Chaos

In fact, the only people who can truly threaten Guan's rule are the family members of the palace. There are no people or forces above the temple, in the government or in the public, who can harm Guan. Dunrou and Cixi, who were encouraged by Ivern to turn black, do not have the destructive power and layout ability to turn themselves black. Iwent must be one of Dunrou and Cixi in order to truly break off the pillar of support for chaos and reform and block China's road to rejuvenation. In this way, between the fortunes of the country and the fortunes of the country, the protagonist dances on the tip of the knife at the moment of life and death, which further shows the inevitability of history and the impermanence and cruelty of fate. Unfortunately, it is no longer possible. Ivern must be Lao Jiu, otherwise the foreshadowing will not be fulfilled. The amount of information Lao Jiu has received shows that he must open his eyes at night. If it were not Ivan, he could only be the author. I would really like to see something happen to Dun and Ixan, because there are still very few positive descriptions of Ixan, and there is still a lot of potential for character creation, whether it is his character weaknesses or human nature such as the awakening of love. Zweig often condensed history into a moment, such as the forgotten little door of the Castle and the second in which Grouchy determined the world history in the nineteenth century. From a historical point of view, it seems questionable, but from a literary point of view, it is the peak of biographical literature. If the aforementioned Bannerman general Iksang, who may not have much acumen, ends up playing a role as Marshal Grouchy to Guan Zhuofan, it will be the best historical necessity to mock the coherence of the parallel universe, and the world line will eventually converge back to the form of the first universe. What kind of coincidence, from Dolonga's unexpected death, to Guan having to rely on Iksang as the only representative of the Manchurian flag warrior in the court, and then a series of coincidences including Iksang's marriage, the love for his mistress that sprouted after the marriage but failed, and finally the hand of fate pushed such a mediocre mediocre person to the main stage of history, allowing him to determine the entire course of mankind just like Grouchy half a century ago. I believe this will be a very tempting way of writing for the lion, and it will also be the strongest combination of villains that can be arranged for Guan Zhuofan in the end: Xiao Qiang is the cause of trouble, and you can't prevent your emotions from losing control despite all the precautions; you have insight into people's hearts, but fate arranges for an insignificant little person to end the empire and destiny. If Iksan must have a motive, it must not be because of worldly pursuits and interests. It must have a sense of human destiny, because he has never been an object of the highest ambition. But again, even if he takes ten thousand steps back, his "enemies" are not Zhang Yong and Jiang Jie at the highest level. They cannot dare to block the dead and challenge the giant Goliath because of their desire for power and practical interests. Only if he has some kind of spiritual nobility and some kind of determination that allows him to sacrifice himself and fight for it. "Banner-centered theory" is obviously not a belief that Ixan would care about, so what kind of beliefs can he carry? I just thought of two sentences, "Love is worthless" and Mograine's "Fight for you, my lady". "Any gift of destiny has a price, Prince Guan should have understood it long ago when he was the emperor and established the emperor." This way of dealing with similar circular structures and grass snake gray lines will be a sublimation of the content. Guan and Dunrou, Cixi is already a living figure, and Iksang is still a pawn under the lion. Living people will always make choices that suit their own personalities, rather than the choices that are most beneficial to the overall situation (opening the eyes of the world). This is human nature, and it is also a historical necessity. The lion can still affect what kind of person Iksang is, but Guan and Dunrou are already dead arrows. They will live in some parallel universe time and space, standing in front of the gambling table and silently arranging their chips, waiting for the next draw. So let us look forward to whether the empire Guan Zhuofan has worked hard to build for ten years will run towards hope or death? Let the characters speak for themselves. This is a magnificent masterpiece of 5 million words. Although Lion always said that it was a work of practicing penmanship, six years and two thousand nights were not in vain. I believe that Lion can write better works in the future, but I don't believe that Lion is willing to spend another six years writing it, let alone that at this update rate in the future, it will take about six to ten years to finish writing. So for such a work of great effort, should we be willing to be ordinary and become a "Sanjiang classic" as a starting point, or should we try to surpass readers' inherent expectations for the ending of time-travel novels and write a story about action and disillusionment, luck and fate?

