Hui'er just wanted Jiang Qi to remember him." This suddenly made Qin Hui'er unlovable. She doesn't seem to be the kind of person who wants to be remembered for a lifetime even if she doesn't get it. Judging from the previous plot, Qin Huier should be a person who can face sudden changes in life calmly. Because she encountered many ups and downs in her first 29 years of life and the world was very chaotic, I don't think her psychological quality was like this... There was no explanation of Jiang Nuo's whereabouts. If Jiang Nuo followed Jiang Qi, then Qin Huier would have abandoned his son, which is not cute. If Jiang Nuo and Qin Fu'er left, then Jiang Qi could have followed Jiang Nuo to find Qin Fu'er. Since he didn't find it, it means that he didn't want to find it, and he was disappointed in the end. Then there would be no question of "Maybe Jiang Qi suddenly understood that Qin Huier just wanted Jiang Qi to remember him." It would be even more confusing if Qin Huier was dead. So in the end I didn't actually understand what the ending was going on. In addition, regarding the description, there are many places that are unimaginable. For example, take "Vermilion Gilt Silk Ribbon". There is no way to gilt silk ribbons. The belt plate can be gilded, but as the heroine, there is no way to use the belt plate. But you can use gold wire. The heroine wore a Quju, but by the end of the Tang Dynasty, the Five Dynasties and the Ten Kingdoms, the Quju had withdrawn from the stage of history. Regarding the issue of the sandalwood dressing table, before the Ming Dynasty, red sandalwood was not popular, and the material was very expensive and rare. Therefore, if it were not for the Ming and Qing Dynasties when red sandalwood was widely used, there would be very few furniture using red sandalwood. There is no way to imagine that the dressing table at that time was made of red sandalwood. Relative color descriptions, "lake blue", "green green", "goose yellow", these are the ways the ancients described colors. They are very natural and vivid, and you used them well. But it was the description of the color of the most crucial red dress that made me stumble. What color is "Minghong"? Once it is impossible to imagine, it is easy for readers to become confused. There are also things like "tassel bead curtain", "spring sedan chair", "tassel hairpin", etc., Which are not very reasonable. Generally, tassels are not used together with bead curtains. Bead curtains are bead curtains, and tassels are tassels. Bead curtains are usually hung on doors, not windows, but tassels are placed on car windows. When the wind blows, they will float and disturb passers-by or people sitting in the car. "Spring sedan chair" is also a very ambiguous word. Firstly, it is hard to imagine what this thing looks like. Secondly, ancient things with the word "spring" are mostly related to that, so I understand, I won't go into details, and it is best not to use them casually. I don't know if it's because tassels are difficult to preserve, but I've never seen a tassel hairpin in a museum... In general, I think it is necessary to add more content to the plot design to make the story fuller, otherwise there will be many unexplained things. Although blank space is very important, it cannot allow people to think about it after reading it without having evidence for guessing. As for the description of utensils, if you are not sure, it is best not to go into too much detail. Not writing it leaves more room for imagination. Commentator of Mo Ran Qian Cheng Review Shop: White Rabbit Milk Candy