True Knowledge: Traveling with Knowledge is Like Illusion (Game Production Article)

. This book has just been released. It was only 3 chapters long when it was discovered by me who was looking for a new investment book. Then I read it all the way and made some suggestions from time to time. I watched the game production article that was put on the shelf after four rounds of recommendations after PKing all the way. I personally think that there are three main genres of game production writing, namely emotional flow, imagination flow and plot flow. The emotions flow like Titanfall, and to be honest, it relies purely on the power of writing to arouse the reader's emotions. The thinking flow is like this is not a bug, the main focus is on cool operations, and the fun is hilarious. As for the plot flow, it depends on whether the written plot can immerse the readers and make them feel real. The reason why I fell in love with this book at first glance and felt that this book is a workable material is that the plot of this book is very down-to-earth. To be honest, although this book is the author's debut novel, although there are no major shortcomings, it does not have particularly explosive gimmicks or strong expectations, and it lacks the ability to absorb content. But the author should be a practitioner in the game industry and know many details of the game industry. Most authors of game production articles, especially those who focus on emotional flow and imagination flow, are not relevant practitioners, and can rarely write with a down-to-earth feeling. This does not affect the sense of plot enjoyment, but readers will clearly understand that such stories are purely novel entertainment. In this book, the operation of clearing dungeon bugs at the beginning to dig out the first pot of gold is very down-to-earth. It instantly reminded me of the protagonist's operation of starting the text message alliance in "Rebirth: I Want to Surf". It's a feeling that's hard to describe. It doesn't necessarily bring extra pleasure. However, a down-to-earth plot can increase the sense of reality and credibility, thereby increasing the immersion when reading. As long as the author maintains this characteristic, the quality can be kept at a lower limit. At least so far, the plot of this book may be generally satisfactory, with no outstanding highlights and no obvious shortcomings. The only stable daily update of 6k is slightly better than ordinary people. However, because it occasionally involves real details of the game industry that ordinary people don't know, and related content, this book is quite interesting for middle-aged, old and white readers.

. This is a nonsensical and fun-oriented game production article. It tells the story of the protagonist who traveled through time and took over a video game company, and then relied on the system to change his life. I personally think that the first game in this book is definitely the highlight of this book. It was obviously a scumbag, but after the protagonist's system was rescued, and through the author's nonsense, not only did he successfully come around and change his life, but he also set fire to it. However, this kind of highlight play is obviously very imaginative, and the author's imagination is not very strong. Or to be precise, the author's writing power is not strong enough to hold it up. In fact, for the following games, the author still has some ideas and designed corresponding bugs for the games. But I don't know if it's because of the perspective presentation, but it's not as exciting and immersive as the first game. Instead, it seems a bit bland. Of course, it may also be that the first game involves social phenomena such as gold diggers and dog lickers, which can resonate more with players, so the contrasting and humorous game plot is particularly exciting. In short, purely in terms of gimmicks and capacity to absorb volume, this book is actually quite advantageous. But it is a pity that the author is not very able to catch it. On the one hand, the subsequent games are not as eye-catching as the first game. On the other hand, the author's writing is sometimes too stream-of-consciousness when making jokes. Especially when it comes to narrations such as barrages from the perspective of players or viewers, the author seems particularly excited and happy, making jokes and witty remarks. But I don't know much about these jokes. They are of a half-understood kind, so it seems difficult to get the brain waves. This also makes me reluctant to read two or three chapters a day. I feel that when the author gets excited, the amount of plot information is low, and I can only read it again after two or three weeks after writing a game.