The further you get to the back, the more it starts to look like a palace drama. It's completely skipping. There is too much nonsense, which does not mean that it is good if it is written carefully and in detail. The whole book can be renamed (The story of Guan San and those women).

If Cixi is Ion, then: 1. The motive is there - the throne 2. The person who realizes the motive is there - Kusumoto Ina 3. The hostage who controls the person is there - Kusumoto Takako 4. After the emperor is replaced, the internal alliance of the government is there - Gong relationship 5. The military coup maker who dismantled Guan San - Iksang 6. The ultimate goal - to listen to politics behind the curtain again Specific steps, use Kusumoto Takako to coerce Kusumoto Ina and kill the emperor. Support Dunrou to ascend to power, win over Prince Gong, and support Gong's relationship to form a political force; coerce Iksang or support Iksang to form Guansan's military opposition. The minimum goal is to form a Gong relationship + Iksang and Guan San to check and balance each other, and to listen to politics behind the curtain again and take control of the power. The highest goal is to integrate the Gong system + Iksang + Dunrou and kill Guan San. Then remove the grinder and kill the donkey, expose an Iksang and kill him, and take control of the military. He once again suppressed the Gong clan, abolished the throne of Dunrou, supported the prince to ascend to the throne, listened to the government behind the curtain, and regained the power of the military and state.

I just discovered it and haven't seen the ending yet. Is The Lion finished or not?

Judging from the chapters that have been read, it can be said that Leo has a wide range of reading knowledge, including intensive reading and broad reading. I think the main style of the lion is imitating the Kang, Yong, and Qian series of Er Er He. Some chapters of Luan Qing are easily reminiscent of the corresponding chapters of Er Yuehe. For example, the scene when Guan Zhuofan first meets Qi Binrong is reminiscent of the misunderstanding between Kangxi and Zhang Bonian, Li Wei and Chen Shiguan in Yue Erhe's novel. And in Chapter 187 of Volume 10 of Luanqing, "Princess Rong'an's face turned red and she wanted to spit lightly, but she didn't dare." This sentence feels like the sentence "Tang'er... Couldn't help but blushed and wanted to spit, but she didn't dare." In the second volume of Emperor Qianlong's Er Yuehe. Besides, being able to write such detailed descriptions of the performance equipment, tactics, and battle processes of the warships on both sides of the Sino-French naval battle is certainly worthy of being called a Bo. The Battle of Chengtou Mountain in the Battle of Beining, the part between Lao Ma and Zhao Nanbei, was completely based on the part in the American film "Gettysburg" where Chamberlain's regiment defended Little Round Top, including the last enemy officer who handed over his saber without even pulling it down. Am I right? Although I admire it, I still want to point out a few bugs. I hope they can pay attention to it when revising. Volume 1, Chapter 11, says "one pound fifty shillings", but in fact one pound is twenty shillings. A shilling is twelve pence. Prince Gong's Iron Hat King, Lion, was sealed in Chapter 75 of Volume 2, and was sealed again after Princess Rongan ascended the throne. Pan Dingxin, the general of the Huai Army, was allowed to die in Shanghai by the Lion in Chapter 76 of Volume 3, but he was resurrected when Lai Wenguang surrendered. The lion also said that Marshal Mackensen of Germany was highly regarded by TG generals. I have never found the source of this statement. Chapter 27 of Volume 13 writes about the Battle of Chengtoushan from a French perspective. I don't know why there is this sentence: "His right hand holds a large navy revolver, and his left hand is held under his right hand." Does this navy refer to the French Navy or the Chinese Navy? Does a French soldier know the pistol models of the Chinese Navy? Or the American Colt revolver that was also used by the French Navy at the time? The "large navy revolver" here reminds me of the hero's words in the first section of Sherlock Holmes and "The Scoundrels": "Once he took out something from behind his back. It's hard to believe that it belonged to a gentle man like him. It was the largest navy revolver." Did the Lion copy this joke? I would like to ask the lion, at first, when you were writing, did you feel like you were stuck in your throat, and you couldn't spit it out quickly? Just as fans were eager to see updates, you also wanted to share it with readers as soon as possible? Do you still feel this way today? In Volume 13, the French fleet had a third-class cruiser "Noumea", but it was no longer there during the great sea battle. In the third volume, the elder Edward and the younger Edward are not related by blood, but now Prince Xuan and Concubine Wan say that the two are brothers. This is a bad sign. Has the lion become lazy and numb to the characters he created, and has lost feeling? I think the reason why Lion writes to this day is definitely not to increase his income. He really doesn't want readers to have the idea of ​​"I hope I can finish it in my lifetime", nor is it like the New Song Dynasty, which drags on and becomes an eunuch.

