Search, Strike and Retreat in the Apocalypse: I Became a Refuge
by Plastic Bomb
About This Novel
Book Club: 765662143 Chen Kai traveled through the apocalypse and became an apartment building with autonomous consciousness. In an accident, he awakened the ability to make games. Any person or thing that appears in the apartment building can be used as game material by him. He made powerful survivors into player-optional characters. Weapons and supplies that have appeared in the building can also be used by players. So, in another parallel time and space, a search-and-defense mobile game called "Last Light" became popular all over the world. Countless players control the clones of survivors and rush into the apocalypse. The female survivor complained to her companions: "Let me tell you a scary thing... Yesterday I saw 20 of me fighting in a group outside the supermarket." The player said: "The new operators in this game are really too big. Each one can encounter 20 of them..."
What Readers Think
Rating
Community(0)
Official(32)Scraped 21d ago
Very creative, but the protagonist lacks a sense of the big picture.
When a player goes to play a new game and plays randomly at the beginning, such as not searching or playing, or playing Jenga with friends, the protagonist will be banned as a result. The hoarding rat player plays it safe, only saving but not spending. The protagonist is worried about inflation and directly lowers the explosion rate. Players have more money on hand, and the protagonist is worried about inflation, so the price of equipment directly increases. Then the protagonist himself has little development. He is still a small broken building, and there is no interaction with friends and players. However, if you look at the group portraits, the author has also portrayed some fairly smart characters, but the selling point of the story itself is not well reflected. The protagonist's behavior is a typical dog plan. A good game has zero operations. The protagonist's style of doing things is not to benefit himself at the expense of others, but to harm others and not benefit himself. Players' behavior has deviated from the direction, and there should be no activities. Players are a family, players are motivated, and planning is beneficial. The only activity the protagonist does is to pump water and keep points. It feels like there are three lines, four and a half stars for the player line, two stars for the planning line, and three stars for the small building line. The general theme is that players play the game, the protagonist serves as the background, develops indigenous forces from time to time, and then disgusts the players with planning. The author's writing on the aspect of players playing games is quite good, and the development of power is quite satisfactory, but in terms of planning, Kuku did bad things.
I have always thought why Delta Planning is so outrageous. Are they worthy of their wages? After watching the protagonist, Delta planning is quite normal. Reduce the explosion rate, block accounts at will, raise prices, and cancel the free market
There are some creative ideas, but the main character is just like the real SB planner. It's just disgusting. It's not good for you as the main character. You can't solve the problem by yourself. It's obvious that some very simple things have to be messed up. I can only say that it's a pity that the author doesn't become a planner.
It's a game with a very strange positioning. I gave it three points because I only saw the protagonist doing game statistics for the first time. I originally thought I was going to get rid of the setting circle bug, but it turned out to be so stupid that I couldn't watch it. It would be insulting to watch it any further. I just talked about "Resident Evil" but didn't see it, maybe it's in the outline (then the writing would be terrible) The protagonist is a building, and the life of the aborigines in the building has nothing to do with the protagonist. Only the killing of the dummy is good for the protagonist, and this benefit is not even enough for the cake at the moment (relying purely on the reader's subconscious fantasy of the future?). If you treat the natives in the building as your own pets, it makes sense to protect them and upgrade them. At the same time, it is good for the residents to kill monsters and the protagonist. Although it is not efficient, it can be regarded as a way to entertain the loneliness. What's difficult is that the protagonist doesn't have much affection for the aboriginal people. At the same time, he also engages in search, attack and retreat, disguising his world as a game to play the fourth natural disaster. The generation and equipment of the fourth natural disaster require energy. The protagonist is short of money, and he has to deal with Takov and chicken attacks, and he also deals with friendly wounds. For the protagonist, this means that he dislikes himself for not making enough and wants to weaken himself. There are also the indigenous people in the building. Have you figured out how to arrange it? Killing monsters is not as good as killing people. Anyway, I kill people and withdraw with items. My player experience is completely fine. It's just the protagonist of your game company (protagonist) who breaks the defense. Furthermore, the collected resources were not brought back by the aborigines, the protagonist did not have any contact with the aborigines, and the resources brought by the players were not brought back to the protagonist's building. This makes people confused. What are you trying to do? If you just want to collect energy from monsters easily, and you don't like the aboriginal people, you can build a tower defense, and you will be born in the building, and then blast the loudspeaker every fifty minutes, and everyone will kill and kill in the building. Instead of gathering resources to build a camp like ordinary doomsday survival (according to the fact that the protagonist does not need resources to be recycled into the main body), and hoarding food, guns and resources, wouldn't this be more efficient? Search, fight and retreat is not impossible, but given the current situation where the protagonist's survival resources are weak, disguising yourself as a search and fight and retreat game requires a reasonable idea and reason. Don't let me think that it is actually the author's power behind the scenes. There is no benefit from writing a protagonist. I am totally confused. This is purely a bullshit subject.
