A Splendid Bloom

This book is also known as "The Stubborn Life of a Heroine Who Never Hits the Wall and Never Looks Back", or "The Ancient Costume Romance Version of Qiu Ju's Lawsuit: I Just Want to Get an Answer". The plot is like this. The heroine is relatively unlucky. She was framed and ended up in the world. She was full of hope and rode alone thousands of miles to find her father, pia, and was slapped in the face; she was full of joy to find her brother, pia, and was slapped in the face; she finally met her mother (with the help of the male protagonist), and her mother's heart was: I know everything, but I just won't tell you; she was also thinking about finding her uncle and aunt, pia, and was slapped in the face. . . It's not easy. If there wasn't such an all-around male protagonist, I wouldn't be able to hold on to the female protagonist who always loves to hit the wall. It is said that women are ancient women, they have conservative ideas and inherited court training from a young age. Are all ancient women stupid? Is it unthinkable that who benefits and who has the motive? The whole family has been promoted, and the ex-fiancé is marrying someone new in a minute. This has nothing to do with you. How blind are you? If this is a true restoration of ancient women's lives, I can't help but have deep doubts about the IQ of ancient Chinese women. . .

Among Zhizhi's current works, my favorite is Flowers Blooming. The characters of the male and female protagonists are very popular with me. Who doesn't like a man like Zhao Ling?

There is no time-traveling prophet or golden finger. The male and female protagonists support each other and grow up through hardships. I have read this book two or three times. As time goes by, I can see Zhizhi's excellent writing among more and more nonsense!

I read the article "Flowers Blooming Splendidly" once and then read it almost in one sitting. Compared with several other ancient rebirth novels by Zhizhi, the male and female protagonists in this novel have almost no golden fingers and no noble starting point. They almost climbed up from the bottom of society step by step. From the mutual distrust and even tit-for-tat confrontation at the beginning to the happy ending between you and me, it has inherited Zhizhi's consistent writing style. Good people are rewarded with good things, and bad people are not. I like this setting very much, and it is very refreshing to watch. But perhaps because of Zhizhi's earlier writing, the ending was a bit rushed, and even a bit unfinished in my opinion. The endings of many important characters are not mentioned. For example, the two brothers Jin and Yang, people like Sanfu Shizhu who have followed Zhao Ling from the beginning, and many other supporting characters gave me the feeling that the writing was not finished and there were still many things that were not explained. At the end, it was very uncomfortable to watch, and I was hanging there. . . I just read the postscript. It only talked about the follow-up of the Yu family and the marriage of Tingyun's children through the Wu family's return to Beijing. It didn't mention anything else, and the writing was very abrupt. It felt like it was written by force. . . I finished watching Ninefold Purple and Jinling Spring, and I feel

Watching it from beginning to end, I came here for Zhizhi's reputation, but ended up disappointed. Zhao Ling was a bright spot. But only one-third of the whole text is illuminated. His character seems to be a different person in the previous and later texts. The latter function is like a stallion: if you love each other, you will have a baby, and if you love each other again, you will have another baby. Or maybe they deliberately show various images in order to bring out the brilliance of the heroine. This should not be attributed to Zhizhi, but to the problem of online articles. No one can guarantee the overall situation under the premise of massive daily updates, not to mention the influence of readers. The newbie is trying his best in this class, and I hope he will learn a lot!

The characters are outstanding, the plot is exciting, and the concept is high. There is no time travel and rebirth, no golden fingers, and it is magnificent. As long as it is adapted appropriately, it is very suitable for film and television. The male and female protagonists, one is a self-made person, and the other is a young lady but has her own thinking, is unyielding, and is an outstanding character.

The first half is outstanding, with distinct characters, vivid storylines, and delicate and touching emotions. The second half is unwatchable, with several talkative women going around. The male protagonist's function is to sow seeds + get promoted, and earn wealth for the female protagonist. The heroine keeps giving birth to children, which makes people in the Yu family feel upset. The only successful image is that of Mrs. Yu, but it is a pity that her son failed to win the first prize in vain, which is unreal.

I have read basically all of Zhizhi's books, and I like this one the best in terms of the characters and story structure. First, both the male and female protagonists were abandoned and persecuted by their families, but they relied on their own efforts to judge the situation and make a fortune from scratch. Compared with those books where the characters are noble children or royal nobles, it is definitely not as exciting, but it is easier for people to resonate with it. Second, without time travel and rebirth, the male and female protagonists have no chance. The struggle to create this world depends on choice and hard work. I like this setting very much. Thirdly, some readers complained about the heroine's search for the truth, feeling that it was very pretentious and inexplicable that she was so far away. But in my opinion, after the heroine makes her feelings for the hero clear, the most important thing in her heart is how to live a good life with the hero. Revenge, the truth, family affection, are not the most important. She came to Kyoto to meet her parents because of the male protagonist's arrangement, not purely for the truth; she went to Xi'an to restore her friendship with her cousins ​​because she had to do something convenient. This is exactly what I think the heroine's character should and will do, and it's just right. Fourth, as for the ending, everything that needs to be explained has been explained. A happy life and great revenge are avenged. Although it is sudden, it is not hasty. The story of descendants cannot be written forever, leaving a little aftertaste, which is just right. Fifth, the portrayal of the male protagonist is very good. In pursuit of his career, he has to be separated from his wife frequently. Some readers think this means that he doesn't love his wife that much, but I like this kind of male protagonist. When two people are together, they should achieve each other's achievements instead of accommodating each other. Although they are far apart, he makes every arrangement properly and does his best to protect his wife and children. It can be said that he is very manly.

I am a man and have watched it 3 times. Very well written. This is my favorite of all the author's works.

This book is really well written. The heroine's life in the nunnery is described in detail, which makes the heroine's image and character come to life on the page. The portrayal of the heroine here is completely different from the facial expressions of the heroine in fast food novels. The story begins with the heroine seeking the truth in the nunnery, to desperately trying to survive, and then to resolutely heading west. The heroine's tenacity and resistance are written down to the last detail. On the journey to the west, the heroine once again showed the squeamishness and tenacity of her character. Some people say that the heroine is feeling aggrieved. How could the heroine know that she was framed by her ex-fiancé and her father when communication was slow and no one was available? Of course, the ex-fiancé and the scumbag father in the book are not vivid enough. But I still think the heroine is very successful in writing, strong, tenacious, daring to resist and have her own pursuits.