First of all, make sure that it is indeed very good. The author writes about every event in very detail. The whole story of an event or a character will be explained in great detail. The dialogue between the characters is also very detailed. This is an advantage. It is well written, especially for those who are not good at history. They can gain knowledge (of course, many of them are the author's own words). But this is not the main reason why I say water. What is truly watery is that after the author explains an event or a character in detail, when he comes back a paragraph later, the author explains it in detail again, which leaves people speechless. (For example: a fully armored gunboat was explained in detail by the author in at least two chapters before, but later he explained it in detail when he entered Vietnam. Did the author "forgot" or was he afraid that readers would "forget"? In addition, there are many characters or events that are explained again and again in the same way.) In addition, when the characters are talking to each other, it can be said that the author brings out the plot from the side. This is also a writing technique. However, during the dialogue between the characters, the plot has been interpreted in detail, and then the author will re-interpret the plot directly after the dialogue. This is like watching the plot of the story again for the reader, which is unnecessary. Moreover, the author's narration of stories is inherently cumbersome and feels a bit obsessive. If he doesn't narrate a thing from beginning to end, he is afraid that others will not understand it. In addition, the author repeats it over and over again, and it is not convincing, so I am afraid he will not be able to convince the public. Of course, the story is very interesting. I hope the author can also think about everyone's wallets and not break the hearts of the public who support genuine works. (The above comments only represent personal opinions, please don't criticize if you don't like!!!)

Leo, you are really too stubborn. So many readers criticize you for your slow pace, too many dialogues, and lack of focus. In addition to blindly defending and explaining, you don't reflect on the rationality of these opinions? You are too immersed in the so-called grand narrative you created, but many readers have no idea at all, because they have been dragged out of passion and are deeply disappointed with your stubbornness.

