Fantasy is Spiritual Food

I'll take a look at this, and I'll make a detailed review later.

Get out of the new work, read ing, and add detailed comments later

The difference between farming novels based on family units is that the protagonist has exhausted his lifespan, died, and his partner has also passed away at the beginning. His soul relies on the system to survive and instructs the descendants of the family to complete the operation. Detailed review later

Eternal Fire's new book tells the story of a mythical version of a parallel world. The protagonist is reborn in Greece, where gods and sages gather. The story begins with his family being destroyed after rebirth. Detailed review later

The combination of these tags: city, monster, campus... Gave me a sense of déjà vu similar to those stories serialized in previous novels, but there was nothing similar to Natsume's Book of Friends. Read ing, detailed comments will be added later.

New book, to be seen

Rating: 6.5/10 (Subject to subsequent changes) The title of the work and some of the character names are suspected of borrowing from other novels. However, the content of the story itself is not bad. The design of some plots is a bit stiff, but the writing is smooth and not monotonous. The character creation is quite good, and the description of body movements is also relatively delicate. You can see the author's intention. However, it is not very exciting and beautiful, it is just satisfactory. At present, it seems that there are two protagonists - the male protagonist and the male protagonist's son. The plot revolves around the male protagonist's relationship/career and the son's relationship/growth. Both father and son have the possibility of having a daughter... But for now it is only a single woman.

Shenji's famous work, the originator of prehistoric online literature, must not be missed if you are interested in the ancient Chinese mythology system.

Reading

Rating: 6.5/10 This short and medium-length fantasy novel written by the great historical genre god Rong Xiaorong has a relatively dull beginning. It is the beginning of life in a magic academy that is common in Japanese fantasy. There is no outstanding conflict setting, and the performance of the villains is not satisfactory. For the author himself, it seems that he wants to find a new way to add mathematical research as a way for the protagonist to obtain resources, and to reflect the development of human society in this different world in the fields of mathematics and other subjects. In other words, in addition to being a magician, the protagonist can give full play to his pre-travel professional expertise (high school mathematics teacher) and become a part-time scholar. In terms of settings, characteristics such as "fire cannot be separated from oxygen" also apply to the magical elements of this world, so the protagonist can try some ideas, such as oxygen to assist combustion, magic combinations of different elements... Overall, it is a somewhat clichéd Western fantasy. If you have the time and patience, you might as well read it. PS. The finished book has 720,000 words. This... I lost money in my follow-up investment.

Rating: 7.5/10 Squid's single-female protagonist, a low-level urban novel (although it is classified as fantasy). The battle descriptions are very detailed, the daily parts are interesting, and the writing is solid. Of course, although this work is also known as The Master of Dog Food, I still think the emotional scenes are a bit awkward. Maybe Squid wrote his own love experience into it, but when a realistic ordinary love story is used in a novel and occupies an important part, it seems slightly inadequate. On the one hand, it is bland, and on the other hand, the plot and dialogue derived from it also lack impact. Perhaps as versatile as a squid, there are some creative types that he is not very good at after all. The whole work gives people an intuitive feeling that it is dull - the love, blood and suspense are almost interesting. What is worthy of praise is the battle, which is indeed exciting.

Rating: 8.5 (Tentative) I haven't read it seriously for a long time, and I'm still catching up on the reading process. I'll briefly talk about my thoughts that don't involve the plot. Many times we will find a phenomenon: when experienced authors create a character, they often do not need a lot of space and can present a charming character to readers with just a few words. If there is such a character in this book, it must be Shen Youchu. I remember the title of the chapter where Shen appeared was "Treasure Girl". Although I often hear the terms treasure boy and girl in life, the specific image of treasure girl is still vague to me. Liu Anhua Youming quickly told me what a treasure girl is, and she quickly won the love of readers without any surprise. If there is any imperfection, it is that the author's understanding of Sichuan and Chongqing dialects is still too limited, which caused him to feel dramatic when describing Shen Youchu speaking the dialect of his hometown. Considering Shen Youchu's high popularity, it is not difficult to understand why people are so resentful of the male protagonist and author who are labeled as scumbags. However, the multi-female protagonist itself has been a very clear positioning of this work from the beginning, and most readers are even attracted by this point. In modern ethics and morals, how to balance multiple emotional relationships and how to reflect the fact that the male protagonist is mentally more mature than the female protagonists are difficult problems that urban rebirth novels with multiple female protagonists will inevitably encounter. "I'm Really Immortal" chose to let the female protagonists take the route of one super and multiple strong, and let the male protagonist always maintain the indifferent mentality of an older person. As for the male protagonist in "I Really Don't Want to Be Reborn", his idea after rebirth is to surpass his achievements in the previous life, so he cannot be too lazy in terms of mentality. It is precisely because of his strong mentality that business can be developed as an indispensable main line, and it has also paved the way for the coexistence of multiple female protagonists in both material and public opinion. In fact, I like Xiao Yu'er. Compared to Shen Youchu, who is as perfect as a dreamy bubble, she is more real and charming.

Rating: 8/10 Overall, The Son-in-Law is a good book, with distinctive characters, a reasonable and tense plot, and excellent and stable writing. I am ashamed to say that I only read the first 260 chapters and stopped reading because I found that it was turning into the Water Margin and I was dissatisfied with the emotional line. Personally, I still look forward to Banana continuing the original character stories and routes. I will continue to read it when I have time, just as a book.