. A new book by a veteran author of game production writing. It tells the story of a game production where the protagonist, after traveling through time and taking over a game company, breaks the game by engaging in side games. The protagonist has only made one second game, and is not always making second games. However, this second game will be constantly updated, and the gameplay will be expanded and linked to other games developed by the protagonist later. Personally, I think that the plots related to the second game in the book are basically developed from the perspective of novels to unfold the various rhythmic gameplay and awkward routines of the second game. They are not mindless licking of the second game. They have a good sense of proportion, and there is no need to have colored glasses on the plot of the second game in this book. Then, the plot after the second game may be a screening for readers. Because the protagonist system will give black technology rewards in the field of game technology, the tone of the subsequent plot is actually the expansion of various epoch-making games with the iteration of game equipment and black technology - to be precise, this tone is in the same vein as the author's previous book. Readers who simply want to read the transcript of the game and be shocked by the story may be screened out and feel that the protagonist's original game does not have a sense of immersion. But for readers who can accept the protagonist's original game production, I personally think the quality of this book is quite recommended. If you want to talk about exciting plots, there will definitely be no shortage of performance improvements brought about by black technology and innovative gaming equipment. Then the author's writing style is witty, and there are also many happy plots, making him laugh out loud. But the reason why I recommend it is mainly because the game content in this book is written realistically, the details are well controlled, and it is very immersive in reading, allowing readers to simultaneously visualize the corresponding scenes. At the same time, I personally analyzed that this sense of immersion may be due to the black technology in this book and the relevant plot deductions that have an impact on the social level. It has a certain sense of reality and is down-to-earth, and does not appear to be particularly exaggerated or false.

. Using alien civilization AI as a cheat, the story of the game starts directly from the protagonist building a virtual world. As the author's first book, this book is generally quite satisfactory, with a large volume and sufficient content, but it also has obvious shortcomings, or shortcomings. First, the basic world view structure is too self-proclaimed, or nonsense. From the perspective of the work, there is actually no meaning in such a design. Secondly, the beginning is awkward, and it is purely a forced plot conflict. It may even be a bit toxic to some readers, and they need to be tolerated. Thirdly, there is no clear main line from the beginning. I just start the book with a rough idea, so the plot development is a little bit erratic. Later, I simply bring in the beautiful country as the villain to slap in the face. Fourth, copy games, but most of the time they do not directly copy masterpieces, but take some unpopular movies and transform them into games. They are somewhere between copying and original games, giving people a sense of literary youth. But the flaws do not hide the good points. As a debut novel, the author's spirituality in game production writing is still reflected. First of all, except for the awkwardness of the basic world view and the opening plot, there are at most some minor flaws later on, but no major problems. It may be a bit tasteless and a bit tasteless for old bookworms, but as far as the first book is concerned, the overall control ability is good, at least it can be said to be a large amount. In addition, the author's writing style is not bad. If you are not a particularly picky bookworm, you will probably be able to read it immersed in it. Secondly, although the game copywriting is a bit awkward for young people, the player's life and the big scenes are actually pretty good. Otherwise, it would not have gone from an initial order of two to three hundred to the level of an average order of about two thousand eight thousand. I feel that as new books feed back the old ones, it should naturally increase to a high-quality product with an average order of three thousand in 25 years. Finally, plots such as the book's use of virtual worlds to recreate ancient buildings and provide a second world for disabled people may deviate slightly from game production, but they will effectively enhance the realism of the novel's story. For this reason, after finishing this book, the author opened a second book, exploiting his strengths and avoiding weaknesses, and directly won 10,000 orders.

