Urban Legends: My Classmate Is Tomie

But the identity of the undercover in the past life is really a bit too abrupt, especially in the second volume of the rainy night, the protagonist takes the initiative to save people. The protagonist does not show the caution and caution of an undercover. The protagonist is changed to a Japanese horror comic and detective mystery lover in the past life, and he looks more handsome than this undercover.

Supernatural background board + detective story, a bit interesting. But there is a common problem with detective stories. It's hard to read the entire story in one go. Moreover, the protagonist is afraid of Fu Jiang and inexplicably moves in together to start raising Fu Jiang. He says he wants to go to China but keeps putting it off. He spends money lavishly and spends as much as he can when he has some money. It should be that the author didn't think about how to deal with it and used money as a restriction card for the protagonist's actions. Summary: Food and grass is worth reading. PS: It's considered high-quality food for detective enthusiasts.

I have finished reading it in one go (54 chapters in progress, I feel good. This book is not like the kind of peach or upgraded smooth novel that has been criticized for a lot of ghost stories, but a novel with suspense reasoning, weird stories and horror. There are no obvious logical flaws in the reasoning, or some small bugs in the description logic, the emotional line and the daily life) The often playful words harmonize and advance the main plot without seeming too dramatic or taking over the main role. Some of the protagonist's settings or actions make me feel a little bit like Vision Investigator 🙂. This kind of novel usually becomes more difficult to write as it goes on. I hope that the quality can be maintained.

Shen Nong is simply doing harm to people, where is the food and grass? The characters are divided, and I am still mentioning returning to the country and going home. As soon as he arrived at the police station, he helped solve the case, and the identity of a policeman from his previous life suddenly appeared. He was so scared when he saw Tomi Jiang in the first place, but he took it out of his backpack nonchalantly when he saw the severed hand, and he didn't care when he saw the scalp.

Not bad, good grass level. Fujiang participated in the first case completely in the form of body parts.

🙂 I have finished reading the first volume. The writing is quite interesting. Although the ghost story lurks in the shadows, it does not affect the reasoning itself in the end. Personally, I am quite resistant to the new character. Come on, author.

The latest plot feels like the mystery of the Wolf Village

It's soul piercing again, and I wrote it out specially. Existence replacement, memory awakening, and even writing a native are less poisonous than this

What exactly does the author want to express? The protagonist's identity was an undercover detective before time travel, and he also knew that this was Tomi Jiang's weird world. But now, what does it mean to have a fight with the police? I really caught it, can you solve it? Why bother with such known business? Inexplicably like a mentally retarded person, this is not an AI article again, is it? There is no normal human logic at all. It's too nonsense.

Was I tricked into eating sex?

In particular, there is a setting with a police background in the past life. Now it is like schizophrenia. One moment I am afraid of returning to my country, and the next moment I am close to various incidents.

But I still want to wash it. The male protagonist pops up out of nowhere and the police setting cannot be washed. Just think of the fight between the soul of the male protagonist and the physical body of the original male protagonist. The male protagonist's soul has a classic time traveler mentality, looking down on others and always joining in the fun. The physical body of the male protagonist is responsible for counseling, and it is up to him to control the small head and the big head. Some gods are not like modern people and all their speeches are under their control.

Overall it's okay, it feels like a high-quality product. But there are also logical flaws. In the early stage, the protagonist wanted to return to the country for a while, but the logic of participating in the case was flawed. There should be more psychological description to change the protagonist's mind

Shen Nong is harmful to people. This pig's foot is not smart, but he is still stupid. A Japanese actually wants to recognize his ancestors and return to his clan, even if he is a Japanese ancestor, what do you want others to believe?

Dragon Snake wants to jump to the end now, and has stopped subscribing. Waiting for your finale is really a bit boring. I probably know the scene setting of the imitation human wolf village you want, but after all, you are not really playing the game, and the readers are not the ones making choices. Do you understand? To be honest, it is not as charming as Alas. You are seriously inserting reality into the surreal phenomenon. Murder review, but you only said a lot of information when interpreting it. The information is put behind the scenes. It feels like shooting an arrow first and then drawing a target. It is not as interesting as the first case. In addition, your update is too slow and takes too long. The protagonist is sometimes smart and sometimes man-machine. It is not interesting to be neither good nor bad. To be honest, after all, we are not really fighting in a wolf village, do you understand?