During the period of pursuing this book, I participated in maritime work by boat in the Pacific, Indian Ocean, Atlantic Ocean, and Southern Ocean. I participated in 5 bilateral intergovernmental negotiations on maritime issues and 7 multilateral consultations. Yesterday, I finally saw the Chinese Navy forming its army in a victorious manner, and I felt a lot of emotion. To sum up, there are about three: 1. Today's marine workers still feel the pain of China's loss of sea power in modern times. In multilateral organizations, we are all called latecomers, and even the smallest legitimate demands will be denounced as ambition and destruction to change the status quo. 2. We have a lot of work to make up for over the years due to deficiencies in the maritime field. The strong professional lineup of maritime powers in negotiations and consultations often makes us very embarrassed. Although our investment in the past 20 years has gradually shown results, and talents from all walks of life have stepped up to the front line, there is still a huge gap between us and the maritime powers that needs to be filled. 3. A progressive China is the most reliable backing for maritime work. When I attended a multilateral meeting for the first time, I felt very frustrated because I suffered a lot of unfounded accusations, but as latecomers, we had no moral high ground and it was difficult to deal with it. Although our scientific data were accumulating, it was still difficult to break through the political rhetoric network set by the maritime powers. But a senior worker at the time said to me: What's so frustrating about this? Now, with our efforts, the political rhetoric of those maritime powers has become much more restrained than it was many years ago. At least our speeches can't be ignored, and the other side doesn't dare to break up with us. After all, there are 1.3 Billion Chinese people and the world's second largest economy behind us. Who can ignore it? Who dares to ignore it? But all these feelings cannot be replaced by one sentence of consultation/negotiation results. Those few sentences actually represent the accumulation of hard work day and night by countless workers in the fields of maritime management, scientific research, foreign affairs, and production, as well as the arduous support during front-line consultations/negotiations. Just like the few hours of the Sino-French naval battle in the story, they were actually earned through eight years of hard work by the elites around the protagonist, the grassroots officers and soldiers in the navy, the military families who dedicated themselves silently behind the scenes, the heroes on the hidden front who cannot be known to outsiders, and the ordinary workers who participated in the development of industry, agriculture, mining, and credit building. Why don't I hope that there was Guan Zhuofan more than a hundred years ago so that our maritime power can be controlled and developed in our own hands, so that I can also participate in maritime-related work on behalf of a maritime power. But I know that there are no tall buildings or mansions that can be built without hard work. In fact, our hard work today is just making up for what we were unable to do for various reasons more than a hundred years ago. If the meticulous and arduous work did not come from Guan Zhuofan, then it probably could only come from our generation. I read Chaos Qing, and I especially like to read other than Guan Zhuofan. People from all walks of life in China compete with foreign powers, flatter foreigners, are keen on reform, or have doubts about reform. I never find it cumbersome because I see that the characters in it are just like people of our generation. Each story is like a modern person living and working at the fork in the road of reform. Especially the characters involved in the sea seem to be the people around me. And the hard-fought victory in the story seems to be our future victory. So I was very excited when I read about the victory in the naval battle.

I think the author is a freelance writer with a job and income... In the past, I would be scolded if I updated late, I would be scolded if I didn't ask for leave, I would be scolded if I asked for leave, and I would be scolded if I wrote something that didn't go with the wishes of those uncles. It's good to stop serving those big guys now. It's enough to write that I'm happy to be appreciated by others. Why bother being scolded like a grandson by those two little money all day long by those people who don't even know who they are? Anyway, there's nothing wrong with reading a chapter like this for a few days. I can usually find other things to do, so I don't have that much free time. But I really like this book! Most other books will be discarded after just two glances. If Leo sees this, just please stop it from being unfinished! At worst, I'll wait until you are buried. Support!

Cixi is not stupid, and anyone who can be a minister is not stupid either... The protagonist has the power over the world and has a large number of troops... At this time, there are only two results, one is to give up the army, and the other is to learn from Cao Cao and coerce the emperor to order the princes... Direct rebellion will be successful with the protagonist's strength. The rate is very high, but the casualties will be very heavy. The certainty of holding the emperor to command the princes is much higher. Why kneel there and be a slave? In this way, the protagonist's various political orders will be carried out more smoothly. There is no need to take care of Cixi and the others, that is, women...

A novel is not a local chronicle or a running account. It must have priorities and details. Many things can be noted separately. There is a live broadcast of a Vietnamese bureaucrat giving a history lesson to a French officer. They all speak in a Qing Dynasty style. The reading experience is terrible, okay?

This book is really good. The author must have researched a lot of information. The writing style is also very good. It's interesting and worth reading!

I said that the lion is very interesting and has grand intentions. Traveling through history, wars, palace battles, officialdom, nation, farming, science and technology, tree seeding and horse flow, he is involved in everything, plus he is a perfectionist with a focus on details. I think he has even studied the details such as the format of the snuff bottle emblem class's memorial to Beijing. Fortunately, he did not mention it amidst the criticism from readers 😁😁.