. Pseudo Fourth Natural Disaster + original game production article, a bit of fun, the invincible protagonist is stabbed in the back by players in various ways. The settings of this book are rather strange, so I need to introduce the relevant settings first. The protagonist is originally a fairy, but he realizes that his Taoism is lacking, he does not know how to entertain, and is unable to ascend, so he is reborn as a game designer in the modern era and proves his ascension through making games. Then, the book says it means ascending to immortality, but it is more appropriate to understand it as transcending dimensions and becoming a saint. Because the protagonist is invincible, he can teleport around the universe at will after rebirth, and then find suitable planets from the vast world or even parallel universes or the long river of time to create a game, which is extremely expressive. Including the elite villains in the book, and the various demon lords who were defeated by the protagonist in the past, all have the ability to be immortal based on the concept of human emotions and to open up the earth, wind, water, and fire to create a small world. However, in order to achieve the perfection of Taoism, the protagonist has to make a game, try to understand what entertainment is, and make the game he understands more fun and agree with the reader's understanding of the fun of the game. Only then can he prove his way to the super dimension. It's just that the protagonist pinches the planet to play the game, which is equivalent to an open world game with high authenticity, and different games can be linked together, causing players to frequently engage in violent actions and perform various tricks to stab the protagonist in the back: such as farming in a war game, fighting in a farming game, etc. After understanding the setting, and then evaluating the book, I personally feel that the highlights of this book are actually quite unique, but the author is slightly off-kilter when advancing the plot. The biggest highlight is that every game created by the author has quite novel and unique ideas, and most of the corresponding games can give readers something to look forward to. Secondly, the players' various tricks have distorted the style of the open-world game created by the protagonist, which is quite fun like the Fourth Natural Disaster. Finally, the protagonist develops the game, which is created during the process of exploring the secrets of the main plot. In other words, each branch of the game is intertwined with the main plot, and the reading experience is very good in terms of rhythm. The only problem, or I think the author's writing is a little off, is that the focus of the author's writing is more on the main plot of the drama. For each game, I have only scratched the surface, and the game ideas are quite good, but the related content is a bit vague, not detailed enough, and it feels a bit stingy with words. To describe it, it is probably because the author has an outline, so he is more inclined to advance the main plot according to the outline and rush to finish it as soon as possible. However, for the interspersed game branch lines, he has no habit of telling the plot. Fortunately, in the middle and later stages, it seems that after receiving feedback from readers, the author made obvious adjustments, adding more words and ink about the game content, and unfolding it through the player's perspective. In fact, to be honest, I personally feel that the plot advancement of this book is more in line with Brain Wave. But objectively speaking, fans of pure game production articles would really prefer the author to write more game content and not rush into the main storyline of cultivating immortality. This is mainly a deviation caused by reading preferences, which is not a big problem in itself. However, when it comes to the world view, the author's setting is too non-mainstream and seems strange. It challenges readers' conventional understanding of the setting of immortals. The combination of elements of cultivating immortals and game production will inevitably make readers feel a little inconsistent.

. An original game production article with dual systems of male and female protagonists, and elements of romance and 3D brain-filling. This book refers to the setting of "Say Good to Make a Bad Game". The male and female protagonists have dual systems to hedge, a leisurely win system, and a dream-realization guarantee system. The male protagonist just wants to take his employees to sleep, and does not want the company to make money. But the heroine wants to bring staff coupons. As long as there are enough coupons, she can trigger skill upgrades. Then the male protagonist made various chicken soup quotes that hinted at the employees' lying, and the female protagonist led the employees to make up all kinds of ideas, and finally made one hit game after another, forcing the male protagonist to expand the company. It can be said that this book is an original game production article with D-type brain-filling elements. Aside from the overly harsh plot of the male protagonist lying flat on his back, the original game in this book is honestly pretty good. Although it can be described as "bad news, weird stitches; good news, all stitches", in fact, the author's original content is really something. For example, the story writing in the first cat girl game, the boss skill mechanism in the second island game, the verbal battle system in the third cyber game, etc., All made my eyes shine. At the same time, the dog-food plot between the male and female protagonists of this book is also quite sweet but not greasy, not awkward at all, and makes people laugh involuntarily. However, some readers may not be able to match the brain waves of love dog food + game production. Then, the game was inspired by the employees' brains, and the author designed it in the chicken soup of daily plots. As a result, the process drags on a bit long, and it is inevitable that the reading will feel a bit watery and not neat enough. Finally, the male protagonist's lying performance was too deliberate and seemed too intellectual. After all, the male protagonist is not a money-losing system, but a leisurely winning system, so there is no need to be too involved. In terms of game production, it is reasonable that the male protagonist should actually have a sense of participation, rather than being indifferent and being a confused hands-off boss. At present, the plot of this book can only be said to be forcibly designed for the employees' brainstorming. If it is too deliberate, it seems to be somewhat unreasonable.

