
Fairy Tail: You Said It Was Just an Act, So Why Are You Making It Real?
妖尾:说好演戏,你来真的?
- Status
- Ongoing
- Length
- 408k Words
- Genre
- Light Novel
- Subgenre
- Fan Fiction
- Updated
- 21h ago
- Source
- Qidian
Stats
198Chapters
159Votes
886Recs
8.2kFans
Tags
Synopsis
In booklists 1
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Reader comments 23
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Try not to dismantle it, might as well dismantle everything.
First let me ask if Erza should be split. I quite like the original Natsu Lucy and Gray Juvia CPs, but Erza and Jellal are really uncomfortable for me to watch.
There are so many female protagonists, can you please remove the CP and collect them all? Please🥺
After reading one chapter, I discovered that the protagonist's parents were completely enemies so that they would not separate. They then left for 10 years, leaving the protagonist to live alone for the next 10 years. The most important thing is that the protagonist is still a child. Although he left a lot of property, he owes a lot of debts and basically still owes a sum after paying them off. If the protagonist is just an ordinary child, there is a high probability that he will not survive.
What's not good about playing? Playing 2.5T
Personal opinion
Let's talk about the advantages first. The role-playing setting is outstanding and has a strong sense of immersion. However, several problems affect the viewing experience: 1. The sense of confusion brought by the role is more prominent, and the overall sense of excitement is insufficient, making it difficult to retain readers; 2. The chapters are too broken, the plot has been suppressed, and the growth feedback comes too slowly. There is no timely positive return in a growth story, and it is easy for readers to turn their backs on it; 3. The troupe line is a bit cool but not fully explored. Has the troupe ever really taken off everywhere? Has the video been disseminated and made into a series? These iconic episodes are absent. My personal suggestion is to adjust the idea: daily content should be made into an independent drama mode, with main battles and major conflicts placed at key plot points; fragmented tasks and small daily routines should be appropriately dispersed to stabilize the narrative rhythm. Focusing on controlling combat power, there are two things that are most likely to fall into the trap of role-playing writers: either the combat power completely collapses, or the power is suppressed for a long time, and a balance point needs to be found.
The following represents only my personal opinion:
I personally think that the CPs in the original work that look good do not need to be removed, such as Natsu and Lucy, Gray and Juvia, but some that do not look good or are obviously forced by the author, such as Erza, it does not matter if they are removed, and I personally think that starting a harem does not necessarily have to be in the protagonist group. I remember that in the original Fairy Tail, there are many female characters without CPs or with less strong CP presence, such as Mira. So I personally think it is not necessary to demolish all of them, just appropriate ones.
A kid's start? How long did it take to write until adulthood?
I have a bad feeling when I see a child start. Does the author have an estimate of how long it will take to reach adulthood? The last book I read was "Children's Beginning". After hundreds of chapters, the readers in the comment section were bored, but the author quickly skipped the plot, and then, as expected, it collapsed, and later became a eunuch. I'm a bit worried, as the author still needs to have a certain control over the rhythm of the plot to be able to write it.
Are Demon Slayer and One Punch both on the same level?
🎭 Character design: The protagonist chooses an ability from the range of options for each character by playing the role of the character. 🎬 Plot: The protagonist plays each role in a story that is the same length as an episode of animation, interspersing the protagonist's own daily life, while using the opportunity to solve daily life problems to study the role of the golden finger. ✒️Writing: This article begins by playing two very different characters to explain the level characteristics of Goldfinger. It shows that the greater the difference between the protagonist and the character, the greater the impact on the difficulty of obtaining the character's abilities and the difficulty of retaining the abilities.