It's very interesting. It's a quick update. Today's recommendation vote is a blessing to you.
Delta planning reemployment
Delta private planning re-employment
Around chapter 169, I was really speechless.
As far as the protagonist's own abilities are concerned, seeing other people's bodies every day is not enough. Moreover, the protagonist is a ghost and has no body hormones. How can he respond to Hannah? The memories of various people are not that they have never seen beautiful women, nor that they have never seen them before. Like a lower body animal, fucked with Hannah. It doesn't matter at all. The most important thing is to inexplicably impose restrictions on the protagonist, talking about unlocking technology, what conditions are required, and then hiding a few question marks. I am speechless. This restriction is a hammer. What's the use of adding this restriction? The hang-up was not very big before, but suddenly it has to be restricted. What is this for? Away from disgusting people, and then insisting on using survivors to fight, I am speechless.
What is this in the front? [Emot=default,25/]Hurry up and update it later
Write quickly! Don't worry about those people. If you really want them to write it themselves, they can't do it, but the critics are doing a decent job! It will have a negative effect on cultural creation! You wrote very well!
The idea is good but the writing is not good
Rating
Community(0)
Official(32)Scraped 21d ago
Very creative, but the protagonist lacks a sense of the big picture.
When a player goes to play a new game and plays randomly at the beginning, such as not searching or playing, or playing Jenga with friends, the protagonist will be banned as a result. The hoarding rat player plays it safe, only saving but not spending. The protagonist is worried about inflation and directly lowers the explosion rate. Players have more money on hand, and the protagonist is worried about inflation, so the price of equipment directly increases. Then the protagonist himself has little development. He is still a small broken building, and there is no interaction with friends and players. However, if you look at the group portraits, the author has also portrayed some fairly smart characters, but the selling point of the story itself is not well reflected. The protagonist's behavior is a typical dog plan. A good game has zero operations. The protagonist's style of doing things is not to benefit himself at the expense of others, but to harm others and not benefit himself. Players' behavior has deviated from the direction, and there should be no activities. Players are a family, players are motivated, and planning is beneficial. The only activity the protagonist does is to pump water and keep points. It feels like there are three lines, four and a half stars for the player line, two stars for the planning line, and three stars for the small building line. The general theme is that players play the game, the protagonist serves as the background, develops indigenous forces from time to time, and then disgusts the players with planning. The author's writing on the aspect of players playing games is quite good, and the development of power is quite satisfactory, but in terms of planning, Kuku did bad things.
I have always thought why Delta Planning is so outrageous. Are they worthy of their wages? After watching the protagonist, Delta planning is quite normal. Reduce the explosion rate, block accounts at will, raise prices, and cancel the free market
There are some creative ideas, but the main character is just like the real SB planner. It's just disgusting. It's not good for you as the main character. You can't solve the problem by yourself. It's obvious that some very simple things have to be messed up. I can only say that it's a pity that the author doesn't become a planner.
It's a game with a very strange positioning. I gave it three points because I only saw the protagonist doing game statistics for the first time. I originally thought I was going to get rid of the setting circle bug, but it turned out to be so stupid that I couldn't watch it. It would be insulting to watch it any further. I just talked about "Resident Evil" but didn't see it, maybe it's in the outline (then the writing would be terrible) The protagonist is a building, and the life of the aborigines in the building has nothing to do with the protagonist. Only the killing of the dummy is good for the protagonist, and this benefit is not even enough for the cake at the moment (relying purely on the reader's subconscious fantasy of the future?). If you treat the natives in the building as your own pets, it makes sense to protect them and upgrade them. At the same time, it is good for the residents to kill monsters and the protagonist. Although it is not efficient, it can be regarded as a way to entertain the loneliness. What's difficult is that the protagonist doesn't have much affection for the aboriginal people. At the same time, he also engages in search, attack and retreat, disguising his world as a game to play the fourth natural disaster. The generation and equipment of the fourth natural disaster require energy. The protagonist is short of money, and he has to deal with Takov and chicken attacks, and he also deals with friendly wounds. For the protagonist, this means that he dislikes himself for not making enough and wants to weaken himself. There are also the indigenous people in the building. Have you figured out how to arrange it? Killing monsters is not as good as killing people. Anyway, I kill people and withdraw with items. My player experience is completely fine. It's just the protagonist of your game company (protagonist) who breaks the defense. Furthermore, the collected resources were not brought back by the aborigines, the protagonist did not have any contact with the aborigines, and the resources brought by the players were not brought back to the protagonist's building. This makes people confused. What are you trying to do? If you just want to collect energy from monsters easily, and you don't like the aboriginal people, you can build a tower defense, and you will be born in the building, and then blast the loudspeaker every fifty minutes, and everyone will kill and kill in the building. Instead of gathering resources to build a camp like ordinary doomsday survival (according to the fact that the protagonist does not need resources to be recycled into the main body), and hoarding food, guns and resources, wouldn't this be more efficient? Search, fight and retreat is not impossible, but given the current situation where the protagonist's survival resources are weak, disguising yourself as a search and fight and retreat game requires a reasonable idea and reason. Don't let me think that it is actually the author's power behind the scenes. There is no benefit from writing a protagonist. I am totally confused. This is purely a bullshit subject.
