If You Can't Be a Son-in-law, You Have No Choice but to Become a Saint

A good fantasy novel. From the introduction and title, it seems to be a classic son-in-law routine, and the general opening is similar. The protagonist travels through the world of Dafu and becomes a young man from a prominent family who is about to marry into another family. The protagonist has the fate of "seeking good luck and avoiding evil" (a golden finger, similar to the option system, but more interesting than the usually written option system). So the protagonist uses this system to start a counterattack. Compared with other works of the same type, this book has two advantages. First, the author's writing style is very good, and the structure of the world view and power system is relatively complete. At the same time, the character creation and the interaction between the characters are very vivid. Although the characters have a relatively cliché setting, they are not annoying. The character design of the protagonist and most characters is also very reasonable and likeable. Secondly, the system design of this book is quite interesting. It is my first time to use "Zhouyi" as a system, which is very novel. Moreover, the text of the system options written by the author is also well-written and consistent with the historical background of the book. However, this book also has certain problems. For example, there are too many nouns and character names in the early stage, which can easily make readers feel overwhelmed. Also, due to the pursuit of details, the enjoyable plot written by the author will be diluted to a certain extent, and the readers will not feel so happy reading it. However, the book is still very well done overall. The characters, world view, and system design are all good. I recommend it.

🍂[Hay Cao][Sister-in-law Article] It is a son-in-law novel with a strong flavor of formula, but the novel is an expression of the spirit of the times - the fixed formula also contains the thinking patterns of contemporary people, but the author has little cultural background, and the writing is not like the life of a wealthy family in a feudal dynasty, but like the parents of a coal boss in the last century. The writing on suppressing the protagonist is quite good, but the protagonist's counterattack is weak and weak. I have read more than fifty chapters so far. Although the protagonist resists, it gives people a feeling of weakness. The character portrayal is inconsistent. On the one hand, it is written that the protagonist's father was demoted, and he got a chance to return to Beijing by exchanging benefits. On the other hand, it is written that the protagonist's father is very awesome, and he was invincible in the world when he was young... The whole book can be called a comprehensive textbook on negative aspects of Shuangwen. Settings: 4 Plot:5 Writing style: 6 Others:3

Lu Jing traveled through Dafu and became a young man from a distinguished family who was about to marry into another family.

In the new book by the author of "I Have a Mythical Tree", the protagonist travels through time and comes with the I Ching system. He can seek good fortune and avoid evil, make choices on key matters, and receive various fate blessings. Like his last book, I like the story and setting, but like this one, the author's way of telling stories always conflicts with the characters he sets. I don't know what the author does, but it always gives me the feeling of a middle-school boy who has not grown up. The supporting characters are well created, but the protagonists of both books have a lot of gorgeous words. It seems that otherwise it is not enough to show the power of the protagonist. Obviously you are portraying a reclusive boss who should be dressed in coarse linen, but you still want to write that he looks awesome wearing a big gold chain and a small gold watch. This is how it feels... In addition, this book is much worse than the previous one. It seems to be a true story of an eagle catching a chicken. Che Zhulun said back and forth that more than ten chapters can't advance the plot at all. The most fatal thing is that water is not scary. What is scary is that it takes dozens of chapters to set up water. When the climax comes, one chapter is gone. It is a model of driving high and going low.