. A fun article about game production that explains why a game made by a tough-talking protagonist will have strange bugs. First of all, I want to say that this book is eccentric. Although it is a game production article, it focuses on game bugs. In a sense, it can be said that this book is written in a way of making dumplings for the sake of vinegar. The game itself is not important. The highlights of this book are the series of special gameplay linkages generated through game bugs and the program effects brought about by player feedback. Of course, this means that this book feeds off both the author's brainwaves and the readers' brainwaves, to see if the readers' brainwaves can match the author's brainwaves. I personally think that readers of hard-core game production articles who place more emphasis on rationality may not be able to get the highlights of this book. However, if you are a fan of Le Ziwen and are not too picky about the rationality of the game, the reading experience of reading this book is quite novel. Not only is the original game not a brainless transfer, but also there is a cool operation method that can be used to create circle linkages through game bugs. However, one thing to say is that for several games designed by the author, the game itself is indeed a bit self-explanatory, and it is not convincing enough in terms of whether it is fun or not. If the author can make up for the shortcomings of the game not being fun, with the fun ideas in this book, it is actually quite possible to become a high-quality product.

. It is an anti-routine brain supplement for original game production. It has novel ideas and laughs, but is not homogeneous. The protagonist gets a negative feedback system at the beginning, and just wants to make a bad game quickly and directly unlock the system gift package. But by chance, with the help of players' brainstorming, they can always find wonderful game bugs or magical ways to play, which have received good reviews. The protagonist, who still has a conscience but can't explain his purpose, has no choice but to make a MOD and patch it according to the bugs in the player's mind. At this point, this book can be regarded as a unique dry food with slight highlights. It is not satisfactory, but it is not too outstanding. But the wonderful thing is that this book is a work that gradually gets better. In the early stages, the tool-man heroine and the tool-man system were actually a hindrance, making some of the plot progression a bit stiff and unsatisfactory. This also caused the book to stop at the level of special dry food. However, the existence of the tool man system finally inspired the protagonist's original intention as a game practitioner, allowing him to simply use the negative review feedback system as the final guarantee, and then rely on his own strength to create original games. In the plot at the same stage, perhaps catching up with the author's explosion of inspiration, the newly designed original games are either very gripping, or have deep empathy, and combined with the character arc of the protagonist's psychological growth, it really gives people a sense of getting better. All in all, as an original game production article, this book has better-than-average gameplay and creative ideas, making readers want to play games. At the same time, the plot design also has a lot of laughs, making people laugh and laugh. Except for the slight flaws in the role of the tool man in the early stage, the overall game is a rare masterpiece of this type of subject. Of course, if you simply want to read a cool article about copying a game and then having the anchor break the defense and the players being shocked, this book may not be suitable for your brainwaves.