Rating: 8.5/10 (Recently too weak, score down) The story takes place in the prehistoric world before the Great Tribulation of the Gods. It is a very humorous (sandy) and windy (joyful) book. The male protagonist is a character who plans to be autistic all the way to the end. In addition to being cheerful, the author also has a good grasp of the rhythm, and the sense of urgency is not lost at all. While calculations and humor continue to embellish the book, the essential theme of Xianxia novels of "fighting against heaven and earth" is still retained, which can make people's blood boil from time to time. The writing is delicate, the characters are well created, the updates are guaranteed, and it mainly focuses on large chapters. It is non-toxic and has no water injection, so you can read it with confidence. PS. I have a two-dimensional (home-loving) tendency.

Rating: 4/10 It's a refreshing article, with a harem tendency and Shura field. The overall atmosphere is cheerful and suitable for reading when relaxing. Note that there are some pitfalls (the routine is too deliberate, the villain is imbecile, some conflict settings are illogical, and water is injected later). The chapters are short, the plot advancement basically relies on dialogue, and there is not much description of the character's environment.

Rating: 9.5/10 It beat "Swordsman in the Snow" in the selection of online literary awards that year. The results and reputation are enough to prove everything. For me personally, this book has a poisonous point, which is to make Sang Sang turn from a black girl to a white girl. In fact, the logic of this operation itself is not too problematic, but it is just to forcibly maintain Qingmei's emotional line and to calm the image controversy of the heroine. It is very regrettable that such a method was chosen.

Rating: 7/10 Liu Xiahui's dog food novel with a single female protagonist has a total of 890,000 words. You can read it in your spare time (to replenish dog food energy). The main plot includes the emotional development of the male and female protagonists and the friendship between the male protagonist and his two close friends, and revolves around the new media work and life of the film and television company.

Rating: 8.5/10 Western fantasy farming novel, low demon, single female protagonist, amazing in the early stage, reading ing... Let's briefly talk about my impressions so far. Emmm is mainly about writing: for the creation of fantasy novels, especially Western fantasy novels, many writers are accustomed to writing in a translated style. The original intention is to try to make the writing style close to the physical books that everyone has purchased on the market in the past (probably). However, there are very few writers who can really control this kind of translated style. Forcibly using a translated style will make readers feel stiff (after all, novels are not game copywriting and have no graphic support), and it is not conducive to the author's display of his writing skills. The second purpose of "Release the Witch" is similar to Squid's "Lord of Mysteries" in terms of writing style, that is, it does not use poor translation style, nor does it adopt the style of fairy tales and fantasy novels. It uses easy-to-understand words and still expresses gorgeous or grand images. I think this is something that is very admirable for Internet writers. It's not that online literature is inferior to others, but that in an environment where online literature is updated at a fast pace and quantity sometimes outweighs quality, these authors can still pursue perfection in these details, which is really amazing.

Rating: 8.5/10 The urban daily novel of Xia Hua, a "famous person in the palace", has a male protagonist who is invincible at the beginning and becomes the king of soldiers when he succeeds - he really succeeds, and he jumps off the building at the beginning. I always believe that authors who can write about daily life are really great. This requires not only good writing skills, but also reliable line design skills. Otherwise, ordinary daily life will become more boring because of ordinary dialogue. There is no doubt that Xia Hua is the one who can write about daily life exceptionally brilliantly. Nippon is a mixed bag, with varying quality. There are many works about daily life, and most of them are forgotten after reading them. Among them, "Spring Things" and "Brother Killing", which I like, both have a high proportion of daily descriptions, and the advancement of the main plot and the development of the branch plots are perfectly connected through daily life. In particular, the comfortable and quiet daily life in "Brother Killing" forms an extremely sharp contrast with the cruel and dark battles. "I'm Really Immortal" may not have such an obvious contrast, but when reading, you can still feel the author's power in daily life and character creation. Outside of daily life, when it is necessary to create a thriller atmosphere, Xia Hua is also at her fingertips, and her skills are very evident. PS. Since this is a novel with a lot of daily drama, it is inevitable that some readers will find the pace too slow, so be cautious when entering this trap.

Rating: 9.5/10 No heroine. It seems unnecessary to elaborate on how strong this book is, the results speak for themselves. "Lord of Mysteries" has elements such as Cthulhu, steam era background, a small amount of suspense, a very small amount of game gags, and Western fantasy (?). It should belong to the fantasy category. If Squid's books can be classified correctly, then my account's fantasy reading volume should be 0%... Closer to home, the stories in the first two volumes make people feel hearty when watching them. Some shots give people a cinematic narrative feel, and even have an immersive experience close to that of a video game - from time to time it makes me feel like I am in the world of "Bloodborne", which is really good for me. Although the subsequent story is not as stunning as the opening part, it is still logical, rigorous and intelligent, with ups and downs at the climax, and a smooth transition during the transition. Squid is also very good at using POV, and there is little stiffness or abruptness when switching perspectives. In contrast to the early "The Son-in-law" - too many character perspective switches are unnecessary and can easily lead to a sluggish rhythm, which affects the reading experience. The author's level of investment can be seen from the summary at the end of the volume. From the setting to the choice of writing style, from big to small, it is full of details. It is no exaggeration to say that this book is full of Squid's hard work and sincerity. Interested readers can focus on the summary chapter at the end of each volume, where the author's mental journey in conceiving the plot and writing style will be mentioned.