A Monk in Another World

The other logic is confusing, the protagonist's character is too confusing, the level of martial arts is vague, the supporting characters have low IQs, and the people around them suddenly disappear. These can be watched even if the writing skills are not bad. The most damn bloody thing is that the emotional scenes are clearly written in general, and the protagonist has a harem randomly, teasing everyone when he sees it, he must be sick!

Why is it that when I saw the cover, I immediately thought, "What are you looking at?" "

I just finished reading this book today. In total, I have finished reading two of Xiao Da's books. Looking back, there are some things I always want to say to Xiao Da, but I don't know if I can see them here. Xiao Da's books have some special advantages. Xiao Da has a good cultural foundation and a good foundation in martial arts literature. His writing is neither impatient nor impetuous. The plot arrangement is quite satisfactory. He does not rely on dangers and monsters to win, but takes the straight and peaceful road. This is rare nowadays. Specifically, the book "Taoist" is a rare book written after the achievement of achievements. Most novels write about the process of achievement, which is full of hardships, struggles, adventures, etc., Which can easily make people excited. Few novels are like Xiao Da, who writes a plain leisure story. After success and fame, he leisurely watches the clouds gather and disperse. This emotional main line runs through the whole book, like chanting tea or caressing the spring snow, which is refreshing and refreshing. The book "Monk" instead returns to the traditional route, defeats monsters and upgrades, changes the map, and seems to have regained the passion of youth. In fact, in terms of emotions and the emotional grasp of the work, I personally think that the book "The Taoist" is better, especially the loneliness of the protagonist who is independent from the world. It has more descriptions and runs through it throughout, which is quite successful. The advantage of the book "Monk" lies in its "pseudo data flow" and detailed description of martial arts and magical powers, which is better than the previous book. However, Xiao Da's works also have several inherent shortcomings. I will not hesitate to discuss them with Xiao Da: 1. The writing method of stream of consciousness. Xiao Da's writing is free of rein and has extraordinary peaks, but it often falls into the trap of thinking. Xiao Da said at the end of the book "Monk" that he did not write according to the outline, which shows that he agrees with this point of view. Frequently changing maps is a good thing, but it is not necessarily a real good thing. Xiao Da's works have ended very suddenly several times, such as Feixue in "Taoist". It is obvious that he has new ideas in his own conception and can't wait to write the next chapter. However, the explanation is too little and it is really incoherent. 2. Foreshadowing is useless. This is derived from the first question. Xiao Da's storylines are not surprising, but often warm and light, making them very comfortable to read. However, because the author's stream-of-consciousness style is too strong, he often foreshadows the story but fails to respond. The most typical example is Li Mochou's master and apprentice in the section of "The Condor". Xiao Da spent a lot of time describing it at the beginning, but stopped abruptly after the second meeting. Later, he rewritten Zhang Qingyun. In fact, he transferred Li Mochou's role to the past. What he wrote before is completely useless. Then there is the book "Monk". There are thousands of clues lurking in front of it. As soon as the map is changed, they are completely ignored. It is really a pity that the doctor Lenghu, the emperor of Nanli, the protagonist's parents, etc. Are gone with the wind, which is sad. What's even more troublesome is that the book "Monk" repeatedly emphasizes the fundamental God-Observing Sutra, and the Golden Finger, as the protagonist, repeatedly emphasizes not to talk to others, but in the end he really doesn't say a word, which is really inappropriate. 3. Pseudo data flow, this is Xiao Da's progress in "Monk", but it is also a flaw. The master levels are unclear. Since the protagonist wants to take the road of fighting monsters and upgrading, he does not know what the opponent is like or what level of martial arts he is. He can just say it and pass it by, which is a bit weak. Although Jin and Gu have never distinguished between these, the martial arts and characters in the Jin book have levels. However, Xiao Da frequently changes maps, and the difference in martial arts between maps and the levels of martial arts within the map are not clear. 4. Details. Xiao Da's grasp of the general direction of the text is very good, but there are many regrets in the details. Mistakes in names are quite common. For example, in the book "Monk", the leader of Longshan was named Wang in the first section, but his surname was Yan in the second section. It is a pity that he mistakenly became the enemy Linhai Pavilion Master. There are even more errors in other details. There are many things that I have seen in the previous article but are unaware of in the later article. 5. Description of emotions and characters. In fact, in this part, Xiao Da has made some progress in the two books "Taoist" and "Monk". In "Taoist", Xiao Da wrote about Guo Fu, Jiang Nanyun, and Wang Yuyan. They are gentle and moving, cute and cute, and they all come to life on the page. The images of Yi Lin, Miejie Shitai, Yue Lingshan, Li Qiushui, and Tianshan Tonglao are also vivid. The emotional descriptions, such as Guo Fu's bitter love and Wang Yuyan's transformation, are both touching. As mentioned above, the protagonist's personal incompatibility and loneliness are well portrayed. Generally speaking, it is relatively successful. The book "Monk" is quite suspected of being a stud. Every sect the protagonist joins has a senior sister, and they are almost the same.

In Chapter 60, he hangs out with women. He calls himself a monk, but in fact, he is just like ordinary people. He practices plum blossom swordsmanship, Qinggong is fleeting light, the weapon he uses is a sword, and the person he gets along with is a beautiful woman. Unlike how I imagined a monk to be, this book was not for me.

I read "Monk" just to see a man with upright views and not a philanderer, but I didn't expect this protagonist. . . Also, the author's description of every female character reveals lustful thoughts, which is really unacceptable.

I was obsessed with watching it! The worst review in the past 10 years is for you!

After reading more than 300 chapters, the protagonist is a monk in name, and he is calm and relaxed. In fact, he is not a nuisance, but he is like a nanny to the people around him. He is very protective and controlling towards the people around him, especially women. However, he also likes to cause trouble and often brings trouble to his relatives and friends. When he meets an enemy, his first thought is to kill people. When he brings trouble to his relatives and friends, he will not Don't give up, and use the secret method of overdrafting your soul to save people regardless of whether the situation is dangerous (it is obvious that you have deep inner strength, photographic memory, and super learning ability, but you just don't learn the skills to save people). If the protagonist hadn't known, he would have been killed hundreds of times by the enemy.

This book was written a long time ago. I used TXT under PHS to read it.

I think the logic is confusing and the characters have multiple personalities. It's like he has a split personality, one moment he is decisive and decisive, the other moment he is indecisive. I don't know why, but after reading more than 500 chapters, I can't stand it anymore 🥵🥵

The protagonist's cultivation level is unclear. He may be extremely powerful at one time, but it's tricky to defeat top-notch masters, and sometimes he can even kill the extremely powerful ones. What kind of cultivation level is this?