Gray Fog Descends: I Can Strengthen Anything

I'm currently reading Chapter 15, and the author's handling of it is so disgusting. 1. The protagonist was hunted down because one of them was a slave girl, and then he was let go. Do you know what you are writing? 2. What is the biggest problem the author is dealing with this time? He brought God's perspective into the protagonist. You can believe whatever others say. Then I also said that those four people did not want to hunt down the protagonist, but sent guns, girls, and supplies to the protagonist. It was just that the protagonist followed them closely. 3. The most disgusting thing is that you plan to let someone go because he has a child. Then when he wanted to kill the protagonist, did he ever think that the protagonist was only in his 20s? 4. I dare to predict a wave of protagonists. The protagonist will definitely take this person as his subordinate in the future, give him materials, upgrade him, and take his daughter into his subordinates. I will 100% write like this.

You want to create a daughter-slave villain and then don't kill him. It's useless even if he's a slave. People who want to kill you can't stay for even a second. It's simply disgusting. This plot is incomprehensible. You can kill him directly and still have the wisdom to do so much nonsense, but you still want to recruit soldiers? It's not like you're a lone wolf. Look at your mother. What's most disgusting is that she kept it and didn't kill her just for the sake of the so-called plot.

The introduction is Gou. Except for Gou in the first chapter, I don't see the slightest bit of Gou in the rest. Either killing someone or on the way to killing someone. In the first chapter, you strengthened the gate, but later you attacked your body. How can you be so stubborn? You want to build yourself into a hexagonal invincible warrior.

Nothing new, lots of repetitive settings

How can I put it, the writing is okay, but I don't like novels that lead a bunch of people to develop. At present, there is a trend of nanny novels. After reading it, the brothers in the back can tell me whether they are nanny novels.

When I read the introduction, I thought it was a doggy style that grows secretly, but it turns out that it is not a doggy style at all. It feels like wandering around like a husky and acting like a flat-headed brother. I would like to ask, from the first chapter to the latest chapter, where does it show that the protagonist is a doggy style? It's a completely entertaining story, with inexplicable conflicts and a pretentious and slap-in-the-face plot. Please delete the word "gou" in the introduction.

There's something wrong with the rhythm. It's not like a farming novel, but more like a mindless and enjoyable novel. Chapter 68, when I first learned the exercises and saw the sequence, it was outrageous. The average progress of twenty chapters per day does not include any details and descriptive descriptions that a farming novel should have. The setting is also copied from here and there, and it's quite good to mix it up. The problem is that the author's level is average. I have a hunch that this book will be good if it can be a million words long.

Isn't the content of the latest chapter too stupid? The protagonist knows how high his spirit is, and he still has to test it even though he has not yet cultivated extraordinary skills. Doesn't this expose his specialness to others?

Traveling through time without your memories! Is this reasonable? ! Is this time travel correct?

I don't like things like contracts very much. Such a strong thing can really restrict people to death. When the contract develops, you will have to pay for the contract yourself. Once the contract is signed, you will be in trouble.