Bedside in Hotel

When writing "Bedside in the Hotel", I did not deliberately pile up thriller scenes. I just wanted to use a hotel room with an old coffin hidden to reveal the justice and obsession hidden under the old local customs. Urban expansion always has the habit of erasing the past, with righteous villages being bulldozed and grievances buried in the dust. Those unspoken sufferings are often hidden in the inconspicuous corners of high-rise buildings - the bedside of cheap lofts and deserted squares, which have become a small place where the souls of the dead have been trapped for half their lives. The suona, the coffin, and the marks on the ankles in the story are not just to create fear, they are all symbols of obsession. Shopkeeper Chen did not want to cause trouble and harmed others, and was trapped in the world for decades. He never wanted revenge, but just a belated truth; A Kuan accidentally broke into the secret, and did not rely on his special physique to transcend, but just took the responsibility of conveying the truth with the goodwill of ordinary people. I have always felt that good ghost stories are never written to scare people. The background of ghosts and ghosts has always been the grievance and unwillingness in people's hearts. Most weird things in the world are rooted in the evil planted by people. The Zhao family set fire to and destroyed the property in order to occupy the land, and the hotel owner used coffins to make furniture to save trouble. Everyone avoided the past, and the cycle of resentment continued. When the truth is made public and the stone monument is erected, the obsession will naturally dissipate. Fear will eventually dissipate, but forgetfulness is a permanent shackles. Writing this story also reminds everyone: as the city moves forward, don't bury the dusty suffering easily. Giving justice to the past is the best answer to dispel all the gloom.