Lord of the Mysteries: Lost Control? The Heavens Come to My Aid!

I don't understand why so many Mugen streams have to add one person and Demon Slayer? Demon Slayer can be said to be used as a transition, so why can one person have anything to boast about? And every time it's the same old routine, which really makes me vomit. Participate in Luotian Dajiao's daily release of water, daily black hands abstain, and daily kneeling and licking the Heavenly Master.

The goddess of the night is the same as the street gangster: Come to the restroom between classes, but if you don't come, I will let my boss kill you tomorrow, just like laughing to death

There is another way of writing mystery, the lever writing. The source of mystery is the Creator. The so-called magic potion is just a handle that is closer to the Creator. The higher the level, the more things you come into contact with, and the knowledge contained in the handle. Beyond yourself, you cover yourself. Even if you stay awake, the more you move forward, the more you will continue to collect the handles. Those rights will eventually lead to the Creator awakening from your body. Another way, even if you don't move forward and just become a god, the Creator will wake up and the same direction will be regression. The principle of leverage is to use other To carry out continuous upgrading in other worlds, it is like the world of martial arts where only refining qi and transforming into gods. Refining qi and transforming into gods is easier than the previous stages, but the later stages block a large number of people, and the world does not have so many resources. At this time, you need to use secrets to create a visualization system similar to magic potions. This is equivalent to originally you are the closest to the Creator. Intuitive endurance, directly divided into one world, the other party cannot wake up and hit you. As long as the corpse is torn into pieces, the speed of his awakening will continue to extend. The most important thing about the visualization method is to transform the support of heaven and earth that is required for refining qi and becoming a god into a system that bears and maintains the greatness that causes the soul to remain intact. It is completely developed from will. The so-called three souls and seven souls (souls belong to the level of immortals and warriors. This concept of soul can only appear in martial arts. Only the will polishes the so-called soul to carry everything about this person). The same world of tomb robbers also brings benefits. To put it bluntly, it relies entirely on Feng Shui to form a closed loop and can only exist with the help of meteorites from the sky. The same creation of earth evil spirits , another aspect of the handle can be stolen or extended. The so-called transcendent in the world of tomb robbers is just the ordinary factors that have not reached the extraordinary. The way of writing a lever is that one person is constantly leveraging the entire huge world to increase the dimension. All the pressure and gravity are borne by this pole, and both sides are pressed to an extreme. The same process collects all the extraordinary factors. Su changes the door body bit by bit, and when both sides reach a limit, the first one arranges a death for himself, preventing the Creator from using cause and effect or extraordinary factors, briefly returning from the body and soul, and opening up the three corpses. This is almost like a zombie. All the causes and effects are carried away by the predecessor, and the soul is transformed into a ghost. It is inherited by those souls and is constantly peeled off. All kinds of will pollution, the seven emotions and six desires are constantly accumulating from quantitative changes to qualitative changes. One world may not be able to cope with countless worlds, especially if all the pressure of leverage touches the dead Creator, and this pollution is constantly used as fuel and incense to pollute the entire Creator's will. The only thing that is scary about immortality is that this kind of self is infinitely suppressed, and the soul is infinitely polluted. It is the kind that cannot be killed or washed away, and it has been maintained. At this time, you need a final blow between the Creator and you. If you succeed, you will get everything from the Creator. If you fail, the Creator will directly escape and pursue you endlessly.

Author, have you ever considered how the protagonist should face the snake god? The ancient god Snake God, masters the imaginary space, spans the layout of time and space, and reverses the cause and effect. Even after death and the soul dissipates, he still controls the underlying logic of the progress of the entire story. He even has full immortality, that is, he will be resurrected after the universe is restarted. The reason why the protagonist group in "Ghost Blowing the Lamp" can survive is because the snake god's purpose is only to get back the soul (Muchen Bead), so he guides Hu Bayi and the others all the way. If the protagonist wants to participate in the plot, how should he pass the snake god level?

I will add some pictures

One person, Douluo, Prehistoric, Marvel, Dragon Clan, this introduction is amazing, why don't we have a ghost slayer and a super god 😥

It is also suggested that the author should not add Hong Huang, which is very controversial. There are too many second-generation schools, and writing about them will definitely cause a lot of controversy. Regardless of whether it is written high or low, there will definitely be people who are dissatisfied. After all, that thing is not a book, but an entire genre.

It's best for the author not to add to the prehistoric period. You can't control it.

There are too many 'Ah's' at the end of paragraphs, which affects the listening experience. It was nothing at first, but after listening to about ten chapters, the frequent "ah" words made people feel depressed. There are a lot of explanations in the article. Take the fight in the tomb as an example. Explain what weapon to use, why you use this weapon instead of another, what effect it has on the enemy, and guess what effect other weapons have. Then there is how the character uses weapons, what moves he uses, why he uses such moves, and what changes are made. Then how did the enemy react, and what did the character do to deal with it... It's really too long-winded, and there are too many explanations. Why don't you, the author, write a popular science article in the introduction. How many people can read popular science articles?

It's not very good if the protagonist is not an assassin 🙂