. This is an original game production article. It tells the story of the protagonist using bugs to reverse the reputation of a junk game and planning a backstabbing. As the author of "Become a Richest Man by Losing Money", Sister Qing's reputation for "getting drunk with a green shirt" is actually quite high. However, the response to the subsequent new books was mediocre, and I personally think it is related to the fact that the baggage brought by "Losing Money and Becoming a Richest Man" caused Sister Qing to insist on writing a meaningful book. Human energy is always limited. If you want to make the work more connotative, it will inevitably lead to shortcomings in the story and plot in terms of being close to the people and down-to-earth. But no matter what, with Sister Qing's writing skills, the books she writes are always above the average level of online writing. Sister Qing's latest book "When I Wrote a BUG But It Became the Core Gameplay", although the title is a little hard to remember, I feel that it gives readers a stronger sense of anticipation than the previous books, and it can make people's eyes brighter. Because this book has become more down-to-earth again, the first thing to pursue in the core setting is fun and interesting. The protagonist travels to another world and is forced to sign a contract with the devil, making garbage games for the devil to collect negative emotions. But the protagonist actually has a crazy backstabbing heart, and painstakingly adds bugs to the game, using bugs to turn corruption into magic, turning the original garbage game into a conscience game with special mechanics. During this period, the players' defense breakthroughs, the surprise of discovering bugs, and the demon Lilith's transformation from pride to clown can bring a lot of laughter to the readers, so it goes without saying. Then, Sister Qing's professionalism in game design has always been trustworthy. The logic of the bugs secretly planted by the protagonist in his novel is generally sound, and it also has very good gameplay. Of course, original game production is just like copy-streaming works. The quality of different games may vary, and it may not be able to convince all readers on whether it is fun or not. But in this book, among the several games designed by Sister Qing, there are indeed games that can give people a sense of amazement and even make them want to play. For example, one of them, "The Legend of Destiny Crouching Dragon", is particularly interesting to me. In addition, Sister Qing's book does not completely stop pursuing connotation. It's just that Sister Qing has a good sense of proportion this time. She no longer thinks about connotation as the core, but controls the connotation on the original intention or dream of the game practitioners, and shows it through the protagonist through the company's bonus and welfare distribution mechanism. It has a fairy tale feeling unique to adults in the workplace-- Although it is unrealistic, it makes people yearn for it, just like President Pei's Tengda Company back then. Overall, Sister Qing's new book is more down-to-earth than the previous ones, and will definitely achieve better results. In terms of quality, it's definitely worth it. Only the title of the book is hard to pronounce, which really made me want to complain. I thought that maybe a different title would be better.

. A copy of the game production article, focusing on hardcore games that ravage players. Compared with similar themes, this book is distinguished by the fact that it avoids the games that people often copy and focuses on difficult hard-core games, which has the flavor of winning by surprise. There are many niche hardcore games, which I first learned about when I read this book. Combined with the Easter egg videos that the author sometimes posts, they look pretty cool. Then, although the plots in the book where the players interact with the protagonist are a bit abstract, there is indeed a vague sense of spirit in the writing, which is quite evocative. If you read it in one go, if you catch the author's brain waves, you may be able to read it more clearly. However, the overall plot is quite repetitive, and I feel that there is no second plot line worth reading. After watching the middle and later stages, I may feel fatigued.

. This book is a text about game production. The protagonist has a zero krypton system. As long as the player has zero krypton, the protagonist can unlock the gift package. However, the world view requires that game development must have a recharge entrance, so the protagonist racks his brains to prevent players from spending money, but there are always players who spend money crazyly. Ignoring whether the world view is reasonable or not, the plot revolves around the game's krypton gold. Although it is a variant of the setting of losing money and becoming a rich man, it also makes this book have a certain degree of recognition among the articles about game production. In addition, between the lines, it can be seen that this book is not an assembly-line studio article, but has the author's own thinking, and the reading experience is still good. (As an aside, I don't know why, but every time I think about the protagonists of game production articles now liking to throw away the tool man system before starting the plot, I feel a subtle sense of humor. It can only be said that everyone knows the system routines, but it is difficult to abandon the system routines.) In general, the strength of this book is that it is written fluently, has no obvious poisonous points in the career line, and omits some development processes that readers don't care much about. There is not much meaningless daily life, and the early and middle stages are fast-paced and no nonsense. However, in the middle and later stages, that is, after Elden's Circle, the author's status declined due to some practical reasons, and he went down a bit. The career line is okay, but the handling of the emotional line is mainly blunt and abrupt, making people frown. Fortunately, readers of this type of article basically skip the emotional line and don't read it, so it doesn't have much impact.

