Heaven's Curse

I have read several books by Wuji Bookworm. Personally, I think his writing is quite good and I like it very much. I would like to support him if he writes a new book.

First of all, it will not be talismans, scrolls, bells, beads, wishful thinking, rings, and umbrellas. What has been written will not be written again. Not a sword, Wuji is not good at fighting. I guess it is a tripod. There are inscriptions on the tripod that can represent curses. The tripod fits the name and can also be used as a pot for cooking.

Skill level: Jin Jian Yu Zhang, Lang Han Ling Bian, Gui Shu Dan Scroll Among them, the jade seal is the most expensive, Ling Bian comes second, and the Dan Scroll is the last. Practice realm: six realms: Zhongqi, Xuangang, Yuque, Heguang, Shenzhao and Yuantai. After the six realms, there is the real person. Each realm is divided into four small stages: initial, through, upper, and extreme.

In fact, just follow the previous routine. Taihao and Dao Pi Jiuxiao are both very good-looking.

It's a bit like the story of the water ghost in the Legend of Gods who was promoted from a water ghost to a city god because he was good at saving people. It just so happened that the protagonist had developed towards the netherworld. I guess it was a water ghost who was promoted to a city god😁 ps Let's take another guess and guess that the snake bones were soaked in water to save Huang Jing🙂

I hope the protagonist will not be too childish. In the previous books that hit the market, the protagonist was like a child, very emotionless. Only protagonists like Chang Ming and Feng Ye are charming!

There is just one thing: write about cultivation well, and don't make it a fairy tale or a fairy tale. When there are more than forty chapters, write less of this kind of fantasy story. Just write a little bit to adjust the taste. Don't write too much. Overall, the writing is very good, with parallel light and dark lines, good rhythm, classic themes and profound writing skills, vivid and vivid characters, and careful attention to detail.

Alas, cultivating immortals also needs to have a literary flavor that lingers in my heart. The protagonist needs to experience the world of mortals (it feels a bit long), help everywhere (you can say meddle in other people's business), and get to know some so-called like-minded supporting characters. The evaluation of the creation should be mixed. There is also a sour Confucian flavor mixed in with some short stories about scholars, but it can be regarded as quite popular among the audience.

It's turned into a landscape story~ Apprenticeship seems to last a lifetime... I can't understand the logic of the story

Character information.

Just now, a previous event was promoted on the homepage, saying that the Wuji account has released a new book, and I just found out that 🤓🤓 I haven't seen it written under this account for a long time, so I'm looking forward to it.

The author's writing is great. You can check out the works of Wuji Bookworm, a veteran writer from Qidian. The style is very similar and can be used as a reference to learn from each other's strengths and weaknesses ✊✊✊

He has too much arrogance, and some scenes are so written that it feels like the world is a son's amusement park, and he is arrogant and noble.

To be honest, I was looking forward to it, but the introduction was a bit too much. It looked like a classical Chinese text, and it felt a bit too gaudy.

According to the five virtues, the virtue of fire is Yuan Fu, the virtue of water is Taihao, the virtue of wood is Jiuxiao, and the virtue of earth is luck, but the only thing missing is the virtue of gold. If we look at the five immortals, the heavenly immortal Taihao, the earthly immortal Jiuxiao, the divine immortal Yuanfu, the human immortal Henghua, and the ghost immortal are the only ones missing.

Can low-level magic weapons not be given lofty or cumbersome names?

There are no big problems after reading Chapter 9. The plot is worth looking forward to. If you don't read it twice, you won't have the desire to continue watching. The realm setting is not an ordinary qi-training and foundation-building genre. The character's actions are logical and consistent with common sense. It is worth recommending.

Oops, this account has released a new book. I have to keep up with it.

Is it possible that Taihao, Taiyi, Jiuxiao, etc. Have already been fed to AI, so it is AI that looks like you, not you?

Around Chapter 40, I feel it's not as good as before.

I was really looking forward to the pretentious life of creating spells and spells in the sect. Shouldn't that be the point of this book? Use modern people's thinking to improve spells and change the way people live in this world. Now it seems that expectations are lowered

The content is good The problem is opening a restaurant in the ghost world. At first I didn't recognize people's faces, but later I realized what state the ghosts were in and they didn't regret it. There are still many questions surrounding this part. It's like forced cheating The feeling of separation is very strong. If I feel this sense of separation a few more times, I will give up the book.

I don't understand. Now that the author has created the world with his pen, why do he still sleep?

After writing so many words, I am still stuck at level 4, which is very average.

Write well when the big size comes back! It doesn't matter if you take it slow, I just want it not to be cut in half!

The second volume really affects the perception. The protagonist clearly wants to become a disciple and has to follow the world of mortals. It really affects the perception.

It's getting better to open a new book. To be honest, the novels about virtue, immortality, and chivalry on the current list are really not very good.

For example, how many vests and books are there? Really want to know

What kind of water is that in Luo? Is it a minor role?

The writing is really good when it comes to the background and practice setting But the main line is weak, and there are many meaningless plots, dialogues, and supporting characters that neither promote the plot nor help construct the image of the main characters.