This book is well written and has a full plot. But sometimes I am a bit wordy and like to write some side stories. Anyway, I just skipped and watched it. I'm not very optimistic about the portrayal of the protagonist, so much so that I can't stand it now. The main reason is that it's impersonal, very egotistical, and very historical. A protagonist relies on a woman to get to the top, and the woman he relies on to get to the top and middle is all plotting against you. The protagonist is a bit mean and ungrateful. He has many calculations about his own woman and his relatives, and he has the face of a slave who is always ready to kneel down. You can mention the great cause, the reason for the rise, etc., But can you have a bottom line? Can you please stop being so disgusting? The protagonist doesn't even think about whether the era he traveled to is related to the original era? Is the path you want to lead the times necessarily appropriate? Isn't this era the era of Japan's Meiji Restoration? There is a strong army inside and strong alliances outside. Not to mention being aggressive, but we are definitely more than capable of protecting ourselves, so some of the humiliations in modern times are unlikely to happen again. Reform should mainly focus on opening up our ideological consciousness. Emancipating the mind requires the support of the ruling class and the obedience and acceptance of local governments. In the article, the ruling class are basically the reformists who advocate Westernization. There are local governors such as Zeng, Li, and Zuo who support them. I think this is basically the case. But the author always makes repeated calculations and comes and goes. What kind of protagonist was created? Planning a strategy? Hehe. Being mean and ungrateful, sinister and vicious, and unscrupulous, these are in line with the characteristics of a hero, but it gives people a disgusting feeling that the protagonist is plotting against his mother-in-law? Scheme against the empress dowager who is pregnant with her own child? Then I wrote about my unbearable feelings, my last resort, my ideals and ambitions, and so on. Don't you think this kind of character is disgusting? What attracts me most about this book is that the various characters portrayed in the article are vivid and vivid, each with their own characteristics. Especially for the creation of female characters, I am really convinced.

The most amazing online book in the late Qing Dynasty! It's a pity, it's a pity that high-quality online articles can never make money.

Damn it, was it released? Will the author continue to update?

I don't believe it's Dunrou. It is not easy for the princess to communicate with the outside world, and she has a quarrel with her father, and she also understands how capable her brother is. Jiuwang and Xiao Ziyun communicated openly, and they had resentments and ambitions. Ivern said that he might be being watched by the Military Control Office. It's normal to stare at the prince, but why should the princess be stared at? Ai is the love of Aisin Gioro.

I find these two chapters thrilling! Moreover, Fujin's previous anomaly also makes sense! As long as the lion keeps updating, I will chase it all the way to the end!

The first Sino-French naval battle ended, and the whole audience was in full swing. It was really enjoyable to watch! If history was really about the three time travellers, if history was really like this, how great would it be...🥺

The author is washing the floor, continuing the so-called old dream of the Qing Empire, smiling and saying nothing. Now is New China, I hope the author understands. This book is politically sensitive and has been reported.

In the midst of my dying illness, I sat up in shock and said a few words to you. First of all, let me tell those friends who are still willing to ask themselves and put themselves in someone else's shoes: Do you really think that Leo's water/style is to make more money from the number of words? If you really think so, you don't need to read any further. An author's love for his own work, as any student who has written a little bit of writing knows, is worse than the love between a father and his son. I still remember that the plagiarism check of my undergraduate thesis was less than 3%, but the teacher still wanted me to make major revisions. It really made me feel very painful to add or delete every word and sentence. Later, I chose to change my instructor after many failed attempts to communicate with the teacher. Although looking back at that overconfident paper now makes me feel as shy as looking at the first love letter I wrote, it was my best and most diligent work at the time. I used Google Translate to check materials on relevant websites in Germany and Japan for dozens of hours before I dared to write it. It was written word for word late at night. I think it is too harsh for you to doubt the moral bottom line of an author who has updated 5 million words with such quality in the past five years. What the world is most afraid of is conspiracy theories and conspiracy theories, because those people can accuse someone without any evidence. This is a terrible thing. I think readers who are not too young remember that 6 years ago, Fang Zhouzi from the wheat field questioned Han Han's ghostwriting incident. Without any direct evidence, so many people are willing to believe that most of the 10 or so works of a writer in the past 10 years were ghostwritten. I was deeply disappointed with this society because I didn't expect that there were many people around me who were willing to believe that Farewell My Concubine was directed by Chen Kaige's father, Chen Huai'ai. Today, I hope that the discussion about whether lions deliberately use background information for money can come to an end. You can say that lions use background information for money, but please don't say it is for money. Because suspicion also needs evidence. If you have doubts without evidence, if you argue with him seriously, he will quickly get out of the way and say: I have the right to doubt anyone. Why do I need evidence for suspicion? Just like Fang Zhouzi and his ilk, local chickens and tile dogs sell Seoul by inserting bids.