It's very uncomfortable to see the difference between what the protagonist is thinking and what he actually does. I don't understand what the author has in doing with this arrangement.

Don't write this dungeon, it's almost over. The protagonist's reincarnation without memory is equivalent to watching a similar plot three or four times while holding the cute brother's head 😭

The advantage is that you don't have to tap the screen to advance the dialogue, but there are no shortcomings that visual novels have. This book is completely in the style of galgame in terms of characters, world view, plot, and dialogue. The details are as rough as the game, and the reader needs to brainstorm a reasonable explanation. The reading group is very limited. It can be seen that the author has not read many mystery novels, but has played a lot of games. This article can focus on the game aspect, but this is Qidian. Com. If you don't have the mentality of playing galgame, you can only rate it as finished.

The title says Fu Jiang, but in the end there is nothing about Fu Jiang in the two volumes, and he participates in the whole process in the form of a corpse.

This section of Dragon and Snake exposed a very big problem of the author. He likes group portraits and spent a lot of pen and ink to write about the perspectives and psychological journeys of other characters. In the first incident, the number of people was relatively small, and it was not exposed too seriously. In the Werewolf Village, it was completely exposed. You don't know where your focus is at all. The protagonist is like an NPC outside aid. He came out to be a key Mr. Riddler for a long time. When I asked you what happened, you said you understood it, and then you did a lot of operations and then came back to complete this. Behavior, but your reason is very far-fetched, because your protagonist's perspective is as small as that of a passerby, and there is no information, so you just leave it there and then start to explain it forcefully. It's boring. The author thinks that the writing is quite good. I can only say that it is purely self-indulgent. Maybe you think you wrote a good group portrait, but it is really a mess. In the end, you set fire to reincarnation and amnesia. What are you copying?

The idea of ​​this book was directly stolen by the AI ​​drama, and the author of the AI ​​drama knows the highlights and cool points of this subject better than the author of this book. I can only say that I still need to practice.

The first story is very good, but the plot copy of The Dragon Snake's Bride feels like a mess.

Who is the protagonist? One thought a day, never return home.

Generally speaking, there are some logical flaws, and inexplicably like to meddle in other people's business. If one thing is not solved, he will start another one, and all kinds of clues will be automatically delivered to the door. While writing about the main character being afraid of death, he is also causing trouble everywhere, and some of the preface and follow-up are inconsistent.

After reading the whole article, I had a general impression, as if it had no beginning or end. There was no main line. It was said that I was going back to China, but nothing happened for a long time. He keeps playing decryption games and is very verbose.

Both the title and the introduction use "ghost" to attract readers, subconsciously giving readers the impression that this is a horror novel. No matter how bad it is, it is still a novel that mainly features weird elements. However, after reading the first volume of "The Dead Tomie", it can be said that there is no horror or weird elements at all. It is completely playing a detective game and constantly tracking down the murderer. Let's not talk about whether the plot is blunt or whether the logic of the characters' behavior conflicts. This kind of behavior is already disgusting.

To be honest, I think the first incident is the peak, except that the setting of the policeman in the previous life is too confusing and the beginning is always thinking about going back abroad. But the second incident took a turn for the worse. The first two reincarnations were okay, but in the later period, I really liked letting the characters tell stories and make up the settings instead of letting the protagonist experience it by himself. The ending was also full of haste and sloppiness. The third event is cut at the speed of light and there is no connection between the past and the future. There is no problem in starting from the third event. Moreover, from the beginning, people are told stories and settings. I really can't stand it. That's it.

Surprisingly, the logic problem of returning to China is also a small problem. I have never seen anyone write it well. The author also made up for it. His own sense of justice, Kayako, was afraid of bringing Fujiang here. My only puzzlement is how the male protagonist can live with Tomie and even eat warship sushi for Tomie and eat plum rice for himself. Was he charmed by Fu Jiang or is there another explanation?

The protagonist in the previous chapters doesn't seem very smart and always wants to go to China. Let's not talk about whether Jun can stop the weird talk in the past. The problem is that the protagonist's identity in this world is a Japanese. Why does he feel that in his perception, it is quite simple for Japanese to migrate to China?

He is running around in a world that he knows is full of ghosts and has no way to fight back, and his mother's heart is bursting.