. Dual systems for male and female protagonists, a game production system and a money-losing system, a fun story about the battle between Wolong and Fengchu. This book can be seen as two story lines. The first line is the normal game copywriting, which uses copywriting games to kill in the parallel world. Every time a new game is released, it can kill other game companies, and at the same time, it can be blown up by the anchor playing the game. The second line should be regarded as an interactive scene between the male and female protagonists' emotional lines. Although the female protagonist has Mr. Pei's money-losing system, she is positioned as a supporting role that provides fun. She does not dig into the money-losing system in depth, but develops a natural relationship with the male protagonist. Generally speaking, purely in terms of story, this book is actually the main routine text of game texts. The main selling point should be the fun brought about by contrast or contrast. There is both the fun of the male and female protagonists interacting and cheating on each other, and the fun of the host having fun. In terms of positioning, it is aimed at lovers of Le Ziwen. However, ignoring the setting issues of text-based PC games in the era of somatosensory cabins, the question for readers of this book should be whether they can accept the emotional line between the male and female protagonists. Because it is a purely copycat game, and the plot is cycled through the host playing the game barrage and blasting, it doesn't matter if you watch it in the early stage, but you will easily get bored in the middle and later stages. So at this time, the emotional line is needed as an adjustment. If readers accept the emotional line of this book, they should be able to read it naturally and smile knowingly from time to time. If you are not interested in love lines, you may only take a fresh look at them in the early stage.

. Integrate role-playing and focus on game production of original magic games. Sister Qing is one of the rare great authors who is willing to try to make changes in every book she writes. She does not want to completely copy her own old books without making the slightest change. Although the target audience of the new book is generally a bit more novice, it is not a brainless, fast-paced and refreshing book, and its attitude is indeed not bad. The main part of this book is still about game production. But in terms of settings, one is a game where the protagonist makes a game, and the corresponding materials need to be obtained through acting, which is similar to the Lord of Mystery acting method; the other is that the author insists on original/modified games, not complete copying, which is quite rare. In terms of reading experience, although the setting is a bit complicated and the plot connection is sometimes not very natural, if it is not too serious, Sister Qing's writing power ensures that the book has a lot of laughs and constant excitement. The game "I'm in My Eyes" made for boys in wheelchairs is even more sensational and moved me instantly. However, not to mention the plot connection issue just mentioned, the main drawback of this book should be the exposure of the vest. I don't know why, but Sister Qing's creative idea was to make all the vests played by the protagonist lose their horses. It's okay to say that the logical connection of the horse-falling plot is not easy to explain. The key is that I don't understand why the plot is designed this way. Of course, I'm not saying that the protagonist's waistcoat shouldn't be exposed, but this aspect does cause some controversy among readers.

. He possesses the underworld game system, but he is touted as a positive game producer. The system in this book is a bit like Mr. Pei's system in "Loss to Become a Richest Man". In the game produced, if the underworld index is high, the protagonist will have more money. If the underworld index is low, the money will belong to the system. Basically, it can be said that the protagonist of this book is a low-end version of Mr. Pei who concentrates on copying games and does not engage in other industries like Mr. Pei. Then the highlight of this book, at least the author's motivation to advance the plot, is the story of the protagonist and the system (zuo) and the system (zhe) who want to play the underworld game, but the underworld is invalid and all the money is locked in the system account. It's just that this way of writing inevitably gives people the feeling that the author is forcibly suppressing the protagonist and not letting the protagonist make money. It tests the ability to control the rhythm. In fact, in Losing Money to Become the Richest Man, Mr. Pei always wins and loses, and he relies on the conception of his works to transcend the routine. Talking back to this book, in fact, the author's idea of ​​​​modifying the game is still somewhat interesting, but many of the later games may not be played carefully by the author himself, and they belong to cloud players, which feels a bit top-heavy.