The most important thing about Lion's novel is the sense of reality. Every step of the development of China's economy and military power led by the protagonist, as well as the international impact it brings and China's international status at this time, are described and explained in detail to demonstrate its rationality. It makes people feel that there is such a time-traveler similar to Guan San in the past, and he can really be the protagonist. This writing method consumes brain cells for the arrangement of the plot Like other authors' historical military novels It is not rigorous at all, especially the time-travelers before the Qing Dynasty. Under the leadership of the time-travelers, in just a few decades (the protagonist's lifetime), the first and second industrial revolutions have been completed... I don't think about how many people in ancient China had the spirit of scientific research, and how many advanced science, technology and resources there were. How stubborn and serious the small-scale peasant economy in ancient China was, and there were also struggles in the ideological field. The West used the Renaissance, the Reformation, and the Enlightenment to consume a lot of money. Hundreds of years, I don't know how many thinkers and philosophers have worked hard, and the protagonist is not an omniscient and omnipotent god. How can we know this? He probably only knows a steam engine. I think the protagonist can establish an economic, political and cultural foundation leading to the development of capitalist society in ancient China. This is amazing, and it proves how powerful the protagonist is. There is no need to complete the so-called industrial revolution while the protagonist is alive, unless the protagonist has a golden hand about the industrial revolution. Refers to... This makes the Lion's chaos more rigorous and reasonable. Despite this, more readers hope to see Guan San kill all directions, punch Germany, Italy, Japan and Russia, kick Britain, France and the United States, and lead China to stand on the top of the earth. Compared with ordinary authors who try their best to bring "comfort" to readers, Lion has fallen into serious self-pleasure and is addicted to his own world. He only pursues the rationality of his own novels, and the "comfort" is not provided to readers. He is very literary! This is also the reason why the lion spends a lot of brain cells to arrange the plot, but it is not pleasing to the audience. All in all, this is a good book. Its rationality, rigor, and logical self-consistency can beat most similar novels on the market. This is the advantage and disadvantage of this book. It is too watery and the plot rhythm is too slow (I remember that I should have prepared it at the end of last year. I am planning a war between China and France, but I haven't finished it yet), I am too pursuing "documentary" If the lion can grasp the rhythm of the writing, various reasonable explanations, and arguments must not affect the rhythm of the plot, the readers will also enjoy watching it, and at the same time it will not affect the rationality of the book

The territory of the Qing Dynasty is discussed every day. Was the territory of the Qing Dynasty conquered by Han people after entering the customs? In other words, there was a thief in the house. The thief used the weapons at home to rob others. I still have to say thank you? Not to mention that everything was lost later, even the vassal country that belonged to the family was completely lost. How can you brag about this?

What I hate the most is that the male protagonist was asked to rebel. Rebellion is nothing. The Qing Dynasty was the central government at the time. Why did you rebel? No matter how bad the Qing Dynasty was, it was still better than the Ming Dynasty.

Sure enough, the lion is very interesting. I don't want to say much else. I can't help but watch it slowly. . .

Why are you explaining so much to Concubine Wan? What did Guan San think? A lot of effort was spent on caring for and appeasing Cixi. If something happens again because of Concubine Wan's affairs, it will be entirely Guan San's responsibility. Cixi was jealous, and it was not like Guan San didn't know that what happened with Lu was ultimately due to Guan San not being able to control his subordinates, and he said a lot of things to complain about Cixi. Guan San has always known Cixi's character and also knows that she can still cause trouble for him. Why bother with Concubine Wan now? The author should not deliberately create historical incidents. . Also, if the emperor is dissatisfied, subsequent changes will be even more troublesome.

