Lord of Mysteries Fan Collection

The protagonist is reborn as Maric, Goldfinger is the source material of the "Shadow World", and in the end, Cassava is probably promoted to become the "Father of Demons" of the past. Sharon, the heroine. Stable double updates

Female protagonist. The heroine witch path, read the comment section, is to marry Klein. Stable double updates

One million words, already eunuch. The heroine story, the original heroine encounters misfortune upon landing. The male protagonist Amon has no cp.

Let's just write Russell's time travel story. It's not that the protagonist traveled through time and became Russell, but that the protagonist is Russell. Stable double updates

1.05 Million words, completed. The protagonist is on the warrior path, and the heroine is Panatia, who directly caused the great smog (I don't know how the author plans to deal with it). The protagonist's goal is to ascend to the gods

2.07 Million words. Completed. Female protagonist, no cp, path of destiny. Atypical and mysterious fanfic. The fate path of this article is set to be either a living being whose characteristics are directly fed into the mouth, or a lifeless one who is sent to the former as a potion, but neither of them can fight at all (the author cannot write it). Combined with the attributes of the naughty child (a born mythical creature stitched together from the memory of a human child and the essence) set by the author for the protagonist, the tone of the full text is different from the main line of ordinary fan fiction, where the sequence of promotions is the main line. Instead, the protagonist's own unconstrained whims and behaviors become the biggest attraction, but that's all. So all the interactions with Amon are very interesting. Klein is to the protagonist what the Red Angel is to Amon. Many of the plots involving children are also interesting. In addition, the protagonist's high status but non-human mind and child's knowledge level can also create a cool point: all people below a certain status must serve and support the protagonist. But this setting of the fate path and the protagonist's style also brings disadvantages. One is that there are almost no battle scenes related to the protagonist in the entire text, because the protagonist is completely illiterate in mysticism. He has the status of an angel but his actual methods are not as good as sequence five. He basically has no other tricks except showing the form of mythical creatures. This situation is throughout the entire text - after all, the protagonist does not have to do anything and can just wait for the magic potion to be delivered to his door. Naturally, he has no motivation to learn about mystical knowledge. The demigod enemy who was shown the form of a mythical creature by the protagonist seemed to have no means and just stayed there and lost control. It can be seen that the author is not good at depicting battle scenes in other ways. Second, the whole text contains a large number of thoughts and actions based on inspiration rather than logic. At the same time, there is no advancement and progress in all aspects of the protagonist, which may cause aesthetic fatigue to readers. In my opinion, the protagonist is still essentially a mythical creature who seeks advantages and avoids disadvantages, bullies the weak and fears the strong, and has no knowledge or abilities. The protagonist has power but does not know how to use it; he has no knowledge but is unwilling to learn*; he thinks about things as soon as they come up, forgets urgent matters in the next second, and does not think of them until the consequences happen. He is often unable to deal with the aftermath by himself, and does not have the ability to take responsibility. This can make it difficult for readers to anchor on the protagonist's own charisma. After all, personally, I don't think the above-mentioned naughty characteristics and the thinking of mythical creatures can bring any charm to attract readers. Maybe only the power of mythical creatures can, but the protagonist does not have this thing (he has a personality but can't use it). He can only fry fish in the Tarot Club, and he is very afraid of death when he meets Ulotius and Amon. Such a protagonist can become a god in the end, which highlights the unreasonableness of a fate, but the fate set by the author is indeed this style. However, it is very likely that the author set the "endless chaos" of fate to come up as he imagined, in order to fit his own writing comfort zone - this style has greatly reduced the requirements for the author, and there is no need to consider logical coherence and rationality, nor the need to consider cohesion, foreshadowing, and the self-consistency of the characters themselves. After all, the protagonist is set up to be chaotic. But the result is that an uncharismatic protagonist can hold up part of the story, but not the entire story. Overall: Grain-, you can read as appropriate.

1.2 Million words. Completed. Another article starting from the Second Age! This book is very creative. The protagonist, the time-traveler, Goldfinger's "Book of Dreams" is at least a pillar character. Before he became a god in the dark night, he acted like a pope and gained faith by plucking wool. The third and fourth eras pass relatively quickly, mainly to pave the way for the protagonist's power. The fifth era is more detailed and well written. The plots of Amon, Bethel, and Xiaoke all fit the characters' personalities and the author's layout. The final ending is also excellent in my opinion. It's rare that there are no unfinished fan works. P. S. Chic's line is really outrageous, and the later Triss falling in love with Klein is even more outrageous, but I have to say that this arrangement is a bit interesting. P. P. S. The author doesn't know how to write emotional scenes at all. There was a little bit of foreshadowing in the second era, but it was completely gone in the back. It was quite strange to have a Chinese-style happy ending at the end. The extras are even more heavyweight. I can only say that writing emotional scenes like this would be more natural than not writing them at all. Overall: High-quality grain and grass, recommended!