. A book that divides the world into three parts: game production, business war, and changing elements. One-third of it is a hundred changes, one-third of the game text, and one-third of business war elements. To put it simply, this book is enjoyable because it is basically based on the feeling of a business war plot. It continuously cycles through the process of protagonist development → pretense and slap in the face, from domestic game companies to foreign game giants. As for the plot, it is said to account for one-third, but the author is actually quite restrained. If you don't wear colored glasses to look at the plot of character interaction, normal readers can also read this book - because of the changes in this book, completely deleting it will not affect the integrity of the work. It can even be said unceremoniously that the author consciously used the book as a gimmick to win over some special readers, consolidate his readership, and with the support of special readers, make the performance of the work even higher. Frankly speaking, in terms of the quality of the work alone, this book is above average in all aspects, with no obvious shortcomings. It's just that I personally feel that the content of this book is unreasonable. Call it a change, but it's not a purely emotional change; let's call it a change, the female character in the book, coupled with the author's descriptions from time to time, is very greasy, making it feel like mapo tofu sprinkled with curry mustard, etc. The reading experience is weird.

. History is tampered with by demons, and the protagonist makes a game to fool players to save history. Personally, I feel that since the author became the richest man in the world, he always thinks about the core and concept of a good work when writing a new book. So much so that the author's last book collapsed because Goldfinger was in conflict with the purpose of the work. But coming back to this book, the author really nailed the idea of ​​the work, which is quite impressive. There are demons entrenched in the timeline, tampering with and polluting human history, and in the human world, there are also orderers who are responsible for fighting demons. However, the power of demons is huge, and those who return to order are unable to stand alone, and ultimately cannot fight against the demons. After the protagonist traveled through time and became the Orderer, he found another way to make a game to package various historical fragments on the timeline and trick players into fighting against monsters. In a sense, this book can be regarded as a fourth natural disaster article, but I personally feel that this book is more like an alternate history article and a game production article than a fourth natural disaster article. Game production is the author's specialty, and his earliest famous work is also a game production article. In this book, the protagonist's production and packaging of the game is very authentic in my opinion. However, due to the problem of the world view of this book, only one game is produced and packaged, and the direct impression is actually closer to the fourth natural disaster novel. But in this book, players are just tools, not natural disaster players. In fact, the usual routine of the fourth natural disaster novel is completely abandoned. Then, this book is an imaginary history. Although it is based on ancient Chinese history, the names have been changed after all, and the people and things are not familiar, so there is a certain reading barrier for readers. In this book, the author always spends a certain amount of time telling historical stories. However, taking into account both the game and history, the plot rhythm is inevitably a bit laggy.

. A variant of copywriting, copying various games in a parallel world and becoming an all-round game designer. As an early work of Sister Qing, this book has one story and one story. It is a very classic Shuangbai article and even opened up the subject of game production articles. It is impossible to expect this book to have any rich connotations or interesting settings. But if you are just a fan of pure game production writing, this book is indeed a classic. Apart from the inherent excitement of similar articles, the main feature of this book is that it focuses on game themes. The articles analyze various classic games. To a certain extent, it has the significance of popularizing science in the game industry. It makes people read with gusto and gives them the feeling of gaining new knowledge. At the same time, the writing style is humorous and interesting, making people laugh from time to time. The protagonist has no emotional drama and focuses on his career, which is also a plus. However, in addition to the inherent disadvantages of the supporting characters in reducing the intelligence of the text, the plot connection problems are indeed somewhat obvious. Creating IP out of nothing, the protagonist beating professional players quickly with cheats, etc. May make middle-aged and white readers frown. So, again, as this is an early work by Sister Qing, you can't expect it to have rich connotations when reading it. You should read it mainly with the reading expectation of reading the text and copying the interesting text.

