Catch the Self-Employed and Reject PUA in the Workplace

The soul of this work does not lie in the level of the technique, nor in the terrifying density, but in the people who keep their true hearts amidst oppression and suffering, the people who still believe in the light in the darkness, and the people who protect each other amidst the fireworks in the market. Yang Fan's lying flat is the armor, Pan Xingyao's coldness is the scar, Lin Mo's ordinaryness is the courage, Chen Nian's silence is the integrity, Zhao Bo's onlooker is the wisdom, and Shen Yan's paranoia is the last unwillingness in despair. Behind every ray of resentment, there is an ordinary person who has been let down; every transition is a reckoning with the evil of human nature and a consolation for the innocent. On the bluestone road in the old city, we passed the oppressed social animals, the abandoned old people, and the migrant workers who were forced to death - their blood and tears should not be forgotten, and their voices need to be heard. This is not a story about gods and demons, this is a story about "people" - about every one of us ordinary people struggling in reality, groping in the darkness, and unwilling to give up in despair. May all the innocent souls who died in vain rest in peace. May all those who grit their teeth and move forward find their own light.