This paragraph describes the defeat of the French fleet and the capture of naval officers and ships. Did Prussia's war against France begin at the same time? Even though the situation similar to that in history has ended, the Chinese team's contribution to the victory of the war was much greater. The 1/5 compensation amount is obviously not suitable for its role. It should at least be increased to 1/4 or 1/3. Or China alone negotiates the cost of releasing prisoners and ships. There are two ways to do that. Negotiate the amount of compensation with Pu Guo separately. Or it can be divided into two parts, and the prisoners of war and ships can be redeemed separately for a separate fee. No matter what we do, the compensation should be more than 100 million taels. In fact, this does not necessarily require cash, but can be exchanged for materials. China needs to repair railways, and most of these compensations can be compensated with equipment such as rails and locomotives. At that time, France was also a major industrial country in the world. The loss of equipment was less than the compensation, and it could also stimulate domestic employment. , The same applies to Prussia. The main amount of compensation can be replaced by equipment, part of which is purchased in Prussia and part of which is purchased in France. In order to ensure quality, they can be collectively contracted by Pu Guo.

The population at the end of the Ming Dynasty was probably less than 100 million. At the end of the Qing Dynasty, it was more than 400 million. Of course, the greatest contribution is made by sweet potatoes and potatoes. The relatively stable society [the Ming Dynasty bureaucracy had such a large population and would have rebelled long ago] also contributed a lot. It's not a massacre, What else is there to say, Han nationality is defined by blood [A large number of naturalized people became Han Chinese during the Han and Tang dynasties. If we really talk about bloodline, I'm afraid it's hard to say who is pure. Or the definition of clothes [clothes are always changing, take that dynasty as an example] ah, Or the definition of language [whichever one should be used as the standard for ancient times, medieval times, modern times, and modern times]. It's nonsense to say that the Han people don't like expansion. The Xia, Shang and Zhou Dynasties only had so much space. The Qin and Han dynasties were big, the Tang dynasty was bigger, and the Song dynasty was just a little bigger, and it kept expanding in the Yuan, Ming and Qing dynasties. When a good guy comes to your place, he will abandon his martial arts skills and become a pacifist. Of course, our ancestors were dissatisfied and could not see that times had changed. This is their historical original sin, but it cannot negate the efforts of previous generations. , The ability and luck of the older generation to stabilize the current country is the result of the ability and luck of the older generation. If the late Qing Dynasty had been replaced by the late Ming Dynasty, the country would have been torn apart by now. I am afraid it would still be the Seven Heroes of the Warring States Period. The tradition of book-repairing castration was passed down by Kong Laoer, Zhao Laoer and Zhu Si. Lao Si carried it forward. Not washing *********. I just want to say that original sin is original sin, don't just talk about it. . Of course, what I say as a Chinese is that it doesn't hurt to stand and talk.

Although the recent chapters have been filled with virtual naval battle scenes, this is not the reason for some people to criticize parallel imports. "Chaos" has always been about reconstructing a new direction of China's development in an imaginary history. Lion is also trying his best to be real in this virtual world. Various characters have their own thoughts and choices. This is much more exciting than the stereotyped main and supporting characters in other novels written by idiots, isn't it? Virtual stories do not mean that you can talk nonsense, and science fiction novels cannot talk nonsense. Even famous games now pay attention to the rationality of the plot. Some people have been complaining about the detailed plot of Lion? Everyone has their own preferences. Those who don't like this kind of delicate writing don't want to read it, and no one is stopping you. Go out on your own and turn left. Isn't it better for everyone to go to the opposite side of the road without being bothered or confused? It's like a dog-skin plaster all day and night. Overall, "Chaos" is the best novel that I have read so far that explores the history of the late Qing Dynasty. Its writing style, details, and characterization all impressed me, and it also changed my stereotype of Qidian as "all brain-dead stallion cool novels". So I will always support the lion, and I also ask the lion not to care about some people's troubles, and just be yourself.

Uh, I dreamed last night that I was wearing clothes until the end of the Qing Dynasty. I wonder if I might have an intersection with a certain Xuan 😰