. The cyber version of "Losing Money and Becoming the Richest Man" features the character of the leader of Jia Ge Mingjun. The Dihua formula that makes you lose money but becomes popular again, the thoughtful world view design, and the skillful game production, any one of them can be called a masterpiece. For readers who are old fans of Qing Jie, this book can be regarded as a sign that Qing Jie is not willing to rest on her laurels. On the basis of Dihua's loss, she further explores progressive works. Whether it is writing skills or game production, it can satisfy old fans. But there is a problem. In terms of the world background, the previous book is about starting a company, and it does not matter if you lose money or make money. However, the protagonist of this book is Ge Mingjun. Ge Ming is not treating guests to dinner, but has to shed blood and sacrifice. There is a natural conflict with the money-losing element of Dihua in the atmosphere of the work. It started well at the beginning, but as the plot progressed, the plot line of Cybergo Ming was incompatible with the plot line of the game text. The author can only end it hastily and use many free chapters to outline the escape. But although it is not much developed, I personally think that for fans of game production and copywriting, this book can still be read, and it will not be a loss.

. The subject of game production seems to be a niche subject that is not so popular. Not many people write about it, but not too few people read it. However, most of the game production articles are actually Wenzhaogong's gameplay, with a little bit of stand-alone game plot added to unfold it. This is not the case with the book Qing Jie. In terms of reading experience, it actually feels a bit like a professional novel. By writing about special professions that ordinary people don't know much about, and using every detail to deepen the sense of reality in the work, we can enhance the exclusive competitiveness of the work and cultivate die-hard readers. The plot summary is that in order to become an excellent world architect, the protagonist of this book joined a game company and was assigned to an old project, starting from an internship. But the protagonist specializes in dealing with all kinds of dissatisfaction. In the process of competing with his colleagues, he quietly wants to make a big move to show his ability. In a nutshell, the plot of this book gives people the feeling that the author has really been in the game industry, knows the market, and the things written appear to be very professional, with many detailed descriptions that ordinary people are unaware of. However, it is an urban setting after all. In addition to the workplace plot, this book still has a lot of routine plots where people are slapped in the face, such as being slapped in the face in a restaurant, pretending to be beeping in a concert, and using the proceeds from the system lottery immediately. There is nothing wrong with this type of plot itself, but routine plots that have nothing to do with the "game" theme are interspersed with workplace plots. From my personal point of view, the professional nature of this book is not pure enough, which is a little regretful.

. This book tells the story of the protagonist who traveled to a parallel world, sold his two previous houses, and devoted himself to the gaming business, producing and publishing games. At a glance, it is similar to "Restarting the Game Era" that I read not long ago, and both belong to the niche subject of game production. But upon closer inspection, the two books have completely different characteristics. Although "Restarting the Game Era" has many common urban plots that have nothing to do with games, it involves many detailed descriptions of the internal struggles of game companies. In addition, the protagonist starts from scratch, and it is more like a genuine workplace novel. But "Game Development Designer" is not the case. Its plot structure is very simple. The protagonist successfully releases one game and then continues to release the next game. It is occasionally interspersed with some interactive events in the game industry, such as interviews, award ceremonies, events, etc., But it rarely involves specific daily details. In terms of plot, this book can be seen as a fantasy story about concentrating hit games under the name of one company; and in terms of writing style, this book feels more like a popular science explanatory text for the game industry. At the same time, the protagonist of "Game Development Designer" is like the sustenance of the author's personal dream, and serves as a perspective in the book to look forward to a future story that does not exist. Just talking about the protagonist himself, the character image is not clear, and the character arc is not reflected in the plot development. If you are a reader who wants to watch climaxes that are particularly exciting, this book is not recommended. But if you want to read articles about game production, or are interested in the stories behind the game industry, you can try it with the mentality of reading popular science explanatory works. After all, the author of this book has a good literary quality, the writing is smooth, the narrative is clear, and there are not many typos in my impression. There are no obvious poisonous points. It is quite interesting to read. I personally think that as long as the author designs more obstacles for the protagonist as the plot progresses and writes out the ups and downs of the plot's rhythm, there is actually great potential. In fact, I just took a look at the author's homepage and found that the author has written several more books and is still a lv4 author. In the ruthless Internet literary world where the leftover is king, with this level, he has actually surpassed many authors.