The main character, Xiao Kezhen, also comes here and has his gender changed... He is really a master like a cloud. Stable daily updates

1.89 Million words, completed. The protagonist, Pao Waishin, is a pillar of character and symbol. Starting with God and Mystery, it becomes a three-in-one hot pot, which allows you to switch back and forth between a little fish with blond hair and golden eyes and a beautiful lady with white hair and red eyes. Very interesting! He is one of the few fans who has read the beginning and then updated to the latest chapter without finishing the book. Since the protagonist is capped in all aspects, the overall tone of the novel is very relaxed and has the color of a light novel (similar to the Paradox book). The emotional lines are also one of the few that are relatively natural among fandoms, including but not limited to combinations such as gods × believers and gods × gods. Because of the light novel's color, the characters are OOC, and there is even a plot where the goddess of the night calls her master, but the plot is reasonable. Overall: Grain+, recommended!

The protagonist, a time traveler, has the second path of knowledge and has a golden finger. No heroine. Stable updates

The protagonist has plug-ins, a cat-raising stream, and a small box-opening game offline at the beginning. The heroine Audrey. Stable double updates

2.31 Million words, completed. The middle and last parts of this book are good, but the first and second parts are pretty bad, so it's quite an embarrassing book. Just start from Chapter 75. The first 75 chapters have three influences on the following content - firstly, the protagonist raises a rabbit, which brings a lot of fun; secondly, the protagonist is the favored one of the second and fifth dragons, and sees him every day in the library; finally, the protagonist is soaked in the wilderness of knowledge at the beginning (it is important to note this) This actually means that all humanity after the protagonist can be understood as an aspect of divinity (the calm side. The crazy part is hoarded by the Hidden Sage). In my opinion, the protagonist really has no humanity, and the game has a mysterious attitude. This can also explain why the protagonist talks about secret knowledge in the low sequence. After all, he doesn't care at all, and he will die even if he dies. The Knowledge Wilderness and the Hidden Sage will fish for him. You can watch it with this setting. Of course, in the end, my idea was proved to be right. The protagonist is a personality aspect in the wilderness of knowledge. Next, let's talk about the advantages and disadvantages. The advantages are that the writing is fairly fluent, the characters are relatively few OOC, the plot is quite creative, and the two and five dragons are well written. The upgrade is also very fast. It is rare that Klein was already the protagonist of Sequence Five when he was still in Tingen, but he stayed at Sequence Five for a longer time. One disadvantage is that it is not very good in the early stage, and the battle writing is very messy. This is also true in the later stage. The second is that low-level errors such as typos or mistakes in some settings of the original work often occur. The third thing is that the author seems to think that the supporting characters and the original characters are the same as the protagonist. Can the Rabbit in Sequence 7 and Klein in Sequence 6 talk about high-end knowledge like the Knowledge Wilderness of Source Castle? In addition, the protagonist's personality is so high, but it is not reflected in the text at all, which makes the revelation of Sefirah's personality later very abrupt, and also results in the protagonist never having a strong character. The fourth point is that the division of combat power in the article is unclear or even wrong. The performance of Coconut Egg Tree in battle is no different from the clone of the protagonist in sequence four. The difference between the protagonist in sequence three and sequence four is often not visible. In short, the author seems to have little understanding of the mysterious and important concept of person. These forbearances are over. What disgusted me was that in the middle stage, the main characters were all Sequence 3, but they were still Sequence 3 who did not need to digest the magic potion (after all, the avatar swallowed it all the way to Sequence 2). As a result, they were played by a Sequence 3 clone of Amon, and the completely passive situation lasted for several chapters. Afterwards, he went to the Land Abandoned by the Gods for promotion and did not make any preparations to face Amon. As a result, he was teased by Amon again. You are a Sephiroth personality, half-body of the Hidden Sage, and your personality is at least equal to Amon's true body. Why can Amon play tricks on the protagonist? This author seems to have a bit of admiration for Amon, and may be slightly parasitized. Overall: Grain-, you can read as appropriate.