Name: Li Qishu
Author: Saiko Sama

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Synopsis

At the end of the Spring and Autumn Period, rituals collapsed and music collapsed. The princes and ministers of the Eastern Continent have exclusive power, the Li Rong cavalry in the north are knocking at the pass, the witches and historians in the southwest guard the millennium cultural context, and the mysterious realm in the northeast hides the secrets of meteorites from outside the region. In the beacon fire of Quqiu, Su Yan, the orphan of the guilty minister, Li Ji, a mixed-blood refugee, and Su Lingyan, the descendant of witch history, three young men who were burdened with their own destinies, had a brief encounter under the ruins of Wengcheng. The cave bonfires and the carvings on the stone walls have become the cleanest old time in troubled times. For more than ten years after that, the two went to their own camps. One established the Qi Dynasty with strict laws and regulations, and the other established the Great Li with unparalleled bravery. They went from being brothers to being enemies in front of the battlefield. She traveled around the world with her mysterious jade, observing the stars and compiling history, walking alone in the century-old dispute between "preserving the cultural heritage" and "saving the troubled world". The ideals of Shouzang League and Xuanshu Sect are threatening the world, and the cost of Xuanshu's origin has come to light. When Xuanyin's cavalry went south, the two heroes finally put down their war and went to the secret realm of Xuanshui together. In the end, the river was clean and the river was clear, and the two of them ruled the river. She retired to Chongling, and the three of them never met again in their lives. History books only record the achievements of the founding of the two dynasties, but do not record the agreement between Quqiu Yehuo and the young man. There is only one "Li Qi Shu" hidden in the deep mountains, which describes the rise and fall, and also hides the longing of the old friend. If you like oriental fantasy, such as the Kyushu series, you can check it out, a new author, a fan of Kyushu

Reader comments

When I try to read the world's classics, I may be stuck in a corner of my knowledge, or indulge in superficial words and chapters. It is not until I open the volume of "Li Qi Shu" that I realize that the pen and ink can actually speak from all over the world, and the words are enough to shake the clouds. Li is like a thousand-mile horse, galloping across ravines and climbing mountains, carrying the subtle thoughts of eternity; Qi is like a horse that levels mountains and seas, balances heaven and earth, and absorbs the ups and downs of the four directions. This book does not use complicated words to impress the public, but every word is like a horse stepping on a stone, with a sonorous sound of cracking gold and stone; the writing is smooth, the pattern is unconventional, and the strokes of the pen can match the brilliance of the sun and the moon, and level the obstruction of the hills and valleys. The people and affairs in the book are ups and downs in the tribulations of the world. Their emotions are not bound by the world, and their ambitions are not bound by the time. The joys and sorrows do not turn into frivolous sighs, and the rise and fall do not fall into clichés. Ordinary words only describe a corner of the human world, but "Li Qi Shu" spreads out an entire realm of changing mountains and seas, and surging aura. It has been a long time since the book was closed, but the aftertaste is still like a long wind blowing through the sleeves. In ancient times, there were writers as numerous as the sands of the Ganges River, but they could use "Li" to store up the momentum of the surge, and use "Qi" to establish the bones of the vast distance. This is the only one. Anyone who loves to read majestic prose and enjoys viewing vast landscapes will get this volume, and the rest of the idle books can be put away in a high cabinet.
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