It's very interesting. It's a quick update. Today's recommendation vote is a blessing to you.
Delta planning reemployment
Delta private planning re-employment
Around chapter 169, I was really speechless.
As far as the protagonist's own abilities are concerned, seeing other people's bodies every day is not enough. Moreover, the protagonist is a ghost and has no body hormones. How can he respond to Hannah? The memories of various people are not that they have never seen beautiful women, nor that they have never seen them before. Like a lower body animal, fucked with Hannah. It doesn't matter at all. The most important thing is to inexplicably impose restrictions on the protagonist, talking about unlocking technology, what conditions are required, and then hiding a few question marks. I am speechless. This restriction is a hammer. What's the use of adding this restriction? The hang-up was not very big before, but suddenly it has to be restricted. What is this for? Away from disgusting people, and then insisting on using survivors to fight, I am speechless.
What is this in the front? [Emot=default,25/]Hurry up and update it later
Write quickly! Don't worry about those people. If you really want them to write it themselves, they can't do it, but the critics are doing a decent job! It will have a negative effect on cultural creation! You wrote very well!
The idea is good but the writing is not good
Featured in 6 Booklists
Official(6)
[Green Good Product] The protagonist traveled to the end of the world and became a building. He could use the materials in the building to create various characters and weapons. However, because he could not control these characters, he made an apocalyptic game and attracted people from parallel worlds to work for him as players. Well, the beginning was too convoluted. I thought it was a story about running around and fighting for gold in the Delta. After several chapters, the protagonist suddenly appeared, explaining the background of the game. To be honest, it was a bit confusing. The overall world view should be Dying Light. The gameplay is combined with Delta. It can be regarded as a combination of alternative game production writing and apocalyptic writing.
A first-rate mind, but only a first-rate mind The beginning is a flashback. If it weren't for the prisoner, it would really be a dead start. It's a standard game story, recruiting players from the earth to go on adventures in another world, but it's a search-and-defense type. It is very common for the left and right brains to fight against each other in the plot. The most difficult thing is the character dialogue. There is no polish at all. The same thing is "Character A says. Character B says. Character A says. Character B says. Character A says. Character B says. Character A says. Character B says. Character A says. Character B says. Character A smiles. Character B says. Character A says. Character B says." This book can only be said to be about people. Just because I'm naked doesn't mean you're wearing a statue.
Chen Kai traveled through the apocalypse and became an apartment building with autonomous consciousness. In an accident, he awakened the ability to make games. Any person or thing that appears in the apartment building can be used as game material by him. He made powerful survivors into player-optional characters. Weapons and supplies that have appeared in the building can also be used by players. So, in another parallel time and space, a search-and-defense mobile game called "Last Light" became popular all over the world. Countless players control the clones of survivors and rush into the apocalypse. The female survivor complained to her companions: "Let me tell you a scary thing... Yesterday I saw 20 of me fighting in a ball outside the supermarket." Players said: "The new operators in this game are really too big, you can encounter 20 of them in each one...
The new book I saw in the daily guide. The protagonist is a building. He can also transform into a human form, but he cannot leave the interior of the floor. Apocalyptic World View + The Fourth Natural Disaster of Delta Touching Gold The author looks like someone who has actually played the game. He has put a lot of effort into polishing the game content and numerical planning, including the dialogue between players. Unlike someone who purely writes novels, they will sacrifice a sense of immersion for the sake of plot advancement. Very worth watching
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